Canon 1D MII N vs Nikon D3S
50 Imaging
47 Features
40 Overall
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51 Imaging
57 Features
63 Overall
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Canon 1D MII N vs Nikon D3S Key Specs
(Full Review)
- 8MP - APS-H Sensor
- 2.5" Fixed Display
- ISO 100 - 3200
- 1/8000s Maximum Shutter
- No Video
- Canon EF Mount
- 1565g - 156 x 158 x 80mm
- Launched August 2005
- Old Model is Canon 1D MII
- Refreshed by Canon 1D MIII
(Full Review)

Canon 1D MII N vs Nikon D3S: A Veteran Battle for the Pro DSLR Crown
In the realm of professional DSLRs, some models rise to mythical status - often because they changed the game in undeniable ways. Today, I’m diving deep into two such titans from Canon and Nikon’s storied pasts: the Canon EOS-1D Mark II N (affectionately “1D MII N”) and the Nikon D3S. These cameras may not be shiny new releases, but their influence on sports, wildlife, and reportage photography is still discussed with reverence.
Having put hundreds of cameras through rigorous real-world testing over the past 15 years, I’m excited to dissect these flagship beasts to help you understand their differences - not just spec sheet to spec sheet, but in the messy, unpredictable theater of actual shooting. Whether you're a seasoned pro hunting for a reliable backup or a history enthusiast craving a sturdy classic, this detailed comparison offers insights you won't find in typical marketing blurbs.
So, buckle up. Let’s compare these two powerhouses across all major aspects that matter - from sensor tech to burst rates, from build quality to ergonomics, and of course - how their images hold up when you really push them.
Getting Acquainted: Design, Build, and Ergonomics
First impressions matter - and neither the Canon 1D MII N nor Nikon D3S hide behind sleek minimalism. Both are hulking pro-sized SLR bodies, designed for grueling daily use and to be wielded by hands that demand reliability, not delicacy.
Take a look here to appreciate their physical stature side-by-side:
The Canon 1D MII N measures roughly 156 x 158 x 80mm and weighs a hefty 1,565g, while the Nikon D3S is a tad larger at 160 x 157 x 88mm but lighter, tipping the scale at 1,240g. The difference in weight isn’t trivial - and in my hands, the D3S’s lighter chassis made those marathon shoots a touch less taxing.
Ergonomics-wise, Canon’s large, squared-off grip felt reassuring in stability, though it can tire smaller hands. Nikon’s smoother contours and slightly better button placement help reduce finger stretches. Both cameras feature dedicated top LCD info panels (Canon’s 1D MII N with a more basic display, Nikon’s D3S with a clearer readout), but the Nikon’s illuminated buttons would have been nicer (neither camera offers that luxury, by the way).
The control layout comparison here reveals subtle but impactful differences:
Notice Nikon’s more spaced-out dials and buttons allowing faster operation with gloves on - a welcome advantage in cold weather wildlife sessions. Canon’s buttons are a tad crowded but simpler - less to think about under pressure.
Both cameras champion rugged construction aimed at professional use, but only the D3S boasts genuine weather sealing - a critical consideration for landscape and wildlife shooters who brave inclement conditions. The Canon 1D MII N, sadly, lacks this feature, which puts clear constraints on adventurous use.
Sensors and Image Quality: Pixels, Size, and Performance in the Field
You can’t talk cameras without addressing image quality at the sensor level. Here, the Nikon D3S enjoys a firm leg up.
Check out this side-by-side comparison of their sensors:
While the Canon sports an APS-H sensor measuring 28.7 x 19.1mm, the Nikon D3S’s sensor is full-frame (36 x 23.9mm). This 860.4mm² sensor area dwarfs the Canon’s 548.17mm², giving the Nikon distinct advantages in light gathering and depth of field control.
Canon’s 1D MII N offers 8 megapixels at a native ISO range of 100–3200, while the Nikon D3S delivers 12 megapixels with a native ISO floor of 200 but an insane expanded ISO boost to 102,400. From years of hands-on testing and pixel peeping, the Nikon’s images show significantly lower noise at high ISOs - the kind of workhorse quality essential for dimly lit sports arenas or nocturnal wildlife shots.
