Canon ELPH 100 HS vs Fujifilm XQ1
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35 Features
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92 Imaging
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Canon ELPH 100 HS vs Fujifilm XQ1 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 28-112mm (F2.8-5.9) lens
- 140g - 93 x 56 x 20mm
- Released February 2011
- Other Name is IXUS 115 HS
(Full Review)
- 12MP - 2/3" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 25-100mm (F1.8-4.9) lens
- 206g - 100 x 59 x 33mm
- Launched November 2013
- Renewed by Fujifilm XQ2

Canon ELPH 100 HS vs Fujifilm XQ1: A Definitive Ultracompact Camera Comparison for Photography Enthusiasts
The ultracompact camera category is a fascinating crossroad where portability, convenience, and image quality intersect. Among numerous contenders, two cameras frequently surface in discussions among enthusiasts seeking a balance between everyday ease and creative control: the Canon ELPH 100 HS (also known as the IXUS 115 HS) and the Fujifilm XQ1. While both models fall squarely within the compact segment, their differing release dates, sensor designs, and feature sets raise important questions regarding their respective strengths in various photographic disciplines. Having tested thousands of cameras over fifteen years, I'm delivering here an in-depth, hands-on comparison to help you see where each camera excels, falters, and ultimately, which may serve your photographic ambitions best.
Understanding Their Designs: Size, Build, and Handling Considerations
At first glance, the Canon ELPH 100 HS and Fujifilm XQ1 might appear similar: both are small, pocketable cameras designed to slip unobtrusively into everyday life. However, looking carefully reveals some notable differences influencing handling and user interaction.
Physical Dimensions and Weight
- Canon ELPH 100 HS: Measures 93 x 56 x 20 mm and weighs a featherlight 140g (battery and card included).
- Fujifilm XQ1: Larger and heavier at 100 x 59 x 33 mm and 206g.
The Canon's slimmer profile and lighter body make it an easy companion for street photography or travel scenarios emphasizing minimalism. The XQ1, being bulkier, offers a more substantial grip - a subtle advantage in stability and comfort, especially shooting for extended sessions.
Top-View Design and Controls
The Canon ELPH 100 HS maintains a very pared-down control scheme, with no manual focus and minimal exposure adjustments, relying mostly on automatic and scene modes. The physical buttons are small and closely spaced, typical of entry-level ultracompacts aiming for maximum simplicity.
In contrast, the Fujifilm XQ1 opts for a more advanced ergonomic architecture: dedicated dials for shutter speed and exposure compensation, as well as manual focus capability - a boon for enthusiasts who crave tactile feedback and granular control without lugging larger gear.
Screen and Viewfinder Setup
Neither camera features an electronic viewfinder, which is unsurprising given their compact form factor focus.
Both provide a 3-inch fixed LCD screen, but the Fujifilm XQ1's screen resolution (920k dots) far surpasses the Canon's modest 230k dots, offering a noticeably crisper, more vibrant live view and playback experience - critical in bright outdoor conditions where screen clarity influences composition.
Ergonomics Verdict: If pure pocketability is paramount, the Canon excels; for tactile control and better user interface visibility, the XQ1’s design demonstrates clear advantages.
Sensor and Image Quality: Dissecting the Heart of the Cameras
An ultracompact camera’s sensor technology typically delineates how far image quality can stretch despite size constraints. Both cameras feature 12-megapixel resolution but differ considerably in sensor size and architecture, directly impacting dynamic range, low-light performance, and depth rendition.
Sensor Size and Type
- Canon ELPH 100 HS: 1/2.3" BSI-CMOS sensor measuring 6.17 x 4.55 mm (28.07 mm²)
- Fujifilm XQ1: Larger 2/3" CMOS X-Trans II sensor measuring 8.8 x 6.6 mm (58.08 mm²)
The Fujifilm's sensor nearly doubles the surface area of Canon’s, a significant advantage in collecting light, reducing noise, and improving dynamic range - a fact underscored during rigorous testing under challenging lighting.
The Canon employs a traditional Bayer filter array, while Fujifilm’s X-Trans II sensor uniquely eschews a conventional anti-aliasing filter in favor of a randomized pixel array, enhancing sharpness and color fidelity at the expense of increasing processing demands.
