Canon R50 vs Fujifilm X-H2S
75 Imaging
71 Features
88 Overall
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62 Imaging
72 Features
93 Overall
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Canon R50 vs Fujifilm X-H2S Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 100 - 32000 (Expand to 51200)
- 3840 x 2160 video
- Canon RF Mount
- 375g - 116 x 86 x 69mm
- Launched February 2023
(Full Review)
- 26MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 160 - 12800 (Push to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 4096 x 2160 video
- Fujifilm X Mount
- 660g - 136 x 93 x 95mm
- Launched May 2022
- Old Model is Fujifilm X-H1

Canon EOS R50 vs Fujifilm X-H2S: A Hands-On Journey Through Two APS-C Mirrorless Marvels
Choosing between the Canon EOS R50 and the Fujifilm X-H2S feels a bit like comparing a nimble city car with a rugged sports truck - both get you where you want to go, but each appeals to very different drivers. Having put both cameras through their paces on landscapes, portraits, wildlife, and everything in between, I’m excited to unpack what these APS-C mirrorless options bring to the table, who they suit best, and where you might want to keep your wallet shut.
Let's dive deep into their design, image quality, autofocus, video chops, and more - while directly sharing the kind of hands-on insights I’ve gleaned after spending weeks testing them in real-world scenarios.
Size and Ergonomics: Compact Charm Meets Robust Handling
First impressions count - and when you pick up the Canon EOS R50 and Fujifilm X-H2S side by side, the physical differences are striking.
The Canon R50 weighs a featherlight 375g and measures a sleek 116x86x69mm. This model was clearly designed with portability and casual shooting in mind - the contours fit smaller hands nicely, and the body easily slips into smaller bags, which is a boon for street and travel photographers who loathe lugging gear around. Its fully articulated 3-inch touchscreen is a joy to use for selfies or tricky compositions, thanks to smooth, flickable articulation.
On the other hand, the Fujifilm X-H2S is a full-blown brick at 660g and possessing dimensions of 136x93x95mm. It’s a proper handful - ideal for those who crave a solid grip and intentional heft that screams “serious business” while shooting. The pronounced grip, pronounced dials, and a substantial build confer a feeling of reliability that’s tangible. Plus, it benefits from weather sealing, a detail the Canon lacks, making it better suited for rugged fieldwork or landscape photography in unpredictable conditions.
When I compare the top-down control layout on both cameras, it’s clear they target different crowds and use-cases.
The R50 presents a minimalist approach: basic mode dial, shutter button, and a few function buttons. This simplicity lowers the learning curve but limits quick-access customizability. The Fuji’s layout is business class with dedicated dials for ISO, shutter speed, exposure compensation, and a handy top LCD for critical info. If you’re the sort to crave manual control and faster workflow tweaks, Fujifilm delivers hands-down.
Verdict on ergonomics: For travel, street, or beginner enthusiasts, the Canon R50’s lightweight, compact design wins. But in environments demanding durability and rapid manual adjustments, the X-H2S asserts itself as the rugged workhorse.
Sensor and Image Quality: A Tale of Two APS-C Titans
The heart of any camera is its sensor - the stage where photons transform into digital artistry. Both cameras boast APS-C sized CMOS sensors, but that's where the similarities end.
The Canon R50 offers a 24MP sensor with a 1.6x crop factor - a fairly classic APS-C size. It includes an anti-alias filter that smooths out moiré but can sometimes soften fine details slightly. The Fujifilm X-H2S steps up the game with a newer 26MP stacked BSI X-Trans sensor, notable for its unique color filter array that removes the need for an anti-aliasing filter - this promises those "pop" images with sharp fine details and excellent color fidelity.
In practical shooting situations, the X-H2S’s sensor delivers noticeably better dynamic range and cleaner high ISO performance, especially beyond ISO 3200. While the Canon holds its own at base ISOs and shines in daylight or controlled lighting, the Fuji’s sensor flexes its muscles in challenging light, shadows, and intricate texture rendition.
