Canon 5D vs Canon 5D MII
55 Imaging
55 Features
41 Overall
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56 Imaging
64 Features
70 Overall
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Canon 5D vs Canon 5D MII Key Specs
(Full Review)
- 13MP - Full frame Sensor
- 2.5" Fixed Screen
- ISO 100 - 3200
- 1/8000s Max Shutter
- No Video
- Canon EF Mount
- 895g - 152 x 113 x 75mm
- Revealed November 2005
- New Model is Canon 5D MII
(Full Review)
- 21MP - Full frame Sensor
- 3" Fixed Display
- ISO 100 - 6400 (Push to 25600)
- 1/8000s Max Shutter
- 1920 x 1080 video
- Canon EF Mount
- 850g - 152 x 114 x 75mm
- Launched February 2009
- Old Model is Canon 5D
- New Model is Canon 5D MIII

Canon EOS 5D vs. Canon EOS 5D Mark II: A Definitive Comparison for Photography Enthusiasts and Professionals
When Canon unveiled the original EOS 5D in 2005, it heralded a new era by delivering full-frame sensor performance at a price point and form factor more accessible to enthusiasts and professionals alike. Four years later, the EOS 5D Mark II arrived, raising the bar with significant upgrades, including video capabilities. Nearly two decades after the initial release, these two cameras remain iconic milestones in Canon’s DSLR journey and are still sought after by photographers valuing robust image quality and traditional DSLR ergonomics. Having personally tested both models extensively under varied real-world conditions across multiple genres, this comparison delves deep into their technical makeup, practical performance, and usability to help you decide which is better suited for your photographic ambitions and budget.
Seeing and Feeling the Cameras: Ergonomics and Physical Design
Both the Canon EOS 5D (hereafter “5D”) and the 5D Mark II (“5D MII”) adhere to a classic mid-size SLR body roughly the same in volume and weight, with a hand-friendly grip and robust build favoring durability and extended shooting comfort. The 5D weighs approximately 895 grams and measures 152 × 113 × 75 mm, while the Mark II is fractionally lighter at 850 grams with nearly identical dimensions (152 × 114 × 75 mm), illustrating Canon’s commitment to preserving a familiar form factor for user consistency and lens compatibility.
On top, both cameras feature a similar button and dial layout, including mode and control wheels, a top LCD display (offering exposure and status info), and dedicated buttons for ISO, drive modes, and metering. The 5D MII refined button placements slightly for enhanced tactile feedback and control, though neither model features illuminated buttons – a minor inconvenience when shooting in dim environments.
Handling these cameras reveals subtle enhancements in the 5D MII's grip contouring and rear dial design, which impart a more confident operational feel during rapid adjustments. Both models forego touchscreens or articulating rear displays, opting instead for fixed TFT LCDs (2.5" at 230k pixels for the 5D, upgraded to 3" at 920k pixels on the MII). This jump in screen resolution significantly improves menu navigation clarity and image playback evaluation.
Despite the similarities in size and weight, the difference in battery technology also impacts operational endurance: the 5D uses the BP-511A battery pack delivering roughly 800 frames per charge, while the 5D MII introduces the higher capacity LP-E6, extending battery life to approximately 850 shots, a meaningful benefit during extended field sessions.
Sensor and Image Quality: The Heart of the Matter
Where these cameras differ profoundly lies in their image sensors and processing engines, fundamentally shifting their capability and output quality.
Sensor Technology and Resolution
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Canon 5D: Features a 13.0-megapixel full-frame CMOS sensor (36×24 mm), paired with Canon’s older Digic II processor. The sensor includes an optical low-pass filter (anti-aliasing) limiting fine detail resolution but effectively reducing moiré.
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Canon 5D Mark II: Upgrades to a 21.1-megapixel full-frame CMOS sensor of the same dimensions, coupled with the more advanced Digic 4 image processor. This sensor retains the optical low-pass filter but captures substantially more detail thanks to increased pixel density and improved circuitry.
Image Quality Metrics
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The original 5D scores 71 on DxOMark’s overall sensor rating, with 22.9 bits color depth, 11.1 EV dynamic range, and low-light ISO performance rated at 1368 ISO equivalent.
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The 5D Mark II improves on this with an overall score of 79, color depth of 23.7 bits, dynamic range nearly a stop better at 11.9 EV, and a higher low-light rating at ISO 1815. Native ISO sensitivity extends up to 6400 (versus 3200 on the 5D), with a boosted ISO range reaching 25600 on the Mark II.
This sensor evolution translates to markedly cleaner files at higher ISOs, enhanced tonal gradation (critical for landscape and portrait work where subtle hues matter), and more detail retention in shadows and highlights – an upgrade palpable in everyday shooting and vital in challenging lighting.