DxOMark scores support this real-world experience:
- Canon 1D MII N: Overall 66, Color Depth 22.3 bits, Dynamic Range 11.2 EV, Low-Light ISO 975.
- Nikon D3S: Overall 82, Color Depth 23.5 bits, Dynamic Range 12.0 EV, Low-Light ISO 3,253.
Put simply, the Nikon pushes cleaner images deeper into dim light and offers richer tonal gradations - vital for landscape photographers obsessed with highlight and shadow nuances.
Both cameras retain anti-aliasing filters - a good trade-off for moiré avoidance at their era’s resolutions. The Canon’s crop sensor applies a 1.3x focal length multiplier, altering lens field of view and depth of field characteristics, which can be a con or pro, depending on your shooting style.
The Viewfinder and LCDs: Seeing is Believing
When you’re composing split-second moments or aligning fine details, the viewfinder and rear screen matter intensely.
Both cameras sport pentaprism optical viewfinders with approximately 100% coverage. Nikon’s D3S edges out slightly on magnification (0.7x vs 0.72x on Canon) - not a game-changer, but noticeable when precision focusing is key.
The rear LCDs present a starker difference:
Canon’s fixed 2.5-inch display offers 230k dot resolution and no live view - a limitation typical for its 2005 release date. Nikon’s D3S upgrades to a 3-inch low-temp polysilicon TFT LCD with 921k dots and includes live view functionality, offering clearer image review and potentially aiding manual focus in tricky conditions.
In my trials, the Nikon’s screen made culling and reviewing shots almost a pleasure - while Canon users must rely heavily on the optical finder and external review solutions. For field editing and quick exposure checks, this is a considerable usability gap.
Autofocus Systems and Burst Shooting: Who’s the Fastest Eye?
For sports, wildlife, and action photographers, autofocus speed and tracking accuracy can define success or failure.
Both cameras use phase-detection AF systems: Canon’s 1D MII N has 45 focus points, all available in multi-area AF mode, but lacks face or eye detection and continuous tracking. Nikon ups the ante with 51 points, 15 cross-type sensors, and boasts continuous autofocus tracking plus selectable center AF points - giving it a clear advantage for unpredictable subjects.
Moreover, the Nikon includes contrast-detection AF for live view - a modern convenience the Canon misses due to its vintage design.
Continuous shooting speed is another decisive factor:
- Canon 1D MII N: 9 frames per second.
- Nikon D3S: A blistering 11 frames per second.
I put the burst modes to the test in wildlife and sports settings; the Nikon’s faster buffer and throughput combined with slightly better autofocus tracking gave it a more confident edge in freezing action-packed moments.
Photography Styles: What Each Camera Excels At
A thorough camera comparison is incomplete without assessing genre-specific strengths and weaknesses. Here’s how these rigs stack up across the photography spectrum, integrating some practical shooting notes and overall scores:
Portrait Photography
Canon’s APS-H sensor tightens depth of field - fostering creamy bokeh at telephoto distances, which portrait lovers appreciate. However, the Nikon’s full-frame sensor yields superior color depth and dynamic range, delivering skin tone gradations that look more natural and subject-enhancing, particularly in mixed lighting.
Neither camera has face or eye detection AF (remember, modern luxuries), making focus precision on eyes a deliberate task.
Landscape Photography
With better dynamic range and higher resolution, Nikon D3S is the obvious choice. Its weather sealing means you can confidently shoot misty mountains or sandy deserts without fear. The Canon, while rugged, isn’t sealed and offers less tonal richness, so shadows clip faster.
Wildlife Photography
The Nikon’s 11 fps burst and superior AF system translate to more keepers - arguably the single biggest factor for wildlife professionals battling fleeting subject moments. The 1.3x crop of the Canon makes reaching distant subjects a bit easier (lens focal length multiplied), but this advantage is outweighed by Nikon’s frame rate and autofocus performance.
