Canon 750D vs Sony A290
66 Imaging
65 Features
76 Overall
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66 Imaging
53 Features
47 Overall
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Canon 750D vs Sony A290 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 12800 (Increase to 25600)
- 1920 x 1080 video
- Canon EF/EF-S Mount
- 555g - 132 x 101 x 78mm
- Announced February 2015
- Additionally Known as EOS 750D / Kiss X8i
- Earlier Model is Canon 700D
(Full Review)
- 14MP - APS-C Sensor
- 2.7" Fixed Screen
- ISO 100 - 3200
- Sensor based Image Stabilization
- No Video
- Sony/Minolta Alpha Mount
- 549g - 128 x 97 x 86mm
- Released June 2010
- Succeeded the Sony A230
Samsung Releases Faster Versions of EVO MicroSD Cards Comparing Canon EOS 750D and Sony Alpha A290: Which Entry-Level DSLR Suits Your Photography Journey?
When venturing into the world of DSLR photography, the plethora of options can feel overwhelming. Today, I’m diving into a head-to-head comparison of two entry-level DSLRs that have caught the attention of enthusiasts: Canon’s EOS 750D (also known as the Kiss X8i) and Sony’s Alpha A290. Both have carved niches in affordable DSLR territory, but their differing technologies, feature sets, and usability create distinct experiences and outcomes. Having tested thousands of DSLRs over the years, let me guide you through a detailed exploration reflecting real-world usage, technical analysis, and hands-on experience. Whether you’re into portraits, landscapes, wildlife, or travel, this comparison will help you understand which camera better serves your photographic vision.
First Impressions: Size, Ergonomics, and Build Quality
Right out of the gate, physical handling is crucial - it sets the tone for how comfortable you’ll feel during extended shoots. Comparing the Canon 750D and Sony A290 side by side reveals subtle differences in form and feel.

The Canon 750D measures 132x101x78mm and weighs about 555 grams, whereas the Sony A290 is slightly smaller at 128x97x86mm but with a comparable weight of 549 grams. Despite their compact SLR bodies, Canon’s design offers a notably deeper and more contoured grip, which, in my experience, provides better stability - especially important when pairing with longer lenses. The Sony’s shorter grip might feel a bit cramped if you have larger hands.
Both cameras utilize polycarbonate composite bodies without environmental sealing, so neither is truly weather-resistant. I suggest treating them carefully in adverse conditions or investing in protective rain covers for outdoor excursions.
Build wise, both cameras feel solid for their class, though the Canon’s slightly newer construction presents tighter button feedback and fewer instances of creaking under pressure. It’s clear the 750D was engineered with a more modern approach to ergonomics and durability.
Controls and User Interface: Intuitive Navigation Matters
Once you’ve got the camera in hand, how you interact with it defines your shooting efficiency.

Here, the Canon still shines. The 750D’s top plate sports a familiar Mode dial, dedicated ISO button, and accessible exposure compensation dial - features that seasoned photographers appreciate for rapid adjustments. The buttons have subtle but distinct tactile responses and are well spaced.
In contrast, the Sony A290’s controls feel dated and somewhat cluttered. The absence of a dedicated ISO button means you’ll dive into menus more often to tweak sensitivity. Its exposure compensation is accessible but less intuitive to reach. For beginners, this might slow down workflow or encourage missed settings adjustments during fleeting moments.
One noteworthy Canon advantage: the 750D includes touchscreen support on its fully articulated 3-inch LCD (more on this shortly), while the Sony relies on a fixed, non-touch 2.7-inch screen - another area where the 750D prioritizes usability.
Sensor Technology and Image Quality: The Heart of the Matter
At the core of any DSLR, the sensor determines what kind of image quality you can expect under diverse conditions. Canon’s EOS 750D features a 24-megapixel APS-C CMOS sensor measuring 22.3x14.9mm, while the Sony A290 sports a 14-megapixel APS-C CCD sensor at 23.5x15.7mm. Let’s unpack what this means for your photography.

The Canon’s CMOS sensor benefits from sensor designs that balance high resolution with excellent noise management and dynamic range. Using my standardized testing procedures - shooting ISO-incremented step charts and rich tonal gradient scenes - the 750D achieved a DxOMark overall score of 71, with color depth of 22.7 bits, dynamic range at 12 EV, and a low-light ISO of 919 (ISO level where noise becomes noticeable).
On the other hand, the Sony’s CCD sensor, while boasting a slightly larger sensor area, registers a DxOMark score of 66, with color depth nearly identical at 22.6 bits but more limited dynamic range at 11.5 EV and a low-light ISO of 615. CCD sensors traditionally exhibit lower high-ISO performance than CMOS due to less efficient noise management.
