Canon R3 vs Panasonic GH2
52 Imaging
76 Features
93 Overall
82


70 Imaging
50 Features
65 Overall
56
Canon R3 vs Panasonic GH2 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 102400 (Raise to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 6000 x 3164 video
- Canon RF Mount
- 1015g - 150 x 143 x 87mm
- Revealed September 2021
(Full Review)
- 16MP - Four Thirds Sensor
- 3" Fully Articulated Display
- ISO 160 - 12800
- 1920 x 1080 video
- Micro Four Thirds Mount
- 442g - 124 x 90 x 76mm
- Introduced March 2011
- Earlier Model is Panasonic GH1
- Renewed by Panasonic GH3

Canon R3 vs Panasonic GH2: A Hands-On Odyssey Through a Decade of Mirrorless Evolution
When it comes to camera comparisons, few pairings tell such a stark tale of technological leapfrogging as the Canon EOS R3 and the Panasonic Lumix DMC-GH2. Peering back over a decade separates these two mirrorless cameras - the Canon R3 arriving fresh from 2021 with a roar of pro-grade features, and the Panasonic GH2 debuting in 2011, a trailblazer in its own right during the early mirrorless era.
Having personally handled both cameras extensively in their time, I’m excited to unpack exactly how far the mirrorless landscape has evolved. From sensor tech to autofocus wizardry, video chops to ergonomics, I’ll walk you through - and arm you with - everything you need to know for your next camera decision. So grab your favorite lens, and let’s get into it.
First Impressions: Size, Design, and Handling
Size matters, especially when you’re packing your kit for a full day out shooting. The Canon EOS R3 is a robust SLR-style mirrorless beast - its body measures 150 x 143 x 87 mm and weighs a hefty 1015g. In contrast, the Panasonic GH2 feels like a featherweight contender at just 442g and 124 x 90 x 76 mm. It’s clear that these cameras aren’t competing in the same weight class, but each has its place.
Having held both, I can attest the R3’s grippy, weather-sealed body lends itself to professional reliability and comfort when shouldering large lenses for wildlife or sports. The GH2, meanwhile, is delightfully pocketable for travel or street photography but less substantial in build.
Looking from above, the control layout difference leapt out:
The Canon R3 favors a complex but highly accessible design - multiple dials and buttons eager to be customized - ideal for rapid-fire shooting and exposure adjustments. The GH2’s top deck is simpler, reflecting its advanced-consumer ethos. While it’s approachable for amateurs, I did find its smaller buttons trickier to confidently manipulate when on the move.
Ergonomics, in this case, is a matter of role and preference: pro shooters will relish the R3’s control richness, while enthusiasts may appreciate the GH2’s streamlined interface.
Sensor Showdown: Size, Resolution, and Image Quality
In my experience, the sensor is the heart of image quality, and here the R3 clearly dominates. The Canon R3 features a 24MP stacked CMOS full-frame sensor (36x24mm) - a giant leap compared to the Panasonic GH2’s 16MP CMOS Four Thirds sensor (17.3x13mm).
That massive sensor area of 864mm² versus 225mm² translates into noticeable improvements in dynamic range, low-light performance, and depth-of-field control. The R3’s DXOmark overall score of 96 dwarfs the GH2’s 60, and its color depth and dynamic range are impressive for capturing nuanced landscapes or skin tones in portraiture.
What surprised me in real-world shooting was the R3’s ability to maintain impressive detail even high into ISO 102,400 with push ISO modes up to 204,800. Here the GH2’s max native ISO of 12,800 feels comparatively rudimentary, particularly in low light or night photography scenarios.
That’s not to dismiss the GH2 entirely - its 16MP resolution is sufficient for casual use, travel, and web publishing. But for professionals chasing top-tier image fidelity, especially for print or commercial work, the Canon's sensor is on another level.
Live View, Viewfinders, and the User Interface Experience
Switching between the cameras, you quickly notice how far LCD and EVF tech has come.
The Canon R3 sports a fully articulated 3.2” touchscreen LCD at a crisp 4,150k dots, accompanied by a high-resolution electronic viewfinder boasting 5,760k-dot resolution with 100% coverage and 0.76x magnification.
The Panasonic GH2 offers a smaller 3” articulated touchscreen with only 460k dots and a more modest electronic viewfinder with 0.71x magnification but no specified resolution.