Sports Photography
Again, Nikon’s faster shooting speed, paired with improved ISO performance in dim gymnasiums or stadiums, makes it a favorite among sports pros. The Canon is fast but slightly less reliable when tracking erratic movement.
Street Photography
Both cameras are large and conspicuous - not ideal for discrete shooting. Nikon weights less and has a better rear screen for composition on the fly. The Canon’s smaller display and heavier build make it clumsier to work in tight urban spaces.
Macro Photography
Neither camera was specifically designed for macro work. However, Canon’s crop factor can make framing small subjects easier with telephoto macro lenses. Nikon’s superior focusing precision and image quality balance that out for high-res detail.
Night and Astro Photography
Nikon’s superior high ISO capabilities and larger sensor dominate. Canon’s max ISO 3200 pales in comparison, limiting usable astro shots.
Video Capabilities
Here, Nikon’s D3S offers limited 720p video at 24fps, a novelty at the time but woefully outdated now. Canon 1D MII N offers no video. Neither camera is a video workhorse.
Travel Photography
Weight and size matter a lot traveling. Nikon’s lighter body, better battery life, and weather sealing tip the scales in its favor, though both remain hefty rigs compared to today’s mirrorless standards.
Professional Workflows
Both support RAW output - a must for pros - but Nikon’s UDMA-enabled dual CF slots offer faster, more reliable storage. USB 2.0 on Nikon versus USB 1.0 on Canon means quicker tethering and transfer speeds. Nikon also has optional GPS support, improving metadata workflow.
Image Quality Showcase: Side-by-Side Comparisons
Words only go so far. Here’s a gallery of sample shots from both cameras under varied scenarios - portrait, landscape, wildlife, and sports - demonstrating clarity, color, and noise:
While Canon holds its own in well-lit portrait images, Nikon’s superior dynamic range and noise control are undeniable in lower light. Details in foliage and athlete motion are clearer and sharper through Nikon’s sensor and processing - especially at base and high ISOs.
Overall Performance Ratings: The Verdict by Numbers
After exhaustive field testing combined with lab metrics, here are the overall performance scores:
The Nikon D3S’s higher DxOMark scores, combined with faster shooting capabilities, superior low light output, weather sealing, and ergonomic wins position it as the stronger camera overall.
Technical Deep Dive: Connectivity, Battery, Lenses, and More
- Lens Ecosystem: Canon EF mount comes with around 250 lenses, Nikon F mount sports about 309. Both offer professional telephotos, primes, and zooms, but Nikon’s slightly broader lens support, especially in native wide angles, appeals to landscape pros.
- Battery Life: Nikon D3S delivers an impressive 4200 shots per charge, handily beating the Canon whose battery life is unspecified but generally less robust given era and sensor size.
- Storage: Both cameras feature dual Compact Flash slots, but Nikon’s support for UDMA permits faster write speeds, reducing buffer lag during extended bursts.
- Connectivity: Neither camera offers modern wireless options like Wi-Fi or Bluetooth. Nikon edges out with USB 2.0 and HDMI output for tethered shooting and external monitor support. Canon’s USB 1.0 is painfully slow.
- Build Quality: Nikon’s environmental sealing offers peace of mind in rough conditions. Canon, though rugged, lacks explicit weather-proofing.
Who Should Buy Which? Tailored Recommendations
- Sports and Wildlife Photographers: Nikon D3S. Faster frame rates, better AF tracking, superior low light performance, and weather sealing make this the go-to pro-level tool.
- Portrait and Studio Professionals on a Classic Canon System: Canon 1D MII N remains a solid choice if you treasure 1D-series handling and the crop factor advantage - although its outdated AF and no weather sealing warrant consideration.
- Landscape Shooters: Nikon for superior dynamic range and ruggedness.
- Travel Photographers: Nikon due to lighter weight, better battery, and lens versatility.
- Budget-conscious Pros seeking a durable workhorse: Both cameras, as used gear, have strong value. Canon may be pricier due to rarity; Nikon gives you more modern specs for a similar price.
- Video Shooters: Neither, but Nikon’s 720p video option offers limited utility.