The Fuji sensor’s stacked design also facilitates rapid readout speeds - a vital aspect for high-speed shooting reducing rolling shutter distortion. Canon’s R50 can max out at 1/8000s shutter speed with an electronic shutter, which suffices for most scenarios but not as aggressive as Fuji’s 1/32000s max electronic, catering to ultra-fast shooting of bright subjects.
Ultimately, for portraitists and landscape photographers craving detail and color precision, the X-H2S's sensor is a standout. If the primary focus is day-to-day shooting or entry-level enjoyment, the R50 remains a credible workhorse, with solid 24MP resolution and Canon's renowned color science.
User Interface and Display: Embracing Touch and Visibility
Being able to see and control your camera effectively is nuanced business - and both models provide fully articulating touchscreens, but there’s more under the hood.
The Canon R50’s 3.0-inch LCD has 1.04 million dots - decent for a camera in this price bracket. The touchscreen is responsive and intuitive, great for novices or vloggers who flip the screen forward for selfies or vlogging.
Fujifilm, however, ups the ante with a higher-resolution 1.62 million-dot display that’s sharper and brighter in bright daylight. It also sports a top info LCD that details exposure settings without having to flip the big screen or peer through the viewfinder. Speaking of which...
When you look through the viewfinders, the difference grows even more apparent. The Canon offers a 2.36 million-dot EVF with 0.59x magnification - sufficient but not jaw-dropping.
In contrast, the X-H2S sports a stunning 5.76 million-dot EVF with 0.8x magnification - ultra-high resolution that delivers a crystal-clear, lag-free preview, making manual focusing and composition a breeze, even for pixel-peepers.
These differences echo in actual outdoor shooting, where the Fuji’s viewfinder and screen clearly outperform, ensuring precise framing and making adjustments less trial-and-error in harsh light.
Autofocus Systems: Speed, Precision, and Tracking
Hands down, autofocus technology is one of the most significant differentiators between cameras - especially if you dabble in sports, wildlife, or video.
The Canon R50 has a state-of-the-art autofocus system featuring 651 focus points with Dual Pixel CMOS AF technology, allowing face, eye, and animal eye tracking with great precision. It excels notably for portraits, where Canon’s subject recognition locks on skin tones and eyes almost instinctively.
But riddle me this: how does it fare in action-paced environments? The R50 manages a respectable 12fps continuous shooting rate, with 15fps electronic shutter bursts - not bad for an entry-level mirrorless.
The Fujifilm X-H2S, however, is a beast in autofocus speed and tracking. Equipped with 425 phase-detection points (fewer in number but highly effective), its AF is tuned for blazing speed with an astounding 40fps electronic shutter burst rate and 15fps mechanical shutter. The X-H2S supports advanced AI-based subject recognition that works seamlessly across faces, eyes, animals, and even vehicles - a blessing when tracking fast wildlife or athletes.
In my wildlife shoots, I found the Fuji’s autofocus to be a tad more consistent in keeping fast-moving birds or leaping pets tack sharp compared to the R50, which occasionally lost focus during rapid movements under changing lighting.
For sports shooters or wildlife photographers craving responsiveness and precision at pace, the X-H2S delivers on promises that entry-level models like the R50 can only hint at.
Burst Rates and Buffer: Catching the Decisive Moment
If speed is thrill and burst shooting the heartbeat, the Fujifilm X-H2S’s blistering 40fps with electronic shutter leaves the Canon R50’s 15fps in the dust. The buffer holds up well on the Fuji, allowing dozens of RAW shots without slowdown, a necessity for sports and wildlife shooters chasing peak moments.
Meanwhile, the Canon’s buffer is relatively modest, befitting its entry-class status. It manages quick bursts but fills up faster, requiring a slower pace for continuous action shooting. For casual selfies, events, or family moments - this is perfectly sufficient.
Video Capabilities: Beyond Stills Into Motion
Both cameras shoot 4K video, but their capabilities and target users diverge here greatly.
The Canon EOS R50 records 4K UHD at up to 60fps with a variety of bitrates, including H.264 and the more efficient H.265 codecs. It lacks in-body image stabilization (IBIS), making handheld shooting a bit shakier, but the fully articulating screen and headphone-compatible microphone input make it a decent choice for vloggers and casual videographers.
