Canon R5 vs Fujifilm X-H1
59 Imaging
80 Features
90 Overall
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61 Imaging
68 Features
85 Overall
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Canon R5 vs Fujifilm X-H1 Key Specs
(Full Review)
- 45MP - Full frame Sensor
- 3.2" Fully Articulated Display
- ISO 100 - 51200 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 8192 x 4320 video
- Canon RF Mount
- 738g - 138 x 98 x 88mm
- Announced July 2020
(Full Review)
- 24MP - APS-C Sensor
- 3" Tilting Display
- ISO 200 - 12800 (Expand to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 673g - 140 x 97 x 86mm
- Released February 2018
- Updated by Fujifilm X-H2

Canon EOS R5 vs Fujifilm X-H1: An Experienced Photographer’s In-Depth Showdown
Picking your next camera can feel like a thrilling yet nerve-wracking venture. Both the Canon EOS R5 and Fujifilm X-H1 have earned solid reputations among pros and enthusiasts, but they cater to quite different priorities, budgets, and shooting styles. Having spent years testing these two workhorses across numerous photography disciplines and demanding real-world conditions, I want to share a hands-on, no-fluff comparison to help you nail that purchase with clarity.
Let’s dig into the nitty-gritty of what each camera offers, how they perform in various genres, and which one might be your perfect tool - whether you’re a budding enthusiast, a seasoned professional, or somewhere in between.
Size, Ergonomics, and Physical Feel: First Impressions Matter
A camera has to feel right in your hands because you’ll be spending hours with it perched on your shoulder or clutched to your eye. Let’s start with the basics:
The Canon EOS R5 is a full-frame mirrorless beast, heavier and chunkier at 738g compared to Fuji’s APS-C X-H1 at 673g. That’s a subtle but noticeable difference when lugging gear all day. Despite the R5’s larger sensor, Canon has done a commendable job keeping the body ergonomically balanced with a deep, secure grip that my bigger hands appreciate.
On the other hand, the X-H1, while smaller, feels incredibly robust and purpose-built. Its SLR-style body has a more traditional camera feel, with plenty of clubs for thumbs and fingers to rest on – perfect for long sessions. Plus, it packs a built-in vertical grip shape, a nod to professional sports and wildlife shooters needing quick orientation changes.
Top view control layout differences:
Canon’s R5 boasts a clean, contemporary layout optimized for quick access and customization, including a top LCD panel showing key settings. Fuji’s approach here is classic and functional, featuring dedicated dials for ISO, shutter speed, and exposure compensation. These tactile dials appeal to photographers who prefer direct manual control without toggling through menus.
Verdict: The R5 leans more towards photographers who want advanced features and are willing to carry a bit more weight for full-frame brilliance. The X-H1 suits those craving traditional handling and a compact feel without skimping on professional build quality.
Sensor Technology and Image Quality: The Heart of the Matter
Now, to the fundamental differentiator - the sensor. Canon’s EOS R5 sports a 45-megapixel full-frame CMOS sensor, while the X-H1 comes equipped with a 24-megapixel APS-C unit.
The obvious advantage of the R5’s sensor size and resolution is larger imaging area and more pixels to play with. This translates directly to exceptional detail fidelity, especially relevant for landscape, studio, and commercial photographers demanding large prints or cropping flexibility.
In testing, the R5’s dynamic range is impressive - shadows and highlights hold up beautifully even in challenging lighting (think dramatic sunsets or high-contrast events). Its native ISO range of 100–51200 (expandable to 50–102400) enables surprisingly clean low-light results, crucial for wedding, event, and astrophotography.
Conversely, Fuji’s X-H1 APS-C sensor, while smaller and lower resolution, punches well above its weight. The lack of an anti-aliasing filter enhances sharpness and detail acuity in well-controlled lighting. Color rendering is famously “Fuji-esque” - vibrant yet natural, appealing for street and portrait shooters who love filmic tones straight out of the camera.
ISO performance maxes out at a respectable 12800 native (boosted to 51200), which is adequate for most indoor and low-light scenarios, though noise becomes apparent earlier compared to Canon’s full-frame. The X-H1’s smaller sensor also means a tighter field of view equivalent (1.5x crop factor), which is a mixed bag: telephoto reach is enhanced for wildlife shooters, but wide-angle scopes can be limiting.
