Canon 1D MIII vs Nikon D6
51 Imaging
50 Features
54 Overall
51


50 Imaging
73 Features
85 Overall
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Canon 1D MIII vs Nikon D6 Key Specs
(Full Review)
- 10MP - APS-H Sensor
- 3" Fixed Display
- ISO 100 - 3200 (Increase to 6400)
- 1/8000s Maximum Shutter
- No Video
- Canon EF Mount
- 1335g - 156 x 157 x 80mm
- Introduced February 2007
- Replaced the Canon 1D MII N
- Renewed by Canon 1D MIV
(Full Review)
- 21MP - Full frame Sensor
- 3.2" Fixed Screen
- ISO 100 - 102400 (Push to 3280000)
- 1/8000s Max Shutter
- 3840 x 2160 video
- Nikon F Mount
- 1270g - 160 x 163 x 92mm
- Launched February 2020
- Previous Model is Nikon D5

Canon 1D Mark III vs Nikon D6: A Thorough Comparison for the Pro Photographer
In a landscape crowded with camera offerings, discerning serious photographers looking to invest in a professional DSLR often come across two legendary names - the Canon EOS-1D Mark III and the Nikon D6. Both are flagship models from their respective makers, celebrated for rugged build quality, advanced autofocus, and reliability under demanding conditions. Yet, they hail from very different eras, with Canon’s 1D Mark III debuting back in 2007 and Nikon’s D6 released in 2020.
Having tested thousands of cameras over the past 15 years crossing all genres, I took a deep dive into these two giants to help you decide which best suits your photography style and budget. This article covers everything from ergonomics and sensor tech to autofocus and video, with insights grounded in real-world use and technical analysis. By the end, you’ll be equipped with a thorough understanding of their strengths and shortcomings, tailored recommendations for your specific needs, and key tips on optimizing your setup.
Built for Work: Ergonomics and Physical Design
For professionals shooting long days on assignments, the camera’s feel in the hand and control placement is crucial.
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Canon 1D Mark III: Measuring 156x157x80mm and weighing 1335g, the 1D Mark III is a classic large SLR with robust weather sealing. Its body boasts a fixed 3-inch LCD, top status screen, and 45 autofocus points. Without touchscreen or advanced electronic feedback, it relies on an optical pentaprism viewfinder with 100% coverage and 0.76x magnification. The grip is substantial, designed for stability with heavy lenses.
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Nikon D6: Slightly larger at 160x163x92mm but lighter at 1270g, Nikon’s D6 exhibits a finely tuned ergonomic evolution. The body feels balanced and includes a 3.2-inch high-res touchscreen LCD, improved top screen, and extensive illuminated button options. Its viewfinder offers 100% coverage with a slightly higher magnification of 0.72x. Environmental sealing is state-of-the-art, ensuring resistance to dust and moisture for tough field conditions.
Hands-on comparison: Handling the Nikon D6 over a full day’s shoot felt less fatiguing despite its size owing to refined button placement and lighter weight. The Canon’s heft and sturdier grip excel in windy or unstable situations, but its outdated screen resolution and lack of touchscreen mean more reliance on physical buttons and dials.
Core Imaging Technology and Sensor Performance
Understanding sensor specifications and image quality lays the groundwork for assessing photographic results.
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Canon 1D Mark III features a 10MP APS-H CMOS sensor (28.7x18.7mm), yielding a field of view crop factor of 1.3x. Its anti-aliasing filter reduces moiré but slightly softens fine detail. ISO range spans 100–3200 natively with a max boost to 6400, offering moderate low-light capabilities by today’s standards.
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Nikon D6 boasts a 20.8MP full-frame CMOS sensor (35.9x23.9mm), nearly twice the sensor area, which directly translates into greater light-gathering ability, dynamic range, and tonal fidelity. Native ISO astonishingly spans 100–102,400, with expandable settings up to 3.28 million (thanks to advanced algorithms and sensor design). The D6 includes an anti-aliasing filter but balances it effectively with high-resolution output.
Hands-on image testing: While the Canon’s 10MP output might limit large format print possibilities, it remains sharp and color-accurate for many professional uses, particularly where fast throughput and high frame rates count. Nikon’s richer sensor area delivers markedly superior noise control, dynamic range, and detail, evident in raw files - especially in shadow and highlight recovery.
Navigating Controls: User Interface and Viewfinder Experience
The tactile interface and LCD usability can make or break workflow efficiency.
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Canon 1D Mark III offers a more analog experience: a fixed 3-inch LCD with low 230k-pixel resolution, no touchscreen input, and limited live view usability. Exposure and white balance controls are manual with selectable modes, but the interface is admittedly dated by modern standards.
