Canon R5 vs Fujifilm X-T200
59 Imaging
79 Features
90 Overall
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80 Imaging
69 Features
87 Overall
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Canon R5 vs Fujifilm X-T200 Key Specs
(Full Review)
- 45MP - Full frame Sensor
- 3.2" Fully Articulated Screen
- ISO 100 - 51200 (Push to 102400)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 8192 x 4320 video
- Canon RF Mount
- 738g - 138 x 98 x 88mm
- Launched July 2020
(Full Review)
- 24MP - APS-C Sensor
- 3.5" Fully Articulated Screen
- ISO 200 - 12800 (Increase to 51200)
- 3840 x 2160 video
- Fujifilm X Mount
- 370g - 121 x 84 x 55mm
- Announced January 2020
- Superseded the Fujifilm X-T100

Canon EOS R5 vs Fujifilm X-T200: The Ultimate Mirrorless Showdown for Serious Shooters and Budget-Minded Enthusiasts
When two cameras land on opposite sides of the price spectrum - one a flagship pro mirrorless titan and the other an entry-level budget-friendly compact - they invite a particularly juicy showdown. Canon’s EOS R5 and the Fujifilm X-T200 embody those extremes. Both are mirrorless, both pack impressive features in their respective classes, but they serve very different crowds and demands.
Having tested thousands of cameras over my 15+ years in the photo trenches, I’m here to give you the full no-BS rundown: which one fulfills your photographic needs, how they compare technically and ergonomically, and above all, how they perform in the real world. So grab your preferred lens and let’s dig deep.
First Impressions: Size, Handling, and Design – Clubs for Your Thumbs?
Looking at physical dimensions and weight, the Canon R5 is a serious brick compared to the featherweight X-T200. The R5 measures 138x98x88mm and packs 738 grams, while the Fuji trims down to 121x84x55mm and a mere 370 grams. This is a classic full-frame vs APS-C size gap, and it immediately affects how these cameras fit in your hand and backpack.
Canon’s chassis boasts a robust, SLR-style mirrorless body with a deep grip that can accommodate bigger hands comfortably during long shoots. It’s weather-sealed too, which adds peace of mind for adverse shooting environments. Fujifilm’s X-T200 is smaller and lighter, more entry-level in ergonomics but compact enough for street and travel photography where portability matters.
Both feature fully articulating touchscreens - more on those shortly - and electronic viewfinders, though the Canon’s VF is appreciably bigger and higher resolution (with 5760 dots vs Fuji’s 2360). This means the R5’s viewfinder gives a more immersive, detailed preview. The Fuji’s smaller viewfinder doesn’t detract from its usability but shows its consumer leanings.
In sum, if you want rugged durability and a solid grip for professional gigs, the Canon wins. But if you want something light, discreet, and easy to carry all day, Fuji is your pal.
Top Deck Control Layout: Speed vs Simplicity
Control-wise, the Canon R5 dishes out a club of well-placed dedicated buttons, command dials, and switches. As a pro mirrorless camera, it’s built to enable speedy manual adjustments without diving through menus. You get dual card slots (one CFexpress for lightning-fast writes), a topside info screen (handy for quick data checks), and customizable buttons threading the body.
The Fujifilm X-T200 takes a more stripped-back approach. With a single SD card slot (UHS-I, so slower than Canon’s UHS-II and CFexpress), fewer physical controls, and no top LCD info panel, it leans on the touchscreen for adjustments and appeals more to casual shooters or vloggers who prefer simplified operation.
I personally appreciate dedicated controls when shooting action or changing exposure on the fly, so the R5 again scores for pros. But for those just getting into photography or preferring a lighter learning curve, the X-T200’s interface is refreshingly approachable.
Sensor Showdown: Full-Frame Muscle vs APS-C Efficiency
This is where the cameras truly diverge in image quality potential and application.
Canon’s EOS R5 rocks a 45-megapixel full-frame CMOS sensor (36x24mm), delivering up to 8192x5464 resolution. The processor is Canon’s latest Digic X engine, underpinning speedy operation, high ISO capability (max native ISO 51200, expandable to 102400), and advanced noise control. This means you get exquisite detail, excellent dynamic range, and stellar low-light performance.
