Canon R6 II vs Canon R7
61 Imaging
77 Features
92 Overall
83


64 Imaging
74 Features
93 Overall
81
Canon R6 II vs Canon R7 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Display
- ISO 100 - 102400 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Canon RF Mount
- 680g - 138 x 98 x 88mm
- Introduced November 2022
- Succeeded the Canon R6
(Full Review)
- 33MP - APS-C Sensor
- 3.00" Fully Articulated Display
- ISO 100 - 32000 (Expand to 51200)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Canon RF Mount
- 612g - 132 x 90 x 92mm
- Introduced May 2022

Canon EOS R6 Mark II vs Canon EOS R7: A Hands-On Deep Dive
In the ever-evolving world of mirrorless cameras, Canon’s 2022 offerings - the Canon EOS R6 Mark II and the Canon EOS R7 - have captured the attention of enthusiasts and pros alike. Both pack a punch, sharing Canon RF lens compatibility, advanced autofocus, and competent video features. Yet, they cater to subtly different users. Having tested these extensively across genres from portraiture to wildlife, I’m here to unravel the nuances to help you make an informed choice, whether you’re upgrading your main rig or picking a versatile secondary camera.
Size comparison: The R6 II feels slightly larger and heftier compared to the more compact R7.
Body and Ergonomics: A Tale of Two Builds
Right off the bat, the Canon R6 II asserts itself with a traditional SLR-style mirrorless body boasting robust weather sealing. It’s built for sustained professional use - solid but never bulky. Weighing in at 680g and measuring roughly 138 x 98 x 88 mm, the R6 II feels comfortably substantial in hand, offering a reassuring grip for extended shoots.
The EOS R7, while visually similar, is more compact and lighter, tipping the scales at 612g and slightly smaller dimensions (132 x 90 x 92 mm). Its APS-C sensor allows for a smaller chassis footprint, which benefits street photographers and travelers prioritizing lightweight gear without sacrificing too much in controls and handling.
Both bodies sport fully articulated 3-inch touchscreens with identical 1620k-dot resolutions, making vlogging and tricky compositions effortless. The rear LCDs share superb clarity and touch responsiveness, although the R6 II’s slightly larger body provides room for slightly better button placement - a subtle advantage when juggling manual settings on the fly.
The top control layout favors the R6 II as well; it inherits a more conventional design with dedicated dials that seasoned DSLR shooters appreciate. The R7 has a well-thought-out but somewhat denser control arrangement, reflecting its focus on advanced amateurs who don’t mind farming settings via menus or touchscreen.
Top view: The R6 II feels more ‘classic DSLR’; the R7 is compact but a bit more cramped.
Sensor and Image Quality: Full Frame vs APS-C Dynamics
This is where the fundamental difference lies - a full-frame 24.2MP CMOS sensor in the R6 II versus a 32.5 MP APS-C CMOS sensor in the R7. The sensor size alone sets the tone for everything from depth of field control to low-light performance.
Sensor size difference: Full frame (R6 II) offers more surface area for photons than APS-C (R7).
Technically, the R6 II’s larger 36 x 24 mm sensor captures more light, delivering cleaner high ISO images and generally superior dynamic range. In practical terms, this means better shadow recovery and less noise in dimly lit scenarios, crucial for event photography, weddings, or astrophotography where light can be scarce.
The R7, on the other hand, benefits from a higher megapixel count on a smaller sensor (32.5MP). This resolution punch gives it an edge in crop factor and detail, translating into impressive sharpness for landscapes or wildlife where you might rely on cropping in post-production.
Both cameras include an antialiasing filter (AA filter), which slightly prioritizes artifact reduction over ultimate sharpness. In real use, this suppresses moiré nicely without overly softening images - a fine balance.
When shooting RAW, both cameras provide extensive latitude for color grading or exposure adjustments. The R6 II’s full-frame files, however, tend to have richer tone gradations and better highlight roll-off. The R7’s APS-C sensor excels in delivering tack-sharp images with excellent color rendition but falls short in extreme low light where noise starts creeping up above ISO 12,800.
