Canon M10 vs Sony A6400
88 Imaging
61 Features
70 Overall
64


83 Imaging
68 Features
88 Overall
76
Canon M10 vs Sony A6400 Key Specs
(Full Review)
- 18MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 12800 (Expand to 25600)
- 1920 x 1080 video
- Canon EF-M Mount
- 301g - 108 x 67 x 35mm
- Introduced October 2015
- Later Model is Canon M100
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Screen
- ISO 100 - 32000 (Expand to 102400)
- 3840 x 2160 video
- Sony E Mount
- 403g - 120 x 67 x 50mm
- Revealed January 2019

Canon EOS M10 vs Sony Alpha a6400: A Hands-On Mirrorless Showdown for Enthusiasts and Pros
When I first unpacked the Canon EOS M10 and Sony Alpha a6400 side by side, the differences hit me immediately. Both are APS-C mirrorless cameras bearing the rangefinder-style aesthetic, yet they belong to markedly different eras and user tiers - entry-level versus advanced mirrorless. But specs only get you so far. As someone who’s tested thousands of cameras across genres, I wanted to dig deep into what these two cameras truly deliver out in the field, beyond marketing buzz and spec sheets.
So, pull up a chair as we explore how these two machines stack up for a variety of photography disciplines - from portraits to sports, landscapes to astrophotography - and why your next camera pick depends heavily on your needs, style, and budget.
First Impressions: Size, Ergonomics, and Build Quality
At a glance, the Canon M10 is petite, lightweight, and charmingly pocketable - no surprise, as it targets beginners and casual shooters. The Sony a6400, meanwhile, feels heftier and more robust, built for faster, more demanding shooting scenarios.
The M10 weighs just 301 grams with dimensions of 108x67x35 mm - ideal for travel and street photography where carrying less translates to more shooting comfort. Conversely, the a6400 clocks in at 403 grams and measures 120x67x50 mm. That may not seem like a lot on paper, but the more substantial grip and thicker body instantly communicates durability and better handling with larger zoom or telephoto lenses. Plus, the a6400 sports partial weather sealing, which the M10 completely lacks - a key consideration if you like shooting outdoors in less-than-ideal conditions.
Moving to the top and control layouts:
Here’s where the age and class difference resonate most clearly. The Canon's minimalist top plate keeps things simple but sacrifices quick access. The a6400, tailored for enthusiasts and pros, offers more programmable buttons and a dedicated mode dial. This translates to faster operation when every microsecond counts - as in sports or wildlife shooting. The tilting LCDs on both help with unusual angles and selfies (selfie-friendly on both counts, BTW), but the a6400’s articulating screen offers greater flexibility.
Sensor Performance and Image Quality - The Heart of the Matter
Size and controls are all well and good, but the heart of image quality lies in the sensor. Canon’s M10 uses an 18MP APS-C CMOS sensor, while Sony’s a6400 boasts a 24MP sensor, also APS-C but with larger dimensions: 23.5x15.6mm versus Canon’s 22.3x14.9mm.
Sony has a slight edge here – more pixels on a larger sensor area generally means finer detail and better light gathering, but there are nuances. Notably, Sony's sensor delivers an impressive DxOMark overall score of 83, versus Canon’s 65. The A6400 achieves superior color depth (24-bit vs. 22-bit), dynamic range (13.6 stops vs. 11 stops), and low-light ISO capability (native ISO max 32,000 versus 12,800 on Canon, with boosted ISO up to 102,400 on Sony).
In practice, this means the a6400 can capture more nuanced tones, shadows, and highlights, essential for landscapes and studio portraits alike. When I tested skin tone rendering in mixed light, Sony’s sensor produced richer, more natural colors. Canon’s rendering leaned slightly flatter and less vibrant, which might be more user-pleasing for some beginners or social media shooters preferring easier post-processing but less professional-grade nuance.
Autofocus Systems: Tracking Your Subject with Precision and Speed
Autofocus (AF) performance can make or break a shoot, especially for wildlife and sports. Canon M10 offers 49 contrast+phase detection points, with face detection and tracking available. Sony raises the bar considerably with 425 phase-detection AF points, alongside real-time tracking, eye detection (including animal eye AF), and superior AF responsiveness.
The difference is palpable shooting in real-world contexts. On the M10, I often found autofocus hunting a bit in dim or fast-moving scenes. The a6400, however, consistently locked focus instantly - even on erratic birds in flight or speedy kids on soccer fields - and kept tracking perfectly thanks to its superior AF algorithms and hardware.
Both cameras feature touchscreen AF with touch-to-focus, but Sony's implementation is snappier and more reliable. The a6400 also supports AF-C continuous tracking with impressive frame rates (11 fps), doubling the M10’s 4.6 fps burst speed. For professionals or serious enthusiasts chasing action, or wildlife photographers relying on kinetic focus, Sony’s system is practically in another league.
Handling and User Interface: The Daily Photography Experience
The M10’s touch-friendly UI with a clean menu system and tilting LCD makes it approachable for novices. It lacks an EVF (electronic viewfinder), which is a noteworthy omission - the shooting experience on bright days feels compromised without an eye-level viewfinder. Instead, you’re limited to composing via the rear screen, which isn’t always ideal.
