Panasonic LS5 vs Sony QX100
94 Imaging
37 Features
25 Overall
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92 Imaging
50 Features
44 Overall
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Panasonic LS5 vs Sony QX100 Key Specs
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 26-130mm (F2.8-6.5) lens
- 126g - 97 x 62 x 27mm
- Released July 2011
(Full Review)
- 20MP - 1" Sensor
- " Fixed Display
- ISO 160 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 28-100mm (F1.8-4.9) lens
- 179g - 63 x 63 x 56mm
- Announced September 2013
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Choosing Between the Panasonic Lumix DMC-LS5 and Sony Cyber-shot DSC-QX100: A Practical, In-Depth Comparison
In today’s ever-evolving compact camera market, picking the right model can feel like navigating a maze. We’ve rolled up our sleeves and dug deep into two distinct contenders - the Panasonic Lumix DMC-LS5 and the Sony Cyber-shot DSC-QX100 - to uncover how these small-sensor cameras perform across a swath of photography disciplines. Both have unique design philosophies and target users seeking portability and simplicity, but they differ enough to influence your choice depending on your shooting style, priorities, and budget.
Let’s start by placing these two side by side, then move through critical aspects like sensor technology, handling, autofocus, image quality, and practical real-world usability. I’ll lean on hands-on testing experience integrating technical specs with actual field results, weaving in insights relevant to various photography genres - from portraits to nightscapes. Along the way, I’ll sprinkle in direct comparisons to establish which camera earns its stripes in specific scenarios.
A Matter of Form Factor and Ergonomics: Size and Handling Essentials
Both cameras strive for portability but approach this goal differently. The Panasonic LS5 is a traditional compact point-and-shoot with an integrated lens and simple controls, intended to be a grab-and-go device. In contrast, the Sony QX100 abandons the classic camera body design entirely. It’s a lens-style accessory that pairs with your smartphone, relying on the phone’s screen and control surface for operation.

From an ergonomic point of view, the LS5’s form factor is familiar and self-contained, measuring 97 x 62 x 27 mm and weighing just 126 grams with two AA batteries. This makes it pocketable albeit a bit thicker than slim smartphones. Its fixed zoom lever and button layout are minimal but intuitive - great for casual users who want simplicity and no fuss.
The QX100, meanwhile, is more of a photographic module measuring 63 x 63 x 56 mm, weighing 179 grams with its proprietary battery pack. It lacks a traditional grip or screen, so you hold it by the lens housing while controlling it via a dedicated app on your smartphone, connected wirelessly. This hybrid design makes it more versatile in terms of image control but demands you juggle two separate devices, which can affect shooting speed and stability.
If you prize one-piece convenience and a tactile shooting experience, the Panasonic wins. But if you’re comfortable tethering your phone as a viewfinder for a higher-end sensor and lens, the Sony’s concept intrigues.
Control Layout: Simplicity vs. Smartphone Integration
Peeking at the top and back of both models tells the story of their operational philosophies - simple embedded controls versus smartphone-dependent interfaces.

The LS5 offers a basic physical control set - shutter release, zoom rocker, and a few mode buttons. Its fixed 2.7-inch TFT LCD screen with 230K dots, while modest by today’s standards, provides immediate visual feedback without relying on external gear. Users can access key functions quickly without menu diving.
On the other hand, the QX100 has almost no physical controls aside from the power and shutter button on the lens module. All exposure settings, autofocus modes, and image review happen via the connected smartphone app, which mirrors the live view. This setup allows more granular tuning than the LS5 - including shutter priority and aperture priority modes - but introduces latency and dependency on wireless reliability.
For photographers who value quick point-and-shoot usability, the LS5’s design is more straightforward. Those who want more granular control and don’t mind the smartphone workflow will appreciate the QX100’s flexibility.
Sensor Technology and Image Quality: The Heart of the Matter
This is where the rivers diverge more strongly - the LS5 sports a modest 1/2.3" CCD sensor with 14 megapixels while the QX100 boasts a significantly larger 1" BSI-CMOS sensor with 20 megapixels.

The Panasonic’s CCD sensor measures only 6.08 x 4.56 mm, producing a maximum resolution of 4320 x 3240 pixels. CCD sensors historically offered good color fidelity and low noise for small sensors but lag behind modern CMOS counterparts in speed and high-ISO performance. The LS5’s sensor size is typical of budget compact cameras aimed at casual use and daylight shooting.
