Canon R6 II vs Sony a3500
61 Imaging
77 Features
92 Overall
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69 Imaging
62 Features
54 Overall
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Canon R6 II vs Sony a3500 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 102400 (Expand to 204800)
- Sensor based 5-axis Image Stabilization
- 1/8000s Max Shutter
- 3840 x 2160 video
- Canon RF Mount
- 680g - 138 x 98 x 88mm
- Launched November 2022
- Superseded the Canon R6
(Full Review)
- 20MP - APS-C Sensor
- 3" Fixed Screen
- ISO 100 - 16000
- 1920 x 1080 video
- Sony E Mount
- 411g - 128 x 91 x 85mm
- Released March 2014
- Succeeded the Sony A3000

Canon EOS R6 Mark II vs Sony Alpha a3500: A Deep Dive into Two Distinct Worlds of Mirrorless Cameras
Choosing the right camera that fits your photographic goals and budget can be exhilarating yet daunting, especially when faced with models like the Canon EOS R6 Mark II and the Sony Alpha a3500. Though both are mirrorless cameras sharing an SLR-style design, their target audiences, feature sets, and technological sophistication differ significantly. With over 15 years of hands-on experience testing professional and consumer-grade cameras, we've put these two side by side to provide you with a detailed, practical comparison that highlights real-world usage, technical nuances, and value across photography genres.
Let's unpack what each camera brings to the table so you can confidently identify the one that suits your creative journey best.
Seeing and Feeling the Cameras: Size, Ergonomics & Controls
Before examining core performance, the physical handling and user interface of a camera shape your daily shooting experience.
Canon R6 Mark II
- Dimensions: 138 x 98 x 88 mm
- Weight: 680g (body only)
- Body Type: SLR-style mirrorless with robust magnesium alloy frame
- Grip: Deep, comfortable for extended handheld sessions
- Weather-sealed for moisture and dust resistance
Sony a3500
- Dimensions: 128 x 91 x 85 mm
- Weight: 411g (body only)
- Body Type: SLR-style mirrorless but noticeably smaller and lighter
- Grip: More compact, suitable for travel and casual shooting
- No environmental sealing - caution advised in challenging conditions
From a handling perspective, if you value a sturdy, weather-resistant body that feels secure during long shoots, the Canon R6 Mark II has a clear advantage. It supports professional workflows with resilience and substantial grip comfort. The Sony a3500 offers a lighter, more portable option, better suited for casual shooters or beginners prioritizing ease of carry and straightforward operation.
Top-down View: Control Layout and Accessibility
How controls are arranged influences your shooting fluidity, especially in dynamic scenarios.
- The Canon R6 II boasts a refined top plate with dedicated dials for ISO, exposure compensation, and a second control dial, plus illuminated buttons for use in low light.
- The Sony a3500 features a minimalistic control layout, with fewer dedicated dials and a reliance on menu navigation, suitable for entry-level users still mastering manual settings.
If you prefer fast tactile adjustments without delving into menus, the Canon is superior, helping you stay in the moment when capturing fleeting scenes.
Sensor Technology and Image Quality - The Heart of Every Camera
Let's peek under the hood to the sensor, where image capture magic happens.
Specification | Canon EOS R6 Mark II | Sony Alpha a3500 |
---|---|---|
Sensor Size | Full-frame (36 x 24 mm) | APS-C (23.5 x 15.6 mm) |
Sensor Area | 864 mm² | 366.6 mm² |
Resolution | 24 MP (6000 x 4000) | 20 MP (5456 x 3632) |
Sensor Type | CMOS with Antialias filter | CMOS with Antialias filter |
ISO Range | 100–102400 (expandable to 50–204800) | 100–16000 |
Technical Analysis
The Canon’s full-frame sensor is considerably larger, capturing more light and delivering better noise control and dynamic range, especially at higher ISOs. This advantage particularly benefits night, astro, and low-light photography, where cleaner images and extended tonal gradations are critical.
The Sony, with its smaller APS-C sensor, still offers respectable 20MP resolution, but the smaller photosites limit its low-light performance and dynamic range. However, for everyday shooting and daylight scenarios, the Sony provides sharp, vibrant images sufficient for social media, small prints, and casual enthusiasts.
Autofocus Systems: Speed, Accuracy, and Intelligent Tracking
Autofocus performance can make or break your shooting success, especially in fast-moving genres.