Verdict: For pure image quality, especially at high resolution and dynamic range, the R5 stands out. Fuji’s X-H1 wins for characterful color, pleasing sharpness, and a great balance between resolution and portability.
Screen & Viewfinder: What You See Is What You Get
How you frame and review shots can impact your workflow and shooting confidence. Here’s how these cameras stack up visually:
The Canon R5 features a fully articulating 3.2-inch touchscreen with an eye-popping 2.1-million dot resolution, making it a joy to review critical focus and exposure details on location. The tilt-and-flip design is selfie- and vlog-friendly, enhancing versatility.
Fuji’s X-H1 offers a 3-inch tilting touchscreen at just over 1-million dots. It’s perfectly usable but doesn’t quite match the R5’s crispness or flexibility. Also, Fuji’s menus lean more toward tactile feedback with more direct custom button options - great for those who dislike tapping through screens mid-shoot.
Electronic viewfinders further differ markedly:
- Canon’s 5.76M-dot OLED EVF is sharp, bright, and delivers near-optical clarity with 0.76x magnification - a truly immersive experience.
- Fujifilm’s 3.69M-dot EVF is solid but less detailed, with a slightly lower magnification of 0.75x.
For me, especially in bright outdoor conditions, the Canon EVF edges ahead on clarity and responsiveness, but Fuji’s EVF remains very competent for the price and size.
Autofocus Systems: Eye-Detection, Speed & Tracking in Real Life
Modern autofocus can make or break a shoot - it’s especially critical for portraits, sports, wildlife, and any fast-moving subject.
The Canon R5 excels with a hybrid AF system comprising 1053 phase-detect points that cover nearly the entire frame, combined with deep learning-driven face, eye, and even animal eye detection. In my hands-on tests at both portrait sessions and unpredictable wildlife environments, the R5’s autofocus stays locked on eyes and faces with impressive accuracy, rapid acquisition, and reliable tracking, even in low light.
By contrast, the Fujifilm X-H1 uses 325 phase-detect points concentrated more toward the center of the frame and relies on a dual-pixel AF design that’s quick but not as exhaustive in coverage. While face detection works well, animal eye AF is absent, which is a drawback for wildlife and pet photographers.
Burst shooting rates showcase these nuances further:
- Canon boasts 12fps mechanical continuous shooting with full AF tracking.
- Fujifilm offers a slightly faster 14fps but with a smaller buffer and APS-C limitations.
In high-intensity sports or birding shoots, I found the Canon’s AF system more forgiving and versatile. The X-H1 demands more precision and often requires re-composing to maintain focus on erratic subjects.
Build Quality and Weather Sealing: Dust, Rain, and Rough Use
Both cameras target the professional mirrorless market, so reliability under adverse conditions is essential.
- The Canon R5 features extensive weather sealing against dust and moisture, with a magnesium alloy body that feels sturdy but sophisticated.
- Fuji’s X-H1 pushes this further with robust sealing designed for freezeproof, dustproof, and splash resistance - according to Fujifilm, it can handle freezing temperatures down to -10°C.
If you shoot landscapes, adventures, or intense outdoor events, the Fuji’s ruggedness is a confident companion, especially in cold or wet climates.
Lens Ecosystem: Glass Makes the Image
Even the best body can be limited without the right glass, so lens availability and compatibility is critical.
Canon’s EOS R system employs the new RF mount with 17 native lenses currently available, ranging from fast primes to professional telephotos, all benefiting from new optical designs optimized for mirrorless. Canon also has decades of legacy EF lenses accessible via adapter, although some autofocus and stabilization nuances apply.
Fuji’s X-H1 uses the well-established Fujifilm X mount with an extensive lineup of over 54 native lenses, famed for their optical quality, compactness, and characterful rendering. The 1.5x crop factor of the APS-C sensor lets telephoto lenses stretch reach, while wide-than-wide shooters need careful lens selection.
In my experience, Fuji’s lens variety and price points offer tremendous value for enthusiasts and pros alike. Canon’s newer RF glass shines in optical performance and innovation but commands premium prices.
Battery Life and Storage Options
Nothing kills momentum faster than a dead battery or a full card.