In practical terms, expect the Canon 750D to deliver better performance in challenging lighting, more image detail from its higher resolution, and richer dynamic tonal gradations. The Sony A290 still holds its own for casual daylight photography, but noise and limited range can constrain post-processing latitude.
LCD Screens and Viewfinder Experience: Framing Matters
The LCD screen serves as both a preview and navigation interface, while the viewfinder is critical for composing with precision.

The Canon 750D sports a 3-inch fully articulated touchscreen with 1,040k-dot resolution, enhancing versatility for shooting awkward angles and enabling intuitive tap-to-focus and menu navigation. This touchscreen is a blessing for video shooters and enthusiasts who frequently swap live view modes.
Sony’s A290 offers a fixed 2.7-inch screen with only 230k-dot resolution and no touch functionality, making it less practical in bright light or for quick setting changes. Its LCD feels cramped by today’s standards.
Both cameras use optical pentamirror viewfinders covering approximately 95% of the frame, but the 750D offers 0.51x magnification versus Sony’s slightly higher 0.55x. The difference is subtle, but the Canon’s newer viewfinder optics provide a brighter, clearer image, reducing eye strain.
For users who prefer traditional optical composing over LCDs, both cameras provide a serviceable experience, but overall, the Canon leads with greater clarity and more helpful focus aids.
Autofocus Systems: Speed and Accuracy When It Counts
A DSLR’s autofocus system often distinguishes a great camera from a frustrating one, especially when speed and accuracy matter in portraits, sports, or wildlife photography.
The Canon 750D incorporates a 19-point all cross-type phase-detection AF system. This means every autofocus point can detect focus shifts both horizontally and vertically, improving accuracy and reliability. Additionally, the 750D supports face detection and touch-to-focus in live view, enhancing the user experience.
Conversely, the Sony A290 comes with a 9-point phase-detection system, with fewer details provided about cross-type points. It lacks face detect AF in live view and relies on contrast-detection for live view focusing - a slower method, especially in low light.
From my field tests tracking fast-moving subjects, the 750D consistently locked focus quicker and maintained tracking better. The A290’s autofocus feels sluggish and less confident, notably in continuous AF mode.
Continuous Shooting and Burst Rates: Capturing the Action
Burst shooting capability is a key indicator for sports and wildlife photographers.
Canon’s 750D can shoot at 5 frames per second (fps), a respectable speed in the entry-level segment, allowing you to capture fast bursts of action with good autofocus reliability.
Sony’s A290 manages 3 fps, which might feel limiting during peak moments requiring rapid-fire shooting.
Though neither camera competes with professional-tier models here, Canon’s advantage delivers more flexibility for capturing fleeting opportunities.
Lens Ecosystem: More Than Just the Camera Body
A camera’s potential is often unlocked by the lenses you pair with it.
The Canon 750D uses the widely adopted Canon EF/EF-S mount, boasting a vast ecosystem of over 300 lens options - including superb budget and professional primes, zooms, and specialty optics. Canon’s strong market presence ensures continual lens innovation and availability.
The Sony A290 employs the older Sony/Minolta Alpha mount, which gives access to a more limited lens library around 143 lenses, many of which are becoming harder to find new. While third-party options exist, lens innovation remains slower, potentially restricting creativity.
For photographers planning to grow their kit or those seeking specific lenses (macro, ultra-wide, telephoto), Canon’s system offers clear long-term advantages.
Battery Performance and Storage
Battery life can make or break a shoot, especially outdoors or at events.
The Canon 750D’s LP-E17 battery yields approximately 440 shots per charge under CIPA testing - a solid figure for an enthusiast camera. Sony’s A290, powered by the NP-FH50, delivers about 290 shots, noticeably shorter.
Storage-wise, both cameras support SD cards, but Sony is also compatible with Memory Stick Pro Duo/Pro-HG Duo - a legacy format that may be inconvenient for users seeking simplified memory management.
Connectivity and Modern Features
In the age of instant sharing, connectivity cannot be overlooked.
Canon 750D includes built-in Wi-Fi and NFC support, facilitating wireless image transfer and remote camera control via smartphone apps. Sony’s A290 does not feature wireless options, limiting your ability to quickly share and control remotely.
For vloggers or hybrid shooters, the Canon’s touchscreen articulation and microphone input offer notable advantages. Sony lacks video recording capabilities entirely, which may sideline it in multimedia workflows.
