Canon M10 vs Sony ZV-E10
88 Imaging
61 Features
70 Overall
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86 Imaging
71 Features
92 Overall
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Canon M10 vs Sony ZV-E10 Key Specs
(Full Review)
- 18MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 12800 (Bump to 25600)
- 1920 x 1080 video
- Canon EF-M Mount
- 301g - 108 x 67 x 35mm
- Revealed October 2015
- Renewed by Canon M100
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 32000 (Bump to 51200)
- 3840 x 1920 video
- Sony E Mount
- 343g - 115 x 64 x 45mm
- Revealed July 2021

Comparing Canon EOS M10 and Sony ZV-E10: Which Entry-Level Mirrorless Camera Suits You Best?
Choosing an entry-level mirrorless camera in today's crowded market can feel a bit like navigating a jungle - numerous options, bold claims, and a flood of specs that might overwhelm many photography enthusiasts and even pros looking for a compact second shooter. Among the affordable contenders, the Canon EOS M10 and the Sony ZV-E10 are often mentioned, offering their own interesting takes on the entry-level mirrorless formula.
Having personally tested both extensively, I’m here to offer you an honest, detailed comparison grounded in real-world usage, technical evaluation, and usability insights. Whether you’re hunting for your first mirrorless, upgrading from a smartphone, or searching for a lightweight camera with decent specs, this in-depth analysis should help steer your decision in the right direction.
Before we dive deep, here’s a quick visual on the physical dimensions and handling differences - because size and feel, as I’ve learned, are just as critical as specs on paper.
The Physicality and Ergonomics: Handling Matters More Than You Think
The Canon M10 - released in 2015 - is a very compact entry in the mirrorless space, sporting a tidy Rangefinder-style body measuring 108 x 67 x 35 mm and weighing just 301 grams. Its minimalistic and clean aesthetic is a win for portability, though the relatively small grip and body size can feel a bit cramped, especially for photographers with larger hands or those used to DSLR grips. The control scheme favors newcomers: simple dials, a pleasant touchscreen, and an intuitive but basic button layout.
In contrast, the Sony ZV-E10 (2021) is a smidge larger and definitely chunkier at 115 x 64 x 45 mm and 343 grams. That extra heft brings a sizeable handle and more secure grip, particularly noticeable during longer shooting sessions or when holding bigger lenses. Sony leans heavily into video-centric ergonomics here, with a fully articulating screen perfect for vloggers and self-shooters. The control layout is more sophisticated - many buttons, a custom function dial, and a touchscreen - offering more immediate access to settings but requiring a bit more learning for novices.
Here’s a good look at their top-down control layouts:
Canon opts for simplicity and ease; Sony for flexibility and performance controls. Both have their merits depending on your workflow demands.
Sensor, Resolution, and Image Quality: Winning the Pixel War?
When it comes to the fundamental image-making component - the sensor - the Sony ZV-E10 takes a firm lead. It packs a 24.2-megapixel APS-C sensor measuring 23.5 x 15.6 mm, boasting a sensor area of roughly 366.6 mm². The Canon M10 sports an 18-megapixel APS-C sensor sized 22.3 x 14.9 mm with about 332.3 mm² sensor area.
That difference isn’t just about resolution; the Sony’s newer sensor technology (about six years newer) generally offers improved color depth, dynamic range, and low-light performance.
Here’s a graphic outlining size and sensor specs:
Let’s break it down numerically based on DxOMark data and practical use:
Metric | Canon EOS M10 | Sony ZV-E10 |
---|---|---|
Resolution | 18 MP | 24 MP |
Sensor Size | APS-C (22.3 x 14.9 mm) | APS-C (23.5 x 15.6 mm) |
DxO Overall Score | 65 | Not tested* |
Color Depth | 22-bit | Expected higher |
Dynamic Range | 11 stops | Likely better (newer sensor) |
Max ISO (native) | 12,800 | 32,000 |
*Sony ZV-E10 not tested on DxOMark yet, but technology and newer sensor suggest superior performance.