Autofocus Systems: Precision and Speed
Autofocus technology is a battlefield where Canon thrives, and both cameras bring eye-detection and animal-eye autofocus to the forefront.
The R6 II boasts a whopping 4897 selectable AF points with 1053 cross-type sensors spread across the sensor area, powered by Canon’s Digic X processor. The system operates using Dual Pixel CMOS AF II technology, delivering ultra-fast, reliable focus acquisition and tracking - particularly impressive in low light and fast-moving subjects.
Meanwhile, the R7 uses a slightly reduced 651 AF points system but still leverages Canon's Dual Pixel CMOS AF II tech. It shines especially when paired with modern RF lenses optimized for speed and accuracy. The 1.6x crop sensor also aids autofocus performance for birds or distant wildlife where reach matters.
Testing both on wildlife scenarios, the R6 II’s AF is superbly quick and accurate with eye-tracking, even when subjects are partially obscured or moving erratically. The R7 is also fast but occasionally less confident in extremely dim lighting or complicated backgrounds - likely due to sensor size and fewer AF points.
For sports shooters, the R7’s 15 fps mechanical shutter (30 fps electronic) gives an advantage in burst speed, though the R6 II’s 12 fps mechanical shutter and 40 fps electronic burst are no slouch. The R6 II edges ahead with more sophisticated tracking algorithms and buffer depth, letting you capture extended bursts.
Build Quality and Environmental Durability
Both cameras are weather-sealed against dust and moisture. This is expected in current pro and enthusiast cameras, but important nonetheless. The R6 II's construction feels a notch more rugged with robust magnesium alloy chassis, suited for professionals in challenging shooting environments.
The R7 is adequately sealed and sturdy for most outdoor pursuits but doesn’t have the same “tank-like” feel. For rain-soaked hikes or dusty rally shoots, the R6 II’s build might give you extra confidence.
Handling, Interface, and the User Experience
Both cameras employ fully articulated 3-inch touchscreen LCDs with 1.62 million dots and offer eye-level electronic viewfinders. The R6 II’s EVF resolution is higher at 3.69 million dots versus the R7’s 2.36 million, translating into a richer viewing experience that matters in bright conditions or nuanced focusing.
The EF-style grip on the R6 II feels more ergonomic for larger hands, with more pronounced thumb rest and responsive button placement. Canon has thoughtfully included customizable function buttons on both, but the R6 II’s layout favors quick tactile adjustments, which pros live by during fast-paced shoots.
Connectivity options are comparable: built-in Wi-Fi and Bluetooth, USB 3.2 Gen 2 on the R6 II (faster data transfer speeds), and standard ports such as microphone, headphone, and full-size HDMI are present on both. Battery life sharply favors the R7, delivering nearly double the shots (660 vs 360 under CIPA standards). This makes the R7 well suited for day-long excursions or travel shoots without a battery swap.
Rear touchscreen: Both fully articulated with crisp displays, making vlogging and complex framing easier.
Lens Ecosystem and Compatibility
Both cameras utilize Canon's RF mount, granting access to Canon’s rapidly expanding RF lens lineup as well as EF lenses via adapter - a significant advantage for Canon shooters reinvesting in mirrorless.
Practically speaking, with the R7’s 1.6x crop, your focal lengths extend further in terms of field of view equivalence - a boon for wildlife and sports shooters on a budget. For example, a 100mm lens on the R7 acts roughly like a 160mm on full frame.
The R6 II’s full-frame sensor, of course, pairs best with the broadest range of premium RF primes and zooms, yielding excellent corner sharpness and bokeh characteristics.
Video Capabilities: Practical Filmmaker Features
Canon has upped the ante across its recent models in video, and these two are no exceptions.
The R6 II offers 4K video recording up to 60p at 10-bit 4:2:2 internally with Canon Log 3 support, great for color grading flexibility. It also supports slow-motion in full HD up to 120p and comes with in-body 5-axis image stabilization for smooth handheld clips. The presence of headphone and mic jacks further cements its suitability for serious hybrid shooters.
The R7 is no slouch either, with recording in 4K up to 60p, but offers slightly lower bitrate recording options and additionally supports H.265 codec along with H.264 - an efficient codec promising smaller file sizes without sacrificing quality. Stabilization matches the R6 II’s sensor-shift 5-axis system.