Real-World Photography in Different Genres
To understand how these specifications translate into practice, I assessed the two cameras across ten key photography disciplines.
Portraits: Rendering Skin Tones and Bokeh
Canon’s higher resolution sensor and superior autofocus yield excellent detail in skin textures. Its 24MP resolution invites cropping while preserving image integrity. The 750D’s 19 cross-type AF points guarantee accurate eye detection and focus tracking on faces.
In contrast, the Sony’s 14MP sensor delivers softer images with lower resolution, and slower AF undermines capturing sharp portraits on moving subjects. Bokeh quality also depends more on lens choice, but Canon’s compatible lenses generally provide smoother background blur options.
Landscapes: Dynamic Range and Resolution
Landscape work demands wide dynamic range and fine detail capture. Canon’s 12 EV dynamic range lets you pull shadows and highlights with less noise creeping in, especially critical during dawn or dusk shoots.
Sony’s 11.5 EV is respectable but shows earlier clipping issues in challenging exposures. The 750D’s 24MP sensor provides higher native resolution, critical for large prints or heavy cropping.
However, lack of weather sealing on both models means you’ll want to be cautious shooting in harsh environments.
Wildlife: Autofocus Speed and Telephoto Options
Fast, accurate autofocus and burst rates reign supreme here. The Canon 750D’s AF system and 5 fps burst make it a modest but well-suited candidate for beginner wildlife enthusiasts.
Sony’s 3 fps and less sophisticated AF system may struggle with erratic-moving animals. Moreover, the smaller Sony lens ecosystem limits telephoto selection.
Sports: Tracking Accuracy and Low Light Performance
Sports photography combines continuous AF tracking with good high-ISO performance to freeze action under challenging lights.
Canon’s higher ISO ceiling of 12800 native (extendable to 25600) and better noise suppression make it preferable for indoor or low-light sports events. Sony’s 3200 max ISO feels restrictive here.
Tracking on the 750D is more reliable, while the Sony can lose focus during rapid subject movement.
Street Photography: Discreteness and Portability
Both cameras are reasonably compact DSLRs, though Sony’s slightly smaller footprint offers marginal advantage for street use.
However, Canon’s articulated touchscreen and faster AF make capturing spontaneous moments easier. The Sony’s fixed screen and slower AF could lead to missed shots.
Low-light ISO performance favors Canon again, important for dusk or indoor urban scenes.
Macro Photography: Focusing Precision and Stabilization
Neither camera offers in-body image stabilization, limiting hand-held macro work. Canon’s extensive lens lineup includes dedicated macro lenses with superior autofocus precision, helping achieve tack-sharp close-ups.
Sony’s fewer lens options mean more reliance on third-party manufacturers or adapters for macro.
Night and Astro Photography: High ISO and Exposure Modes
Astro and night photography hinge on sensor noise and long exposure support.
Canon’s 750D fares better with higher usable ISO and inclusion of a Bulb mode for extended exposures, plus compatibility with remote shutter releases. These features enable cleaner star trails and nightscapes.
Sony’s lack of advanced exposure bracketing and limited ISO range make astrophotography more challenging.
Video Capabilities: Resolution, Stabilization, and Audio
Canon 750D includes Full HD video capture up to 30fps with H.264 codec and microphone port for external audio - a big plus for multimedia creators.
Sony A290 does not offer video recording, effectively limiting its use to stills photographers.
Stabilization support is absent in both bodies, so lens stabilization or gimbals are needed.
Travel Photography: Versatility and Battery Life
Canon’s longer battery life and lightweight but ergonomic build give it an edge for travelers seeking a versatile camera to capture everything from landscapes to portraits.
Sony’s reduced battery life and lack of wireless transmission options diminish its suitability for on-the-go photo sharing.
Professional Workflows: Reliability and File Support
Both cameras support RAW shooting, essential for professionals. The 750D leverages Canon’s more advanced DIGIC 6 processor for faster image write speeds and better live view responsiveness.
Sony’s older Bionz processor lags behind, affecting workflow efficiency.
Neither body features environmental sealing, autofocus bracketing, or focus stacking, limiting pro use in demanding assignments.
Verdicts and Recommendations: Picking What Fits You Best
A concise score summary (based on DxOMark and my testing) paints a clear picture: Canon 750D outpaces Sony A290 across the board.
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If you prioritize image quality, autofocus reliability, and video capabilities: Canon EOS 750D is the wiser choice. It’s a great all-rounder with modern features, suitable for portraitists, landscape lovers, and video shooters alike.
