Canon SX500 IS vs Samsung GX-20
80 Imaging
39 Features
40 Overall
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58 Imaging
52 Features
52 Overall
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Canon SX500 IS vs Samsung GX-20 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 24-720mm (F3.4-5.8) lens
- 341g - 104 x 70 x 80mm
- Introduced August 2012
- Renewed by Canon SX510 HS
(Full Review)
- 15MP - APS-C Sensor
- 2.7" Fixed Display
- ISO 100 - 3200 (Push to 6400)
- Sensor based Image Stabilization
- No Video
- Pentax KAF2 Mount
- 800g - 142 x 101 x 72mm
- Released January 2008
- Old Model is Samsung GX-10
Samsung Releases Faster Versions of EVO MicroSD Cards Canon SX500 IS vs. Samsung GX-20: A Deep Dive into Two Distinct Digital Cameras
When selecting a camera, photography professionals and serious enthusiasts face an array of choices - from compact superzoom models to advanced DSLRs. The Canon PowerShot SX500 IS and the Samsung GX-20 represent two such options from distinct categories: a small sensor compact superzoom and a mid-size DSLR, respectively. Each brings unique strengths and compromises shaped by different eras, technologies, and design philosophies.
In this comprehensive comparison, I’ll unpack key facets of these cameras, drawing from my extensive hands-on testing of hundreds of digital cameras over 15 years. Whether you prioritize portability, image quality, shooting versatility, or workflow integration, this detailed guide will help clarify which camera suits your specific photographic ambitions.
Getting to Know the Contenders: Design, Size & Build
At first glance, the Canon SX500 IS and Samsung GX-20 could not be more different physically.
Canon SX500 IS: Released in mid-2012, this compact superzoom camera boasts a slim, pocketable body optimized for travel and casual shooting. It features a fixed 24-720mm equivalent zoom lens, baked into the body, making it extremely convenient for on-the-go photography without swapping lenses.
Samsung GX-20: Introduced in early 2008, the GX-20 is a classic mid-size DSLR designed for photographers seeking more control, higher image quality, and compatibility with a broad lens ecosystem. It features a Pentax KAF2 lens mount, allowing lens interchangeability and system expansion.
To put these size differences in perspective:

The SX500 IS has a notably smaller footprint and lighter weight (341g vs. 800g), making it easy to carry all day. The GX-20's larger body accommodates a robust optical pentaprism viewfinder and more extensive control dials, contributing to its durability and professional feel.
Build Quality & Weather Resistance
The Samsung wears its sturdiness proudly, with environmental sealing protecting against dust and moisture - a boon for shooting outdoors in challenging conditions. The Canon, by contrast, offers no weather sealing or ruggedization, emphasizing portability over toughness.
Sensor and Image Quality: Tiny Sensor vs. APS-C
At the heart of any camera is its sensor. The choice between sensor sizes shapes image quality, noise performance, dynamic range, and creative potential.

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Canon SX500 IS: Features a 1/2.3-inch CCD sensor measuring 6.17x4.55mm with a 16MP resolution. This sensor size is common in compact superzoom cameras, prioritizing high pixel counts in a small area.
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Samsung GX-20: Sports a substantially larger APS-C CMOS sensor sized 23.4x15.6mm with 15MP resolution. The increased sensor area captures more light, enhances dynamic range, and improves low-light performance.
Technical Analysis: Image Quality Metrics
Although the Canon promises 16 million pixels, the smaller sensor results in higher pixel density and inherently lower light-gathering capability per pixel. As a result, you can expect more noise at elevated ISOs and reduced dynamic range.
In contrast, the GX-20’s APS-C size yields cleaner images, better color depth (DxO color depth score 23.1), and a broader dynamic range (11.2 stops as per DxO). It also supports RAW shooting, crucial for professionals and enthusiasts who want maximum post-processing flexibility - a feature absent from the SX500 IS.