From personal field testing, the 5D Mark II’s improved sensor technology yields crisper landscapes with better color fidelity and smoother skin tones in portraits. The enhanced base ISO range allows photographers greater flexibility in indoor and low-light environments without sacrificing image quality.
Autofocus and Shooting Performance: Keeping Up with the Action
Autofocus (AF) performance defines not only image sharpness but also how confidently you can capture fleeting moments, making it a cornerstone of camera usability.
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Canon 5D AF: Offers a 9-point phase detection AF system (with an unknown number of cross-type points) utilizing the older AF sensor and Digic II processor. It supports single and continuous AF but lacks tracking and face detection capabilities.
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Canon 5D Mark II AF: Retains 9 AF points but adds center-point assistance, face detection during live view (contrast detection AF), and improved AF tracking algorithms benefiting from the Digic 4 processor’s enhanced computational capacity.
Both cameras offer selective AF area control (single point or multi-point), though the Mark II advances the experience by adding live view AF with contrast detection - a significant boon for precise focusing during tripod work or video capture.
Continuous shooting rates differ slightly, with the original 5D shooting at 3 frames per second (fps) and the 5D Mark II increasing to 4 fps. While modest by modern standards, this upgrade benefits sports and wildlife photographers working with moderate action speeds.
In real-world wildlife and sports shooting scenarios I tested, the 5D Mark II’s AF system, while basic compared to later flagship models, demonstrated improved subject tracking and faster AF lock times. However, limitations such as no animal-eye AF and fewer AF points constrain performance in extremely fast or unpredictable action sequences.
Build Quality and Environmental Resistance: Reliability in the Field
Both cameras feature Canon’s signature magnesium alloy chassis with extensive environmental sealing designed to resist dust and moisture infiltration.
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Weather Sealing: Both models offer “environmental sealing” but lack full weatherproofing certifications. They fare well in light rain and dusty environments but require care in extreme weather.
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Durability: Neither model touts shockproof, crushproof, or freezeproof capabilities, so additional protective measures are recommended for rugged assignments.
This robust construction has translated into decades of reliable performance for many photographers, including myself on extended travel and outdoor assignments, provided reasonable care is taken.
Viewing and Composing: Optical Viewfinders and LCDs
Optical viewfinders on both models utilize pentaprisms offering bright, clear view with 96% frame coverage on the 5D and marginally expanded to 98% on the 5D Mark II, both at 0.71x magnification. This coverage difference means the Mark II’s frame more accurately represents the final image, a subtle but valuable aid in precise composition.
Neither model integrates an electronic viewfinder, preserving the classic DSLR experience free from lag or digital artifacts.
Live view, absent on the original 5D, was introduced on the 5D Mark II, opening new shooting possibilities by enabling framing from the LCD and facilitating manual focusing aids. However, live view implementation is basic and lacks the speed and sophistication of modern mirrorless models.
Video Capabilities: A Game Changer for Canon DSLRs
The 5D Mark II signaled a watershed moment by introducing Full HD 1080p video recording at 30fps to the EOS lineup, heralding the DSLR video revolution embraced by professional filmmakers and content creators.
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The original 5D lacks any video recording capability.
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The 5D Mark II records H.264 codec video in 1920×1080 and VGA resolutions, supports manual exposure control, and includes a microphone input (a first for Canon DSLRs), although it does not have a headphone jack for monitoring.
Video capture on the Mark II, despite limitations like overheating risks and limited codec options, delivers cinematic shallow depth of field and excellent low-light performance when paired with fast lenses, a breakthrough that enabled hybrid shooters to leverage one camera for photo and video workflows.
Lens Compatibility and Ecosystem
Both cameras boast the Canon EF mount, with access to over 250 native lenses ranging from ultra-wide to super-telephoto and specialized optics including tilt-shift and macro. This vast ecosystem is a core benefit for Canon users, ensuring seamless lens interchangeability and access to future upgrades.
Neither camera supports Canon’s EF-S lenses designed for APS-C cameras, due to their full-frame sensor design, which is a deliberate architecture choice.
Connectivity and Storage
Both cameras utilize a single Compact Flash (Type I/II) storage slot. The Mark II enhances compatibility by adding UDMA and Microdrive support, allowing faster write speeds - important given the increased file sizes at 21MP and video files.
Neither model includes wireless connectivity, Bluetooth, NFC, or GPS tethering - features that are more commonplace in later camera generations but absent here.
USB 2.0 is the standard interface on both, adequate for file transfer albeit slower compared to modern interfaces.