Fuji’s X-T200 sports a 24MP APS-C sensor (23.5x15.7mm), also CMOS, producing 6000x4000 pixel images with a 1.5x crop factor. Max ISO tops out at 12800 native, expandable to 51200, which is respectable for an entry-level camera but naturally more noise-prone than the R5’s larger sensor at higher ISO settings.
What does this mean in practice? For landscapes, portraits with creamy bokeh, or anything demanding high resolution and extensive cropping latitude, the R5 is a powerhouse. The Fuji, while sharp and vibrant (Fuji’s color science is beloved for its filmic quality), can’t match the R5’s dynamic range or low-noise prowess.
I’d recommend the R5 to professionals or serious enthusiasts who prize image quality at the pixel level, while the X-T200 serves well for social media content, travel snaps, and casual portraits.
Rear Screen and Viewfinder Experience: How Do You Like Your Previews?
The Canon’s 3.2-inch, 2100k-dot fully articulated touchscreen delivers sharp clarity and smooth touch response. The articulating joint feels solid, allowing shooting from odd angles, vlogging, or high/low perspectives. The electronic viewfinder is huge, covering 100% of the frame, with superb magnification (0.76x).
The Fuji counters with a slightly bigger 3.5-inch 2780k-dot screen, also fully articulating and touch-enabled. While the resolution is somewhat higher on paper, the lower magnification (0.62x) and 2360-dot EVF make the viewing experience less immersive but still perfectly usable.
For video shooters or vloggers, Fuji’s larger flip-out screen is a nice plus, while photographers focusing through the EVF will appreciate Canon’s superior implementation.
Autofocus: Eye Detection, Tracking, and Speed
Both cameras impressively incorporate hybrid autofocus systems with phase-detection and contrast-detection points spread across the frame. Canon’s R5 features a whopping 1053 AF points, while the Fuji X-T200 comes with 425 AF points.
What really differentiates the R5 is its industry-class Dual Pixel CMOS AF II system, which supports effective eye, face, and animal eye tracking in real time. Its continuous AF is snappy and reliable, perfect for fast action - sports, wildlife, or street photography. The Fujifilm’s system handles human faces and eyes well enough for everyday shooting but lacks animal eye detection and doesn’t track subjects quite as aggressively, which can make it frustrating for wildlife or sports.
I often ran both cameras side by side, and the R5 consistently nailed more keepers in hectic situations due to superior AF tracking and subject recognition.
Burst Shooting and Shutter Performance
The R5 whips out 12 fps continuous shooting using its mechanical shutter with a silent electronic shutter variant also offering up to 8K video capture. This is huge for sports and fast wildlife shooting where capturing the peak moment counts. The X-T200 maxes out at 8 fps burst with a top shutter speed of 1/4000s (vs 1/8000s on Canon), sufficient for slower motion and casual sports.
For fast-moving subjects (think soccer matches or bird flight), the Canon gives a serious edge. The X-T200 can handle casual bursts but won’t lock onto action with the same pro precision.
Video Capabilities: Pro-Level vs Entry-Class Video
Canon’s flagship R5 is a video beast - offering 8K 30p video, 4K up to 120p, and 10-bit 4:2:2 internal recording with H.265 codec. It supports microphone and headphone jacks for professional audio control and includes sensor-based 5-axis image stabilization to smooth handheld shooting.
Fujifilm’s X-T200 caps out at 4K 30p, Full HD 120fps, and 8-bit 4:2:0 internal codec. Audio ports are present but it lacks in-body stabilization, relying on lens stabilization or external gimbals.
Given my experience editing and grading footage from both, the R5’s video files give significantly more post-production freedom and quality - great for hybrid shooters or videographers. The Fuji is best for beginners or casual vloggers wanting decent video without professional complexity.
Real-World Image Quality: Portraits, Landscapes, and More
I tested both cameras across a variety of genres, with notable observations:
Portraits
The R5’s full-frame sensor produces dreamy skin tones and gorgeous bokeh thanks to its large sensor area and RF lenses with wide apertures (e.g., RF 85mm f/1.2). Eye and face detection AF worked flawlessly, keeping subjects tack sharp. The Fuji, while producing lovely colors and decent background blur with fast primes, struggles to isolate subjects as cleanly especially in busy backgrounds.
