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Canon M3 vs Panasonic GF2

Portability
85
Imaging
65
Features
76
Overall
69
Canon EOS M3 front
 
Panasonic Lumix DMC-GF2 front
Portability
88
Imaging
47
Features
50
Overall
48

Canon M3 vs Panasonic GF2 Key Specs

Canon M3
(Full Review)
  • 24MP - APS-C Sensor
  • 3" Tilting Screen
  • ISO 100 - 12800 (Push to 25600)
  • 1920 x 1080 video
  • Canon EF-M Mount
  • 366g - 111 x 68 x 44mm
  • Released February 2015
  • Successor is Canon M6
Panasonic GF2
(Full Review)
  • 12MP - Four Thirds Sensor
  • 3" Fixed Display
  • ISO 100 - 6400
  • 1920 x 1080 video
  • Micro Four Thirds Mount
  • 310g - 113 x 68 x 33mm
  • Introduced February 2011
  • Old Model is Panasonic GF1
  • Renewed by Panasonic GF3
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone

Canon EOS M3 vs Panasonic Lumix GF2: A Hands-On Comparative Review for the Discerning Photographer

In the dense jungle of mirrorless cameras from the early to mid-2010s, the Canon EOS M3 and Panasonic Lumix GF2 stand as interesting entries that reflect distinct approaches to mirrorless design. Both targeted at entry-level enthusiasts but shaped by differing sensor formats, feature sets, and brand philosophies, these two cameras continue to intrigue photography hobbyists, collectors, or anyone aiming for a budget-friendly, compact system.

Having personally wielded and stress-tested these cameras across genres ranging from portraits by golden hour light to the unpredictable fast-paced wildlife field, I want to give you a grounded, thorough look at how the Canon M3 and Panasonic GF2 hold up today. We’ll dive deep - beyond mere specs - to understand what it’s like to create art and capture moments with each, focusing on the pragmatic needs of photographers across disciplines.

Canon M3 vs Panasonic GF2 size comparison

Handling and Ergonomics: The Feel of Two Generations

First impressions count, and here the EOS M3 asserts itself as a more modern, comfortable device, albeit at a modest increase in size and weight compared to the GF2. The M3’s dimensions (111 x 68 x 44 mm) and weight (366g) translate to a substantive grip for sustained shooting sessions or when teamed with larger EF-M lenses. Its tilting 3-inch touchscreen is sharp (1040k dots) and responsive - an immediate upgrade from the GF2’s fixed, less vibrant 3-inch screen (460k dots).

The Panasonic GF2, by contrast, is lighter and thinner (113 x 68 x 33 mm, 310g), adhering to the compact ethos of early Micro Four Thirds mirrorless shooters. The fixed screen limits flexibility in framing, especially at low or tricky angles, while the relatively low resolution on the LCD demands extra attention under bright daylight. GF2’s minimalist body has fewer external controls and relies heavily on touchscreen operation, which can slow down workflow in fast-paced scenarios.

Canon M3 vs Panasonic GF2 top view buttons comparison

In my field tests, the Canon M3’s intuitive button layout and the presence of a hot shoe flash and optional electronic viewfinder gave it the upper hand, especially for users accustomed to DSLR ergonomics. The GF2 kept things simple but felt more akin to stepping down from a smartphone camera in terms of tactile feedback - neat for casual shooters, less so for controlled image making. Neither camera has illuminated buttons, so low-light button fiddling can be slightly cumbersome.

Sensor Technology and Image Quality: APS-C vs Four Thirds

One of the most fundamental differences between these two cameras lies in sensor size and resolution, which set the scene for their image quality potential.

Canon M3 vs Panasonic GF2 sensor size comparison

The Canon M3 boasts a 24MP APS-C CMOS sensor (22.3 x 14.9 mm), offering a sensor area of 332.27 mm². This larger sensor with more resolution leads to richer detail, better dynamic range (11.8 EV according to DXO mark), and improved color depth (22.8 bits). Its DIGIC 6 image processor supports ISO up to 12,800 native with boosted sensitivity to 25,600, allowing more headroom in low-light work.

The Panasonic GF2 uses a 12MP Four Thirds CMOS sensor (17.3 x 13 mm, 224.9 mm² sensor area), which is physically smaller and generally less capable at high ISO and dynamic range (DXO scores: 10.3 EV dynamic range; 21.2 bits color depth). The GF2 maxes out at ISO 6400 with no boosted modes.

What does this mean in practice? The M3 consistently produces cleaner, sharper images with less noise and better highlight recovery, especially noticeable in shadow-rich landscapes or dim interiors. While the GF2’s smaller sensor limits its low-light and dynamic range prowess, it still delivers respectable JPEGs with punchy colors, particularly when paired with Panasonic’s vibrant lenses.

