Canon 750D vs Sony A57
66 Imaging
65 Features
76 Overall
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64 Imaging
56 Features
85 Overall
67
Canon 750D vs Sony A57 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800 (Increase to 25600)
- 1920 x 1080 video
- Canon EF/EF-S Mount
- 555g - 132 x 101 x 78mm
- Announced February 2015
- Additionally Known as EOS 750D / Kiss X8i
- Older Model is Canon 700D
(Full Review)

Canon EOS 750D vs Sony SLT-A57: A Hands-On Comparison for Enthusiasts Seeking Entry-Level DSLR Excellence
In the vast sea of DSLRs crowding the entry-level market, finding the one camera that harmonizes cutting-edge technology with user-friendly operation can feel like hunting for a needle in... well, a haystack of camera kits. Today, we're zeroing in on two popular contenders that have had their moments in the spotlight: the Canon EOS 750D (also known as the Rebel T6i or Kiss X8i, depending on where you roam) and the Sony SLT-A57. Both aim at the same demographic - enthusiasts upgrading from point-and-shoots or early DSLRs - but approach the game from slightly different angles.
I’ve spent extensive time with both cameras, capturing everything from bustling street scenes to serene landscapes, and chasing fast action and wildlife - so buckle up for a deep dive filled with my candid impressions, technical breakdowns, and practical advice. Shall we?
The Physical Feel: Size, Ergonomics, and Handling
When choosing a camera, the tactile experience - how the camera feels in your hands - often trumps megapixels. Let’s start there.
At first glance, the Canon 750D is a comfortable fit for those with medium to large hands. Its 132 x 101 x 78 mm body strikes a good balance between compactness and grip presence. The Canon’s grip is chunky enough that even extended shooting sessions don’t leave your hand cramping. The 555g weight keeps it light enough for travel but substantial enough to feel reassuring.
The Sony A57 is roughly the same footprint - 132 x 98 x 81 mm - but a bit heavier at 618g. It has a slightly narrower grip, and its more angular design feels a touch more rigid. Weighing in heavier might not sound appealing for a camera that doesn’t scream “professional,” but the Sony’s build encourages steadier handling, especially with longer telephoto lenses.
The dedicated buttons and dials on both models are solid but conservative in placement. Here, Canon’s intuitive layout, rooted in decades of ergonomics research, edges out Sony slightly - especially for new users or those used to Canon’s approach.
Looking at the top panels, Canon favors a tidy, straightforward design: mode dial, shutter release surrounded by the on/off switch, and a few direct access buttons. Sony packs in a similar set but with an added (and somewhat quirky) exposure compensation dial on the top right, which some may find handy but others prone to accidental changes.
If you're a “hands-on” person who loves tactile controls over menus, the Canon 750D’s layout will feel familiar and friendly.
Pixel Punch and Sensor Insights: Image Quality Face-Off
Let’s get to the heart and soul of any camera - the image sensor. This is where the essence of quality resides.
The Canon 750D boasts a 24.2-megapixel APS-C CMOS sensor measuring 22.3 x 14.9 mm. Meanwhile, the Sony A57 carries a 16.1-megapixel APS-C sensor, slightly larger at 23.5 x 15.6 mm thanks to its 1.5x crop factor versus Canon's 1.6x.
On paper, the Canon offers more resolution, promising greater detail - a handy advantage when cropping or printing large. However, pixel count isn’t the whole story. Sony’s sensor, paired with its translucent mirror design, offers a clean, sharp output with excellent color fidelity.
When we explore DxOMark lab scores, the Sony pulls an overall score of 75 points against Canon’s 71. Specifically, Sony’s color depth measures a superior 23.4 bits vs. Canon’s 22.7, and dynamic range clocks at 13.0 stops compared to 12.0 - meaning scenes with tricky highlights and shadows may render more nuance on Sony. Canon holds a slight edge in high ISO sensitivity, with usable ISO performance stretching to 919 ISO equivalent compared to Sony’s 785, useful in low-light scenarios.
In practical shooting - say, a landscape at dawn capturing delicate skies and shadows - I noticed the Sony’s sensor handled highlight roll-off more gracefully, offering richer gradients. Yet, the Canon’s higher megapixel count allows for punchier crops, and sharpening workflows handle Canon’s files easily.
For raw shooters and print buffs, that extra resolution matters. But if you prize a balance of depth and dynamic range over pixel count alone, Sony delivers.
Shooting Styles and Autofocus Realities: Precision and Speed in Practice
Reliable autofocus (AF) remains a hallmark of any usable DSLR in 2024 - no one wants to miss “the shot” because the camera can’t lock on fast enough.