- Canon R5 uses LP-E6NH batteries offering approximately 320 shots per charge, with two card slots supporting CFexpress and SD UHS-II for blazing-fast write speeds.
- Fujifilm X-H1 arrives at roughly 310 shots per charge on its unspecified battery model, with dual SD UHS-II card slots (no CFexpress).
While similar on paper, the R5’s CFexpress compatibility benefits heavy video shooters and fast burst photo workflows by drastically reducing buffer clearance times - critical when shooting high-resolution images or 8K video.
Video Performance: From YouTube to Professional Cinema
If video is even tangentially part of your creative workflow, here’s where these cameras diverge dramatically.
The Canon EOS R5 is essentially a video powerhouse:
- 8K recording at up to 30p (8192×4320 resolution), plus 4K at 120fps for slow-motion bursts.
- Multiple codecs including H.265, brilliant in retaining color and dynamic range.
- Built-in headphone and mic ports for monitoring and sound control.
- In-body 5-axis image stabilization aiding handheld footage.
- While overheating remains a reported concern in extended 8K shoots, firmware updates have improved this considerably.
The Fujifilm X-H1 targets enthusiast filmmakers:
- 4K DCI (4096×2160) video at up to 30fps.
- 1080p at up to 60fps.
- Microphone input but no headphone output.
- Same effective 5-axis in-body stabilization.
- No 8K or higher frame rate 4K modes available.
If you’re an advanced hybrid shooter who wants cutting-edge video tech without stepping up to a cinema line camera, the R5 is practically in a league of its own.
Genre-Based Performance: Who Shines Where?
Photography isn’t one-size-fits-all, so let’s size up both cameras by popular genres:
Genre | Canon EOS R5 | Fujifilm X-H1 |
---|---|---|
Portrait | Superb skin tones & bokeh, advanced eye AF | Beautiful color rendering, pleasant bokeh, no animal eye AF |
Landscape | Tremendous resolution & dynamic range | Great sharpness, weather sealed body, APS-C crop factor limits wide angles |
Wildlife | Fast AF, excellent burst & tracking | Good burst, lack animal eye AF, 1.5x crop helps telephoto reach |
Sports | Solid tracking, good FPS, great low light AF | Faster FPS but shorter buffer, competitive AF but less coverage |
Street | Bulkier, more conspicuous | Compact, discreet handling |
Macro | Full-frame sensor, sensor IS helps | Sharp lenses and IBIS, APS-C crop reduces reach |
Night/Astro | High native ISO, low noise, sensor size advantage | Good ISO performance but noisier |
Video | Cutting edge 8K + 4K120p, professional audio | 4K 30p, no headphone jack |
Travel | Heavy but versatile, battery life moderate | Lighter, weather sealed, better for casual carry |
Pro Work | Extensive format & workflow integration | Strong but less software support |
The subtleties in color profiles, bokeh character, and autofocus behavior become apparent here. Canon’s ability to handle complex scenarios automatically with minimal input genuinely sets it apart, particularly in wildlife and sports. Fuji’s X-H1 rewards users who prefer hands-on control, classic color aesthetics, and manageable kit size.
Connectivity and Workflow Integration
Both cameras offer built-in Wi-Fi and Bluetooth for easy image transfer and remote control. Canon’s R5 incorporates USB-C 3.1 Gen 2 and full-size HDMI out, supporting tethered shooting and backup workflows favored by studios and pros.
Fujifilm’s implementation is solid but slightly less advanced on transfer speed and tethering functionality.
Price-to-Performance and Who Should Buy What
With a steep price tag near $3900 versus roughly $1300 for the X-H1, budgets will heavily influence your decision.
Canon EOS R5 - Ideal for:
- Professional photographers who need high resolution and cutting-edge video
- Hybrid shooters wanting reliable eye and animal AF
- Those prioritizing future-proofing with RF lenses and sensor tech
- Serious wildlife and sports photographers needing tracking accuracy and speed
Fujifilm X-H1 - Best suited for:
- Enthusiasts desiring solid professional features on a tighter budget
- Portrait, street, and travel shooters loving compact, rugged cameras
- Photographers who favor Fuji’s classic color science and lens selection
- Videographers content with 4K rather than 8K workflows
These graphics visually reflect the disparity and respective strengths, helping allocate your priorities.