I’ve shot side-by-side portraits and street scenes using both, and the M3’s detail retention and tonal gradation are evident - skin textures come through naturally without harsh noise, crucial for flattering, skin-tone-sensitive portraiture.

Autofocus System: Speed, Accuracy, and Flexibility

Autofocus can make or break shooting experience, especially for genres like sports or wildlife photography where timing matters.

Canon’s EOS M3 uses a hybrid autofocus system combining contrast detection with 49 phase-detection points, which marked a significant step forward on release. Its face detection and eye focus features work well in ideal light and deliver steady performance during live view shooting. Continuous AF at approximately 4.2 fps provides moderate burst capabilities.

The Panasonic GF2 relies purely on contrast detection with 23 AF points, lacking phase detection. This results in a sluggish AF lock especially in low light and tracking fast-moving subjects becomes a challenge. Continuous shooting is limited to around 3 fps.

In my experience chasing birds or children at play, the Canon M3’s AF system handled tracking far more reliably, with fewer missed frames. The GF2’s AF was precise but slow to respond, causing frustration when subjects moved unpredictably.

Build Quality and Weather Resistance: Durability in Real Conditions

Both cameras are positioned as entry-level mirrorless models, so unsurprisingly, weather sealing is non-existent on either. Neither camera offers dustproofing, shockproofing, crushproofing, or freezeproofing. They were designed for indoor and casual outdoor use in fair conditions.

That said, the EOS M3’s build feels more refined and durable. The chassis integrates higher quality materials and paints, giving it a reassuring heft. This, coupled with better button travel and response, encourages confidence in tougher environments.

The GF2’s plastic body feels more delicate, prone to marks and scratches, and less reassuring in unstable field conditions. It’s a camera for carefully staged shoots rather than rough-and-tumble wilderness.

LCD Screen and User Interface Comparison: Practicality in the Field

Touch screens were less ubiquitous in 2011 than 2015, and each brand approached them differently.

Canon M3 vs Panasonic GF2 Screen and Viewfinder comparison

The Canon M3’s tilt-angle touchscreen is versatile, inviting experimentation with low or high angles. Its 3-inch display with over 1 million dots allows for critical review of focus and exposure - something I actively use when shooting landscapes or macro work.

The GF2’s fixed screen with half the resolution can feel cramped and makes detailed image review a chore. However, its TFT panel offers decent viewing angles and colorful rendition under shade.

User interfaces differ: Canon’s EOS M3 menus are cluttered but logically arranged, with excellent quick access buttons and customizable controls. Panasonic’s GF2 menus are streamlined but rely more on touchscreen taps, which can slow image browsing or settings changes when wearing gloves or on bumpy terrain.

Lens Ecosystem and Compatibility: Investment for the Future

Lens choice stands as a crucial pillar for any camera system.

The Canon M3 uses the Canon EF-M mount and has access to 23 native lenses. While this number is modest, EF-M lenses are generally optically sharp and affordable. Additionally, using an adapter, the M3 accepts Canon’s extensive EF and EF-S DSLR lenses, broadening a professional or enthusiast’s arsenal dramatically.

The Panasonic GF2 utilizes the Micro Four Thirds mount, boasting a mature and vast ecosystem of over 100 optics from Panasonic, Olympus, and third-party manufacturers resulting from its 2008 introduction. This wealth offers superb options in prime, zoom, macro, and specialty lenses at varied price points.

For travel photographers who prize lens versatility and compactness, Micro Four Thirds lenses often edge out EF-M due to their wide availability and affordable price range. For portrait or professional shooters invested in Canon glass already, the M3’s adaptability is a vital asset.

Battery Life and Storage: How Long Can You Shoot?

While neither camera boasts marathon battery performance, the GF2 excels here slightly. It offers approximately 300 shots per charge versus the Canon M3’s 250 shots under CIPA rating standards.

Real-world tests confirm this difference, with the GF2’s lower resolution sensor and less power-hungry processor favoring endurance. The M3’s brighter screen and faster autofocus draw more juice, necessitating spare batteries for extended outings.

Both cameras accept SD/SDHC/SDXC cards through a single slot - standard but reliable.

Connectivity and Wireless Features: Sharing and Tethering Capabilities

Connectivity options influence convenience for travel and quick post-processing.

The Canon M3, being released later, offers built-in Wi-Fi and NFC for easy image transfer to smartphones or remote control apps. It also supports USB 2.0 and HDMI output, the latter useful for tethered shooting or external displays.

By contrast, the Panasonic GF2 offers no wireless connectivity, relying only on USB 2.0 and mini HDMI. For photographers on the go, sharing images or remote control is cumbersome with the GF2.

Video Capabilities: What About Moving Images?

Both cameras provide Full HD recording but differ significantly in codec and frame rates.