The a6400, on the other hand, has a 2.36 million dot OLED EVF with 100% coverage. It's sharp and lag-free, making it a joy for precise framing and reviewing shots outdoors. Although the a6400 screen resolution is slightly lower (922k vs. 1040k dots on Canon), it tilts fully and supports touch operation as well.
Ergonomically, the a6400’s enhanced grip and customizable buttons felt far superior on my long shoots, reducing fatigue and enabling faster adjustments on the fly. The Canon’s simpler layout is a double-edged sword: friendlier for beginners but limiting for more experienced users craving deeper control.
Lens Ecosystems and Compatibility: Where the Rubber Meets the Road
Canon’s EF-M mount was a bold attempt at a compact mirrorless ecosystem but hasn’t seen widespread adoption. The M10 supports 23 native EF-M lenses, ranging from primes to zooms, but choices remain limited compared to Canon’s DSLR EF/EF-S lenses, which require adapters if you want to bridge that gap - at the expense of bulk and autofocus speed.
Sony’s E-mount, however, is an expansive playground with over 120 lenses available from Sony and third parties (Sigma, Tamron, Zeiss, etc.), covering every focal length and specialty - including macro, telephoto, and ultra-wide primes. This lens diversity, combined with fab autofocus compatibility, makes the a6400 a versatile workhorse for any genre.
Battery Life and Storage: Practicality in the Field
The Canon M10’s rated battery life stands at 255 shots - adequate for casual users but a bottleneck for day-long outings or intensive shooting. Sony’s a6400 nearly doubles that with 410 shots per charge. In real-world testing, the a6400’s larger battery and power management enabled fluid shooting sessions without constant battery swaps - a huge convenience for travel or event photographers.
Both cameras accept a single SD card slot, supporting SD/SDHC/SDXC cards, with Sony also supporting Memory Stick Duo formats (though I’d recommend modern SDXC cards for speed and capacity).
Connectivity and Extra Features: The Modern Photographer’s Toolbox
Both cameras include built-in Wi-Fi and NFC, easing image transfer and remote control via smartphone apps. The a6400 adds Bluetooth, enabling constant background connection for geotagging and faster pairing. HDMI output is present on both for external monitoring - though Sony supports 4K video output, which the Canon lacks.
The M10’s USB 2.0 port is serviceable for data transfer, but I found Sony’s similar port more reliable for tethered shooting workflows - a minor but meaningful detail for studio photographers.
Video Capabilities: Shoot More Than Still Photos
Canon’s M10 records Full HD 1080p video at up to 30 fps - not bad for casual video, but on the lower side compared to recent mirrorless standards. No 4K support, no microphone or headphone jacks, and limited codec options mean it falls short for videographers or hybrid shooters who need crisp video and sound quality.
Sony’s a6400, by contrast, packs 4K UHD video at 30 fps (in XAVC S format), superior 1080p at high frame rates, microphone input, and slow-motion modes. The absence of a headphone jack is a caveat for sound monitoring, but the external mic port alone is a boon for better audio capture. Sony’s video autofocus also shines, offering fast and smooth subject tracking during recording.
Photography Genre Performance: Which Camera Thrives Where?
Having tested both over a range of shooting scenarios, here’s how they compare across popular genres:
Portraits
Sony’s a6400 is the clear winner here due to superior eye and face detection autofocus and better color rendition. The higher resolution sensor captures delicate skin details and the bokeh from quality E-mount primes is creamier. Canon’s M10 can manage decent portraits but lacks the mojo for complex lighting or fast-moving kids in natural shoots.
Landscapes
For landscapes, dynamic range is king. Here again, Sony’s 13.6 stops vs. Canon’s 11 stops makes a huge difference in preserving detail from shadowed valleys to bright skies. Plus, the a6400’s weather sealing offers peace of mind in damp or dusty outdoors.
Wildlife
Wildlife photography demands lightning-fast AF, high burst rates, and long lenses. Sony’s 11 fps, real-time tracking, and extended arrangement of telephoto lenses give it an indisputable edge. The Canon M10 can photograph static wildlife but quickly shows its limits once action starts.
Sports
Similar story to wildlife. Sony’s AF precision and burst capacity excel at capturing split-second action, while the M10’s slower 4.6 fps and limited AF struggle to keep up.
Street Photography
Surprisingly, this is one of the few areas where the M10’s small size and discretion could be an asset. Lightweight and less conspicuous, it can blend into street environments more easily than the bigger a6400. The absence of an EVF and reliance on the rear display might pose challenges in bright sunlight, though, where the a6400’s EVF shines.
Macro Photography
Both cameras lack built-in stabilization, so relying on stabilized lenses or tripods is key. Sony’s lens roster includes excellent macro platforms with great AF precision, pushing it slightly ahead.
Night / Astro
Sony’s high native ISO and extended ISO boost allow cleaner shots under low light or starry skies. Canon’s lower ISO ceiling means more noise creeping in - no surprise given the sensor tech gap.