Both cameras employ phase-detection autofocus systems, the Canon using the Hybrid CMOS AF III system with 19 cross-type points, while the Sony relies on a slightly older phase-detection array with 15 points - only 3 being cross-type and centralized.
Here’s where the translucent mirror tech of the Sony A57 shines: it allows continuous phase-detection AF during video and live view, without the need to flip up the mirror. Canon’s 750D, meanwhile, uses a hybrid system that combines phase and contrast detection, with 19 points active during viewfinder shooting.
Real-world focus speed? The Canon locks on quicker under most conditions, especially in bright light and when using the optical viewfinder. The 750D’s better face detection and eye AF (limited to face detection, no animal eye AF here) helped me nail portraits without hunting for focus - especially with the touchscreen AF point selection.
The Sony, however, boasts an impressive 12 fps continuous burst rate, doubling Canon’s modest 5 fps. For action photographers chasing fleeting wildlife or sports moments on a budget, that speed is a notable advantage, though it does come at the price of noisier operation due to the translucent mirror.
The Sony’s autofocus points are clustered centrally, which can frustrate photographers who like to focus on off-center subjects and recompose. Canon’s more generous distribution across the frame gives it a leg up in versatility here.
Live View and Rear Display: Articulated Screens and Usability
Enjoying clear, flexible image composition can be a deal-maker, especially for wildlife, macro, or video shooters.
Both models offer fully articulating 3-inch LCD screens - Canon’s higher resolution display (1040k dots vs Sony’s 921k) offers crisper review images and more vibrant UI. Canon’s screen is also a capacitive touchscreen, lending a modern tap-and-swipe navigation that we’ve all grown accustomed to with smartphones. The Sony A57 lacks touch capability, which can slow things down when diving through menus or changing focus points manually.
True story: On a foggy morning shoot with macro lenses, being able to flip out Canon’s screen and change AF points with a quick tap saved me precious time versus fumbling with Sony’s joystick and buttons.
Viewfinder: Optical Versus Electronic - Battle of Traditions
Viewfinder technology drives user experience more than any peripheral specs. Canon uses a pentamirror optical viewfinder with 95% frame coverage and 0.51x magnification, while Sony’s A57 sports a 100% coverage electronic viewfinder (EVF) with 1440k dots at 0.7x magnification.
Here’s the rub: many photographers swear by optical viewfinders for their natural, lag-free viewing experience. Unfortunately, the Canon’s pentamirror isn’t the brightest nor the most detailed - framing at 95% means you see slightly less than what the sensor captures. Still, there’s something satisfying shooting through glass without electronic lag.
Sony’s EVF offers full frame coverage and a crisp, large preview with exposure preview and live histograms, but suffers from occasional blackout during fast shooting bursts, and an afterimage effect in low light. However, it shows exactly what your sensor captures, which can be a big advantage when exposing tricky scenes.
Which you prefer boils down to taste. I personally appreciated Sony's EVF for landscapes and night shots - seeing an accurate preview helped nail exposures better.
Burst Performance and Buffering: Fast Action or Slow and Steady?
Let’s revisit continuous shooting, an area where these cameras diverge sharply.
Canon 750D offers a more modest 5 fps burst rate with up to around 20 JPEG frames or 7 RAW frames before slowdown, suitable for casual sports or kids in action.
Sony A57 hits 12 fps in continuous shooting thanks to its translucent mirror, an unusual and impressive spec for this price bracket. The buffer is commensurately decent, handling ~26 JPEG frames or 7 RAW frames smoothly before throttling.
While shooting a community soccer match, Sony’s burst mode made sure I didn’t miss peak moments, but the increased mechanical noise and battery drain were noticeable.
Image Stabilization and Flash: Stabilize or Shine More?
Sony takes advantage of in-body sensor-shift stabilization - a feature absent in Canon’s 750D, which instead relies on lens-based IS for stabilization.
This means with Sony, lenses lacking IS (or vintage glass) still benefit from stabilization - handy for handheld night shots or longer focal lengths.
Built-in flash is standard on both, with Canon’s flash boasting a slightly superior guide number of 12 meters versus Sony’s 10 meters at ISO 100. Flash modes on Sony are more versatile, with High-Speed Sync and wireless control options, useful for creative off-camera lighting setups.
Video Capabilities: More Than Just Moving Pictures
Video is often the tiebreaker in entry-level DSLRs these days.
Canon shoots 1080p Full HD up to 30 fps (including 24p for cinematic feel) in H.264/MPEG-4 with a microphone input but no headphone jack. Canon’s Dual Pixel CMOS AF allows smooth continuous autofocus during video recording (this makes a big difference in keeping moving subjects sharp).
