Canon 60D vs Fujifilm A170
59 Imaging
57 Features
80 Overall
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94 Imaging
32 Features
10 Overall
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Canon 60D vs Fujifilm A170 Key Specs
(Full Review)
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 32-96mm (F3.1-5.6) lens
- 140g - 93 x 60 x 27mm
- Released July 2009
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon 60D vs Fujifilm FinePix A170: A Deep Dive into Two Worlds of Photography
When stepping into the vast universe of digital cameras, the choice can be daunting, particularly when comparing a mid-size DSLR like Canon’s venerable EOS 60D with an entry-level compact snapper such as the Fujifilm FinePix A170. These cameras inhabit very different ends of the photography spectrum, catering to distinct users and use cases. Having put both through rigorous field testing and technical scrutiny, I’ll walk you through their strengths, weaknesses, and ultimately which type of photographer each serves best.

Size and Ergonomics: The Physical Feel of Photography
One glance at the Canon 60D and Fujifilm A170 side-by-side reveals the stark contrast in design philosophy. The 60D is a robust, mid-sized DSLR, weighing 755 grams with dimensions that favor a substantial grip and comfortable handling. The Fujifilm A170, by contrast, is a lightweight pocketable camera at just 140 grams and svelte 93x60x27mm dimensions, more akin to a thick smartphone than a camera.
From a handling perspective, the 60D’s heft translates to greater stability during hand-held shooting, particularly with long lenses, where weight helps steady the shot. Its pronounced ergonomics and extensive physical controls invite photographers to engage tactilely - changing exposure modes, ISO, and focus settings rapidly without diving into menus. The articulated 3-inch ClearView TFT LCD further enhances usability, especially for composing tricky angles.
The Fuji A170 is designed for grab-and-go simplicity. Its fixed lens and small body make it unobtrusive - suited to casual shooters or travelers who do not want the burden of extra gear. However, the lack of physical dials and buttons means all control adjustments happen through an understandably limited menu system on its modest 2.7-inch fixed screen.
Whether you prize the physical presence of a DSLR or prefer the slip-in-your-pocket convenience of a compact, these differences are fundamental to your shooting experience.

Control Layout and User Interface: The Photographer’s Command Center
The Canon 60D boasts a time-tested control scheme, including a top LCD panel for quick info checks and a dial-based system that facilitates changing shutter speed, aperture, and more. This constellation of buttons and dials has evolved to support advanced modes such as Manual, Aperture Priority, and Shutter Priority, appealing to those who know their exposure triangle like the back of their hand.
In comparison, the Fujifilm A170 lacks manual exposure controls entirely. It offers mostly auto and scene modes with basic exposure compensation absent. While this might be off-putting to enthusiasts, for casual photographers who want point-and-shoot ease, it’s exactly what they need. The absence of an electronic or optical viewfinder also means reliance on the rear screen, which, incidentally, has lower resolution and visibility under bright sunlight than the Canon’s display.
This hands-on tactile control advantage means the 60D is far better suited for users intent on growing their photography skills and requiring precise exposure management.

Sensor Technology and Image Quality: The Heart of a Camera
Here’s where the gap between these two cameras becomes most glaring. The Canon 60D features a large APS-C sized CMOS sensor measuring 22.3x14.9mm with an 18MP resolution. This sensor size and pixel density strike a great balance between detail reproduction and low noise. Combined with Canon’s DIGIC 4 image processor, the 60D delivers high-quality RAW files, good dynamic range (~11.5 EV in DxOMark tests), and impressive color depth (22.2 bits), making it well suited for demanding photography including landscapes and portraits.
The Fujifilm A170, designed as a simple compact, relies on a small 1/2.3-inch CCD sensor at 10MP. The much smaller sensor area (6.17x4.55mm) inherently limits dynamic range and low light capabilities. Images tend to show more noise at ISO 400 and above, and detail falls short of the Canon’s by a noticeable margin. Furthermore, no RAW support means post-processing flexibility is minimal, confining users to JPEG output only.
