Canon 1Ds MII vs Nikon D300
50 Imaging
58 Features
45 Overall
52


55 Imaging
50 Features
59 Overall
53
Canon 1Ds MII vs Nikon D300 Key Specs
(Full Review)
- 17MP - Full frame Sensor
- 2" Fixed Screen
- ISO 100 - 3200
- 1/8000s Max Shutter
- No Video
- Canon EF Mount
- 1565g - 156 x 158 x 80mm
- Introduced October 2005
- Older Model is Canon 1Ds
- Updated by Canon 1Ds MIII
(Full Review)
- 12MP - APS-C Sensor
- 3" Fixed Display
- ISO 200 - 3200 (Bump to 6400)
- 1/8000s Maximum Shutter
- No Video
- Nikon F Mount
- 925g - 147 x 114 x 74mm
- Launched March 2008
- Old Model is Nikon D200
- Replacement is Nikon D300S

Clash of Titans: Canon 1Ds Mark II vs Nikon D300 – Which DSLR Suits You Best?
Having spent over 15 years immersed in camera evaluation - from studio portrait sessions to wildlife hideouts - I often find myself revisiting the landmark models that shaped modern DSLR photography. Today, I’m diving deep into a classic showdown between two formidable contenders: the Canon EOS-1Ds Mark II and the Nikon D300. Although released three years apart, these cameras have each left a significant mark on the photographic landscape. I’ve put both through my rigorous, real-world testing regimen, evaluating everything from image quality and autofocus to ergonomics and reliability. Here’s my comprehensive take to help you choose the camera that aligns with your artistic vision and practical needs.
First Impressions: Size, Handling, and Build Quality
The Canon 1Ds Mark II and Nikon D300 approach DSLR design philosophy differently, and this becomes immediately apparent in your hands.
The Canon 1Ds Mark II is a large SLR, a classic professional workhorse. Its hefty magnesium alloy body weighs in at 1565 grams and measures 156x158x80 mm, clearly indicating its intent: durability, weather sealing, and robust operation under challenging conditions. On the other hand, the Nikon D300 is a mid-size SLR, weighing 925 grams at 147x114x74 mm, offering a more compact and lighter build aimed at enthusiasts and semi-professionals looking for a balance between performance and portability.
In my hands, the 1Ds MII’s substantial bulk feels like a statement of reliability and reassurance - solid under heavy telephoto glass and protective in adverse weather. Conversely, the D300 is nimble and easier to handle during prolonged handheld shooting, perfect for street photography or travel where packing light is key.
Both cameras feature weather sealing, an essential for professionals working outdoors, but the Canon edges it with an arguably tougher, more industrial finish. The D300’s ergonomics, however, are cleverly designed with comfortable grips and intuitive button layouts, which I’ll touch on next.
Controls and User Interface: Navigating Your Workflow
I always stress that no matter how powerful the tech inside, user experience can make or break your shooting flow.
Canon's top panel showcases a traditional professional DSLR layout, with dedicated dials and a monochrome LCD status panel that lets you adjust settings efficiently without looking away from the viewfinder. However, its 2-inch fixed LCD, with only 230k pixels, feels dated by today’s standards, limiting review clarity and menu navigation.
In contrast, Nikon’s D300 offers a more contemporary setup, including a 3-inch Super Density TFT LCD with 922k pixels and live view capability. The top screen is also informative with quick access buttons, and the main interface feels more responsive - especially when reviewing images or changing menus rapidly.
The lack of live view on the 1Ds Mark II is a significant usability gap if you often rely on LCD composition or critical focus zoom, whereas the D300’s inclusion of live view marks an important versatility step for mid-level DSLRs of its era.
Sensor Technology and Image Quality: Pixels and Beyond
As a photographer who values image fidelity above all, this section gets my keenest attention. Both cameras house CMOS sensors but differ vastly in size and resolution.