Video
Sony’s superior codec, 4K resolution, microphone input, and smooth AF make it a versatile video tool. Canon’s M10 is strictly basic, sufficient for casual shooters.
Travel
The Canon M10’s compact dimensions and light weight make it a strong travel companion for those prioritizing portability and ease of use. Sony’s a6400 is bulkier but offers all-day battery life and versatility, perfect if you want a do-it-all camera.
Professional Use
Sony’s advanced features, robust AF, extensive lens choice, and superior file quality make it suitable as a primary or backup camera for professional work. The Canon M10 simply doesn’t meet the reliability, speed, or file quality demands of professional environments.
Summarizing the Scores - How Do They Stack Up?
If we synthesize objective test data and real-world usage impressions, the difference is clear:
Sony’s Alpha a6400 scores significantly higher across all key metrics - image quality, AF, video, build - confirming why it commands a higher price tag ($898 vs $599).
Further breaking down by photography types highlights where each camera excels or falters:
Final Thoughts and Buying Advice
So, which one do you choose? Well - it depends, as always. Both cameras have merits, but the target markets and user needs differ sharply.
Choose the Canon EOS M10 if:
- You’re a photography beginner seeking an affordable, easy-to-use mirrorless camera
- You prioritize portability and a simple interface suited for casual and travel photography
- You’re content with DSLR-like APS-C resolution but don’t require pro-grade autofocus or video
- Budget is tight and you want a camera to learn foundational skills without getting overwhelmed
Choose the Sony Alpha a6400 if:
- You’re an enthusiast or professional needing fast, reliable autofocus for portraits, sports, or wildlife
- You want higher resolution, wider dynamic range, and superior low-light performance
- You plan to shoot video seriously, including 4K, with external audio options
- Lens variety and workflow flexibility matter for your expanding photographic ambitions
- You appreciate robust build quality and partial weather sealing for outdoor shoots
In my experience, the a6400 is an investment that pays off if you’re committed to photography beyond beginner fun - especially for action, wildlife, landscape, or hybrid photo-video pursuits. The Canon M10, charming and light, is perfect for newbies, social shooters, or those who want a simple camera without demanding too much.
Whichever you pick, both cameras represent gateways into the rewarding world of mirrorless photography - offering a solid platform to learn, experiment, and capture life's moments. Just remember: It’s not the gear alone but the eye behind the lens that crafts great images.
Happy shooting!
Canon M10 vs Sony A6400 Specifications
Canon EOS M10 | Sony Alpha a6400 | |
---|---|---|
General Information | ||
Company | Canon | Sony |
Model type | Canon EOS M10 | Sony Alpha a6400 |
Class | Entry-Level Mirrorless | Advanced Mirrorless |
Introduced | 2015-10-12 | 2019-01-15 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Chip | DIGIC 6 | Bionz X |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 22.3 x 14.9mm | 23.5 x 15.6mm |
Sensor area | 332.3mm² | 366.6mm² |
Sensor resolution | 18MP | 24MP |
Anti alias filter | ||
Aspect ratio | 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Maximum resolution | 5184 x 3456 | 6000 x 4000 |
Maximum native ISO | 12800 | 32000 |
Maximum boosted ISO | 25600 | 102400 |
Minimum native ISO | 100 | 100 |
RAW photos | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 49 | 425 |
Lens | ||
Lens mount type | Canon EF-M | Sony E |
Amount of lenses | 23 | 121 |
Focal length multiplier | 1.6 | 1.5 |
Screen | ||
Display type | Tilting | Tilting |
Display diagonal | 3" | 3" |
Display resolution | 1,040k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic |
Viewfinder resolution | - | 2,359k dot |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.7x |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/4000s | 1/4000s |
Continuous shooting speed | 4.6 frames per second | 11.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | 5.00 m (at ISO 100) | 6.00 m (at ISO 100) |
Flash options | Auto, on, off, slow synchro | Off, auto, on, slow sync, rear sync, redeye reduction, wireless, hi-speed sync |
Hot shoe | ||
Auto exposure bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p), 640 x 480 (30p, 25p) | 3840 x 2160 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM |
Maximum video resolution | 1920x1080 | 3840x2160 |
Video file format | MPEG-4, H.264 | MPEG-4, H.264, XAVC-S |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 301g (0.66 lb) | 403g (0.89 lb) |
Physical dimensions | 108 x 67 x 35mm (4.3" x 2.6" x 1.4") | 120 x 67 x 50mm (4.7" x 2.6" x 2.0") |
DXO scores | ||
DXO All around rating | 65 | 83 |
DXO Color Depth rating | 22.0 | 24.0 |
DXO Dynamic range rating | 11.0 | 13.6 |
DXO Low light rating | 753 | 1431 |
Other | ||
Battery life | 255 images | 410 images |
Form of battery | Battery Pack | Battery Pack |
Battery ID | LP-E12 | NP-FW50 |
Self timer | Yes (2 or 10 secs, custom) | Yes |
Time lapse recording | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC/Memory Stick DUO (UHS-I compliant) |
Storage slots | One | One |
Retail cost | $599 | $898 |