In contrast, the Fujifilm X-H2S shoots true DCI 4K (4096×2160) at up to 60p, with impressively high bitrates (up to 720 Mbps), and supports both H.264 and H.265 codecs. Its 5-axis sensor-based IBIS combined with in-lens stabilization means buttery smooth footage even when handheld or running.
Moreover, the X-H2S supports headphone jack inputs for audio monitoring alongside its microphone input - a professional videographer's dream. Canon’s lack of headphone jack is a notable omission here.
For video enthusiasts or hybrid shooters, the Fujifilm X-H2S clearly carries the torch for advanced, high-quality, stable video capture.
Build Quality and Weather Sealing: Ready for Adventure?
If you’ve ever had a shoot rained out, wasted gear on dust-clogged hikes, or dropped your camera once too often, you’ll appreciate how important solid build is.
The Fujifilm X-H2S features comprehensive weather sealing - resistant against moisture and dust - giving you peace of mind for outdoor and adventurous shoots. The Canon R50, while ergonomically pleasing, lacks such environmental sealing and embraces a more plastic, lightweight construction. So, it’s best suited for controlled environments rather than rugged wilderness excursions.
Lens Ecosystem and Compatibility: Where Glass Meets Metal
Lens options shape the versatility and creative potential of any camera system. Canon’s RF mount for the R50 supports about 37 native lenses, ranging from affordable primes to higher-end zooms, though the RF ecosystem is still growing, especially in APS-C-specific lenses. Thanks to Canon’s adaptability, EF mount lenses with adapters fit well, but the system leans toward beginners and enthusiasts.
Fujifilm’s X mount, by contrast, boasts a mature and extensive lineup with over 80 high-quality lenses - primes, macro, telephoto, and specialty glass all abundantly available. The optimized APS-C lenses paired with superior autofocus synergy make Fuji’s setup a favorite for pros and enthusiasts requiring precision.
As someone who has owned both systems, the lens variety and quality with Fuji simplify expanding your kit over time without sacrificing autofocus reliability or image quality.
Battery Life and Storage: Power Through the Day
The Fujifilm X-H2S offers about 580 shots per CIPA rating - a significant edge over the Canon R50’s 370 shot battery endurance. In long shoots, especially outdoors or travels where charging isn’t convenient, Fuji’s power advantage is palpable.
The X-H2S additionally supports dual cards - one CFexpress Type B and one UHS-II SD - allowing simultaneous backup or overflow recording. In contrast, the R50 has a single UHS-II SD card slot - fine for casual use but limiting for professionals needing robust data security.
Connectivity and Wireless Features: Smart Shooting on the Go
Both cameras come with Bluetooth and built-in Wi-Fi for fast image sharing and camera control via smartphone apps. The Canon R50 includes USB 3.2 Gen 2 for speedy transfers, great for on-the-go photographers. The Fuji equips the same USB 3.2 Gen 2 standard, plus a full HDMI port and mic/headphone jacks optimizing its video-centric features.
Neither camera supports GPS or NFC, which might disappoint some travelers used to geo-tagging intuition.
Price-to-Performance Ratio: Who Gets the Best Bang for Their Buck?
At launch, the Canon EOS R50 sits at about $679 - an accessible entry point designed for beginners or casual photographers dipping their toes into mirrorless systems. For this price, the camera offers solid image quality, an easy user interface, and respectable autofocus capable of most everyday tasks.
The Fujifilm X-H2S is a serious investment, pricing at roughly $2499 - quite a leap that places it among advanced mirrorless cameras for professionals or enthusiasts who demand cutting-edge speed, image quality, and robust build. Its extensive feature set justifies the cost for those needing pro-level performance.
How They Handle Different Photography Genres
To provide actionable advice, here’s how the Canon R50 and Fujifilm X-H2S perform across various photography styles and use-cases:
Portraits: Canon’s eye and animal eye AF system shines in nailing sharp focus on subjects quickly, paired with pleasing skin tones and accessible bokeh rendering due to the RF mount lens options. Fuji’s X-H2S offers higher resolution and dynamic range for gorgeous detail and superior color depth, especially in complex lighting. Both do well, but Fuji feels more refined for pros needing ultimate control.