During hands-on usage, the R3’s display sharpness and responsiveness felt markedly superior, enhancing framing precision and menu navigation. The GH2’s screen was serviceable but noticeably dulled - good enough for its time but lagging by today’s standards.
The touchscreen interactions also differ: the R3 allows touch-focus and AF point selection with a fluid responsiveness, speeding workflow, especially for video or quick composition tweaks. The GH2, while offering touchscreen-to-shoot features, lacked that smoothness.
These interface differences impact day-to-day shooting efficiency, with the R3 catering to a pro workflow where speed matters, and the GH2 fitting a slower-paced creative process.
Autofocus Mastery: Hunting or Pinpointing?
Autofocus (AF) defines usability and success rate in countless shooting scenarios. It’s here the Canon R3 truly flexes its engineering muscle.
Equipped with Canon’s stacked CMOS sensor and Dual Pixel AF II, the R3 boasts an incredible 1053 AF points with face, eye, and even animal eye detection - features I found invaluable in wildlife, portrait, and sports shoots. The AF system supports continuous and tracking modes, enabling rapid focus and pinpoint accuracy even in challenging lighting.
The GH2, by contrast, offers contrast-detection AF with 23 focus points - adequate for basic stills and video but lacking predictive tracking or face/eye recognition. It’s faithful but not lightning-fast; in fast action sequences or complicated focus scenarios, it often hunted noticeably.
This means if your photography involves dynamic subjects - athletes, birds in flight, kids running - the R3’s autofocus will save you countless missed frames. The GH2 suits slower-paced subjects better.
Burst Shooting and Buffering: Catching the Decisive Moment
High frame rates can mean the difference between capturing a critical split-second or only a blur.
The Canon R3 achieves 12 frames per second (fps) with mechanical shutter and up to 30 fps using its electronic shutter - phenomenal speeds supporting buffer depth practicable only for professionals engaged in sports or wildlife photography.
The GH2 maxes out at a meek 3 fps with mechanical shutter and lacks an electronic shutter mode for high-speed bursts.
From personal experience at wildlife events, I can confirm the R3’s superior continuous shooting lets you nail key moments without guessing or cranking ISO. The GH2’s slow frame rate really limits its action credentials.
Video Features: From Past to Present
Video capability is an increasingly vital part of camera utility. The Canon R3 shoots up to 6K RAW (approx. 6,000 x 3,164) at 60 fps and 4K at up to 120 fps, utilizing modern codecs (MPEG-4, H.264, H.265). It features in-body 5-axis stabilization and microphone/headphone jacks for professional audio control.
The GH2 was revolutionary for its 2011 era, recording Full HD 1080p at 60 fps or 720p up to 60 fps using AVCHD and Motion JPEG. However, it lacks in-body stabilization and the audio I/O features of today’s standards.
In practical use, recording with the R3 felt buttery smooth, even handheld, and its video flexibility is outstanding for filmmakers. The GH2 still pleases nostalgic videographers but is decidedly outdated for modern workflows requiring 4K, high bitrate, and sophisticated audio.
Build Quality and Weather Resistance: Shooting Anywhere
Canon’s R3 is built like a tank - a professional-grade weather sealed body ready for rain, dust, and demanding conditions. This reassures those shooting sports or wildlife in unpredictable environments.
The Panasonic GH2 lacks environmental sealing, better suited for dry indoor or fair-weather use. It’s lighter and more portable but you’ll want to be more cautious outdoors.
Lens Ecosystem: Choices and Compatibility
Lenses are the real investment - and their breadth matters enormously.
Canon’s RF mount ecosystem has blossomed rapidly. The R3, using RF lenses, currently has 27 native lenses, with many more adapted from DSLR EF lenses. RF lenses are known for optical excellence and innovation.
Panasonic’s Micro Four Thirds (MFT) mount, used by GH2, boasts a massive collection of over 100 native lenses from Panasonic, Olympus, and aftermarket brands. The crop factor of 2.1 means telephoto reach doubles compared to full-frame, an advantage for wildlife shooting on a budget.
I’ve tested both systems extensively: RF lenses deliver edge-to-edge sharpness and wonderful bokeh - a boon for portraits - but MFT lenses offer compactness and affordability with respectable optics, especially for travel and street shooters.
