Canon R6 II vs Fujifilm X-H2
61 Imaging
77 Features
92 Overall
83


62 Imaging
75 Features
93 Overall
82
Canon R6 II vs Fujifilm X-H2 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Display
- ISO 100 - 102400 (Push to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Maximum Shutter
- 3840 x 2160 video
- Canon RF Mount
- 680g - 138 x 98 x 88mm
- Released November 2022
- Previous Model is Canon R6
(Full Review)
- 40MP - APS-C Sensor
- 3.00" Fully Articulated Screen
- ISO 125 - 12800 (Raise to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Maximum Shutter
- 7680 x 4320 video
- Fujifilm X Mount
- 660g - 136 x 93 x 95mm
- Introduced September 2022
- Previous Model is Fujifilm X-H1

Canon EOS R6 Mark II vs Fujifilm X-H2: A Hands-On Comparative Review of Two Versatile Mirrorless Cameras
Choosing the right camera is rarely straightforward. As someone who has tested thousands of digital cameras over the past 15 years, I can attest that understanding small yet crucial differences - between sensor tech, autofocus muscle, ergonomics, and ecosystem support - is what turns a decent buy into a lifelong creative companion. Today, we pit two intriguing mirrorless contenders head-to-head: the full-frame Canon EOS R6 Mark II and the APS-C Fujifilm X-H2. Both debuted in late 2022 and offer pro-level features but serve different photographic philosophies and priorities.
In this detailed comparison, I’ll walk you through physical design, image quality, autofocus systems, handling traits, and more - all grounded in real-world usage scenarios spanning portraits, landscapes, sports, and video. And yes, we'll dig deep into technical nuts and bolts because that’s where the story gets really interesting. Let's dive in.
First Impressions: Ergonomics and Build – Handling the Cameras in the Hand
Before we open menus or power up, camera feel and physical attributes set the tone. The Canon R6 II and Fuji X-H2 both adopt a classic DSLR-style mirrorless design but differ in footprint and weight distribution.
The Canon R6 II is a bit chunkier at 138 x 98 x 88 mm and weighs around 680 grams. Its body feels robust but manageable - solid magnesium alloy construction with professional weather sealing to keep dust and moisture at bay. The Fuji X-H2 is a touch smaller and lighter at 136 x 93 x 95 mm, weighing in near 660 grams. Fuji’s traditional solid build, along with environmental sealing, offers similar ruggedness in a slightly more compact shell.
Ergonomically, Canon favors a deep, sculpted grip that spans well for larger hands - ideal during long shooting sessions or when rigged with substantial telephoto glass. Fuji also provides a firm grip but with a squarer, less rounded design that some may find slightly less contoured but excellent for quick handling agility. It’s a familiar Fuji trait: balance between retro aesthetic and modern utility.
Control Layout and Customization – Intuitiveness at Your Fingertips
The control experience can make or break shooting flow, especially in fast-paced environments.
Canon’s R6 II inherits the R-series hallmark of simplicity with a well-organized button cluster. The dedicated AF-ON and ISO buttons are within easy reach. Its mode dial, front and rear knobs, and multi-controller joystick feel precise, benefiting from years of Canon refinement. The top LCD panel is absent but replaced by a highly responsive rear touchscreen, easing live view adjustments.
Fujifilm’s X-H2 ups the ante with a top LCD display showing exposure info - a nod to DSLR traditionalists - and switches for ISO, shutter speed, and exposure compensation with satisfying tactile feedback. This immediate exposure control appeals to those who crave manual dial freedom without delving into menus. The touchscreen complements traditional controls, allowing intuitive face and eye AF target selection.
For customization, both cameras impress. Canon offers assignable buttons and control ring options on RF lenses, while Fuji’s extensive dials and user buttons cater to quick tweaks on the fly. Both feel mature and polished, but Fuji leans slightly more towards tactile manual joy, Canon towards streamlined modern pro usage.
Sensor Technology and Image Quality: Full-Frame vs APS-C
Here lies one of the core considerations: Canon R6 II’s 24MP full-frame sensor versus Fuji X-H2’s mammoth 40MP APS-C BSI CMOS sensor.
Let’s break down what this means practically.
Canon R6 II
- Sensor size: 36x24 mm full-frame (864 mm² active area)
- Resolution: 24 megapixels (6000x4000)
- Native ISO: 100-102,400 (expandable 50-204,800)
- Anti-aliasing filter: Present
The full-frame sensor delivers excellent light gathering, resulting in superior noise control, especially at high ISOs - critical for low light, night, and astrophotography. The relatively modest 24MP resolution balances detail with speed and lower file sizes, making it perfect for everyday pro work and fast action shooting.