Landscapes: Fuji’s weather sealing, wider dynamic range, and higher native resolution (26MP vs 24MP) make the X-H2S better for capturing intricate, wide scenes with punchy shadows and highlights. Canon’s R50 performs solidly but lacks Fuji’s robustness outdoors.
Wildlife: Rapid burst rates, highly accurate tracking AF, and durable build crown the X-H2S as the wildlife king here. Canon offers capable AF but slower frame rates and no weather sealing diminish its edge.
Sports: The X-H2S’s 40fps burst, advanced tracking, and strong high ISO performance make it the clear choice for fast-moving subjects. Canon’s modest shooting speed is less suited for intense sports work.
Street Photography: The lightweight and discrete R50 wins for inconspicuous shooting and low-burden carrying. Fuji’s bulkier body, while not unwieldy, is more visible and noticeable.
Macro: Canon’s lens options include some lovely macro glass (albeit less plentiful than Fuji), but the lack of IBIS means Fuji’s in-body stabilization and extensive lens choice wins for handheld macro detail.
Night/Astro: Fuji excels here with cleaner high ISO output, better dynamic range, and stabilization, critical when shooting stars or long exposures. Canon is budget-friendly but limited by sensor tech and stabilization absence.
Video: Fujifilm’s 4K 60p at high bitrates with in-body stabilization and audio monitoring is a big win for serious video work. Canon’s R50 suits vlogging and casual use but can’t compete on advanced video features.
Travel: Canon’s smaller size and lower weight make it the ideal travel partner, balancing performance and portability. Fuji’s battery life and build are robust but heavier.
Professional Use: Fuji’s dual card slots, weather sealing, wide lens ecosystem, and superior autofocus and video capabilities make it a true professional tool. Canon’s R50 is an entry-level option fall short for demanding pro workflows but fantastic for enthusiasts and budding professionals.
Sample Shots: Side-by-Side Image Quality
Don’t just take my word for it - the images tell the story. Here are side-by-side comparisons from both cameras in various lighting and subject scenarios.
Observe Fuji’s enhanced detail retention in shadow areas and vibrant yet natural color reproduction, compared with Canon’s smoother but sometimes softer interpretation. Skin tones from the Canon are pleasing, while Fuji offers greater micro-contrast revealing subtle textures - ideal for discerning portrait photographers.
Overall Performance Ratings and Final Thoughts
To wrap up the deep dive with a high-level view, here’s a summary of their overall technical merits.
While exact DXOmark scores aren’t available, based on extensive hands-on testing, the Fujifilm X-H2S ranks significantly higher in image quality, autofocus speed and accuracy, burst shooting, weather sealing, and video features. The Canon R50, however, stands as an impressive entry-level camera that punches above its weight in ergonomics, affordability, and ease of use.
Making the Right Choice for You
Choose the Canon EOS R50 if:
- You’re a beginner or enthusiast upgrading from smartphones or entry-level compacts.
- Portability, light weight, and ease of use are your priorities.
- You primarily shoot portraits, casual landscapes, or street photography in controlled environments.
- Budget is a primary concern; you want solid 4K video without the pro-level complexity.
- You prefer a straightforward, entry-level mirrorless system with the vast RF mount lenses or plan to upgrade later.
Opt for the Fujifilm X-H2S if:
- You’re a professional or serious enthusiast needing speed, precision, and weather-sealed durability.
- Your workflow demands high burst rates, advanced autofocus tracking, and long battery life.
- You shoot wildlife, sports, or astrophotography, where technical excellence takes precedence.
- Video is an integral part of your work, and you value in-body stabilization and comprehensive audio options.
- You want broad lens options and build quality that won’t quit on you in challenging conditions.
Wrapping it Up: Two Cameras, Two Visions
In the ever-expanding mirrorless APS-C universe, the Canon EOS R50 and Fujifilm X-H2S occupy distinct niches, each brilliantly tuned to the demands and expectations of their target users.
The R50 appeals with its lightweight frame, intuitive controls, and user-friendly interface - perfect for beginners, travel junkies, and casual video shooters. The X-H2S impresses with relentless performance across nearly every metric a professional or serious shooter values: speed, resolution, ruggedness, video capability, and a mature ecosystem.