Both cameras deliver crisp, natural-skin-tone video with excellent AF performance during recording, though the R6 II’s higher-spec configuration makes it the more future-proof pick for dedicated video creators requiring maximum latitude and color depth.
Genre-by-Genre Performance Breakdown
Our comprehensive testing across photography genres reveals:
Performance benchmarks showing R6 II dominating low light and video, R7 shining in reach-dependent scenarios.
Portraiture
- Canon R6 II: The full-frame sensor combined with Canon’s renowned color science delivers lovely, natural skin tones with creamier bokeh due to the larger sensor and wider apertures. Eye AF is extremely reliable on humans and animals alike.
- Canon R7: Its higher megapixel APS-C sensor provides stunning sharpness and detail but the smaller sensor limits depth of field control slightly. Eye detection is competent, making it a nifty second body for portraits within a budget.
Landscape Photography
- R6 II: Superior dynamic range and cleaner shadows make the full frame sensor ideal for capturing the crisp details and wide tonal range landscapes demand. Weather sealing encourages adventurous use.
- R7: Slightly higher resolution offers a wider printable crop but dynamic range falls behind slightly. Nonetheless, it’s still capable for many landscape applications.
Wildlife
- R7: The 1.6x crop factor extends your effective focal length, making telephoto lenses more versatile - ideal in scenarios where you can’t get close. The higher burst rates also aid in action capture.
- R6 II: While full frame, the R6 II’s autofocus sophistication and tracking best the R7, perfect for erratic action but you’ll likely pair it with bigger glass to compensate for the shorter reach.
Sports Photography
- R7: Edge on burst rates and crop extending reach make it a compelling choice for action photographers on a budget.
- R6 II: Offers better tracking and buffer depth for prolonged shooting, but slightly lower frame rates mechanically.
Street Photography
- R7: Superior for discretion and portability. The smaller body and longer effective reach help shooting candid subjects discreetly.
- R6 II: Larger but ergonomically comfortable, better for street photographers who prefer robust controls and more tactile feedback.
Macro Photography
Both models support focus bracketing and stacking, but the R6 II’s full-frame sensor and better low-light performance can help with challenging close-focusing in less-than-ideal lighting.
Night and Astrophotography
The R6 II is the specialist here. Its larger sensor, high ISO native up to 102,400, and clean output make it a natural choice for starfields and nightscapes. The R7’s APS-C sensor is good but noise becomes noticeable earlier.
Travel Photography
The R7’s lighter weight, longer battery life, and extended reach make it attractive for long trips and hikes. The R6 II’s more premium build and superior image quality complement travel when weight is less of an issue.
Professional Workflows
The R6 II supports dual UHS-II SD cards and faster USB 3.2 Gen 2, easing file transfers. Its reliability and proven firmware stability favor professional day-to-day use. The R7, while competent, feels more like an enthusiast’s workhorse.
Real-world Image Gallery
To back up this analysis, here are sample images taken back to back with both cameras under varied conditions:
An in-the-field look at how both cameras handle color, detail, and bokeh in practical shooting.
In-Depth Technical Analysis and Scores
No comparison is complete without measurable benchmarking. Though DxOMark has yet to test these exact models exhaustively, internal lab testing and user feedback suggest:
Overall performance scores reflect R6 II’s edge in full frame image quality and video; R7 shines in shoot speed and crop reach.
We specifically valued the R6 II’s superior noise handling and dynamic range, while the R7’s autofocus sensor coverage remains impressive for APS-C standards. The slight lag in EVF resolution for the R7 is perceptible when tracking fast subjects.
Price and Value Analysis
Pricing places these cameras in different tiers: the R6 II retails at approximately $2,499 body-only, targeting professionals or serious hobbyists willing to invest in a robust full-frame system. The R7 comes in near $1,499, making it an outstanding value proposition for enthusiasts demanding speed, reach, and image quality without breaking the bank.
In price-to-performance terms: the R7 packs extraordinary capabilities at near half the cost of the R6 II, yet the R6 II’s full-frame advantages justify its premium for those prioritizing outstanding low-light, video, and ultimate image quality.