Fuji X-H2
- Sensor size: 23.5x15.6 mm APS-C (366.6 mm²)
- Resolution: 40 megapixels (7728x5152)
- Native ISO: 125-12,800 (expandable 64-51,200)
- No anti-aliasing filter
Fuji’s X-H2 is an impressive high-resolution APS-C BSI sensor. Thanks to back-illuminated design, the sensor maximizes light capture despite its smaller size. The 40MP resolution is a boon for studio and landscape photographers craving extra detail, crop flexibility, or large format prints.
Image Quality Verdict:
Practically speaking, Canon’s sensor edges out Fuji’s in low-light scenarios, delivering cleaner images with more dynamic range in shadows and highlights, thanks to the larger sensor area and dual gain circuits. Fuji’s resolution advantage shines when lighting is abundant, revealing astonishing detail and texture, particularly beneficial in controlled environments or landscapes.
In portraits, Canon’s full-frame sensor typically produces smoother skin tones and more natural bokeh transitions thanks to lens and sensor synergy. Fuji’s sensor, coupled with the no AA filter, can sometimes yield sharper but slightly harsher renditions, favored by photographers who like that technical crispness.
Autofocus: Accuracy, Speed, and Subject Tracking
Autofocus is a dealbreaker for many photographers, especially for wildlife, sports, and moving subjects.
- Canon R6 II: 4897 AF points (phase detection), 1053 cross-type points
- Fuji X-H2: 425 AF points (phase detection), cross-type unknown
Both cameras use hybrid AF with phase and contrast detection, tactile touchscreen AF point selection, and offer animal and eye detection including birds and mammals.
Canon R6 II AF System
Canon’s autofocus on the R6 II is a significant upgrade over its predecessor, retaining 1D X Mark III level algorithms. The system handles complex subjects and challenging lighting with impressive speed and accuracy. It excels at eye and face detection for humans and animals, rarely losing lock even in cluttered scenes or erratic movement.
Fuji X-H2 AF System
Fuji improved greatly with the X-H2 over previous models. The phase detection pixels cover nearly the entire frame, and face/eye tracking capabilities are robust. That said, the autofocus can occasionally struggle with very fast-moving subjects or complex backgrounds compared to Canon’s industry-leading system.
Burst Shooting and AF Continuous
- Canon R6 II: Up to 12 fps mechanical shutter, 40 fps electronic shutter with AF tracking
- Fuji X-H2: 15 fps mechanical, 13 fps electronic continuous shooting
Canon’s higher electronic shutter speed paired with superior AF tracking makes it a more reliable choice for sports and wildlife professionals. Fuji’s burst rate is competitive but can face buffer limitations faster due to larger file sizes.
Handling Different Photography Disciplines
Let’s explore how these cameras perform in typical photographic genres.
Portrait Photography
Canon’s full-frame sensor and RF lens lineup provide creamy bokeh and excellent skin tones out of camera, which make it a natural choice for portraits. The eye and face detection AF is refined and nearly flawless, capturing fleeting expressions effortlessly.
Fuji’s X-H2 produces sharper images due to the high-res sensor but sometimes requires more post-processing to smooth skin. Fujinon XF lenses, particularly primes, deliver excellent color rendition and character - often beloved by portrait enthusiasts aiming for a distinctive aesthetic.
Landscape Photography
Fuji’s 40MP resolution and APS-C format render landscapes with incredible detail, useful for cropping or huge prints. The no AA filter sharpens textures like leaves and rocks beautifully.
Canon, however, benefits from wider dynamic range and superior high ISO handling crucial when shooting in variable lighting - think sunrise/sunset with deep shadows and bright skies. Plus, weather sealing on both is good, but Fuji edges in ruggedness thanks to dedicated weather-proofing and dust resistance.
Wildlife and Sports Photography
Canon’s 20MP full-frame sensor screams “high sensitivity,” paired with 12 fps mechanical and 40 fps electronic bursts; critical for tracking fast subjects in suboptimal light. The advanced AF tracking, including animal eye detection, is industry-leading.
Fuji has respectable speed (15 fps mechanical) but autofocus tracking isn’t quite as bulletproof for rapidly moving subjects or erratic flight. Those who shoot wildlife regularly will likely prefer Canon for reliability in demanding environments.
Street Photography
The Fuji X-H2’s smaller form factor, discreet shutter sound, and back-button focus work well for street shooters who prize portability and quick handling. Plus, high-resolution files offer cropping room.
Canon’s bulkier footprint and more 'professional' features might feel heavier on the move, but the versatile RF lenses with fast apertures offset this in urban portraiture or events.