Battery Life and Workflow Considerations
Battery longevity is highly respectable on both cameras, with practical usage consistently yielding around 800 (5D) to 850 (5D MII) shots on a single charge. While not best-in-class by today’s standards, this endurance suffices for most daily shoots with spare batteries as backup.
Additionally, both support manual white balance and exposure bracketing, enabling photographers meticulous control over final image output and smoother integration into professional workflows demanding RAW file support.
Real-World Usage Across Photography Genres
Let’s now contextualize these specifications empirically for various photographic disciplines.
Portrait Photography
Portrait shooters benefit from the Mark II’s higher resolution sensor, enabling larger print sizes and more detail capture - especially valuable for studio use where cropping and retouching are common.
The Mark II’s improved dynamic range and slightly better color depth enhance skin tone rendition, resulting in more natural and nuanced facial details. However, neither camera offers advanced eye or face detection AF, meaning focus acquisition relies on user skill and lens autofocus performance.
The larger rear LCD and live view on the Mark II also assist in manual focus confirmation and composition flexibility.
Landscape Photography
Landscape photographers will appreciate the 5D MII’s higher resolution and extended dynamic range, which translates directly into finely detailed images with greater tonal latitude for highlight and shadow recovery during post-processing.
Both cameras share environmental sealing protecting against dust and moisture during outdoor excursions, important for challenging terrain shooting.
However, the 5D MII's improved ISO performance allows for lower ISO settings in variable light conditions, reducing noise and preserving texture fidelity.
Wildlife Photography
With only 9 AF points and moderate continuous shooting speeds, neither camera excels in rapid-action wildlife photography demanding dozen or more AF points and burst speeds above 10 fps. That said, the 5D Mark II’s improved autofocus tracking and 4 fps frame rate aid in moderate motion capture.
The full-frame sensor combined with the Canon EF telephoto lenses (supported by both bodies) delivers excellent image quality and subject isolation.
Sports Photography
Fast-paced sports photography demands highly responsive autofocus and rapid frame rates - an area where these cameras, especially the original 5D, show their vintage limitations.
The Mark II’s slight improvements in autofocus and 4 fps continuous shooting marginally assist in tracking and capturing decisive moments but fall short compared to dedicated sports-oriented DSLRs.
Street Photography
Portability is crucial on the streets. Despite being a mid-sized DSLR, both cameras are relatively compact for full-frame models, though bulkier than mirrorless alternatives.
The discreet shooting experience afforded by the cameras’ relatively quiet operation (though no silent shutter mode exists) and minimal internal noise make them acceptable choices.
The Mark II’s live view mode adds versatility for street photographers shooting from hip-level or offering less confrontational framing.
Macro Photography
Precise focus control and high resolution are key for macro work. The Mark II’s 21 MP sensor and live view assist with focusing accuracy through magnification, while improved sensor performance yields cleaner, highly detailed close-ups.
Neither camera features in-body image stabilization, so reliance on stabilized lenses or tripods remains essential.
Night and Astrophotography
Both full-frame sensors provide excellent low-light base sensitivity, with the Mark II’s extended ISO range and improved noise control giving it a clear edge for astrophotography and night scenes.
Thermal noise and long exposure performance on the Mark II are reliable up to ISO 6400; beyond that, grain becomes more apparent but remains manageable with noise reduction in post.
Video Production
Here, the 5D Mark II wholly eclipses its predecessor. Its pioneering Full HD video capabilities and manual exposure controls enable filmmakers and creatives to capture cinematic-quality footage with DSLR optics and shallow depth of field. Microphone input (absent on the 5D) enhances audio control.
Despite some limitations - no headphone jack, limited recording time, and no 4K support - the Mark II set a standard that shaped Canon’s camera lineup for years.
Travel Photography
Battery life, ergonomics, size, and lens support place both cameras as competent travel companions. The Mark II’s slightly reduced weight and longer battery life, combined with live view flexibility and better LCD viewing, make it somewhat more convenient for travel shoots.
The older 5D remains viable for those prioritizing robust build and full-frame imaging within a classic DSLR package.
Professional Workflows
Both models support full RAW image capture and offer extensive exposure and white balance control, granting pros latitude in post-production workflows.
The Mark II’s slightly faster USB 2.0 interface and UDMA storage compatibility facilitate more efficient data transfers.
Environmental sealing and Canon EF mount consistency ensure compatibility with professional lenses and accessories.
Performance Scores and Value Assessment
To synthesize the detailed specs and tests into summarized guidance:
The 5D Mark II outperforms the original 5D across sensor quality, autofocus functionality, video, and usability, reflected in higher overall DxOMark scores and user satisfaction indices.
Evaluating genre-specific suitability highlights the Mark II’s clear superiority for low-light, portrait, landscape, and video-centric use, while the original 5D retains relevance for budget-conscious photographers focused on fundamental photography without video needs.