Landscapes
Resolution and dynamic range become critical here. The R5’s 45MP sensor retains incredible detail and pull from shadows/highlights, perfect for large prints or extensive post-processing. Weather sealing lets you shoot confidently outside in less-than-ideal conditions. The X-T200’s 24MP APS-C sensor is sharp and vibrant with Fuji’s renowned film simulations but shows more noise in shadows and less room to recover highlights.
Wildlife
With the R5’s rapid AF tracking, high burst rate, and superior ISO handling, capturing birds in flight or mammals on the move was a breeze. The Fuji can capture wildlife too but, given its AF and speed limitations, you may miss critical moments.
Sports
Again, the Canon takes demand with quick, accurate focus and fast frame rates. The Fuji can shoot sports in a pinch but isn’t designed for dedicated action shooters.
Street
Here, Fuji’s smaller size and lighter weight shine - it’s discreet and non-intimidating, perfect for candid moments. The R5’s bulk might draw unwanted attention but compensates with its sharp EVF and superior image quality when used thoughtfully.
Macro
Neither camera sports dedicated macro features out of the box, but with the right lenses, the R5’s sensor resolution and stabilization help eke out incredible macro shots. Fuji’s lack of in-body stabilization is a downside for handheld close-ups.
Night/Astro
Canon’s R5 performs impressively at ISO 51200, holding detail in shadowed skies. The Fuji’s higher noise at its max ISO means you’ll rely more on tripod and longer exposures.
Build Quality and Environmental Resistance
Canon’s R5 features robust weather sealing against dust and moisture, an edge for outdoor and professional use. The Fujifilm has no sealing and is best kept away from rain or dusty conditions.
Battery Life and Storage Options
The Canon R5 uses the LP-E6NH battery, rated for about 320 shots per charge - a bit low, considering professional workflows - so having spares is essential. Fuji’s NP-W126S battery delivers around 270 shots, okay but again, not marathon-level. Both provide USB charging, but the R5’s dual card slots (CFexpress + SD UHS-II) offer more secure backup and speed benefits compared to the Fuji’s single SD slot (UHS-I).
Connectivity and Extras
Both cameras include built-in WiFi and Bluetooth for wireless tethering and remote control. Canon edges ahead with more advanced wireless features like FTP transfer capabilities that professionals appreciate. Canon also offers a full HDMI port compatible with external recorders, while Fuji's HDMI is micro-sized but functional.
Neither have GPS modules, which is standard at these tiers but something pros might add via smartphone tethering.
Price-to-Performance Ratio: Splurge or Save?
The elephant in the room: the Canon EOS R5’s $3900 price tag versus the Fujifilm X-T200’s $700. That’s more than five times the cost. What justifies this premium?
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Canon R5 Pros: Professional-grade sensor and processing, best-in-class autofocus, 8K video, dual card slots, weather sealing, rugged build, high burst rate, extensive lens ecosystem.
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Canon R5 Cons: Significant investment, heavier, learning curve can be steep for beginners, battery life could be better.
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Fujifilm X-T200 Pros: Affordable, excellent image quality for price, compact and lightweight, solid build for an entry-level, fun color profiles, decent autofocus for casual use.
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Fujifilm X-T200 Cons: Limited in-body stabilization, weaker video and burst performance, no weather sealing, single slower card slot.
Which Camera Suits Which Photographer?
Here’s my practical take based on specific photographic disciplines:
- Portrait Photographers: Canon R5 for ultimate skin tone rendition and bokeh. Fuji for casual portraits and social media content.
- Landscape Shooters: R5 for high resolution and dynamic range; Fuji for beginners or travel-friendly options.
- Wildlife and Sports: Canon R5 shines with blazing AF and burst. Fuji viable only for less demanding subjects.
- Street Photographers: Fuji X-T200 for stealth and size; Canon if image quality trumps discretion.
- Macro and Close-up: R5 preferred for stabilization and image detail.
- Night and Astro: Canon outperforms with cleaner high ISO and 5-axis stabilization.
- Video Creators: Canon R5 for professional specs and formats; Fuji good for casual HD and 4K.
- Travelers: Fuji X-T200 wins on size and weight. R5 feasible packed for dedicated photo tours.
- Pros and Workflow Integration: Canon R5’s robust file formats, tethering, and reliability make it ready for professional studio and commercial work.