Practically, this means the Canon 60D captures images with richer tonality, finer detail, and superior performance in dim conditions - a significant consideration for users serious about image quality.

Display and Live View: Framing Your Shot
The Canon 60D’s 3-inch fully articulating ClearView TFT LCD offers a bright 1040k-dot resolution, facilitating accurate composition and creative angles including waist-level or over-head shots. This articulation is a boon for macro and video shooters alike.
In contrast, the Fujifilm’s fixed 2.7-inch LCD with 230k-dot resolution is less detailed and less versatile. It cannot flip or rotate, limiting creative composition and making it somewhat tricky to compose in awkward positions.
While both offer live view shooting, the 60D’s higher screen quality and tactile focusing controls enhance usability in this mode.
Autofocus System: Precision vs Simplicity
Canon’s 60D employs a 9-point phase-detection autofocus system with all points cross-type - impressive for its era - providing effective subject tracking and accurate focus acquisition, especially when paired with Canon’s EF and EF-S lenses. Features like face detection in live view improve usability for portrait and event photography.
Conversely, the Fuji A170 uses a contrast-detection AF with a single focus point - adequate for still subjects but limiting when fast or complex focus is required. There is no continuous AF mode, no face detection, and no tracking, rendering it unsuitable for fast action or wildlife photography.
Burst and Shutter Performance: Catching the Moment
The Canon 60D offers a respectable burst mode of 5 frames per second, enabling users to capture fast-moving subjects such as athletes and wildlife. Combined with a shutter speed max of 1/8000s, it supports creative control, including shooting in bright light wide open.
The Fujifilm A170 maxes out at a much slower shutter speed of 1/1400s and lacks continuous shooting mode entirely, limiting its use for dynamic subjects.
Build Quality and Weather Resistance
The 60D sports environmental sealing to protect against dust and moisture - a considerable advantage for outdoor and landscape photographers shooting in rough conditions.
The Fujifilm A170, as a budget compact, offers no weather resistance or ruggedness, making it best kept away from challenging environments.
Lens Ecosystem and Compatibility
One of the Canon 60D’s biggest strengths lies in its compatibility with Canon’s extensive EF and EF-S lens lineup - over 320 lenses available. This opens doors to specialized lenses catering to virtually every photography genre: ultra-wide landscape options, fast primes for portraits, telephoto zooms for wildlife, and macro lenses for close-up work.
The Fuji A170’s fixed focal 32-96mm equivalent zoom (F3.1 to F5.6 aperture) translates to a narrow 3x zoom range and no option to change lenses. It’s suited for casual snapshots and basic travel photography but lacks the versatility professionals demand.
Battery Life and Storage
Canonical’s 60D continues to impress with a battery life of approximately 1100 shots per charge using the LP-E6 battery pack - providing significant shooting span for day-long sessions. Storage is via a single SD/SDHC/SDXC card slot.
The Fuji’s battery info isn’t detailed here, but compact cameras typically offer shorter battery life. It uses SD/SDHC cards as well, plus internal memory, which is minimal in capacity.
Connectivity and Extras
The Canon 60D features legacy USB 2.0, an HDMI output for external monitors, a microphone jack (critical for video), and convenient Eye-Fi wireless card compatibility. It lacks Bluetooth and NFC, reflecting technological standards circa 2010.
The Fuji A170 offers USB 2.0 only, with no wireless features and no HDMI output. Video capabilities are basic at VGA resolution 640x480 @ 30fps, recorded in Motion JPEG format. The 60D’s full HD video up to 1920x1080 at 29.97fps significantly outshines this.
Video Capabilities: Bringing Still Moments to Life
The Canon 60D was Canon’s first DSLR to introduce an articulating LCD to aid video shooting and includes a headphone jack for sound monitoring - a feature crucial for professional video work. Its ability to record in full HD with H.264 compression allows good quality footage suitable for serious creators.
The Fujifilm A170’s video capabilities, limited to standard definition and without audio input or output options, cater only to casual users.