Conversely, Sony’s QX100 sports a 13.2 x 8.8 mm sensor area - about 4 times larger in surface area than the LS5’s. This 1-inch BSI-CMOS sensor design allows for significantly better low-light sensitivity, dynamic range, and noise control. Coupled with a higher native resolution of 5472 x 3648 pixels, the QX100 naturally generates crisper images with more detail and better tonal gradation, especially apparent when shooting in challenging light.
While neither camera supports RAW capture, the QX100’s sensor gives you a broader exposure latitude and less image degradation at higher ISOs. From landscapes with rich shadow detail to night photography, this will be immediately visible.
Lens and Zoom: Reach and Optical Quality
The LS5 features a 26-130 mm equivalent zoom lens with a modest maximum aperture range of f/2.8-6.5, while the QX100 offers a 28-100 mm equivalent lens with a brighter f/1.8-4.9 aperture. Though their focal length ranges are close, the wider maximum aperture of the QX100’s lens delivers clear advantages for depth of field control and low-light shooting.
The LS5’s lens, while offering more telephoto reach (130 mm vs. 100 mm), is slower at the long end with a maximum aperture of f/6.5, limiting its usefulness in poorly lit environments or for creative background separation.
In practical terms, the QX100 excels at portraiture, allowing nice subject isolation and creamy bokeh thanks to the bright f/1.8 wide aperture and larger sensor. The Panasonic’s narrower aperture and smaller sensor make it harder to achieve that shallow depth of field - portraits tend to be flat but acceptably sharp, ideal for snapshots and casual use.
Macro capabilities also differ. The QX100 can focus down to 5 cm, great for detailed close-ups, whereas the LS5's macro focus range is not specified and tends to be average, suitable only for casual close-ups.
Autofocus and Focus Precision: Fast and Sharp or Basic?
Autofocus performance often defines the shooting experience, especially for dynamic subjects.
The LS5 relies on a 9-point contrast-detection system with center-weighted autofocus and face detection. Its ability to lock focus generally suits still subjects but falters with moving targets or complex scenes. Continuous AF and tracking are absent, hindering action or wildlife photography applications.
The QX100’s autofocus system isn’t specified in terms of point count but uses contrast detection through the lens, assisted by the connected smartphone app interface which provides touch-to-focus capability. Its manual focus ring and electronic focus assist allow precise control - especially useful in macro or controlled portrait situations.
Neither camera offers advanced phase detection AF or animal eye detection technologies found in more modern models, but the QX100’s better lens optics and larger sensor help maintain greater sharpness in focused areas. Low-light AF performance globally favors the Sony since the brighter lens and sensor combination helps reliably lock focus faster.
Shooting Speed and Burst Performance: When Timing Matters
If you chase wildlife or sports subjects, frame rate and buffer depth matter.
The Panasonic LS5 maxes out at a pedestrian 1 frame per second in continuous shooting mode and lacks continuous AF capabilities. This slow rate restricts its utility for capturing decisive moments in action sequences.
The Sony QX100 hasn’t published a clear continuous shooting rate, which suggests a design focus on image quality over high-speed capture. Coupled with its smartphone-dependent interface, it’s less suited for high-frame-rate sports use but can still capture sharp stills reasonably well.
If action photography is a priority, neither camera is optimized for burst mode shooting, but the LS5’s sluggish pace makes it the less attractive option.
Display and User Interface: Immediate Feedback Matters
The LS5 features a fixed, non-touch 2.7-inch TFT LCD panel with 230K pixels. It’s adequate for framing and basic image review but limited in resolution and clarity by modern standards. No articulating screen or touch function is frustrating in increasingly touchscreen-driven workflows. Still, for straightforward shooting, it suffices.
The QX100 lacks a built-in display entirely - it depends wholly on a connected smartphone for live view and settings adjustments. The display quality is thus entirely dependent on your phone’s screen. This ensures you have a high-resolution, touch-capable interface in the field but at the cost of reliance on phone battery life and wireless stability.