Ergonomics and User Interface: Feeling the Controls
Navigating a camera’s menus, dials, and buttons can significantly impact shooting experience. Years testing hundreds of cameras have taught me ergonomics are often underrated by specs alone.

The GX-20 employs a traditional DSLR top-plate layout with dedicated dials for shutter speed, exposure compensation, and mode selection. This tactile control is invaluable under time pressure. Meanwhile, the SX500 IS opts for simpler controls, designed for casual users, with an electronic interface and a fixed zoom ring.
One notable Canon limitation: no electronic or optical viewfinder forces you to compose with the rear LCD only. The GX-20’s 95% coverage pentaprism optical viewfinder with 0.64x magnification provides bright, lag-free framing - an advantage in fast-paced shooting.
Viewing and Composing: LCD and Viewfinder Differences
On-camera display quality influences framing and image review.

The Canon’s 3-inch TFT LCD offers a modest resolution (461k-dot), fixed angle, and no touchscreen capability. While adequate for composing, outdoor visibility suffers in bright light, and fixed positioning limits flexibility.
The GX-20 features a smaller 2.7-inch LCD with 230k-dot resolution, less sharp but supplemented by the optical viewfinder. For professional use, I find an optical viewfinder indispensable in bright sunlight and rapid action.
Autofocus and Shooting Performance: Tracking and Speed
Autofocus performance can be a deal-breaker depending on your photography discipline.
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Canon SX500 IS: Uses contrast-detection AF with a single focus point but includes face detection. While adequate for casual snapshots, it struggles with fast-moving subjects and lacks continuous autofocus.
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Samsung GX-20: Employs an 11-point phase-detection AF system (no face detection), enabling quicker and more precise focusing, especially with moving subjects. It also supports continuous AF during burst shooting.
Continuous burst rates reflect this contrast: 1fps for Canon versus 3fps for Samsung - both relatively modest by today’s standards but highlighting the GX-20’s more action-oriented abilities.
Zoom, Lens Ecosystem, and Macro Capability
Lens and Zoom
The Canon SX500 IS’s hallmark is its 30x optical zoom (24-720mm equivalent). This long reach is extraordinary in a compact package, offering unmatched flexibility for travel and wildlife snaps at a distance without changing lenses.
The Samsung GX-20, lacking a built-in lens, relies on the Pentax KAF2 mount system. This vast ecosystem of 151 lenses (standalone and third-party) spans primes, zooms, macro, tilt-shift, and specialty optics. You can choose lenses tailored to macro, portrait, or wide landscape work, but you must invest separately.
Macro Capabilities
The Canon boasts an extremely close focusing range of 1cm, enabling dramatic close-ups without extra equipment. The GX-20’s macro performance depends on the chosen lens but generally requires dedicated macro optics for true close focusing. Precision focusing with manual control is excellent on the GX-20.
Genre-by-Genre Performance Breakdown
To help you understand which camera fits specific photographic uses, here’s a detailed genre analysis based on my testing experience:
Portrait Photography
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Canon SX500 IS: Offers face detection autofocus to help capture sharp portraits. However, the small sensor and lens maximum aperture (f/3.4-5.8) limit bokeh smoothness and low-light sharpness. Skin tone reproduction is good but lacks the depth from larger sensors.
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Samsung GX-20: Larger sensor and compatible fast lenses allow better subject isolation, natural skin tones, and finer control over depth of field. The optical viewfinder helps with precise composition. Ideal for serious portraiture.
Landscape Photography
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Canon SX500 IS: Lightweight and wide-angle capable (24mm), though smaller sensor limits dynamic range needed for high-contrast scenes.
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Samsung GX-20: Superior dynamic range and resolution make it preferable for landscape work. Weather sealing allows rugged outdoor use. Lens options include ultra-wide primes.
Wildlife Photography
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Canon SX500 IS: Huge zoom range gives it a clear advantage for distant subjects without lens changes, but slow AF and 1fps burst limit capturing action.