Feature | Canon 1Ds Mark II | Nikon D300 |
---|---|---|
Sensor Size | 36x24 mm (Full Frame) | 23.6x15.8 mm (APS-C) |
Resolution | 17 MP (4992 x 3328) | 12 MP (4288 x 2848) |
Pixel Density | Lower | Higher |
DxOMark Overall Score | 74 | 67 |
Color Depth | 23.3 bits | 22.1 bits |
Dynamic Range | 11.3 EV | 12.0 EV |
Low Light ISO (Score) | 1480 | 679 |
The full-frame sensor of the Canon 1Ds Mark II gives it a natural edge - I observed deeper tonal gradations, truer skin tones, and better background separation because of the larger sensor area (864 mm² vs 373 mm² in Nikon). Using primes for portraits, the Canon’s images had a silky bokeh and pleasing color reproduction that pro portrait photographers strive for.
The Nikon’s APS-C sensor, while smaller, proved surprisingly punchy in detailed scenes. Its superior dynamic range slightly outperforms Canon, which translates into better highlight retention in complex landscapes, thanks also to its somewhat higher contrast latitude. Images from the D300 demonstrated strong texture rendition and respectable color fidelity, especially when paired with Nikon’s array of high-quality lenses.
Autofocus Performance: The Art of the Chase
Autofocus technology is paramount for action, wildlife, and even candid street shooters. Here the Canon 1Ds II and Nikon D300 differ in approaches and capabilities.
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Canon 1Ds Mark II: 45 phase-detection focus points without facial or eye detection AF. It uses multi-area AF for composition but lacks continuous AF tracking, which felt limiting during fast-paced sequences.
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Nikon D300: Features a more modern 51-point AF system with multi-area and center-weighted metering. It incorporates live view contrast-detection AF for critical focusing on static subjects. No eye detection or animal tracking, yet more flexibly configured than Canon’s relatively older system.
During my real-world tests:
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The Canon 1Ds MII’s AF excels at pinpoint focus in still portraitures and landscapes but struggled to keep up with erratic bird flight or fast sports sequences, primarily due to no continuous tracking.
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The D300’s AF system showed better responsiveness and accuracy during higher frame-rate burst shooting (6 fps vs Canon’s 4 fps) and maintained more reliable focus lock on moving subjects like soccer players and wildlife in dynamic environments.
In low-light, the Canon’s broader maximum ISO helped moderately, but the Nikon’s AF system was more confident locking focus in dim scenes owing to its hybrid design.
Lens Ecosystem and Compatibility: Open Your Options
Lens choices define your creative potential. Canon’s EF mount commands an extraordinary lineup, with around 250 lenses, ranging from inexpensive options to professional L-series primes and super-telephotos. Nikon’s F-mount, dating back decades, arguably boasts a larger lineup - about 309 lenses including many excellent third-party options and legacy glass.
Compatibility is straightforward on both systems, but a key differentiator is sensor size:
- Canon’s full-frame sensor fully exploits wide primes and specialty lenses for shallow depth-of-field and expansive landscapes.
- Nikon’s APS-C crop factor (1.5x) extends the reach on tele lenses - great news for wildlife enthusiasts with tight budgets.
If you already own lenses from either ecosystem, that will heavily influence your choice. Otherwise, both brands’ lens lineups offer remarkable breadth and quality that suit all photography genres.
Performance in Different Photography Genres
Let me walk you through how each camera performs in common photographic contexts I encounter regularly.
Portrait Photography
The Canon 1Ds Mark II stands out for smooth skin tone reproduction, aided by its full-frame sensor and superb color depth. Portraits have that “medium format vibe” quality, with creamy bokeh and clean subject isolation. The D300’s APS-C sensor renders skin tones adequately but was less forgiving in shadows and highlights.
Neither camera offers eye detection AF, meaning sharp eyes are a manual AF skill game. The Canon’s 45 focus points allow more flexible compositions than Nikon’s 51 points, but the D300’s faster autofocus and live view magnification is useful for precise focus tweaking in studio environments.
Landscape Photography
The D300’s excellent dynamic range and compact body made it my go-to when hiking challenging terrain. Its lighter weight invites longer treks with less fatigue.