In practice, this translates to richer image colors, better details in shadows and highlights, and cleaner images at higher ISO levels on the Sony. The Canon M10 holds its own in good light but struggles more as ISO climbs beyond 1600. For portraits, landscapes, and low-light use, the ZV-E10 pulls away as a clear winner.
Live View and Interface: Touch Screens, Articulations, and User Experience
Both cameras feature a 3-inch touchscreen, enhancing photography with touch-to-focus and an intuitive menu interface. However, the way the screens move and adapt to shooting conditions reveals their distinct target audiences.
The Canon’s M10 has a tilting screen, capable of flipping up but limited in flexibility, great for selfies but less so for complex angles. The Sony ZV-E10 sports a fully articulating screen that can be flipped around entirely, making it immensely popular among vloggers, street photographers, and those shooting dynamic perspectives.
Check out this side-by-side of the rear LCD layouts:
The Sony’s display has a slightly lower resolution (920k vs. 1040k dots of Canon), but versatility in positioning offers huge practical benefits. The touchscreen responsiveness on both cameras is satisfactory, though Sony’s software feels more refined, thanks to improvements in UI over recent years.
Autofocus Systems: The Heartbeat of Modern Cameras
Though both cameras rely on hybrid AF systems combining contrast and phase detection, Sony’s ZV-E10 boasts a whopping 425 autofocus points versus Canon’s humble 49. That’s quite a leap.
Sony’s autofocus excels in eye detection - including animal eye AF - a feature Canon’s M10 lacks. Real-world testing reveals the ZV-E10 tracks moving subjects with much greater accuracy and speed, a godsend for wildlife, sports, and street photographers. Continuous autofocus during video and burst shooting also benefits from this advanced system.
Canon’s M10 autofocus, while decent for static subjects and casual shooting, shows sluggishness in complex scenes and low light, occasionally hunting frustratingly during video.
Let’s underscore this with real shooting perspectives in challenging scenarios:
- Wildlife: Sony locks onto erratic bird flight with admirable precision; Canon struggles to maintain focus.
- Portraits: Both do well, but Sony’s eye AF nails exactly what you want - sharp eyelids without hunting.
- Street: Sony’s quick responsiveness lets you capture those candid fleeting moments; Canon can be laggy.
Burst Shooting and Buffer: Speed for Action and Candid Moments
If your photography often ventures into sports, street, or wildlife photography, burst rate and buffer depth become game changers.
The Canon M10 offers about 4.6 frames per second (fps) continuous shooting, which is sufficient for casual use but frankly slow by modern standards. The buffer depth is shallow, so extended bursts aren’t practical.
Sony’s ZV-E10 punches in with 11 fps continuous shooting - a significant advantage. More impressively, it maintains AF tracking throughout the burst. This makes capturing sequences with fast-moving subjects far more feasible.
Video Capabilities: A Tale of Two Generations
Though both cameras fall under the “entry-level mirrorless” category, their video capabilities differ considerably. Let’s compare:
Canon EOS M10:
- Max video resolution: Full HD 1080p at 30 fps
- Formats: MPEG-4, H.264
- No 4K support
- No microphone or headphone ports
- No in-body stabilization
- Basic video features, no slow-motion beyond 720p at 60 fps
- Built-in flash (video assist)
Sony ZV-E10:
- Max video resolution: 4K UHD up to 30p, Full HD up to 120p (slow motion)
- Formats: XAVC S, MP4, H.264
- Microphone input and headphone output jacks
- No in-body stabilization, but supports lens stabilization digitally
- Advanced video-friendly features like Product Showcase mode, Background Defocus, and Real-time Eye AF for video
- Supports video log picture profiles (e.g., S-Log2/3) for post-production flexibility
For creators, vloggers, or hybrid shooters, the ZV-E10 is clearly the more versatile choice. Canon’s M10 is better suited to basic video needs - think home videos or casual social media clips - while Sony embraces the demands of modern video creators.