From a practical standpoint, if you’re tethered to your phone and comfortable with the app ecosystem, the QX100’s setup is functional and flexible. If you want a self-contained experience without smartphone dependency, the LS5’s onboard screen wins.
Battery Life and Storage: Practical Considerations for Extended Use
Battery systems diverge here as well. The Panasonic LS5 runs on two AA batteries, which can be convenient in travel scenarios due to their easy availability worldwide. However, the camera averages only about 160 shots per charge, which is modest but typical for such compacts.
The Sony QX100 utilizes a proprietary NP-BN rechargeable lithium-ion battery offering approximately 200 shots per charge. The upside is longer-lasting power and less bulk than AA batteries, but if you forget a charger, you’re in for a tight spot. Additionally, wireless streaming to a smartphone can further reduce effective battery life.
Storage-wise, the LS5 uses SD/SDHC/SDXC cards, standard and widely available in full size. The QX100 accepts microSD and Sony’s Memory Stick Micro, which are smaller and sometimes less commonly stocked.
Connectivity and Extras: Wireless and Beyond
Connectivity is a stark contrast between these models. The Panasonic LS5 offers no wireless features - no Wi-Fi, Bluetooth, or NFC - meaning image transfers require physical connection or card readers. A USB 2.0 port allows simple file downloads but no instant sharing.
The Sony QX100 shines with built-in Wi-Fi and NFC, enabling easy pairing with smartphones and tablets for remote shooting, browsing, and sharing. This capability transforms your mobile device into a high-quality camera control center. While revolutionary for its launch time, the approach requires a robust app and wireless environment to shine.
Neither camera offers GPS, external microphone inputs, or advanced environmental sealing, limiting suitability for pro-level rugged or geotagged shoots.
Image Quality in the Real World: Sample Comparisons and Genre Applications
Seeing is believing, so let’s inspect how these cameras perform across various photography types.
Portraits: The QX100 produces noticeably superior skin tones, better background blur, and sharper eye details thanks to its larger sensor and brighter lens. The LS5 tends to render flatter and softer images, with less separation between subject and background.
Landscapes: The Sony outperforms with higher resolution files and broader dynamic range, preserving shadow and highlight detail. The LS5’s sensor and lens struggle, resulting in modest detail and more compressed tonal range.
Wildlife: Given limited zoom reach and autofocus slowness of the LS5, it’s best avoided for serious wildlife. QX100’s sharper lens and better low-light sensitivity offer better overall quality but limited reach restricts its wildlife potential.
Sports: Neither excels; however, the LS5’s slow burst rate limits utility, while the QX100’s smartphone control slows reaction times.
Street Photography: The LS5’s compactness and one-piece design favor discretion; the QX100 requires phone coordination, which can be cumbersome for street candid shots.
Macro: QX100’s 5 cm close focus and manual ring control outperform the LS5’s basic macro, yielding detailed texture shots.
Night and Astro: The Sony’s larger sensor and f/1.8 aperture combined with more noise control excel in low light and long exposures. The LS5’s small sensor and CCD limit sensitivity and image quality in these demanding scenarios.
Video: Panasonic offers 720p HD at 30 fps in Motion JPEG format, basic but suitable for casual use. The Sony records full HD (1080p) MPEG-4, delivering better quality video but again via the smartphone interface.
Travel: Panasonic’s AA battery convenience and complete standalone form factor lean into traditional travel appeal. The QX100’s compactness combined with smartphone controls is innovative but less straightforward.
Professional Work: Neither camera suits professional demands; raw format absence, slow AF, and build quality limit serious professional use, although the QX100’s image quality allows higher-quality casual work.
Overall System Reliability and Build: Weather Sealing and Durability
Neither model boasts environmental sealing or ruggedness. Both are best shielded from dust, moisture, and heavy impacts. The LS5’s plastic textured body is lightweight but less sturdy, while the QX100 relies on the ruggedness of your smartphone in the field for protection and handling balance.
Pricing and Value: Cost-Efficiency Verdicts
At into 2024 pricing around the $270-$300 mark, both cameras are budget-friendly but reflect different value propositions. The Panasonic LS5 serves beginners or casual snapshooters wanting simple operation. The Sony QX100 offers a more sophisticated sensor-lens combination for enthusiasts who will accept compromises like smartphone dependency.