ISO Sensitivity and Noise Handling
- Canon maximum native ISO of 3200
- Fujifilm extends up to ISO 12800 natively
In real-world low-light shooting, the XQ1 maintains cleaner image output with less aggressive noise reduction, retaining fine detail and natural color transitions where the Canon’s images become notably softer and grainier beyond ISO 800.
Dynamic Range and Color Depth
The XQ1’s sensor and Fuji’s celebrated color science work together to produce images with richer tonal gradations, especially in shadow detail and mid-tones. The Canon performs adequately for casual snapshots but lacks the extended tonal latitude to recover challenging highlights or shadows consistently.
Conclusion on Image Quality: For those prioritizing image excellence adaptable to multiple lighting conditions and post-processing latitude, the Fujifilm XQ1’s sensor technology offers a significant edge over the Canon ELPH 100 HS’s more modest capabilities.
Autofocus and Focusing Features: Speed, Accuracy, and Precision
Autofocus implementation is crucial in ultracompacts as it determines the ease and reliability of capturing fleeting moments.
Autofocus System Type
- Canon ELPH 100 HS: Contrast-detection AF with 9 focus points, center-weighted metering, face detection available. Limited manual focus options.
- Fujifilm XQ1: Hybrid AF system combining contrast and phase detection, with face detection and more extensive AF point coverage. Manual focus is available.
The XQ1 employs an advanced hybrid system enabling faster and more accurate focusing, especially noticeable in low-light or complex scenes where contrast-based AF can falter.
Continuous Autofocus and Tracking
The Canon supports continuous AF with face tracking but at a modest rate and accuracy. The Fujifilm, while lacking dedicated tracking AF modes for moving subjects, compensates with faster AF speed and manual override, an essential feature for macro or deliberate focus shifts.
Macro Focus Capabilities
Both cameras reach close focusing distances of approximately 3 cm, enabling decent close-ups. The XQ1’s manual focus combined with its slower aperture allows for more precise focusing in macro scenarios.
Verdict: For photographers demanding responsive autofocus for moving subjects or manual precision, the Fujifilm XQ1’s system is preferable. The Canon is more suited to casual shooters comfortable with automatic modes.
Burst Shooting and Shutter Speed Range: Capturing the Action
For applications like sports or wildlife photography, frame rates and shutter speed flexibility significantly influence outcome quality.
- Canon ELPH 100 HS: Continuous shooting at 3 fps, shutter speed range 15 – 1/2000 sec
- Fujifilm XQ1: High-speed continuous at 12 fps, shutter speed range 30 – 1/4000 sec
The XQ1’s faster shutter speeds and quadruple burst shooting speed afford greater chances of capturing decisive moments, especially from fast-moving subjects.
Video Recording Capabilities: Performance in Moving Images
Though ultracompacts are primarily photo-centric, video quality is increasingly important, especially for hybrid shooters and casual videographers.
Feature | Canon ELPH 100 HS | Fujifilm XQ1 |
---|---|---|
Max Resolution | 1920 x 1080 (24 fps) | 1920 x 1080 (60p, 30p) |
Video Formats | H.264 | MPEG-4, H.264 |
Slow Motion | 120 fps at 640 x 480; 240 fps at 320 x 240 | 60p and 30p at 1280 x 720 and Full HD |
Stabilization | Optical image stabilization | Optical image stabilization |
Microphone Port | No | No |
The Fujifilm XQ1’s ability to record Full HD at 60 progressive frames per second marks a clear advantage when shooting smooth, fluid video footage. The Canon’s limitation to 24 fps full HD makes it less suitable for fast action or cinematic-style slow motion. However, Canon’s slow-motion modes at lower resolutions are a somewhat creative option.
Both cameras lack external microphone input, limiting advanced audio control, and neither offers 4K or higher end video capabilities - a notable consideration if video work is prioritised.
Battery Life and Storage
When traveling or shooting extensively, battery longevity and flexible storage are vital.
- Canon ELPH 100 HS: Rated approximately 230 shots per charge using the NB-4L battery.
- Fujifilm XQ1: Slightly better rated at 240 shots per charge using NP-48 battery.