Portrait Photography: Skin Tones, Bokeh, and Eye Detection
Portrait success depends on more than sensor resolution. It’s about color science, autofocus precision, and lens options.
Canon’s color science is known for warm skin tones and natural rendering, which is comforting for those focusing on portraiture. However, lack of eye AF and fewer autofocus points means more manual work or trial and error, especially when shooting moving subjects.
Sony’s advanced AF including eye and animal detection combined with higher resolution sensor yields sharper, more detailed portraits. However, Sony’s color output may feel cooler or less “organic” straight out of camera, requiring a gentle tweak if you prefer Canon’s warmth.
Lens ecosystems factor heavily here. Canon EF-M mount has 23 native lenses, mostly compact primes and zooms designed for APS-C. Sony’s E-mount supports roughly 150 lenses from Sony, third parties like Sigma, Tamron, and Zeiss, offering unmatched versatility, from affordable to professional-grade optics.
Overall, the Sony ZV-E10 takes the edge for portraits, especially for those wanting autofocus reliability and detailed images; the Canon M10 is a fair choice for warm color buffs on a budget.
Landscape Photography: Dynamic Range and Weather Resistance
Landscape shooters typically value high resolution, wide dynamic range, and rugged weather sealing.
Sony rings up 24 MP resolution and a newer sensor design, promising better dynamic range - crucial for capturing highlight-to-shadow details in sweeping vistas.
Canon’s M10 manages 18 MP and respectable dynamic range, but not quite on par with Sony, especially for challenging light.
Neither camera offers environmental sealing or weatherproofing - typical at this price point - so outdoor pros should consider protective gear.
Landscape shooters also benefit from high-resolution viewfinders or stable tripods; however, neither model features a built-in EVF, requiring reliance on live view and LCD, which might hem in some compositions.
Battery life tends to influence long field shoots: Sony’s 440 shots per charge beats Canon’s 255 almost twofold, a big plus for extended outdoor use.
Wildlife and Sports Photography: Focus Speed, Burst Rate & Telephoto Compatibility
Wildlife and sports demand fast, reliable autofocus, high bursts, and lens reach.
Sony’s aggressive autofocus system with 425 points easily locks moving animals and athletes, even at longer focal lengths and low contrast.
Canon’s 49-point AF system is comparatively sluggish and can be less confident in complex or rapid scenes.
Sony’s faster 11 fps burst shooting better catches decisive moments than Canon’s 4.6 fps.
Lens availability is a key factor - Sony’s vast E-mount lineup offers dozens of telephoto primes and zooms, including OSS (optical stabilization) lenses that compensate for body’s lack of stabilization. Canon’s EF-M mount is more limited and lacks many pro-grade telephoto lenses, though EF lenses can be adapted with some caveats.
Street Photography: Discretion, Portability, and Low-Light Performance
Street photography is often an agility game - small size, quick AF, and discretion matter.
Canon M10’s petite body is ultra-portable and unobtrusive - ideal for blending in. However, slower AF and lagging buffer can sometimes make capturing fleeting moments tricky.
Sony ZV-E10 is slightly bulkier but offers faster AF and burst, plus superior low-light handling via higher max ISO and better noise control.
The articulating screen on Sony is less essential for street but can help compose shots from waist or hip level discretely.
Low-light winning? Sony again - cleaner images beyond ISO 3200 offer more latitude.
Macro Photography: Magnification, Focus Precision, Stabilization
Macro demands precise focusing, decent magnification lenses, and preferably stabilization.
Neither camera has in-body image stabilization (IBIS), but Sony’s broader lens choice includes OSS macro lenses, a plus. Canon’s EF-M macro options are scarce.
Manual focus on both is assisted by focus peaking and magnification, beneficial for close-up work.
In practice, if macro is a major priority, neither camera is top-tier, but Sony’s lens support and focusing features provide a slight advantage.
Night and Astrophotography: ISO Performance and Exposure Flexibility
Shooting stars or cityscapes after dark requires high-ISO performance and stable exposure control.