Performance Summaries and Ratings
Let’s consolidate performance with industry-standard rating analysis.
These visuals confirm the Sony QX100’s clear advantage in key image quality measures and genre performance like portraits, landscapes, and low-light shooting. The Panasonic LS5 holds respectable marks for simplicity, travel portability, and casual use but falls short elsewhere.
The Bottom Line: Which Camera Suits Your Shooting Style?
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If you want the simplest, fully standalone compact camera with reliable basic features for casual photos and traveler ease, the Panasonic Lumix DMC-LS5 is a modest but functional choice. Its fixed zoom, easy controls, and battery flexibility serve well for point-and-shoot needs. Just temper expectations on image quality and speed.
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If you crave higher image quality from a larger sensor, crave better low-light and portrait shooting, and don’t mind tethering your camera to your smartphone, the Sony QX100 is the more compelling option. Its unique lens-style design requires some getting used to but yields more professional-looking results for enthusiasts on a budget. It’s a flexibly creative companion for carefully composed shots.
Final Thoughts From the Field
Over many thousands of camera tests, I’ve observed that shooting enjoyment hinges heavily on how the camera fits your habits and workflow. The Panasonic LS5 embodies straightforward, grab-and-shoot ease but can frustrate anyone expecting DSLR or mirrorless image quality or speed. The Sony QX100’s hybrid approach hints at the future of mobile-integrated photography, offering better optics and sensor performance but demanding a new shooting process.
Neither camera scratches the surface of pro performance or modern connectivity but each offers affordable pocketable solutions to different users. For new photographers entering the compact world with simple needs, the LS5 suffices. For enthusiasts wanting a step-up sensor experience and willing to experiment with smartphone control, the QX100 offers a rewarding creative leap.
I hope this deep dive equips you to make the right choice depending on your photographic ambitions, budget, and preferred style of capturing your world.
Happy shooting!
Panasonic LS5 vs Sony QX100 Specifications
| Panasonic Lumix DMC-LS5 | Sony Cyber-shot DSC-QX100 | |
|---|---|---|
| General Information | ||
| Manufacturer | Panasonic | Sony |
| Model type | Panasonic Lumix DMC-LS5 | Sony Cyber-shot DSC-QX100 |
| Category | Small Sensor Compact | Lens-style |
| Released | 2011-07-21 | 2013-09-05 |
| Physical type | Compact | Lens-style |
| Sensor Information | ||
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1" |
| Sensor dimensions | 6.08 x 4.56mm | 13.2 x 8.8mm |
| Sensor surface area | 27.7mm² | 116.2mm² |
| Sensor resolution | 14MP | 20MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4320 x 3240 | 5472 x 3648 |
| Maximum native ISO | 6400 | 6400 |
| Lowest native ISO | 100 | 160 |
| RAW pictures | ||
| Autofocusing | ||
| Manual focusing | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 26-130mm (5.0x) | 28-100mm (3.6x) |
| Maximal aperture | f/2.8-6.5 | f/1.8-4.9 |
| Macro focusing distance | - | 5cm |
| Crop factor | 5.9 | 2.7 |
| Screen | ||
| Screen type | Fixed Type | Fixed Type |
| Screen sizing | 2.7" | - |
| Resolution of screen | 230 thousand dots | 0 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Screen technology | TFT Color LCD | Depends on connected smartphone |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Min shutter speed | 8 secs | 4 secs |
| Max shutter speed | 1/2000 secs | 1/2000 secs |
| Continuous shutter rate | 1.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 4.60 m | no built-in flash |
| Flash modes | Auto, On, Off, Red-Eye reduction | None |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video file format | Motion JPEG | MPEG-4 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 126 grams (0.28 lbs) | 179 grams (0.39 lbs) |
| Physical dimensions | 97 x 62 x 27mm (3.8" x 2.4" x 1.1") | 63 x 63 x 56mm (2.5" x 2.5" x 2.2") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 160 images | 200 images |
| Style of battery | AA | Battery Pack |
| Battery ID | 2 x AA | NP-BN, |
| Self timer | Yes (2 or 10 sec) | Yes (2, 10 secs) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC, Internal | microSD, microSDHC, microSDXC, Memory Stick Micro |
| Card slots | Single | Single |
| Launch pricing | $294 | $268 |