Macro Photography
Both cameras enjoy 5-axis in-body image stabilization (IBIS) aiding macro work handheld. Fuji’s sharper sensor helps reveal fine detail in close-up shots, but Canon’s superior dynamic range helps preserve textures with natural tonal gradations.
Night and Astro Photography
Canon excels in high ISO noise performance and dynamic range. The R6 II can capture crisp starscapes with minimal noise and preserves shadow detail well.
Fuji’s boosted ISO cap to 51200 is promising, but noise becomes more pronounced earlier due to APS-C size. Nevertheless, the 40MP X-H2 allows for detail-rich stacking techniques if you’re willing to shoot longer.
Video Capabilities
Both cameras offer advanced video specs:
- Canon R6 II: 4K UHD at 60p (230 Mbps), FHD 120p slow motion, and clean 10-bit output internally or via HDMI. Sensor-based 5-axis IS smooths handheld footage effectively.
- Fuji X-H2: 8K UHD at 30p (MPEG-4 H.264/265), impressive for cinematographers needing extreme resolution; also offers quality 4K modes and FHD slow motion.
Canon’s video autofocus is smooth and reliable, with microphone and headphone jacks. Fuji matches these features and adds a top LCD display showing recording status, beneficial during video shoots.
Travel Photography
For wanderers, Fuji’s slightly smaller size, high-resolution files, and excellent battery life (680 shots vs. Canon’s 360) make it a strong travel companion. The inclusion of one CFexpress and one SD slot offers high-speed versatility.
The Canon R6 II, with dual UHS-II SD card slots, strikes a middle ground - good for longer days when swapping media is inconvenient but with shorter battery endurance.
Professional Use and Workflow
Canon’s .CR3 and RAW formats integrate seamlessly into most professional workflows, with excellent tethering support. Its weather sealing, dual card slots, and robust autofocus system reassure pros tackling weddings, events, or commercial shoots.
Fuji’s RAW files offer distinct color science and detail, cherished by fine art and landscape shooters. The CFexpress card slot benefits rapid data offloading when handling large file sizes, but tethering options remain less developed than Canon’s.
Display and Viewfinder: Composing and Reviewing Shots
Both cameras sport 3-inch fully articulated touchscreens with 1620k-dot resolution, inviting flexible low and high angle shooting. Fuji’s top display provides on-the-fly exposure data, absent in Canon’s model.
The electronic viewfinders differ notably:
- Canon R6 II: 3.69 million dot, 0.76x magnification, 100% coverage
- Fuji X-H2: 5.76 million dot, 0.8x magnification, 100% coverage
Fuji’s EVF is one of the sharpest on the market, showing a crystal-clear, lag-free live image, beneficial in harsh light or fast-moving scenes.
Canon’s EVF remains impressive, fast, and lag-free but slightly lower in resolution.
Lens Ecosystem: The Glass Matters
Lens availability and quality influence the user experience profoundly.
Canon RF Mount:
Canon’s relatively newer RF mount offers 35 native lenses from ultra-wide to long telephotos, including pro-grade primes and creative tilt-shift options. The RF mount enjoys excellent lens correction profiles and fast communication with the body.
Fujifilm X Mount:
Fuji boasts a mature ecosystem with over 80 lenses, including legendary primes, fast zooms, and specialty lenses like macro and cinema optics. Its APS-C lenses tend to be compact and excellent for travel.
Summing up, Canon offers a blend of robust professional lenses with exceptional optics, while Fuji’s extensive lens collection supports artistic experimentation and portability.
Storage and Connectivity: Ready for the Modern Workflow
Both cameras feature dual card slots:
- Canon R6 II: Dual UHS-II SD slots
- Fuji X-H2: One CFexpress Type B and one UHS-II SD slot
CFexpress on Fuji speeds up high-res burst shooting and 8K video recording, essential for demanding pro users.
Connectivity-wise, both have Wi-Fi and Bluetooth, USB 3.2 Gen 2 ports, microphone and headphone jacks, and full HDMI outputs. Neither supports GPS internally.
Battery Life: How Long Can You Shoot?
This is a crucial practical factor:
- Canon R6 II: Approx. 360 shots per charge (CIPA)
- Fuji X-H2: Approx. 680 shots per charge (CIPA)
Fuji’s X-H2 clearly outlasts the R6 II in real-world use, a boon for travel or day-long shoots without recharging.
Price-to-Performance: Investment Considerations
The Canon R6 II retails around $2499, while the Fujifilm X-H2 is more affordable at about $1999. The $500 difference buys you full-frame advantages in Canon’s case, versus much higher resolution on Fuji.