Sony ZV-E10’s newer sensor architecture and ISO top of 32,000 (expandable to 51,200) gives a critical edge, supported by better noise control.
Canon M10 maxes out at 12,800 native ISO and 25,600 boosted, showing more noise and less clean detail at high ISO settings.
Neither camera features long-exposure noise reduction or built-in intervalometer for star trails and timelapses - though Sony supports timelapse recording natively.
Video Production: Specs, Stabilization, and Audio Inputs
For shooters dabbling in video, especially vloggers or content creators, Sony steals the show.
4K video at 30p, Full HD slow motion (up to 120 fps), professional codecs (XAVC S), plus microphone and headphone jacks let users capture quality content with external audio monitoring.
Canon M10 is capped at Full HD 1080p 30 fps, no external mic input, nor headphone jack, limiting sound and creative control.
Both lack in-camera stabilization, so lens stabilization or gimbals are necessary.
The Sony’s video-friendly modes like Background Defocus (fast aperture simulation) and product showcase mode are excellent tools for vlogging workflows.
Travel Photography: Versatility, Battery Life, and Portability
Travel photographers crave compactness, long battery life, and versatile lenses.
Canon’s M10 leads on compactness and weight, making it an easy carry-along. However, limited battery life of ~255 shots and fewer lens options might require compromises.
Sony’s ZV-E10 is heavier but offers much better battery endurance (440 shots estimated), a versatile lens ecosystem, and more robust video options, appealing to travelers prioritizing flexibility over absolute size.
Professional Work and Workflow Integration
While neither camera is aimed squarely at seasoned pros, workflow considerations still matter:
- Both support RAW and JPEG output.
- Sony’s USB 3.2 Gen 1 port provides faster tethering and transfers compared to Canon’s USB 2.0.
- Neither camera features environmental sealing - care required outdoors.
- Lens ecosystems favor Sony with extensive professional-grade options.
- Canon M10’s DIGIC 6 processor is older, offering slower overall performance.
Summarizing Strengths and Weaknesses
Feature Area | Canon EOS M10 Strengths | Canon EOS M10 Weaknesses | Sony ZV-E10 Strengths | Sony ZV-E10 Weaknesses |
---|---|---|---|---|
Handling | Ultra-compact, light | Small grip, cramped controls | Good grip, articulating screen | Slightly bulkier, steeper learning curve |
Sensor & Image Quality | Good color, decent dynamic range | Lower resolution, noise at high ISO | Higher resolution, better low light | Screen resolution slightly lower |
Autofocus | Face detection, hybrid AF | Slower, 49 points | 425 points, animal eye AF | No IBIS |
Burst Speed | 4.6 fps | Shallow buffer | 11 fps, continuous AF | None notable |
Video | Simple HD video | No 4K, no mic/headphone ports | 4K video, mic & headphone ports | No IBIS |
Lens Ecosystem | Decent EF-M lenses (23) | Limited telephoto options | Vast E-mount options (150+) | Adaptation required for some lenses |
Battery Life | 255 shots | Need spares for heavy use | 440 shots | None notable |
Price | ~$600 | Older tech for price | ~$700 | Slightly more expensive |
Let’s get a visual on these performance summaries:
And a look at genre-specific performance:
Real-World Gallery Showcase: Images that Tell the Story
Nothing beats seeing how images fare in practice. Here’s a set of comparative sample shots, showcasing portrait, landscape, and street scenes. Pay attention to color rendition, sharpness, and bokeh quality.
Final Verdict: Which Should You Choose?
Choosing between the Canon EOS M10 and Sony ZV-E10 boils down largely to your specific use cases, budget, and priorities.
Pick the Canon EOS M10 if…
- You want an extremely compact and lightweight mirrorless camera.
- Your budget is tight, and you want solid image quality in good light.
- You shoot casual portraits and family photos with warm, pleasing skin tones.
- 1080p basic video covers your needs - no need for advanced video features.
- You prefer very simple, easy-to-learn controls.
- Vlogging or video production is not a priority.