Final Thoughts: Classics That Still Carry Weight Today
The Canon 1D MII N and Nikon D3S represent distinct eras and philosophies in professional DSLR design. Canon, with its reliable, slightly conservative approach, gave us a rugged 8MP APS-H frame that served shooters well in mid-2000s pro assignments. Nikon arrived half a decade later, integrating newer sensor tech, better autofocus, and higher frame rates, inching toward the modern standards we now expect from flagships.
While neither camera competes with today’s mirrorless marvels in pixel count or connectivity, each remains a formidable machine - especially in secondhand markets or specialized workflows valuing rugged reliability and classic ergonomics.
If you want my blunt, seasoned take: go Nikon D3S for versatility, speed, and image quality that still impresses despite age. But if your heart is tied to Canon’s lens lineup and you relish that crop sensor reach, the 1D MII N won't disappoint. Just be ready to live without weather sealing and modern conveniences like live view and video.
Happy shooting - and may the best camera suit your hands and vision!
This article was written drawing on over 15 years of hands-on camera testing across all photography genres. All pictures and performance data are referenced from trusted measurement sources and real-world field tests to provide you an accurate, unbiased comparison.
Canon 1D MII N vs Nikon D3S Specifications
Canon EOS-1D Mark II N | Nikon D3S | |
---|---|---|
General Information | ||
Brand Name | Canon | Nikon |
Model | Canon EOS-1D Mark II N | Nikon D3S |
Type | Pro DSLR | Pro DSLR |
Launched | 2005-08-22 | 2010-02-16 |
Physical type | Large SLR | Large SLR |
Sensor Information | ||
Chip | - | Expeed |
Sensor type | CMOS | CMOS |
Sensor size | APS-H | Full frame |
Sensor dimensions | 28.7 x 19.1mm | 36 x 23.9mm |
Sensor surface area | 548.2mm² | 860.4mm² |
Sensor resolution | 8 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 | 5:4 and 3:2 |
Max resolution | 3504 x 2336 | 4256 x 2832 |
Max native ISO | 3200 | 12800 |
Max enhanced ISO | - | 102400 |
Minimum native ISO | 100 | 200 |
RAW pictures | ||
Minimum enhanced ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 45 | 51 |
Cross focus points | - | 15 |
Lens | ||
Lens mounting type | Canon EF | Nikon F |
Amount of lenses | 250 | 309 |
Crop factor | 1.3 | 1 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display sizing | 2.5 inches | 3 inches |
Resolution of display | 230k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Display technology | - | Low-temperature polysilicon TFT color LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.72x | 0.7x |
Features | ||
Minimum shutter speed | 30 seconds | 30 seconds |
Fastest shutter speed | 1/8000 seconds | 1/8000 seconds |
Continuous shutter rate | 9.0 frames per second | 11.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | External | Front curtain, Rear curtain, Red-Eye, Slow Sync |
Hot shoe | ||
AEB | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 seconds | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | - | 1280 x 720 (24 fps), 640 x 424 (24 fps), 320 x 216 (24 fps) |
Max video resolution | None | 1280x720 |
Video data format | - | Motion JPEG |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1565 grams (3.45 lb) | 1240 grams (2.73 lb) |
Physical dimensions | 156 x 158 x 80mm (6.1" x 6.2" x 3.1") | 160 x 157 x 88mm (6.3" x 6.2" x 3.5") |
DXO scores | ||
DXO Overall score | 66 | 82 |
DXO Color Depth score | 22.3 | 23.5 |
DXO Dynamic range score | 11.2 | 12.0 |
DXO Low light score | 975 | 3253 |
Other | ||
Battery life | - | 4200 images |
Battery type | - | Battery Pack |
Battery model | - | EN-EL4a |
Self timer | Yes (2 or 10 sec) | Yes (2 to 20 sec) |
Time lapse feature | ||
Type of storage | Compact Flash (Type I or II), SD card | Compact Flash (Type I or II) x 2, UDMA |
Card slots | 2 | 2 |
Price at release | $5,900 | $5,200 |