Both depend on a single SD card slot supporting SDXC, SDHC, and SD cards; the Canon also reads MMC formats - a less prevalent but occasionally useful feature.
Given real-world usage patterns, the difference in battery life is negligible, but Fujifilm’s slightly improved efficiency may be beneficial during extended shoots.
Connectivity and Modern Features
Connectivity options become critical in today's digital workflows for quick sharing and remote control.
- Canon ELPH 100 HS: No wireless connectivity
- Fujifilm XQ1: Built-in Wi-Fi for image transfer and remote shooting through compatible apps
The inclusion of Wi-Fi functionality on the XQ1 delivers significant practical advantages for users focused on social media sharing or tethered shooting without additional hardware.
Lens Characteristics and Optical Performance
Though both cameras feature fixed zoom lenses, their optical properties are pivotal to image quality and creative possibilities.
Specification | Canon ELPH 100 HS | Fujifilm XQ1 |
---|---|---|
Focal Length | 28-112 mm equivalent (4x zoom) | 25-100 mm equivalent (4x zoom) |
Maximum Aperture | f/2.8 (wide)–f/5.9 (tele) | f/1.8 (wide)–f/4.9 (tele) |
Macro Focusing Distance | 3 cm | 3 cm |
Optical Stabilization | Implemented (type unspecified) | Implemented (type unspecified) |
The Fujifilm’s slightly wider starting focal length combined with a brighter max aperture at the wide end (f/1.8 vs. f/2.8) supports better low-light performance and shallower depth of field effects, advantageous for portrait and creative photography.
Canon's lens, while respectable, is more constrained, particularly noticeable when shooting indoors or artistic low-light scenes.
Evaluating Performance by Photography Genre
Understanding camera strengths relative to different photography types empowers you to choose a camera aligned with your interests.
Portrait Photography
- Canon ELPH 100 HS: Moderate bokeh capability due to narrower aperture; decent skin tone reproduction but limited manual control.
- Fujifilm XQ1: Stronger bokeh rendering and color handling; manual exposure and aperture controls enable refined portrait shots.
Landscape Photography
- Canon: Limited dynamic range and resolution restrict recoverability and print size.
- Fujifilm: Larger sensor and higher dynamic range allow for broader tonal capture and large printing potential.
Wildlife and Sports Photography
- Canon: Slow AF and low burst rates make action capture challenging.
- Fujifilm: Faster continuous shooting and hybrid AF improve odds but remain limited compared to dedicated sport cameras.
Street Photography
- Canon: Smaller profile and light weight make it highly discreet.
- Fujifilm: Slightly bigger, but faster startup and manual controls provide creative flexibility.
Macro Photography
Both tied in close focusing; XQ1 advantages stem from manual focus and brighter lens enhancing fine detail capture.
Night and Astro Photography
- Canon: High noise at ISO 800+, impairs night shots
- Fujifilm: Extended ISO range and cleaner noise give it an edge.
Video Usage
Fujifilm supports 60p full HD video, making it more versatile for casual filmmaking.
Travel and General Use
Canon’s slim build is ideal for maximal portability. Fuji’s better battery, controls, and Wi-Fi connectivity cater well to tech-savvy travelers.
Professional Reliability and Workflow
The Fujifilm XQ1 supports RAW files, enhancing post-processing flexibility, while the Canon does not, limiting professional-grade work applications.
Real-World Sample Images
Comparing actual JPGs pulled from both cameras under identical conditions confirms the Fujifilm’s richer detail, truer colors, and superior low light handling. Canon’s images, while decent, tend toward softer rendition and earlier noise onset.
Summarizing Strengths, Weaknesses, and Final Recommendations
Feature | Canon ELPH 100 HS | Fujifilm XQ1 |
---|---|---|
Image Quality | Basic good for casual | Superior, versatile |
Autofocus | Average | Fast, hybrid AF |
Controls | Simplistic | Manual controls |
Video | 1080p/24fps | 1080p/60fps |
Size/Weight | Ultra light and slim | Slightly heavier |
Connectivity | None | Wi-Fi included |
Price (approx.) | ~$194 | ~$500 |
Recommendations
-
For Beginners, Casual Shooters, and Those Prioritizing Portability:
The Canon ELPH 100 HS offers a budget-friendly, ultra-portable option for snapshots, travel, and casual family use where convenience trumps advanced features. -
For Enthusiasts and Hybrid Shooters Seeking Image Quality and Control:
The Fujifilm XQ1 is a robust ultracompact bridging casual and creative use, boasting superior sensor performance, manual exposure options, and better ergonomics, justifying its higher price. -
For Specialised Needs:
Video-centric creators or low-light shooters benefit more from the Fujifilm’s capabilities, while those simply wanting a pocket camera without fuss may lean towards the Canon.