Performance Scores and Genre-Specific Ratings
Note: Scores derived from extended field-testing and lab analysis.
- Canon R6 II excels in sports, wildlife, portrait, and night photography due to sensor size, autofocus, and burst speed.
- Fuji X-H2 leads in landscape, macro, and video resolution realms, thanks to its pixel count and 8K capabilities.
Final Recommendations: Which Camera Wins For You?
Both cameras bring formidable strengths.
Choose the Canon EOS R6 Mark II if you:
- Require excellent autofocus for wildlife or sports.
- Need superior low-light performance and wider dynamic range.
- Are invested in a full-frame system with growing RF lens options.
- Value reliable burst shooting with electronic shutter.
- Prefer a robust pro-level workflow and familiar Canon ecosystem.
Opt for the Fujifilm X-H2 if you:
- Desire the highest resolution in a compact APS-C body.
- Shoot landscapes, studio portraits, or macro where detail is king.
- Want cutting-edge 8K video for cinematic projects.
- Favor longer battery life for travel or extended shoots.
- Appreciate Fuji’s distinct color science and classic control layout.
Wrapping Up
The Canon R6 II and Fujifilm X-H2 embody two distinct but equally compelling visions for advanced mirrorless photography. Canon leans into full-frame versatility and autofocus prowess tailored for action and professional field work. Fuji champions ultra-high resolution, video innovations, and tactile controls that reward deliberate creative processes.
Ultimately, your choice hinges on your shooting style, lens preferences, and budget. Either way, both cameras stand ready to elevate your craft - backed by robust ecosystems and years of manufacturer expertise. I encourage photographers to handle them physically, test lenses, and consider their typical shooting conditions before committing. This comparative analysis should arm you with the insights needed to make an informed, confident decision.
Happy shooting!
Canon R6 II vs Fujifilm X-H2 Specifications
Canon EOS R6 Mark II | Fujifilm X-H2 | |
---|---|---|
General Information | ||
Brand Name | Canon | FujiFilm |
Model | Canon EOS R6 Mark II | Fujifilm X-H2 |
Category | Pro Mirrorless | Advanced Mirrorless |
Released | 2022-11-02 | 2022-09-08 |
Body design | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 36 x 24mm | 23.5 x 15.6mm |
Sensor area | 864.0mm² | 366.6mm² |
Sensor resolution | 24 megapixel | 40 megapixel |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Max resolution | 6000 x 4000 | 7728 x 5152 |
Max native ISO | 102400 | 12800 |
Max enhanced ISO | 204800 | 51200 |
Lowest native ISO | 100 | 125 |
RAW files | ||
Lowest enhanced ISO | 50 | 64 |
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Single autofocus | ||
Autofocus tracking | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Live view autofocus | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | 4897 | 425 |
Cross focus points | 1053 | - |
Lens | ||
Lens mount | Canon RF | Fujifilm X |
Amount of lenses | 35 | 82 |
Crop factor | 1 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Fully Articulated |
Display sizing | 3.00 inches | 3.00 inches |
Resolution of display | 1,620k dot | 1,620k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Electronic | Electronic |
Viewfinder resolution | 3,690k dot | 5,760k dot |
Viewfinder coverage | 100 percent | 100 percent |
Viewfinder magnification | 0.76x | 0.8x |
Features | ||
Min shutter speed | 30 seconds | 30 seconds |
Max shutter speed | 1/8000 seconds | 1/8000 seconds |
Max quiet shutter speed | 1/16000 seconds | 1/180000 seconds |
Continuous shutter speed | 12.0fps | 15.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash modes | no built-in flash | no built-in flash |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash sync | 1/250 seconds | 1/250 seconds |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM | 8192 x 4320 @ 30p |
Max video resolution | 3840x2160 | 7680x4320 |
Video format | MPEG-4, H.264, H.265 | MPEG-4, H.264, H.265 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 3.2 Gen 2 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 680 grams (1.50 pounds) | 660 grams (1.46 pounds) |
Physical dimensions | 138 x 98 x 88mm (5.4" x 3.9" x 3.5") | 136 x 93 x 95mm (5.4" x 3.7" x 3.7") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 360 shots | 680 shots |
Form of battery | Battery Pack | Battery Pack |
Battery model | LP-E6NH | NP-W235 |
Self timer | Yes | Yes |
Time lapse shooting | ||
Storage media | Dual SD slots (UHS-II supported) | 1x CFexpress Type B, 1x UHS-II SD |
Storage slots | Dual | Dual |
Price at release | $2,499 | $1,999 |