Remember, no camera is truly “best” in all contexts - it’s about your needs, budget, and style. If you want a starter mirrorless that won’t overwhelm, or a highly capable backup camera, the Canon R50 serves well. If you demand the elite blend of speed, precision, and rugged versatility, the Fujifilm X-H2S delivers a commanding presence in the field and studio.
Both cameras told me compelling stories through their lenses - the question is, which story do you want to tell next?
Thanks for joining me on this in-depth exploration! If you have specific questions about features, usability, or need insights on third-party lenses for these systems, drop a note - happy to share more of my hands-on experience.
Canon R50 vs Fujifilm X-H2S Specifications
Canon EOS R50 | Fujifilm X-H2S | |
---|---|---|
General Information | ||
Make | Canon | FujiFilm |
Model type | Canon EOS R50 | Fujifilm X-H2S |
Category | Entry-Level Mirrorless | Advanced Mirrorless |
Launched | 2023-02-08 | 2022-05-31 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | Stacked BSI X-Trans |
Sensor size | APS-C | APS-C |
Sensor measurements | 22.3 x 14.9mm | 23.5 x 15.6mm |
Sensor surface area | 332.3mm² | 366.6mm² |
Sensor resolution | 24MP | 26MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Maximum resolution | 6000 x 4000 | 6240 x 4160 |
Maximum native ISO | 32000 | 12800 |
Maximum boosted ISO | 51200 | 51200 |
Lowest native ISO | 100 | 160 |
RAW photos | ||
Lowest boosted ISO | - | 80 |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
AF selectice | ||
Center weighted AF | ||
AF multi area | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Total focus points | 651 | 425 |
Lens | ||
Lens support | Canon RF | Fujifilm X |
Number of lenses | 37 | 82 |
Crop factor | 1.6 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Fully Articulated |
Display diagonal | 3.00" | 3.00" |
Display resolution | 1,040k dot | 1,620k dot |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360k dot | 5,760k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.59x | 0.8x |
Features | ||
Lowest shutter speed | 30 secs | 30 secs |
Highest shutter speed | 1/4000 secs | 1/8000 secs |
Highest quiet shutter speed | 1/8000 secs | 1/32000 secs |
Continuous shooting speed | 12.0 frames per sec | 15.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6m at ISO 100 | no built-in flash |
Flash modes | - | no built-in flash |
External flash | ||
AE bracketing | ||
White balance bracketing | ||
Highest flash sync | 1/200 secs | 1/250 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 30p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 24p / 60 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.264, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.264, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.264, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.264, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.264, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.264, AAC3840 x 2160 @ 30p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 170 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 24p / 85 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 230 Mbps, MP4, H.265, AAC3840 x 2160 @ 60p / 120 Mbps, MP4, H.265, AAC3840 x 2160 @ 30p / 470 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 120 Mbps, MP4, H.265, AAC1920 x 1080 @ 120p / 70 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 60 Mbps, MP4, H.265, AAC1920 x 1080 @ 60p / 35 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 30 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 24p / 12 Mbps, MP4, H.265, AAC1920 x 1080 @ 30p / 90 Mbps, MP4, H.265, AAC | 4096 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM4096 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM4096 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 720 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 50p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 25p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 24p / 50 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 360 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 200 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 100 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 50 Mbps, MOV, H.264, Linear PCM |
Maximum video resolution | 3840x2160 | 4096x2160 |
Video format | MPEG-4, H.264, H.265 | MPEG-4, H.264, H.265 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 3.2 Gen 2 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 375 gr (0.83 lbs) | 660 gr (1.46 lbs) |
Dimensions | 116 x 86 x 69mm (4.6" x 3.4" x 2.7") | 136 x 93 x 95mm (5.4" x 3.7" x 3.7") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 370 images | 580 images |
Battery format | Battery Pack | Battery Pack |
Battery ID | LP-E17 | NP-W235 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Type of storage | Single UHS-II SD card slot | 1x CFexpress Type B, 1x UHS-II SD |
Storage slots | Single | 2 |
Pricing at launch | $679 | $2,499 |