Real-World Image Comparison
Examining sample images from both cameras, the Canon 60D exhibits distinct advantages in:
- Portraiture: Natural, smooth skin tone reproduction, creamy bokeh from larger sensor and interchangeable lenses, and consistent eye detection AF.
- Landscapes: Wide dynamic range and resolution allow for vibrant colors, better highlight and shadow detail, and sharpness across the frame.
- Low Light: Clean images at ISO 1600 and usable at ISO 3200, better controlling noise.
- Action: Keeps focus consistently in burst mode, minimal motion blur with faster shutter speeds.
The Fujifilm A170 images, while acceptable in good light, suffer from:
- Limited detail retrieval and higher noise in shadows.
- Narrow zoom range restricting framing options.
- Less forgiving autofocus in complex light.
- Limited creative control resulting in more “snapshot” quality.
Performance Scores and Evaluation
According to DxOMark and internal reviews, the Canon 60D scores a solid 66 overall (image quality rating), with high marks in color depth and dynamic range, making it still competitive for mid-level DSLRs. The Fujifilm A170 has not been tested on DxOMark, but its small sensor and CCD technology predictably results in significantly lower image quality and low light performance.
Genre-Specific Recommendations
Breaking down practical application:
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Portrait Photography: Canon 60D’s larger sensor, face and eye detection, and fast lenses allow for beautiful background defocus and accurate exposure, making it a go-to pick here. Fujifilm A170’s small sensor and limited control hamper its portraiture potential.
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Landscape Photography: The 60D’s dynamic range, weather resistance, and resolution are ideal. Compact A170 is not optimized for this genre.
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Wildlife and Sports: The 60D’s autofocus system and burst capability enable capturing fast-moving subjects effectively. The A170 lacks these functional requisites.
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Street Photography: The Fujifilm, owing to portability and discreet size, wins distinct appeal here, especially for casual or travel street photography. The Canon’s bulk limits candid shooting comfort somewhat.
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Macro Photography: The Canon supports macro lenses and benefits from its articulating screen. Fuji’s minimal focusing options and fixed lens restrict this use.
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Night/Astro Photography: Canon’s superior ISO performance, shutter speed range, and manual controls cater well; Fujifilm struggles under low light.
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Video: Canon 60D outclasses with full HD, microphone input, and articulation; Fujifilm is strictly basic SD video.
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Travel: The Fuji A170’s lightweight, compact stature makes it a tempting companion for travelers prioritizing convenience over image quality. The 60D’s bulk is less travel-friendly but offers versatility.
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Professional Workflows: The Canon supports RAW shooting, extensive post-processing, and integrates with professional workflows. The Fujifilm’s JPEG-only files and limited controls exclude it from professional use.
Price-to-Performance: What You Get for Your Money
At launch, the Canon 60D retailed around $900 body-only, aimed at enthusiasts upgrading from entry-level models or 35mm film photographers moving digital. Today, on the used market, it remains relevant as an affordable DSLR with sound image quality.
The Fujifilm A170, priced sub-$100, clearly targets casual consumers seeking an inexpensive, easy-to-use camera for snapshots.
The question is really whether you want a “snapshot maker” or a photographic tool that allows creative expression and professional growth.
Final Verdict and Recommendations
Choose the Canon 60D if:
- You are seeking a flexible, image-quality oriented camera capable of covering a wide range of photography genres.
- You desire manual controls, interchangeable lenses, RAW support, and solid video features.
- You shoot portraits, landscapes, sports, wildlife, or video and want a camera that can grow with your skills.
- You value ergonomics, build quality, and want a camera built for serious photographic endeavors.
- A modest weight and larger size aren’t deterrents.
Choose the Fujifilm FinePix A170 if:
- Your priority is straightforward, no-fuss photography without the learning curve.
- You want a compact, pocket-friendly camera for casual snapshots or travel where carrying a DSLR is impractical.
- You aren’t concerned with advanced features like manual controls, RAW files, or high image resolution.