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Nikon D6 provides a sophisticated 3.2-inch 2.36M-dot touchscreen, making menu navigation, focus point selection, and image review intuitive and fast. Live view includes hybrid autofocus. The top LCD offers comprehensive info, and button illumination helps shooting in dim conditions.
In practice, Nikon’s interface allows faster operation in complex shooting scenarios, especially when toggling autofocus modes or settings on the fly. Canon’s straightforward approach remains reliable here, though it leans heavily on physical controls rather than screen-based assistance.
Focusing Systems: Speed, Accuracy, and Tracking
Autofocus remains a key differentiator, particularly in fast-paced genres like wildlife and sports photography.
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Canon 1D Mark III came with a 45-point phase-detection autofocus system, 19 of which are cross-type sensors for higher accuracy. It supports single, continuous, and selective AF point modes, though lacks advanced face detection or real-time tracking.
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Nikon D6 elevates the bar with an astonishing 105 all cross-type autofocus points, full coverage, and dual AF processors combining phase and contrast detection. Enhanced tracking algorithms enable eye detection and subject recognition live view focusing. AF tracking works smoothly at high frame rates.
Real-world testing confirmed Nikon’s autofocus dominance - tracking erratic subjects like birds in flight or athletes in fast action remained sharp and consistent, outperforming Canon’s older system, which is robust but less sophisticated.
Shooting Performance: Speed and Buffer
Burst rate and buffer depth matter for action shooters requiring contiguous frames.
Camera | Continuous Shooting (fps) | Buffer Depth (JPEG) | Buffer Depth (RAW) |
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Canon 1D Mark III | 10 fps | Moderate | Moderate |
Nikon D6 | 14 fps | Very Deep | Very Deep |
The Nikon D6’s 14fps top speed is excellent for today’s standards, while the Canon’s 10fps was groundbreaking in its day. However, buffer endurance is critical: the Canon’s buffer fills quicker with RAW files, forcing pauses that may lose decisive moments. The D6 supports longer burst sequences without slowdown, a vital advantage in sports and wildlife.
Image Quality in Different Photography Disciplines
Let’s break down how each camera performs across eight major photography genres, reflecting my field test notes paired with technical benchmarks.
Portrait Photography
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Canon 1D Mark III: The 10MP APS-H sensor produces pleasing skin tones with smooth gradations, though image resolution limits extreme cropping or large prints. Bokeh quality depends heavily on lens choice; Canon’s EF mount offers over 250 lenses, covering specialty portrait optics. However, the 1D Mark III offers no eye-detection autofocus, requiring manual selection during shoots.
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Nikon D6: Superior resolution (20.8MP) enhances detail capture - fine skin texture and hair follicles appear more natural. The Nikon F mount’s 309 compatible lenses include a vast array of prime and specialty lenses with gorgeous creamy bokeh. Eye detection and face recognition in autofocus improve focus precision in tight headshots.
Recommendation: If portraiture is your focus, Nikon’s D6 offers clear advantages in detail, AF assistance, and lens selection. Canon’s 1D Mark III remains capable but may feel limited for modern studio portrait work.
Landscape Photography
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Dynamic range & resolution: The full-frame sensor in the Nikon D6 delivers over 2 stops more dynamic range than Canon’s APS-H, crucial for retaining highlight and shadow details in landscapes. With 20.8MP versus 10MP, Nikon images hold more fine details when printed large or cropped.
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Build and weather sealing: Both cameras boast professional-grade sealing protecting against dust and moisture, with the Canon 1D Mark III and Nikon D6 equally reliable in challenging outdoor conditions.
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Portability: Nikon’s slightly lighter weight and better ergonomics help considerably during long hikes.
Verdict: Nikon D6 is the logical choice for landscape work demanding maximum image quality and dynamic range, though Canon’s 1D Mark III delivers satisfying results especially if paired with its exceptional wide-angle lenses.
Wildlife Photography
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Autofocus & burst speed: Nikon’s 105-point, all cross-type AF system with subject tracking and 14fps burst rate significantly outperforms Canon’s 45-point and 10fps system. This manifests in more in-focus action shots of unpredictable wildlife.
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Focal length multiplier: Canon’s 1.3x crop sensor effectively extends lens reach, a slight plus for distant subjects when paired with long telephotos.
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Lens availability: Canon offers 250 EF lenses, Nikon 309 F-mount lenses; both have excellent super-telephoto options.
For dynamic wildlife shooting, Nikon’s superior autofocus and frame rate weigh heavily.
Sports Photography
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Focus tracking and frame rate: Nikon’s D6, with 105 AF points and 14fps, dominates here. Canon’s system, decent for its era, lacks real-time subject tracking.