Battery Life and Storage: Staying Power in the Field
For long shoots, battery endurance is crucial.
The Canon R3 uses LP-E19 batteries rated for approximately 760 shots per charge, supported by dual card slots (SD UHS-II and CFexpress Type B) ensuring speedy writes and backup.
The GH2 runs around 330 shots per charge, with a single SD card slot delivering standard recording speeds.
In actual tough-day scenarios, the R3’s longevity and dual slots provide peace of mind and workflow efficiency; the GH2 demands more frequent battery swaps and careful card management.
Connectivity and Workflow Integration
Wireless transfer and tethering expedite professional workflows.
The R3 offers built-in Wi-Fi, Bluetooth, and GPS, supporting rapid image transfer, remote control, and geo-tagging.
In contrast, the GH2 lacks wireless features entirely, tethering only via USB 2.0.
For on-location pros, the R3’s connectivity options drastically streamline delivery and asset management.
Price and Value: Who Gets What for Your Dollar?
All these features come at distinct prices.
The Canon R3 chips in at around $6,000 - a clear professional investment. For that, you get state-of-the-art performance, reliability, and future-proofing.
The Panasonic GH2 can be found for under $1,000 (used or discounted), offering respectable image quality and video features for enthusiasts or beginners on a tight budget.
Value is subjective here: the R3 is an all-in workhorse; the GH2 a faithful companion for learning or casual use.
How They Measure Up Overall and in Specific Genres
Let’s take a moment with some visual summaries - based on lab tests and field evaluations - to see how these cameras score broadly and by genre.
Canon R3 clearly leads with high marks across all categories, illustrating its status as a top-tier pro tool. The GH2 scores well for its time but falls behind on every front but affordability.
- Portrait: The R3’s full-frame sensor, superb bokeh, and eye AF lead to stunning portraits. GH2 gets you decent results but softer background separation.
- Landscape: R3’s high dynamic range and resolution produce vivid, detailed vistas, supported by sealing for outdoor use. GH2 can do okay but limited by sensor size and durability.
- Wildlife: R3’s fast AF and 12+ fps burst rates crush it here. GH2 is hampered by slower AF and frame rates but benefits from reach via MFT lenses.
- Sports: The R3’s tracking AF and robust build are indispensable. GH2 is only viable for slower-paced activities.
- Street: GH2’s compact size and decent IQ make it a reasonable street shooter; R3 is bulkier but offers superior image quality.
- Macro: The R3's high ISO performance and focus stacking give it an edge. GH2 is decent but less refined.
- Night/Astro: R3’s high native ISO and sensor tech excel. GH2 struggles with noise.
- Video: R3 offers professional 4K/6K recording with stabilization and audio ports; GH2 provides basic HD at best.
- Travel: GH2’s portability and light weight win here; R3 is heavier but more versatile.
- Professional Work: The R3’s reliability, dual card slots, and RAW support make it a no-brainer; GH2 is more amateur-friendly.
(Above sample shots: note the R3’s superior detail retention, color reproduction, and bokeh quality versus GH2’s softer, less precise rendering under challenging light.)
Final Thoughts: Who Should Buy Which?
Canon EOS R3: For the Pro Ready to Invest in Excellence
If you’re a professional photographer or serious enthusiast shooting high-volume sports, wildlife, portraits, or video, the Canon EOS R3 delivers unmatchable autofocus, image quality, and durability. Its high price is justified by real-world performance gains that can make or break crucial assignments. The R3 is a versatile powerhouse that plays well in virtually all genres - and the future looks bright with its modern connectivity and file handling.
Panasonic Lumix GH2: A Classic for the Budget-Conscious or Specialized User
While dated by today’s standards, the GH2 offers tremendous value for photographers just diving into interchangeable lens systems or those seeking a compact, capable camera for travel and street photography without breaking the bank. Its massive lens selection and modest size still make it a nimble partner for casual shooting or budget video projects. Just be aware of its limitations - slower AF, smaller sensor, and older video spec.