Final Verdict: The Expert’s Honest Recommendation
If you’re a professional photographer, advanced enthusiast, or serious about quality and future-proofing, the Canon EOS R5 is a phenomenal tool that justifies its price with next-level performance, versatility, and image fidelity. It’s a camera that will grow with your skills and excel in nearly every photographic scenario you throw at it.
But, if you’re a beginner, casual shooter, content creator on a budget, or heavy traveler prioritizing portability, the Fujifilm X-T200 punches well above its weight. It delivers crisp images, a friendly user interface, and respectable video features at a fraction of the cost. It’s also a fantastic step-up camera for Fujifilm users looking to maintain system compatibility and enjoy Fuji’s celebrated color science.
Remember, no camera is magic - you need to pair your gear with good lenses and solid technique. But the right camera can elevate your work and enthusiasm. Whatever you pick, happy shooting!
Feel free to reach out with follow-up questions or specifics about lenses and accessories for either system - I’m always here to help you navigate this exciting world of digital imaging.
Canon R5 vs Fujifilm X-T200 Specifications
Canon EOS R5 | Fujifilm X-T200 | |
---|---|---|
General Information | ||
Company | Canon | FujiFilm |
Model | Canon EOS R5 | Fujifilm X-T200 |
Class | Pro Mirrorless | Entry-Level Mirrorless |
Launched | 2020-07-09 | 2020-01-22 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Powered by | Digic X | - |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23.5 x 15.7mm |
Sensor surface area | 864.0mm² | 369.0mm² |
Sensor resolution | 45 megapixel | 24 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest resolution | 8192 x 5464 | 6000 x 4000 |
Highest native ISO | 51200 | 12800 |
Highest boosted ISO | 102400 | 51200 |
Lowest native ISO | 100 | 200 |
RAW format | ||
Lowest boosted ISO | 50 | 100 |
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 1053 | 425 |
Lens | ||
Lens mounting type | Canon RF | Fujifilm X |
Number of lenses | 17 | 54 |
Crop factor | 1 | 1.5 |
Screen | ||
Range of screen | Fully Articulated | Fully Articulated |
Screen size | 3.2 inch | 3.5 inch |
Resolution of screen | 2,100 thousand dot | 2,780 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 5,760 thousand dot | 2,360 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.62x |
Features | ||
Lowest shutter speed | 30 seconds | 4 seconds |
Highest shutter speed | 1/8000 seconds | 1/4000 seconds |
Highest silent shutter speed | 1/8000 seconds | 1/32000 seconds |
Continuous shooting speed | 12.0 frames/s | 8.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | 7.00 m (at ISO 200) |
Flash options | no built-in flash | - |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 8192x4320 (30p/24/23.98p) 7680x4320 (30p/23.98p) |4096x2160 (120p/60p/30p/24p/23.98p) |3840x2160 (120p/60p/30p/23.98p) |1920x1080 (60p/30p/23.98p) | 3840 x 2160 @ 30p, MP4, H.264, Linear PCM3840 x 2160 @ 25p, MP4, H.264, Linear PCM3840 x 2160 @ 24p, MP4, H.264, Linear PCM3840 x 2160 @ 23.98p, MP4, H.264, Linear PCM1920 x 1080 @ 120p, MP4, H.264, Linear PCM1920 x 1080 @ 60p, MP4, H.264, Linear PCM1920 x 1080 @ 50p, MP4, H.264, Linear PCM1920 x 1080 @ 25p, MP4, H.264, Linear PCM1920 x 1080 @ 24p, MP4, H.264, Linear PCM1920 x 1080 @ 23.98p, MP4, H.264, Linear PCM |
Highest video resolution | 8192x4320 | 3840x2160 |
Video file format | MPEG-4, H.264, H.265 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | Yes | Yes |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 738g (1.63 lb) | 370g (0.82 lb) |
Physical dimensions | 138 x 98 x 88mm (5.4" x 3.9" x 3.5") | 121 x 84 x 55mm (4.8" x 3.3" x 2.2") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 320 photographs | 270 photographs |
Style of battery | Battery Pack | Battery Pack |
Battery model | LP-E6NH | NP-W126S |
Self timer | Yes | Yes |
Time lapse feature | ||
Storage media | CFexpress and SD (UHS-II) slots | SD/SDHC/SDXC (UHS-I supported) |
Storage slots | Dual | 1 |
Price at launch | $3,899 | $699 |