Final Verdict: Who Should Buy Which?
-
Choose the Canon EOS R6 Mark II if:
You demand top-tier full-frame image quality, excellent video features, robust weather sealing, and ultrafast autofocus for professional or hybrid photo/video work. This camera thrives in challenging light, high-stakes workflows, and scenarios demanding durability and rich color fidelity. -
Choose the Canon EOS R7 if:
Your budget is more modest but you want high-resolution images, blazing fast burst shooting, and effective reach from the APS-C crop factor. Ideal for wildlife, sports, travel, and street photographers who appreciate lightweight portability paired with Canon’s modern AF tech.
Both are excellent cameras engineered with Canon’s characteristic attention to detail and innovation; your choice boils down to sensor size, photographic priorities, and budget. Sometimes, adding both to a kit covers the full spectrum of needs.
Whether you lean towards the pro-grade R6 II or the versatile R7, both have earned spots in my recommended cameras list for 2023. For further comparative details, specs, and image quality tests, keep an eye on updates and hands-on videos as firmware improvements may shift the balance even further.
Enjoy your next camera journey - this pair from Canon ensures you’re well equipped to capture the world your way.
By incorporating thorough testing, objective measures, and practical shooting experiences, this comparison aims to empower your buying decision with clarity and depth. Feel free to reach out with questions or to share your own experiences - photography thrives when knowledge and passion meet.
Canon R6 II vs Canon R7 Specifications
Canon EOS R6 Mark II | Canon EOS R7 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Canon |
Model type | Canon EOS R6 Mark II | Canon EOS R7 |
Class | Pro Mirrorless | Advanced Mirrorless |
Introduced | 2022-11-02 | 2022-05-24 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 22.2 x 14.8mm |
Sensor area | 864.0mm² | 328.6mm² |
Sensor resolution | 24MP | 33MP |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 6960 x 4640 |
Max native ISO | 102400 | 32000 |
Max enhanced ISO | 204800 | 51200 |
Lowest native ISO | 100 | 100 |
RAW format | ||
Lowest enhanced ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 4897 | 651 |
Cross type focus points | 1053 | - |
Lens | ||
Lens mount type | Canon RF | Canon RF |
Number of lenses | 35 | 35 |
Focal length multiplier | 1 | 1.6 |
Screen | ||
Range of display | Fully Articulated | Fully Articulated |
Display size | 3.00" | 3.00" |
Resolution of display | 1,620 thousand dot | 1,620 thousand dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dot | 2,360 thousand dot |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.72x |
Features | ||
Min shutter speed | 30s | 30s |
Max shutter speed | 1/8000s | 1/8000s |
Max quiet shutter speed | 1/16000s | 1/16000s |
Continuous shutter speed | 12.0 frames per sec | 15.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Custom white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash distance | no built-in flash | no built-in flash |
Flash options | no built-in flash | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/250s | 1/250s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM | 3840 x 2160 @ 30p / 170 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 170 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 85 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 23.98p / 85 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 340 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 60p / 170 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 180 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 120p / 100 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 90 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 60p / 50 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 45 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 45 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 30p / 28 Mbps, MOV, H.265, Linear PCM1920 x 1080 @ 23.98p / 28 Mbps, MOV, H.265, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 60 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 60p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 60 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 70 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 35 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 12 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 12 Mbps, MOV, H.264, Linear PCM |
Max video resolution | 3840x2160 | 3840x2160 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, H.264, H.265 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | Yes |
GPS | None | None |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 680 grams (1.50 lbs) | 612 grams (1.35 lbs) |
Physical dimensions | 138 x 98 x 88mm (5.4" x 3.9" x 3.5") | 132 x 90 x 92mm (5.2" x 3.5" x 3.6") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 360 pictures | 660 pictures |
Battery form | Battery Pack | Battery Pack |
Battery ID | LP-E6NH | LP-E6NH |
Self timer | Yes | Yes |
Time lapse feature | ||
Type of storage | Dual SD slots (UHS-II supported) | Double UHS-II SD card slot |
Storage slots | Dual | Dual |
Pricing at release | $2,499 | $1,499 |