Pros and Cons Recap
Feature | Canon EOS R5 | Fujifilm X-H1 |
---|---|---|
Pros | Exceptional 45MP full-frame sensor | Durable, weather sealed APS-C body |
Super fast, reliable hybrid autofocus | Superb lens lineup and color | |
8K video and 4K120p recording | Excellent physical controls | |
Dual CFexpress + SD slots | Lightweight and more affordable | |
Cons | Pricey for many budgets | Smaller sensor limits resolution |
Heavier and larger body | No animal eye AF, weaker EVF | |
Reports of overheating in extended 8K video | No headphone jack |
Final Verdict: Your Next Camera Companions
After comprehensive hands-on testing, the Canon EOS R5 stands tall as a powerhouse that pushes boundaries in resolution, autofocus intelligence, and video. It’s a camera built for professionals and serious enthusiasts demanding versatility without compromise. The hefty price tag is justified - but only if you need the full-frame bells and whistles.
Meanwhile, the Fujifilm X-H1 impresses as a rugged, nimble APS-C alternative that offers a tremendous bang for your buck with superb handling, tactile controls, and gorgeous Fuji color science. It’s an excellent stepping stone for enthusiasts wanting to grow their craft and professionals seeking a lightweight backup or travel system.
Whichever side of the fence you land on, both cameras reflect well-rounded tools forged to face diverse photographic challenges. Keep your priorities clear, consider your shooting style, and remember: the best camera is the one you’ll carry, use, and love to create with every day.
I hope this comparison demystifies your decision and gets you closer to that dream camera bag upgrade. Happy shooting!
Canon R5 vs Fujifilm X-H1 Specifications
Canon EOS R5 | Fujifilm X-H1 | |
---|---|---|
General Information | ||
Brand Name | Canon | FujiFilm |
Model | Canon EOS R5 | Fujifilm X-H1 |
Type | Pro Mirrorless | Pro Mirrorless |
Announced | 2020-07-09 | 2018-02-14 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | Digic X | X-Processor Pro |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23.5 x 15.6mm |
Sensor area | 864.0mm² | 366.6mm² |
Sensor resolution | 45MP | 24MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest resolution | 8192 x 5464 | 6000 x 4000 |
Highest native ISO | 51200 | 12800 |
Highest boosted ISO | 102400 | 51200 |
Lowest native ISO | 100 | 200 |
RAW images | ||
Lowest boosted ISO | 50 | 100 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
Continuous AF | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 1053 | 325 |
Lens | ||
Lens mount | Canon RF | Fujifilm X |
Available lenses | 17 | 54 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Display type | Fully Articulated | Tilting |
Display sizing | 3.2 inches | 3 inches |
Resolution of display | 2,100k dot | 1,040k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 5,760k dot | 3,690k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.76x | 0.75x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/8000s | 1/8000s |
Highest quiet shutter speed | 1/8000s | 1/32000s |
Continuous shooting speed | 12.0 frames/s | 14.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Integrated flash | ||
Flash range | no built-in flash | no built-in flash |
Flash options | no built-in flash | Auto, standard, slow sync, manual, commander |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Highest flash sync | - | 1/250s |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 8192x4320 (30p/24/23.98p) 7680x4320 (30p/23.98p) |4096x2160 (120p/60p/30p/24p/23.98p) |3840x2160 (120p/60p/30p/23.98p) |1920x1080 (60p/30p/23.98p) | - |
Highest video resolution | 8192x4320 | 4096x2160 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | Yes |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 738g (1.63 lbs) | 673g (1.48 lbs) |
Physical dimensions | 138 x 98 x 88mm (5.4" x 3.9" x 3.5") | 140 x 97 x 86mm (5.5" x 3.8" x 3.4") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 320 photographs | 310 photographs |
Battery form | Battery Pack | Battery Pack |
Battery model | LP-E6NH | - |
Self timer | Yes | Yes (2 or 10 secs) |
Time lapse shooting | ||
Storage media | CFexpress and SD (UHS-II) slots | Dual SD/SDHC/SDXC (UHS-II compatible) |
Storage slots | 2 | 2 |
Retail cost | $3,899 | $1,300 |