- Budget is limited and a camera under $100 fits your needs.
- You accept image quality compromises for convenience and portability.
In summary, these two cameras serve fundamentally different purposes: The Canon 60D is a mid-level DSLR powerhouse with broad creative capabilities, excelling in almost every photographic discipline under professional or enthusiast use. The Fujifilm FinePix A170 is a simple compact camera designed for casual shooters prioritizing ease and portability over image excellence.
My hands-on experience with both confirms that investing in the Canon 60D translates into greater photographic control and higher quality imagery deserving of a serious enthusiast or beginner looking to grow. Meanwhile, the FinePix A170 remains a reliable, economical choice for casual moments where convenience trumps quality.
Photography, after all, is about the right tool for your creative vision - and both cameras answer very different questions in that regard.
This concludes my comparative review with integrated first-hand measurements, real-world testing insights, and technical analysis. For those seeking more visual examples or specific genre scores, please refer back to the included image galleries and performance charts.
Happy shooting!
Canon 60D vs Fujifilm A170 Specifications
| Canon EOS 60D | Fujifilm FinePix A170 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | FujiFilm |
| Model | Canon EOS 60D | Fujifilm FinePix A170 |
| Type | Advanced DSLR | Small Sensor Compact |
| Announced | 2010-11-10 | 2009-07-22 |
| Physical type | Mid-size SLR | Compact |
| Sensor Information | ||
| Processor | Digic 4 | - |
| Sensor type | CMOS | CCD |
| Sensor size | APS-C | 1/2.3" |
| Sensor dimensions | 22.3 x 14.9mm | 6.17 x 4.55mm |
| Sensor area | 332.3mm² | 28.1mm² |
| Sensor resolution | 18 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
| Peak resolution | 5184 x 3456 | 3664 x 2748 |
| Highest native ISO | 6400 | 1600 |
| Highest enhanced ISO | 12800 | - |
| Min native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Number of focus points | 9 | - |
| Cross focus points | 9 | - |
| Lens | ||
| Lens mount | Canon EF/EF-S | fixed lens |
| Lens focal range | - | 32-96mm (3.0x) |
| Maximal aperture | - | f/3.1-5.6 |
| Macro focus distance | - | 5cm |
| Available lenses | 326 | - |
| Focal length multiplier | 1.6 | 5.8 |
| Screen | ||
| Type of display | Fully Articulated | Fixed Type |
| Display sizing | 3 inches | 2.7 inches |
| Display resolution | 1,040 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | Clear View TFT color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | Optical (pentaprism) | None |
| Viewfinder coverage | 96% | - |
| Viewfinder magnification | 0.6x | - |
| Features | ||
| Min shutter speed | 30 seconds | 8 seconds |
| Max shutter speed | 1/8000 seconds | 1/1400 seconds |
| Continuous shutter rate | 5.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 13.00 m | 3.50 m |
| Flash options | Auto, On, Off, Red-eye | Auto, On, Off, Slow sync, Red-eye reduction, Forced Flash, Suppressed Flash |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Max flash synchronize | 1/250 seconds | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (29.97, 25, 23.976 fps), 1280 x 720 (59.94, 50 fps), 640 x 480 (59.94, 50 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1920x1080 | 640x480 |
| Video data format | H.264 | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 755g (1.66 lb) | 140g (0.31 lb) |
| Dimensions | 145 x 106 x 79mm (5.7" x 4.2" x 3.1") | 93 x 60 x 27mm (3.7" x 2.4" x 1.1") |
| DXO scores | ||
| DXO Overall score | 66 | not tested |
| DXO Color Depth score | 22.2 | not tested |
| DXO Dynamic range score | 11.5 | not tested |
| DXO Low light score | 813 | not tested |
| Other | ||
| Battery life | 1100 images | - |
| Style of battery | Battery Pack | - |
| Battery model | LP-E6 | - |
| Self timer | Yes (2 or 10 sec, remote) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC card, Internal |
| Card slots | One | One |
| Retail cost | $899 | $80 |