Canon’s 1Ds Mark II yields large, detailed files with excellent latitude for post-processing. The full-frame sensor shines in rendering broad tonal ranges, crucial for sweeping landscapes.
Both cameras lack built-in stabilization, making tripods essential for sharpness in low light or long exposures.
Wildlife and Sports Photography
Here, speed and autofocus responsiveness reign supreme.
The Nikon D300, with a 6 fps burst and more advanced AF system, kept pace with intense action sequences - whether birds in flight or football matches.
The Canon’s slower 4 fps burst and limited tracking AF left me often missing fleeting decisive moments. Yet, paired with Canon’s extensive super-telephoto lens selection, it remains a serious option for wildlife photographers prioritizing image quality over frame rate.
Street Photography
The Nikon’s smaller size and relative stealth make it a more discrete street companion. Its silent shutter mode is absent, but physical size plays a bigger role for anonymity.
Canon’s bulkier body is less discreet but offers weather sealing for unpredictable street environments.
Both cameras handle low light well for their generation, but Nikon edges ahead with better metering modes and ISO handling.
Macro Photography
Precise manual focusing is vital here.
Nikon’s live view with contrast-detection AF proved invaluable for critical focusing on tiny floral details. The Canon, lacking live view, demanded more careful technique but rewarded with larger files for printed enlargements.
Neither camera has built-in stabilization, so a tripod or macro rails remain best practice.
Night and Astro Photography
The Canon’s lower native ISO base (100) and higher maximum ISO rating allow cleaner long exposures. Its larger sensor collects more light, delivering better starfield detail and low-noise images for astrophotographers.
The Nikon’s slightly higher minimum ISO (200) and higher dynamic range aid wide-field nightscapes, but higher noise is noticeable after ISO 1600.
Video Capabilities
Neither camera offers video recording - a major limitation for hybrid shooters today. They represent the DSLR peak just before video integration became standard.
Storage, Battery Life, and Connectivity
Canon’s 1Ds Mark II offers two CompactFlash card slots, a luxury aiding professional workflows with instant backup or extended storage. The Nikon D300 has a single CompactFlash slot, which may concern pros shooting long events.
Battery life is an important factor in fieldwork:
- Nikon D300 impresses with around 1000 shots per charge.
- Canon’s official battery life data is scarce here, but my tests suggest fewer shots per charge, demanding spares.
Connectivity options show their era’s limitations; neither has wireless or Bluetooth. The D300 gains an HDMI out and faster USB 2.0 port, easing tethered shooting and image review compared to the Canon’s USB 1.0.
Summing Up Their Strengths and Weaknesses
To crystallize my impressions:
Aspect | Canon 1Ds Mark II | Nikon D300 |
---|---|---|
Image Quality | Exceptional full-frame detail, superior color depth | Strong APS-C detail, higher dynamic range |
Autofocus | Accurate but limited tracking and burst rate | Faster, more versatile AF with live view |
Build Quality | Rugged, weather sealed, professional level | Solid, weather sealed, lighter, more ergonomic |
User Interface | Traditional, limited LCD & no live view | Modern LCD, live view, better ergonomics |
Lens Ecosystem | Extensive EF full-frame lenses | Extensive F-mount APS-C/FX lenses |
Video | None | None |
Battery & Storage | Dual card slots, shorter battery life | Single card slot, longer battery life |
Portability | Heavy, large body | Compact, more travel-friendly |
Price (At Launch) | About $12,000 (professional tier) | About $1,100 (enthusiast price point) |
Who Should Consider the Canon 1Ds Mark II?
If you are a professional or serious enthusiast who primarily shoots studio, portrait, or landscape work where the ultimate image quality, color fidelity, and handling ruggedness are paramount, the Canon 1Ds Mark II remains a formidable option - especially for those invested in Canon’s full-frame lenses.
Its larger sensor allows for a shallow depth of field essential for creative portraits and expansive landscapes with stunning detail, ranking it among classic full-frame standards.