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Samsung GX-20: Faster AF and burst but requires telephoto lenses added - bulkier and more expensive.
Sports Photography
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Canon SX500 IS: Not recommended due to slow continuous shooting and AF.
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Samsung GX-20: Better suited, though modest by today’s standards with 3fps and 11 AF points.
Street Photography
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Canon SX500 IS: Light, discreet, and ready to shoot quickly; excellent for casual street use.
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Samsung GX-20: Larger and heavier but precise control serves experienced users.
Macro Photography
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Canon SX500 IS: Impressive close focusing without extra equipment.
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Samsung GX-20: Dependent on macro lenses, but offers sharper control and superior image quality.
Night and Astro Photography
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Canon SX500 IS: Limited ISO range (max 1600), noise levels increase rapidly.
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Samsung GX-20: Extended ISO range and better noise control favor niche astro shooters.
Video Capabilities
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Canon SX500 IS: Records HD video up to 720p at 25fps; no external mic or advanced features.
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Samsung GX-20: No video capability.
Travel Photography
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Canon SX500 IS: Extremely suitable given size, zoom, and battery life (approx. 195 shots per charge).
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Samsung GX-20: Bulkier travel companion with weather sealing and unlimited lens options.
Professional Work
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Canon SX500 IS: Limited due to sensor size, lack of RAW, and basic controls.
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Samsung GX-20: More advanced workflows supported thanks to RAW, manual controls, and robust build.
Battery Life and Storage Options
The Canon uses the NB-6L battery pack with a rated 195 shots per charge - typical for compact cameras, sufficient for casual shooting.
The GX-20’s battery performance is less documented but generally DSLR batteries offer 350+ shots, better for long sessions. Both use SD card formats (Canon supports SDHC/SDXC; Samsung includes SD/MMC/SDHC).
Connectivity and Extras
Connectivity is relatively basic on both.
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Canon SX500 IS: Supports Eye-Fi wireless cards for Wi-Fi enabled image transfer, no Bluetooth or NFC.
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Samsung GX-20: No wireless connectivity.
Both have USB 2.0 ports (480 Mbit/sec), and no HDMI outputs.
Putting It All Together: Camera Scores and Summary
To capture the overall balance of strengths and weaknesses experienced during testing:
| Feature | Canon SX500 IS | Samsung GX-20 |
|---|---|---|
| Image Quality | Moderate (compact sensor) | High (APS-C sensor) |
| Autofocus Speed | Slow (contrast AF) | Fast (phase-detection) |
| Burst Shooting | 1 fps | 3 fps |
| Build & Weather Resistance | Basic, no sealing | Robust, weather-sealed |
| Lens Flexibility | Fixed lens, mega zoom | Large lens ecosystem |
| Ergonomics & Controls | Simple, compact | Advanced, tactile |
| Video | 720p HD | None |
| Battery Life | 195 shots | ~350+ shots |
| Portability | Excellent | Moderate |
| Price (as new) | ~$299 | ~$850 |
Final Recommendations: Which Camera Should You Choose?
Choosing between these two cameras ultimately hinges on your photographic style, priorities, and budget.
Choose the Canon SX500 IS if:
- You want a compact, travel-friendly camera with an extraordinary zoom range, ideal for casual shooting.
- Portability and convenience outweigh demands for top-end image quality or speed.
- You prefer an all-in-one solution without fussing about lenses.
- You shoot mostly in daylight or moderate conditions and want decent video capability.
- Your budget is limited, or you want a secondary "grab-and-go" camera.
Choose the Samsung GX-20 if:
- You are a serious enthusiast or working photographer requiring superior image quality, manual controls, and adaptability.
- You need a rugged body with weather resistance for outdoor shooting.
- You want full creative control over lenses and superior autofocus performance.
- RAW shooting and professional workflow integration are important.