The Canon M3 records 1080p at 30, 25, and 24 fps with H.264 compression. It supports external microphone input - a critical feature for those valuing quality audio capture during video shooting.

The Panasonic GF2 also manages 1080p video but at higher frame rates, including 60 fps, utilizing AVCHD or Motion JPEG formats. However, it lacks a microphone input, limiting audio fidelity and recording flexibility.

Neither device supports 4K video or advanced video features like log profiles or in-body stabilization. Both are basic but serviceable for casual videography or supplemental footage.

Real-World Photography Disciplines: Strengths and Limitations

Let’s now examine how each camera fares across specific genres based on hands-on tests and performance metrics:

Portrait Photography

The Canon M3’s larger sensor and higher resolution allow for flattering skin tones with natural gradations and subtle bokeh, essential for isolating subjects. Its eye detection AF offers improved focus precision on faces in controlled lighting. The EF-M primes contribute to creamy backgrounds despite the APS-C crop factor.

The Panasonic GF2’s smaller sensor produces more depth of field at equivalent apertures, requiring wider apertures or longer focal lengths to get similar background blur. Its slower autofocus can hinder capturing fleeting expressions, especially outdoors. Colors are vibrant but occasionally oversaturated.

Landscape Photography

Here, the M3’s higher resolution and dynamic range shine - the additional sensor real estate assists in capturing fine details like foliage textures or distant mountains. The ability to push ISO without too much noise helps in shadow retrieval during sunrise or sunset scenes.

The GF2’s smaller sensor constrains resolution and dynamic range, but compact kit lenses and the body’s portability facilitate long hikes with less burden. The camera’s less effective noise control at high ISO and lower resolution make cropping or significant editing less forgiving.

Wildlife Photography

For fast action and erratic animal movements, the M3’s more sophisticated hybrid AF, faster 4.2 fps burst rate, and ability to utilize long EF lenses via adapter provide a distinct advantage.

The GF2 is slower to lock focus, struggles with tracking, and has lower burst speeds - best suited for static or slow-moving subjects.

Sports Photography

Similarly, the M3’s faster burst and superior AF accuracy make it the better tool for capturing dynamic sports moments like a soccer match or track event under moderate-light conditions.

GF2’s limitations here are prominent, with missing phase-detection and reduced shutter speed options (min shutter 60s/ max 4000s - more relevant to exposure range than continuous shooting) hampering high-speed capture.

Street Photography

While the GF2’s smaller size and weight appeal for unintrusive, casual street shooting, the M3’s improved AF and articulated touchscreen for clandestine angles may better aid thoughtful compositions.

The GF2’s low-light autofocus challenges and fixed screen affect versatility, although its diminutive stature is a boon for discreet candid shots.

Macro Photography

Neither camera has built-in image stabilization, limiting handheld macro shooting options. Still, the M3’s superior resolution allows for more cropping, and its touchscreen assists in fine focus adjustments.

GF2 benefits from a wider Micro Four Thirds lens range for macro, but slower AF complicates focusing on close, detailed subjects.

Night / Astro Photography

Nighttime long exposure and astrophotography favor larger sensor sizes with superior noise control. The Canon M3’s APS-C sensor enables cleaner high ISO exposures up to 12,800, suitable for starscapes and low-light scenes.

The GF2’s smaller sensor and noise profile limit its efficacy in star photography, with noisier results beyond ISO 1600.

Video Use

For casual Full HD video, both cameras suffice but the Canon M3’s microphone port and superior image processing allow for marginally better quality.

Comprehensive Performance Ratings at a Glance

I’ve gathered and cross-referenced DXO Mark scores and runtime testing, allowing visualization of the overall and genre-specific strengths.


The Value Proposition: Pricing, Brand, and Purpose

At release, the Canon M3 commanded approximately $480, while Panasonic GF2 was around $330. Reflecting their technological eras and feature sets, the M3’s price premium aligns with its superior sensor, autofocus, and connectivity.

For photographers prioritizing image quality, portability balanced with comfort, and future expandability, the M3 represents better value despite its slightly shorter battery life and larger body.

The GF2 remains attractive for budget-conscious buyers who value small size and are content with modest image quality and slower AF, making it a decent secondary camera or beginner’s entry into mirrorless.

Summing Up and Recommendations: Which Camera Suits You Best?

Choose Canon EOS M3 if you:

  • Seek a robust APS-C image quality jump over Four Thirds
  • Want faster and more accurate autofocus for wildlife, sports, or street
  • Desire a tilting touchscreen and optional EVF for flexible composition
  • Would benefit from modern connectivity (Wi-Fi, NFC) and microphone input for videos
  • Are invested or planning to invest in Canon’s extensive lens or DSLR adapter ecosystem

Choose Panasonic GF2 if you:

  • Prioritize compactness and lightness above all
  • Appreciate a broad Micro Four Thirds lens selection and affordability
  • Shoot mostly static subjects or do casual snapshots in good light
  • Are on a tighter budget and willing to trade off features and speed for size
  • Do not require video audio inputs or wireless transfer

From portraits bathed in warm light to expansive landscapes, the Canon EOS M3 consistently produces images with clarity and nuanced color depth difficult to match by the GF2. However, the GF2's tiny footprint and simple charm still hold appeal, especially for those who value discretion over speed and resolution.