Final Recommendations
Choose the Canon EOS 5D if:
- You require a robust full-frame DSLR with classic ergonomics and a proven sensor.
- Your photography is primarily still imagery without video emphasis.
- Budget constraints favor a tried-and-true model available in used markets.
- You prioritize durability and excellent battery life with minimal features.
Opt for the Canon EOS 5D Mark II if:
- You want higher resolution images supporting larger prints and tighter crops.
- Video capability is important to your creative workflow.
- You demand better low-light performance, improved autofocus tracking, and enhanced dynamic range.
- The newer battery system and expanded storage support are important for shoot endurance.
- You are a hybrid shooter or professional requiring a flexible camera capable of handling diverse assignments.
Conclusion
The Canon EOS 5D and 5D Mark II stand as milestones in full-frame DSLR history, each suited to different user profiles despite their close lineage and similar form factors. While the original 5D set the stage by democratizing full-frame photography, the Mark II significantly advanced sensor technology, operational capability, and expanded creative horizons with video.
This comprehensive, hands-on evaluation underscores that for most contemporary photographers aiming for a high-performance, versatile package, the 5D Mark II represents a better value given its improved image quality, autofocus, and video functionality - though the older 5D remains appealing for enthusiasts with focused still photography needs on a budget.
Both cameras have earned their place in photographic lore and continue to serve as reliable tools fostering creativity for enthusiasts and professionals appreciative of their characteristic Canon imaging aesthetics.
This article synthesizes extensive real-world testing, technical specifications analysis, and practical usage insights to empower your next Canon DSLR purchase decision.
Canon 5D vs Canon 5D MII Specifications
Canon EOS 5D | Canon EOS 5D Mark II | |
---|---|---|
General Information | ||
Company | Canon | Canon |
Model type | Canon EOS 5D | Canon EOS 5D Mark II |
Category | Advanced DSLR | Advanced DSLR |
Revealed | 2005-11-12 | 2009-02-13 |
Physical type | Mid-size SLR | Mid-size SLR |
Sensor Information | ||
Powered by | Digic II | Digic 4 |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | Full frame |
Sensor measurements | 36 x 24mm | 36 x 24mm |
Sensor surface area | 864.0mm² | 864.0mm² |
Sensor resolution | 13 megapixels | 21 megapixels |
Anti alias filter | ||
Aspect ratio | 3:2 | 3:2 |
Maximum resolution | 4368 x 2912 | 5616 x 3744 |
Maximum native ISO | 3200 | 6400 |
Maximum boosted ISO | - | 25600 |
Min native ISO | 100 | 100 |
RAW format | ||
Min boosted ISO | - | 50 |
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Total focus points | 9 | 9 |
Lens | ||
Lens support | Canon EF | Canon EF |
Number of lenses | 250 | 250 |
Crop factor | 1 | 1 |
Screen | ||
Screen type | Fixed Type | Fixed Type |
Screen sizing | 2.5 inch | 3 inch |
Screen resolution | 230 thousand dots | 920 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Screen tech | TFT liquid-crystal color LCD | TFT liquid-crystal color LCD |
Viewfinder Information | ||
Viewfinder type | Optical (pentaprism) | Optical (pentaprism) |
Viewfinder coverage | 96% | 98% |
Viewfinder magnification | 0.71x | 0.71x |
Features | ||
Lowest shutter speed | 30 seconds | 30 seconds |
Highest shutter speed | 1/8000 seconds | 1/8000 seconds |
Continuous shooting rate | 3.0fps | 4.0fps |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash settings | External | no built-in flash |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/200 seconds | 1/200 seconds |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | - | 1920 x 1080 (30 fps), 640 x 480 (30 fps) |
Maximum video resolution | None | 1920x1080 |
Video format | - | H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 895g (1.97 pounds) | 850g (1.87 pounds) |
Dimensions | 152 x 113 x 75mm (6.0" x 4.4" x 3.0") | 152 x 114 x 75mm (6.0" x 4.5" x 3.0") |
DXO scores | ||
DXO All around rating | 71 | 79 |
DXO Color Depth rating | 22.9 | 23.7 |
DXO Dynamic range rating | 11.1 | 11.9 |
DXO Low light rating | 1368 | 1815 |
Other | ||
Battery life | 800 pictures | 850 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery ID | BP-511A | LP-E6 |
Self timer | Yes (10 sec (2 sec with mirror lock-up)) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | Compact Flash (Type I or II) | Compact Flash (Type I or II), UDMA, Microdrive |
Card slots | Single | Single |
Launch pricing | $2,780 | $1,190 |