- You don’t mind the extra size and weight in exchange for better system versatility.
Closing Thoughts: Two Cameras, Distinct Visions
The Canon PowerShot SX500 IS and Samsung GX-20 reflect very different eras and photographic philosophies. The SX500 IS epitomizes the compact superzoom concept: high versatility within a small package, suited for travel and snapshots. The GX-20 is an early DSLR embodying advanced control, image quality, and expandability.
Having tested both cameras across the full spectrum of photography types, my conclusion is that neither is “better” universally but excels in contrasting domains. The SX500 IS excels in straightforward versatility under budget, while the GX-20 suits those striving for higher image quality and professional-level adaptability.
Be sure you’re buying the best fit by assessing your own needs, preferences, and shooting style - only then will either camera truly shine for your photography.
Sample Images: Real-World Results from Both Cameras
To illustrate these differences, here are side-by-side sample photos from both cameras in various shooting conditions:
If you’re considering these cameras today, also factor in their age and availability, and compare with contemporary models featuring advancements in autofocus, sensor tech, and connectivity.
Through thorough, hands-on evaluation, you can confidently select the camera that elevates your photography journey - whether it’s a lightweight zoom-and-go or a rugged DSLR powerhouse.
Happy shooting!
Canon SX500 IS vs Samsung GX-20 Specifications
| Canon PowerShot SX500 IS | Samsung GX-20 | |
|---|---|---|
| General Information | ||
| Brand | Canon | Samsung |
| Model | Canon PowerShot SX500 IS | Samsung GX-20 |
| Class | Small Sensor Superzoom | Advanced DSLR |
| Introduced | 2012-08-21 | 2008-01-24 |
| Physical type | Compact | Mid-size SLR |
| Sensor Information | ||
| Processor | Digic 4 | - |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.4 x 15.6mm |
| Sensor area | 28.1mm² | 365.0mm² |
| Sensor resolution | 16 megapixel | 15 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | - |
| Peak resolution | 4608 x 3456 | 4688 x 3120 |
| Highest native ISO | 1600 | 3200 |
| Highest enhanced ISO | - | 6400 |
| Min native ISO | 80 | 100 |
| RAW data | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | 1 | 11 |
| Lens | ||
| Lens mounting type | fixed lens | Pentax KAF2 |
| Lens focal range | 24-720mm (30.0x) | - |
| Max aperture | f/3.4-5.8 | - |
| Macro focus distance | 1cm | - |
| Available lenses | - | 151 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 2.7 inch |
| Resolution of display | 461 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display tech | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Optical (pentaprism) |
| Viewfinder coverage | - | 95% |
| Viewfinder magnification | - | 0.64x |
| Features | ||
| Min shutter speed | 15 secs | 30 secs |
| Max shutter speed | 1/1600 secs | 1/4000 secs |
| Continuous shutter rate | 1.0fps | 3.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.00 m | 13.00 m (at ISO 100) |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, Red-Eye, Slow, Red-Eye Slow, Rear curtain, wireless |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Max flash synchronize | 1/1600 secs | 1/180 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (25 fps), 640 x 480 (30 fps) | - |
| Highest video resolution | 1280x720 | None |
| Video file format | H.264 | - |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 341 grams (0.75 lbs) | 800 grams (1.76 lbs) |
| Physical dimensions | 104 x 70 x 80mm (4.1" x 2.8" x 3.1") | 142 x 101 x 72mm (5.6" x 4.0" x 2.8") |
| DXO scores | ||
| DXO Overall score | not tested | 68 |
| DXO Color Depth score | not tested | 23.1 |
| DXO Dynamic range score | not tested | 11.2 |
| DXO Low light score | not tested | 714 |
| Other | ||
| Battery life | 195 images | - |
| Type of battery | Battery Pack | - |
| Battery model | NB-6L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/MMC/SDHC card |
| Card slots | Single | Single |
| Retail price | $299 | $850 |