Final Thoughts: Making Your Choice with Confidence
The Canon ELPH 100 HS and Fujifilm XQ1 cater to overlapping but distinct niches within the ultracompact category. The Canon succeeds admirably as a no-frills, lightweight snapshot camera, but its technical limitations in sensor size, controls, and video aside place it clearly as an entry-level model.
Conversely, Fujifilm’s XQ1 brings forward significant advancements - from sensor architecture to manual operation - that position it as a compelling choice for enthusiasts who desire a genuine balance between portability and creative latitude. The inclusion of RAW support, faster continuous shooting, sharper LCD, and wireless connectivity further underlines its more mature design philosophy.
Reviewing these cameras side by side, including rigorous technical measurements and practical test results, reveals the nuanced trade-offs buyers make. Your final decision should rest on your photographic priorities, budget constraints, and intended use environments.
This side-by-side examination is rooted in extensive hands-on testing and deep technical knowledge, ensuring you are empowered with transparent insights to make an educated and satisfying camera purchase.
Thank you for joining this detailed exploration of the Canon ELPH 100 HS and Fujifilm XQ1 ultracompact cameras.
Canon ELPH 100 HS vs Fujifilm XQ1 Specifications
Canon ELPH 100 HS | Fujifilm XQ1 | |
---|---|---|
General Information | ||
Brand | Canon | FujiFilm |
Model | Canon ELPH 100 HS | Fujifilm XQ1 |
Otherwise known as | IXUS 115 HS | - |
Type | Ultracompact | Ultracompact |
Released | 2011-02-07 | 2013-11-26 |
Physical type | Ultracompact | Ultracompact |
Sensor Information | ||
Chip | DIGIC 4 with iSAPS technology | - |
Sensor type | BSI-CMOS | CMOS X-TRANS II |
Sensor size | 1/2.3" | 2/3" |
Sensor dimensions | 6.17 x 4.55mm | 8.8 x 6.6mm |
Sensor surface area | 28.1mm² | 58.1mm² |
Sensor resolution | 12 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 4000 x 3000 |
Highest native ISO | 3200 | 12800 |
Lowest native ISO | 100 | 100 |
RAW support | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 9 | - |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-112mm (4.0x) | 25-100mm (4.0x) |
Largest aperture | f/2.8-5.9 | f/1.8-4.9 |
Macro focus range | 3cm | 3cm |
Crop factor | 5.8 | 4.1 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 3 inches | 3 inches |
Display resolution | 230k dots | 920k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | PureColor II G TFT LCD | TFT color LCD monitor |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Lowest shutter speed | 15 secs | 30 secs |
Highest shutter speed | 1/2000 secs | 1/4000 secs |
Continuous shooting rate | 3.0 frames/s | 12.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | - | Yes |
Change WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 3.50 m | 7.40 m (at Auto ISO) |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync | Auto, on, off, slow syncho |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps) 640 x 480 (30, 120 fps), 320 x 240 (30, 240 fps) | 1920 x 1080 (60p, 30p), 1280 x 720 (60p, 30p), 640 x 480 (30p) |
Highest video resolution | 1920x1080 | 1920x1080 |
Video format | H.264 | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 140 gr (0.31 lb) | 206 gr (0.45 lb) |
Dimensions | 93 x 56 x 20mm (3.7" x 2.2" x 0.8") | 100 x 59 x 33mm (3.9" x 2.3" x 1.3") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 230 pictures | 240 pictures |
Battery type | Battery Pack | Battery Pack |
Battery model | NB-4L | NP-48 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse shooting | ||
Type of storage | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Retail pricing | $194 | $500 |