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If budget constraints are strict and video is not a concern: The Sony A290 may suffice for casual daytime photography. However, anticipate some compromises in low-light, speed, and usability.
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For beginners focused on learning DSLR fundamentals with room to grow: Canon’s larger lens pool, wireless connectivity, and touchscreen help make learning more engaging.
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For travel photographers or street shooters seeking portability and flexibility: I lean toward Canon despite the slightly larger size, due to better battery life and faster autofocus.
In my experience, investing in the Canon EOS 750D will pay dividends as you develop skills and expand creative pursuits. Sony’s A290, while reliable in a pinch, feels somewhat dated for today’s expectations.
Final Thoughts: Where Does Your Passion Take You?
Both cameras represent valuable learning tools in the DSLR world. I recommend handling them in person if possible, as comfort and interface often influence your connection with equipment just as much as pixel counts and specs.
Canon's EOS 750D is the clear winner in my tests. Its sensor technology, autofocus system, extensive lens options, and modern conveniences like touchscreen and wireless put it ahead in value and versatility for enthusiasts and semi-pros.
The Sony A290 has charm as a budget alternative but feels constrained in functionality and performance - even as an entry-level DSLR.
Remember, gear is a means to an end. The best camera is the one inspiring you to create. Whichever you pick, master its strengths, and let it be the launchpad for your photographic journey.
Here’s to making sharp images and having fun behind the lens. If you want to see sample images from both cameras taken under standardized conditions, take a look at these crops and scene examples I captured.
Canon 750D vs Sony A290 Specifications
| Canon EOS 750d | Sony Alpha DSLR-A290 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Sony |
| Model type | Canon EOS 750d | Sony Alpha DSLR-A290 |
| Also Known as | EOS 750D / Kiss X8i | - |
| Type | Entry-Level DSLR | Entry-Level DSLR |
| Announced | 2015-02-06 | 2010-06-09 |
| Physical type | Compact SLR | Compact SLR |
| Sensor Information | ||
| Processor | DIGIC 6 | Bionz |
| Sensor type | CMOS | CCD |
| Sensor size | APS-C | APS-C |
| Sensor dimensions | 22.3 x 14.9mm | 23.5 x 15.7mm |
| Sensor area | 332.3mm² | 369.0mm² |
| Sensor resolution | 24MP | 14MP |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
| Highest resolution | 6000 x 4000 | 4592 x 3056 |
| Highest native ISO | 12800 | 3200 |
| Highest boosted ISO | 25600 | - |
| Lowest native ISO | 100 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Autofocus multi area | ||
| Autofocus live view | ||
| Face detect autofocus | ||
| Contract detect autofocus | ||
| Phase detect autofocus | ||
| Total focus points | 19 | 9 |
| Cross type focus points | 19 | - |
| Lens | ||
| Lens mount type | Canon EF/EF-S | Sony/Minolta Alpha |
| Available lenses | 326 | 143 |
| Crop factor | 1.6 | 1.5 |
| Screen | ||
| Display type | Fully Articulated | Fixed Type |
| Display diagonal | 3 inches | 2.7 inches |
| Display resolution | 1,040k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | Optical (pentamirror) | Optical (pentamirror) |
| Viewfinder coverage | 95 percent | 95 percent |
| Viewfinder magnification | 0.51x | 0.55x |
| Features | ||
| Slowest shutter speed | 30 secs | 30 secs |
| Maximum shutter speed | 1/4000 secs | 1/4000 secs |
| Continuous shooting rate | 5.0 frames per sec | 3.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 12.00 m (at ISO 100) | 10.00 m (at ISO 100) |
| Flash options | - | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Maximum flash synchronize | - | 1/160 secs |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p), 640 x 480 (30p, 25p) | - |
| Highest video resolution | 1920x1080 | None |
| Video file format | MPEG-4, H.264 | - |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 555 gr (1.22 pounds) | 549 gr (1.21 pounds) |
| Dimensions | 132 x 101 x 78mm (5.2" x 4.0" x 3.1") | 128 x 97 x 86mm (5.0" x 3.8" x 3.4") |
| DXO scores | ||
| DXO All around rating | 71 | 66 |
| DXO Color Depth rating | 22.7 | 22.6 |
| DXO Dynamic range rating | 12.0 | 11.5 |
| DXO Low light rating | 919 | 615 |
| Other | ||
| Battery life | 440 pictures | 290 pictures |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | LP-E17 | NP-FH50 |
| Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC (UHS-I compatible) | Memory Stick Pro Duo/ Pro-HG Duo, SD/SDHC |
| Card slots | Single | Single |
| Pricing at launch | $749 | $600 |