Sony’s A57 also offers 1080p, but maxes out at 60 fps - which can capture smoother motion or provide slow-mo when slowed down in editing. It uses AVCHD or MP4 codecs and includes a microphone input as well, but also lacks headphone monitoring.
Worth noting: Canon’s touchscreen greatly eases AF point shifting while filming, while Sony’s lack of touchscreen means manual focus pull is the norm.
If video is a priority, the Canon 750D has the edge for usable autofocus, but Sony still offers respectable frame rates.
Lens Mounts and Ecosystem: What Glass Can You Use?
Two things matter here: lens variety and compatibility.
Canon 750D uses the ubiquitous EF/EF-S mount, compatible with over 326 lenses ranging from ultra-wide fisheyes to ultra-telephoto beasts. Canon’s ecosystem is the largest, with many third-party manufacturers offering compatible lenses - ideal for users who want to grow with their camera.
Sony’s A57 uses the Sony/Minolta Alpha (A-mount) mount, which has around 143 lenses - notably fewer and harder to find new models for in 2024. Adapters exist, but using third-party glass can be chancy.
Practically, Canon wins hands down here in versatility and future-proofing. If you care about building a long-term system or want easy access to both affordable primes and pro telephotos, Canon is the way to go.
Battery Life and Storage: Who Lasts Longer?
Sony’s SLT design and continuous shooting allow surprisingly generous battery life: rated at 550 shots, and my testing roughly confirmed this, often stretching well over a day’s casual shooting.
Canon’s 750D is rated 440 shots - less but still solid for most users, though I recommend a spare battery for day-long outings or travel.
Storage-wise, Canon supports SD cards (SDHC/SDXC, UHS-I compatible), while Sony accepts both SD and Memory Stick Pro Duo. Memory Stick is largely deprecated - in practice, SD card support is the key.
Connectivity and Extras: Wireless, Ports, and Modern Conveniences
Canon 750D sports built-in Wi-Fi and NFC, making it easy to transfer images or remotely control the camera from smartphones - features I found quick to set up and genuinely useful in practice.
The Sony A57 offers "Eye-Fi connected" support but lacks native Wi-Fi and NFC, making wireless transfer a bit more cumbersome unless you invest in external solutions.
Both include HDMI and USB 2.0 ports but no headphone jacks, a minor minus for serious videographers.
Durability and Build Quality: Can They Survive Your Adventures?
Neither camera offers weather sealing or rugged construction; both are plastic-bodied with metal mounts. So, expect to protect your gear from rain or dusty landscapes.
However, build quality is solid for the price point, with Canon’s slightly lighter 555g body feeling better balanced for handheld shooting. The Sony’s heavier build could actually resist minor bumping a tad better but at the cost of portability.
Price and Value: Which Camera Makes More Sense for Your Budget?
Canon 750D generally retails around $749, often bundled with a versatile kit lens. The Sony A57, despite being an older model from 2012, still lingers around $999 in some markets, making it pricier despite fewer megapixels and older tech.
Given that price gap and the more modern processor, sensor, and UI, Canon stands out as offering better bang for the buck today.
How They Score Overall: Numbers Don’t Lie
Let’s glance at overall scores from lab tests and genre-specific performance ratings I compiled during testing.
Canon’s 71 DxOMark score is respectable, while Sony’s 75 edges ahead in pure sensor performance. But when factoring user experience, autofocus efficiency, video functionality, and lens ecosystem, the picture becomes nuanced.
- Portrait: Canon shines thanks to superior autofocus points and face detection.
- Landscape: Sony edges slightly for dynamic range.
- Wildlife and Sports: Sony’s 12fps burst rate is advantageous.
- Street: Canon’s compact size and quieter operation help.
- Macro: Both similar, but Canon’s touchscreen simplifies shooting.
- Night/Astro: Sony’s dynamic range helps preserve stars, but Canon is more usable with higher ISO.
- Video: Canon’s Dual Pixel AF gives it a clear upper hand.
- Travel: Canon’s battery life and wireless features tip the scales.
- Professional Work: Neither truly pro-level; Canon’s system and file flexibility suit beginner pros better.
Final Thoughts and Recommendations: Which Should You Buy?
If you crave a DSLR that feels modern, has a rich lens ecosystem, accessible controls, excellent image quality, and especially superior video autofocus, the Canon EOS 750D is the smarter choice. It’s well-rounded for enthusiasts stepping up their photography or budding pros leaning toward hybrid photo/video work.
That said, if high-speed burst shooting coupled with excellent dynamic range is your priority, and you don’t mind a smaller native lens selection or fiddly interface, the Sony A57 remains relevant - particularly for sports and wildlife shooters on tighter budgets who can source lenses affordably.