Wrapping Up and Recommendations Snapshot
Here's a quick recap:
Feature | Canon R3 | Panasonic GH2 |
---|---|---|
Sensor | 24MP full-frame stacked CMOS | 16MP Four Thirds CMOS |
Autofocus Points | 1053 with face & animal tracking | 23 contrast-detection points |
4K/6K Video | Yes, up to 6K60fps | No, max 1080p60fps |
Weather Sealing | Yes | No |
Burst Rate | 12 fps mechanical, 30 fps electronic | 3 fps mechanical |
Weight | 1015g | 442g |
Price | ~$6,000 | <$1,000 (used) |
If your creative ambitions demand excellence, the Canon EOS R3 is the clear winner. For learners, hobbyists, or those constrained by budget or size, the GH2 remains a compelling, if aging, option.
This deep dive highlights not only how much camera technology has evolved in ten years but also underscores the truth that the right camera depends entirely on your unique needs, workflow, and budget. I hope this comparison helps you find your perfect fit - and inspires your next great photograph.
Happy shooting!
Canon R3 vs Panasonic GH2 Specifications
Canon EOS R3 | Panasonic Lumix DMC-GH2 | |
---|---|---|
General Information | ||
Brand | Canon | Panasonic |
Model | Canon EOS R3 | Panasonic Lumix DMC-GH2 |
Category | Pro Mirrorless | Advanced Mirrorless |
Revealed | 2021-09-14 | 2011-03-23 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | - | Venus Engine FHD |
Sensor type | Stacked CMOS | CMOS |
Sensor size | Full frame | Four Thirds |
Sensor measurements | 36 x 24mm | 17.3 x 13mm |
Sensor area | 864.0mm² | 224.9mm² |
Sensor resolution | 24MP | 16MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Peak resolution | 6000 x 4000 | 4608 x 3456 |
Highest native ISO | 102400 | 12800 |
Highest enhanced ISO | 204800 | - |
Lowest native ISO | 100 | 160 |
RAW support | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Manual focus | ||
Touch to focus | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detection focus | ||
Contract detection focus | ||
Phase detection focus | ||
Number of focus points | 1053 | 23 |
Lens | ||
Lens mount | Canon RF | Micro Four Thirds |
Available lenses | 27 | 107 |
Crop factor | 1 | 2.1 |
Screen | ||
Screen type | Fully Articulated | Fully Articulated |
Screen diagonal | 3.2" | 3" |
Resolution of screen | 4,150k dot | 460k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen tech | - | TFT Color LCD with wide-viewing angle |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 5,760k dot | - |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.76x | 0.71x |
Features | ||
Minimum shutter speed | 30 seconds | 60 seconds |
Fastest shutter speed | 1/8000 seconds | 1/4000 seconds |
Fastest silent shutter speed | 1/64000 seconds | - |
Continuous shutter speed | 12.0 frames per second | 3.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 15.60 m |
Flash options | no built-in flash | Auto, On, Off, Red-Eye, Slow Sync |
External flash | ||
Auto exposure bracketing | ||
WB bracketing | ||
Fastest flash sync | 1/250 seconds | 1/160 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 6000x3164 (60p/50p/30p/24p/23.98p) 4096x2160 (120p/60p/30p/24p/23.98p) 3840x2160 (120p/60p/30p/23.98p) 1920x1080 (60p/30p/23.98p) | 1920 x 1080 (24, 30, 60fps) 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30fps), 320 x 240 (30fps) |
Highest video resolution | 6000x3164 | 1920x1080 |
Video format | MPEG-4, H.264, H.265 | AVCHD, Motion JPEG |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Yes | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 1015g (2.24 lb) | 442g (0.97 lb) |
Physical dimensions | 150 x 143 x 87mm (5.9" x 5.6" x 3.4") | 124 x 90 x 76mm (4.9" x 3.5" x 3.0") |
DXO scores | ||
DXO Overall score | 96 | 60 |
DXO Color Depth score | 25.0 | 21.2 |
DXO Dynamic range score | 14.7 | 11.3 |
DXO Low light score | 4086 | 655 |
Other | ||
Battery life | 760 photographs | 330 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery model | LP-E19 | - |
Self timer | Yes | Yes (2 or 10 sec) |
Time lapse feature | ||
Type of storage | SD/ SDHC/ SDXC (UHS-II supported) + CFexpress Type B | SD/SDHC/SDXC |
Storage slots | Two | 1 |
Price at release | $6,000 | $1,000 |