For me, after extensive testing over months in the field and studio, the EOS M3 stands out as the more versatile and satisfying camera for serious enthusiasts or professionals seeking a compact system with room to grow. The GF2 remains a venerable entry point but can leave you longing for more in demanding or creative scenarios.

Whichever you lean towards, understanding how these cameras perform in real-world photography niches will help you invest your passion and pounds where they matter most. Here’s hoping your next photographic journey starts strong with whichever mirrorless tool you choose!

Canon M3 vs Panasonic GF2 Specifications

Detailed spec comparison table for Canon M3 and Panasonic GF2
 Canon EOS M3Panasonic Lumix DMC-GF2
General Information
Company Canon Panasonic
Model Canon EOS M3 Panasonic Lumix DMC-GF2
Type Entry-Level Mirrorless Entry-Level Mirrorless
Released 2015-02-06 2011-02-24
Body design Rangefinder-style mirrorless Rangefinder-style mirrorless
Sensor Information
Processor Chip DIGIC 6 Venus Engine FHD
Sensor type CMOS CMOS
Sensor size APS-C Four Thirds
Sensor measurements 22.3 x 14.9mm 17.3 x 13mm
Sensor surface area 332.3mm² 224.9mm²
Sensor resolution 24 megapixels 12 megapixels
Anti aliasing filter
Aspect ratio 1:1, 4:3, 3:2 and 16:9 1:1, 4:3, 3:2 and 16:9
Peak resolution 6000 x 4000 4000 x 3000
Highest native ISO 12800 6400
Highest enhanced ISO 25600 -
Lowest native ISO 100 100
RAW data
Autofocusing
Focus manually
Touch focus
AF continuous
Single AF
Tracking AF
AF selectice
AF center weighted
Multi area AF
Live view AF
Face detection focusing
Contract detection focusing
Phase detection focusing
Number of focus points 49 23
Lens
Lens mount Canon EF-M Micro Four Thirds
Total lenses 23 107
Crop factor 1.6 2.1
Screen
Screen type Tilting Fixed Type
Screen sizing 3" 3"
Screen resolution 1,040 thousand dot 460 thousand dot
Selfie friendly
Liveview
Touch functionality
Screen tech - TFT Color LCD with wide-viewing angle
Viewfinder Information
Viewfinder Electronic (optional) None
Features
Min shutter speed 30 seconds 60 seconds
Max shutter speed 1/4000 seconds 1/4000 seconds
Continuous shutter speed 4.2fps 3.0fps
Shutter priority
Aperture priority
Manually set exposure
Exposure compensation Yes Yes
Change WB
Image stabilization
Inbuilt flash
Flash range 5.00 m (at ISO 100) 6.00 m
Flash settings Auto, on, off, slow synchro Auto, On, Off, Red-Eye, Slow Sync
External flash
AEB
WB bracketing
Max flash sync - 1/160 seconds
Exposure
Multisegment exposure
Average exposure
Spot exposure
Partial exposure
AF area exposure
Center weighted exposure
Video features
Video resolutions 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p), 640 x 480 (30p, 25p) 1920 x 1080 (60 fps), 1280 x 720p (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps)
Highest video resolution 1920x1080 1920x1080
Video format H.264 AVCHD, Motion JPEG
Microphone jack
Headphone jack
Connectivity
Wireless Built-In None
Bluetooth
NFC
HDMI
USB USB 2.0 (480 Mbit/sec) USB 2.0 (480 Mbit/sec)
GPS None None
Physical
Environment seal
Water proof
Dust proof
Shock proof
Crush proof
Freeze proof
Weight 366 grams (0.81 pounds) 310 grams (0.68 pounds)
Physical dimensions 111 x 68 x 44mm (4.4" x 2.7" x 1.7") 113 x 68 x 33mm (4.4" x 2.7" x 1.3")
DXO scores
DXO Overall score 72 54
DXO Color Depth score 22.8 21.2
DXO Dynamic range score 11.8 10.3
DXO Low light score 1169 506
Other
Battery life 250 photographs 300 photographs
Type of battery Battery Pack Battery Pack
Battery model LP-E17 -
Self timer Yes (2 or 10 sec) Yes (2 or 10 sec, 10 sec (3 images))
Time lapse shooting
Type of storage SD/SDHC/SDXC SD/SDHC/SDXC
Storage slots 1 1
Price at release $481 $330