Both are now a generation or more old, so if your budget extends, exploring newer mirrorless options is wise. But for entry-level DSLRs in their class, the Canon 750D shines as the versatile all-rounder, while Sony’s A57 caters to shooters who prize fast action capture and detailed imagery in tricky light.
Sample Shots That Tell a Thousand Words
Don’t just take my word for it - here’s a visual comparison of shots captured with each camera across various genres.
Look closely: Canon’s images impress with crisp detail from the higher resolution sensor, while Sony’s subtly better dynamic range preserves highlight and shadow nuances, especially in foliage and skies.
Wrapping Up
Choosing between the Canon EOS 750D and Sony SLT-A57 boils down to your shooting style, priorities, and ecosystem preferences. Both deliver solid image quality and respectable performance, yet their distinct strengths cater to different segments of photography enthusiasts.
As someone who’s clocked thousands of images and handled an array of cameras, my guidance is grounded in experience, not hype. Test each, handle the ergonomics, and weigh which features you truly value - not just on spec sheets but in your creative workflow.
Whichever way you lean, both cameras are trusty companions on the journey to better photography.
Happy shooting!
Note: All testing was conducted over diverse real-world sessions with calibrated lab measurements for exposure, color, and sharpness. Share your thoughts or questions, and let’s keep the conversation going!
Canon 750D vs Sony A57 Specifications
Canon EOS 750d | Sony SLT-A57 | |
---|---|---|
General Information | ||
Brand Name | Canon | Sony |
Model type | Canon EOS 750d | Sony SLT-A57 |
Also referred to as | EOS 750D / Kiss X8i | - |
Class | Entry-Level DSLR | Entry-Level DSLR |
Announced | 2015-02-06 | 2012-09-13 |
Physical type | Compact SLR | Compact SLR |
Sensor Information | ||
Processor Chip | DIGIC 6 | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 22.3 x 14.9mm | 23.5 x 15.6mm |
Sensor area | 332.3mm² | 366.6mm² |
Sensor resolution | 24MP | 16MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest Possible resolution | 6000 x 4000 | 4912 x 3264 |
Maximum native ISO | 12800 | 16000 |
Maximum enhanced ISO | 25600 | 25600 |
Min native ISO | 100 | 100 |
RAW files | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
Single AF | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Total focus points | 19 | 15 |
Cross type focus points | 19 | 3 |
Lens | ||
Lens support | Canon EF/EF-S | Sony/Minolta Alpha |
Total lenses | 326 | 143 |
Crop factor | 1.6 | 1.5 |
Screen | ||
Type of screen | Fully Articulated | Fully Articulated |
Screen size | 3" | 3" |
Resolution of screen | 1,040k dots | 921k dots |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Screen tech | - | Xtra Fine TFT drive with TruBlack technology |
Viewfinder Information | ||
Viewfinder type | Optical (pentamirror) | Electronic |
Viewfinder resolution | - | 1,440k dots |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.51x | 0.7x |
Features | ||
Min shutter speed | 30s | 30s |
Max shutter speed | 1/4000s | 1/4000s |
Continuous shutter rate | 5.0 frames per sec | 12.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 12.00 m (at ISO 100) | 10.00 m (@ ISO 100) |
Flash modes | - | Auto, On, Off, Red-Eye, Slow Sync, High Speed Sync, Rear Curtain, Fill-in, Wireless |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Max flash synchronize | - | 1/160s |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p), 640 x 480 (30p, 25p) | 1920 x 1080 (60p, 24p), 1440 x 1080 (30p), 640 x 480 (30 fps) |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video file format | MPEG-4, H.264 | MPEG-4, AVCHD, H.264 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 555 gr (1.22 lbs) | 618 gr (1.36 lbs) |
Physical dimensions | 132 x 101 x 78mm (5.2" x 4.0" x 3.1") | 132 x 98 x 81mm (5.2" x 3.9" x 3.2") |
DXO scores | ||
DXO Overall rating | 71 | 75 |
DXO Color Depth rating | 22.7 | 23.4 |
DXO Dynamic range rating | 12.0 | 13.0 |
DXO Low light rating | 919 | 785 |
Other | ||
Battery life | 440 shots | 550 shots |
Battery type | Battery Pack | Battery Pack |
Battery ID | LP-E17 | NP-FM500H |
Self timer | Yes (2 or 10 secs) | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/SDHC/SDXC (UHS-I compatible) | SD/SDHC/SDXC/Memory Stick Pro Duo/ Pro-HG Duo |
Card slots | Single | Single |
Pricing at release | $749 | $1,000 |