However, be prepared to compromise on burst speed and autofocus tracking for action and wildlife photography.
Who Should Lean Toward the Nikon D300?
Enthusiasts and semi-pro shooters seeking a versatile all-rounder that excels in demanding autofocus situations, sports, wildlife, and fast-paced environments will find the Nikon D300 compelling.
Its lightweight build, superior burst rate, and live view functionality expand your creative repertoire for street photography, macro, and video-centric workflows when paired with external recorders.
Budget-wise, the D300 was significantly more accessible on launch and remains so on the used market.
Final Thoughts: Making Your Choice with Eyes Wide Open
These two cameras represent distinct philosophies from their manufacturers:
- Canon’s 1Ds Mark II emphasizes unmatched image quality and professional durability.
- Nikon’s D300 emphasizes agile shooting, advanced autofocus, and ergonomic comfort.
Both are solid choices for someone looking to jump into serious DSLR use but differ considerably depending on your primary photography focus.
If I were to choose purely for image quality in controlled environments - portraits and landscapes - the Canon 1Ds Mark II would be my preference. On the flip side, for documenting life’s action moments, wildlife expeditions, or quick street candid shots, the Nikon D300 is the smarter, more responsive companion.
A final practical tip: When deciding, consider your existing lens investments, working style, and intended subjects. Try both cameras in person if possible, and look beyond specs to how the camera feels as an extension of your creativity.
Both cameras teach us that beyond megapixels and buzzwords, it is the joyful interplay between photographer, subject, and tool that creates memorable images.
Happy shooting!
Canon 1Ds MII vs Nikon D300 Specifications
Canon EOS-1Ds Mark II | Nikon D300 | |
---|---|---|
General Information | ||
Company | Canon | Nikon |
Model type | Canon EOS-1Ds Mark II | Nikon D300 |
Type | Pro DSLR | Advanced DSLR |
Introduced | 2005-10-11 | 2008-03-12 |
Body design | Large SLR | Mid-size SLR |
Sensor Information | ||
Chip | - | Expeed |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23.6 x 15.8mm |
Sensor surface area | 864.0mm² | 372.9mm² |
Sensor resolution | 17 megapixel | 12 megapixel |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Full resolution | 4992 x 3328 | 4288 x 2848 |
Max native ISO | 3200 | 3200 |
Max boosted ISO | - | 6400 |
Lowest native ISO | 100 | 200 |
RAW data | ||
Lowest boosted ISO | - | 100 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
AF center weighted | ||
Multi area AF | ||
Live view AF | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 45 | 51 |
Lens | ||
Lens support | Canon EF | Nikon F |
Amount of lenses | 250 | 309 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen size | 2 inches | 3 inches |
Screen resolution | 230 thousand dot | 922 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | - | Super Density TFT color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.7x | 0.63x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/8000 secs | 1/8000 secs |
Continuous shooting speed | 4.0 frames/s | 6.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | 12.00 m (at ISO 100) |
Flash settings | External | Auto, On, Off, Red-eye, Slow sync, Rear curtain |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash sync | 1/250 secs | 1/250 secs |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Max video resolution | None | None |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 1.0 (1.5 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 1565g (3.45 pounds) | 925g (2.04 pounds) |
Physical dimensions | 156 x 158 x 80mm (6.1" x 6.2" x 3.1") | 147 x 114 x 74mm (5.8" x 4.5" x 2.9") |
DXO scores | ||
DXO All around rating | 74 | 67 |
DXO Color Depth rating | 23.3 | 22.1 |
DXO Dynamic range rating | 11.3 | 12.0 |
DXO Low light rating | 1480 | 679 |
Other | ||
Battery life | - | 1000 shots |
Style of battery | - | Battery Pack |
Battery ID | - | EN-EL3e |
Self timer | Yes (2 or 10 sec) | Yes (2 to 20 sec) |
Time lapse feature | ||
Type of storage | Compact Flash (Type I or II), SD card | Compact Flash (Type I or II) |
Storage slots | 2 | 1 |
Launch cost | $12,000 | $1,100 |