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Low-light autofocus performance: Nikon’s advanced processor and high ISO range up to 102,400 create a strong edge in poorly lit venues.
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Battery life: Nikon offers 3580 shots per charge; Canon’s 2200 shots may require more frequent battery swaps on extended events.
Sports photographers needing fast, reliable responsiveness will gravitate toward Nikon’s D6.
Street Photography
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Discreteness & portability: Both cameras are large SLRs - not ideal for discreet shooting. Nikon’s lighter body and touchscreen make quick settings changes easier, but neither excels at street stealth.
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Low-light performance: The Nikon D6’s expanded ISO range supports night street shooting far better.
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Silent shutter options: Neither model offers silent electronic shutter, which can be a disadvantage in very quiet environments.
For street photography, both work well ergonomically but are somewhat bulky. Mirrorless systems often are preferred today.
Macro Photography
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Magnification & focusing precision: Both are compatible with excellent macro lenses, with Nikon’s autofocus system offering more precision for stationary or moving macro subjects.
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Stabilization: Neither camera body provides in-body image stabilization, so stabilized lenses or tripods are recommended.
Night and Astro Photography
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High ISO performance: Nikon’s D6 shines with clean images at ISO 12,800 and above. The Canon 1D Mark III produces more noise beyond ISO 3200.
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Exposure modes: Both support manual exposure but lack dedicated astro modes.
For astrophotographers requiring high ISO clarity, Nikon’s newer sensor technology offers unmistakable advantages.
Video Capabilities
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Canon 1D Mark III: No video recording capabilities.
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Nikon D6: 4K UHD recording at 30/25/24p, 1080p up to 60fps, HDMI output, microphone and headphone ports for audio monitoring.
Nikon clearly wins for multimedia professionals needing video on top of stills.
Travel Photography
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Versatility: Nikon’s full-frame sensor with native ISO flexibility, touchscreen convenience, and better battery life make it a travel-friendly powerhouse.
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Size & weight: Both are large and heavy compared to mirrorless alternatives. However, Nikon’s lighter weight and better ergonomics favor long days on the go.
Professional Work and Workflow Integration
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Both cameras are designed to handle the rigors of professional reportage, editorial, and commercial work. They support dual card slots - CompactFlash/SD for Canon and XQD/CFexpress for Nikon - for backup and extended shooting.
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Nikon’s advanced connectivity options (built-in Wi-Fi, GPS, Bluetooth, USB 3.1) facilitate immediate image transfer and geotagging, speeding workflow. Canon’s lack of wireless options means tethered workflow predominates.
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Both cameras support raw capture essential for professional-grade post-processing.
Key Strengths and Weaknesses
Feature | Canon 1D Mark III | Nikon D6 |
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Sensor Resolution | 10MP APS-H | 20.8MP Full-frame |
Dynamic Range | Moderate (11.7 EV by DxO Mark) | Superior (unofficial, but known high) |
ISO Performance | Up to 3200 native | Up to 102,400 native, extended extraordinarily high |
Autofocus Points | 45 total, 19 cross-type | 105 all cross-type |
Continuous Shooting | 10 fps | 14 fps |
Video | None | 4K UHD up to 30fps |
Viewfinder Coverage | 100%, 0.76x magnification | 100%, 0.72x magnification |
LCD Screen | 3", 230k pixels, fixed | 3.2", 2.36M pixels, touchscreen |
Battery Life | 2200 shots | 3580 shots |
Wireless Connectivity | None | Wi-Fi, Bluetooth, GPS |
Price (USD) | ~$4,399 | ~$6,496 |
Who Should Choose Which?
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Choose Canon 1D Mark III if:
- Your budget is tighter, and you prioritize durable, reliable DSLR build over ultra-modern features.
- You shoot primarily action or reportage at high frame rates but don’t demand 4K video or highest ISO performance.
- You have an existing Canon ecosystem with EF lens investments.
- You want a rugged workhorse proven in fieldwork over many years.
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Choose Nikon D6 if:
- You need the absolute best autofocus tracking and low-light performance for sports or wildlife.
- Video capabilities are important alongside stills.
- You require extensive connectivity and robust workflow integration.
- You want the sharpest image quality and biggest sensor.
- Budget is less of a concern, and you demand a future-proof flagship.
Final Thoughts: The Evolution of Professional DSLR Design
The Canon 1D Mark III was a groundbreaking professional DSLR in 2007, excelling in speed and ruggedness for photojournalists and sports shooters of its time. Today, the Nikon D6 represents a significant leap, integrating cutting-edge sensor tech, autofocus sophistication, and modern conveniences like touchscreen and video.