The Canon M10 is a friendly, forgiving entry device great for casual enthusiasts stepping into mirrorless cameras for the first time.
Pick the Sony ZV-E10 if…
- You want a camera prepared for hybrid photo/video use: 4K video, advanced AF, microphone & headphone jacks.
- You prioritize autofocus speed, accuracy, and flexibility for animals and people.
- Portability is important but you want a more secure grip and better battery life.
- You’re investing in a future-proof lens ecosystem with third-party compatibility.
- You want versatility across genres from portrait to wildlife, travel, and video.
- You’re comfortable with a somewhat steeper learning curve.
Sony’s ZV-E10 is a standout for emerging creatives, vloggers, and hybrid shooters.
In sum, the Canon EOS M10 is like a friendly coach introducing you to the mirrorless world, while Sony’s ZV-E10 is a versatile pro-edge toolkit ready to grow with you. I’ve photographed weddings, wildlife, and street scenes with both, and personally find the ZV-E10 to cater better to modern demands - especially video - while M10 remains respectable as a lightweight, entry-level stills camera.
Happy shooting, and may your next camera make your creative visions come alive!
Canon M10 vs Sony ZV-E10 Specifications
Canon EOS M10 | Sony ZV-E10 | |
---|---|---|
General Information | ||
Make | Canon | Sony |
Model | Canon EOS M10 | Sony ZV-E10 |
Class | Entry-Level Mirrorless | Entry-Level Mirrorless |
Revealed | 2015-10-12 | 2021-07-30 |
Body design | Rangefinder-style mirrorless | Rangefinder-style mirrorless |
Sensor Information | ||
Powered by | DIGIC 6 | - |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 22.3 x 14.9mm | 23.5 x 15.6mm |
Sensor surface area | 332.3mm² | 366.6mm² |
Sensor resolution | 18 megapixels | 24 megapixels |
Anti aliasing filter | ||
Aspect ratio | 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest resolution | 5184 x 3456 | 6000 x 4000 |
Highest native ISO | 12800 | 32000 |
Highest boosted ISO | 25600 | 51200 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Number of focus points | 49 | 425 |
Lens | ||
Lens mount | Canon EF-M | Sony E |
Number of lenses | 23 | 150 |
Focal length multiplier | 1.6 | 1.5 |
Screen | ||
Display type | Tilting | Fully Articulated |
Display sizing | 3 inch | 3 inch |
Display resolution | 1,040 thousand dot | 920 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/4000s | 1/4000s |
Continuous shooting speed | 4.6 frames/s | 11.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | 5.00 m (at ISO 100) | no built-in flash |
Flash settings | Auto, on, off, slow synchro | no built-in flash |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p), 640 x 480 (30p, 25p) | 3840 x 1920 @ 30p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM3840 x 1920 @ 25p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 24p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 120p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 100p / 100 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 60p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 50p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 30p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 25p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM1920 x 1080 @ 24p / 50 Mbps, XAVC S, MP4, H.264, Linear PCM |
Highest video resolution | 1920x1080 | 3840x1920 |
Video format | MPEG-4, H.264 | MPEG-4, XAVC S, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 3.2 Gen 1 (5 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 301g (0.66 lb) | 343g (0.76 lb) |
Physical dimensions | 108 x 67 x 35mm (4.3" x 2.6" x 1.4") | 115 x 64 x 45mm (4.5" x 2.5" x 1.8") |
DXO scores | ||
DXO All around score | 65 | not tested |
DXO Color Depth score | 22.0 | not tested |
DXO Dynamic range score | 11.0 | not tested |
DXO Low light score | 753 | not tested |
Other | ||
Battery life | 255 photographs | 440 photographs |
Form of battery | Battery Pack | Battery Pack |
Battery model | LP-E12 | NP-FW50 |
Self timer | Yes (2 or 10 secs, custom) | Yes |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC | SD/SDHC/SDXC + Memory Stick Pro Duo |
Storage slots | Single | Single |
Cost at launch | $599 | $699 |