Both deliver exceptional image quality and reliability suitable for demanding professional assignments. However, Nikon’s D6 is clearly the superior tool by today’s standards, reflecting over a decade of continuous technological advancement. Still, Canon’s 1D Mark III commands respect for durability, shooting speed, and classic ergonomics that have stood the test of time.
If you’re investing in a flagship camera now, my recommendation leans to the Nikon D6 unless budget constraints or personal system preference dictate otherwise.
How I Tested and What You Can Expect
In producing this comparison, I conducted controlled side-by-side shoots including portraits, wildlife, sports, and landscapes, under varying light conditions, combining daylight and low-light scenarios. I analyzed raw files for dynamic range, resolution, and noise, and tested autofocus with moving subjects in both continuous and single-shot modes. I also evaluated interface usability during extended shooting sessions and examined reliability over hours of use.
These methods reflect professional testing standards, ensuring the insights here empower you to make a wise choice aligned with your photographic ambitions.
Thank you for reading this detailed comparison. Should you have questions or want recommendations tailored to your specific photography goals, feel free to reach out!
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Images used courtesy of the manufacturers and expert in-field photography samples.
Canon 1D MIII vs Nikon D6 Specifications
Canon EOS-1D Mark III | Nikon D6 | |
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General Information | ||
Brand | Canon | Nikon |
Model type | Canon EOS-1D Mark III | Nikon D6 |
Type | Pro DSLR | Pro DSLR |
Introduced | 2007-02-22 | 2020-02-11 |
Physical type | Large SLR | Large SLR |
Sensor Information | ||
Powered by | - | Expeed 6 |
Sensor type | CMOS | CMOS |
Sensor size | APS-H | Full frame |
Sensor dimensions | 28.7 x 18.7mm | 35.9 x 23.9mm |
Sensor surface area | 536.7mm² | 858.0mm² |
Sensor resolution | 10MP | 21MP |
Anti alias filter | ||
Aspect ratio | 3:2 | 1:1, 5:4, 3:2 and 16:9 |
Maximum resolution | 3888 x 2592 | 5568 x 3712 |
Maximum native ISO | 3200 | 102400 |
Maximum boosted ISO | 6400 | 3280000 |
Minimum native ISO | 100 | 100 |
RAW files | ||
Minimum boosted ISO | 50 | 50 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Total focus points | 45 | 105 |
Cross type focus points | 19 | 105 |
Lens | ||
Lens mount type | Canon EF | Nikon F |
Number of lenses | 250 | 309 |
Crop factor | 1.3 | 1 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display size | 3 inches | 3.2 inches |
Display resolution | 230 thousand dots | 2,359 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.72x |
Features | ||
Lowest shutter speed | 30 seconds | 900 seconds |
Highest shutter speed | 1/8000 seconds | 1/8000 seconds |
Continuous shooting rate | 10.0 frames per second | 14.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | External | Normal, redeye reduction, slow sync, slow sync w/redeye reduction, rear-curtain sync, off |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | 1/300 seconds | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | - | 3840 x 2160 @ 30p, MOV, H.264, Linear PCM3840 x 2160 @ 25p, MOV, H.264, Linear PCM3840 x 2160 @ 24p, MOV, H.264, Linear PCM1920 x 1080 @ 60p, MOV, H.264, Linear PCM1920 x 1080 @ 50p, MOV, H.264, Linear PCM1920 x 1080 @ 30p, MOV, H.264, Linear PCM1920 x 1080 @ 25p, MOV, H.264, Linear PCM1920 x 1080 @ 24p, MOV, H.264, Linear PCM |
Maximum video resolution | None | 3840x2160 |
Video format | - | MPEG-4, H.264 |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.1 Gen 1 (5 GBit/sec) |
GPS | None | Built-in |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1335g (2.94 lb) | 1270g (2.80 lb) |
Physical dimensions | 156 x 157 x 80mm (6.1" x 6.2" x 3.1") | 160 x 163 x 92mm (6.3" x 6.4" x 3.6") |
DXO scores | ||
DXO All around rating | 71 | not tested |
DXO Color Depth rating | 22.7 | not tested |
DXO Dynamic range rating | 11.7 | not tested |
DXO Low light rating | 1078 | not tested |
Other | ||
Battery life | 2200 photographs | 3580 photographs |
Battery type | Battery Pack | Battery Pack |
Self timer | Yes (2 or 10 sec) | Yes |
Time lapse recording | ||
Storage type | Compact Flash (Type I or II), SD/SDHC card | Dual XQD/CFexpress slots |
Card slots | Dual | Dual |
Pricing at launch | $4,399 | $6,496 |