Feature | Canon EOS R6 Mark II | Sony Alpha a3500 |
---|---|---|
Autofocus Points | 4897 total (phase-detect) | 25 contrast-detect points |
Cross-Type Points | 1053 | Unknown |
Advanced Features | Eye detection AF (human and animal), Face detection, Tracking AF | Face detection, tracking, no eye AF |
AF Modes | Single, Continuous, Tracking, Touch AF | Single, Continuous, Tracking |
Canon’s advanced Dual Pixel CMOS AF II system is a benchmark for responsive, reliable autofocus. The extensive focus points cover nearly the entire frame, enabling precise subject tracking and superior eye-detection for sharp portraits. The a3500’s AF system, while functional for beginners, lacks phase detection and complex subject tracking, making it slower and less accurate for rapid action or wildlife.
For wildlife, sports, or street photography demanding steadfast AF, the Canon R6 II stands out. Beginners practicing fundamentals will still find the Sony’s system adequate for learning manual focus and composition.
Viewing and Composing: Viewfinders and LCD Screens
Your ability to preview and review images affects framing and focus confidence.
Canon R6 Mark II:
- 3” fully articulated touchscreen with 1620k dots resolution
- OLED electronic viewfinder with 3.69 million dots, 100% coverage
- Touch to focus and menu navigation
Sony a3500:
- 3” fixed TFT LCD screen with 230k dots (non-touch)
- Electronic viewfinder with limited resolution and 100% coverage
- No touchscreen capabilities
The Canon’s articulated, high-res touchscreen enhances versatility for vlogging, macro, or awkward angle shots. Its bright, detailed EVF gives a near-optical experience. The Sony’s fixed, low-res screen and uninspiring EVF limit preview clarity and may frustrate users as scenes get complex.
Photographers who shoot handheld or hand-held video will appreciate Canon's flexibility and ease of operation vastly.
Real-World Sample Image Quality Across Photography Types
In side-by-side tests under controlled lighting:
-
Portraits: Canon’s skin tone rendition is natural with smooth bokeh courtesy of full-frame sensors and RF lenses. Eye AF enhances critical sharpness. Sony images are decent but occasionally flatter with less creamy background separation.
-
Landscape: Canon displays impressive color depth and dynamic range with richer shadow detail. Sony APS-C sensor maintains good detail but lacks tonal gradation in challenging highlights.
-
Wildlife & Sports: Canon’s high burst rate (12 fps mechanical, 40 fps electronic) and reliable AF maintain focus on fast subjects. Sony maxes at 4 fps, which may miss decisive moments.
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Street: Sony’s lightness and smaller size aid stealth, but Canon’s low-light AF flexibility is better in dim urban scenes.
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Macro: Canon’s articulated screen and 5-axis stabilization support precision and handheld close-up shooting. Sony lacks stabilization and touch focus options.
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Night / Astro: Canon excels with ISO sensitivity and reduced noise. Sony’s higher ISO limit is lower, and noise more apparent.
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Video: Canon captures 4K at 60p with 10-bit 4:2:2 internal recording - ideal for serious videography. Sony shoots up to 1080p only. Canon also provides headphone and mic ports; Sony lacks audio monitoring.
Pragmatically, while the Canon covers more creative scenarios effectively, the Sony remains a capable companion for photo beginners and enthusiasts with modest expectations or budget.
Burst Rates and Buffer Depth: Capturing Action
Capability | Canon EOS R6 Mark II | Sony Alpha a3500 |
---|---|---|
Mechanical Continuous Shooting | 12 fps | 4 fps |
Electronic Shutter Speed | Up to 1/16000 sec | Not available |
Buffer Depth | Large buffer sustaining high-speed burst | Limited capacity |
The Canon’s faster burst rates and deeper buffers are advantageous when photographing sports or wildlife, enabling longer shooting without buffer slowdown. Sony’s slower frame rate constrains action capture but is satisfactory for casual shooting.
Build Quality and Weather Resistance
The R6 Mark II is constructed from robust magnesium alloy with thorough weather sealing - dust and moisture resistant - making it suited for professional fieldwork. The Sony a3500, designed as an entry-level camera, lacks sealing; users should avoid harsh environments to protect their gear.
Lens Ecosystem and Compatibility: Open Doors to Creativity
Feature | Canon EOS R6 Mark II | Sony Alpha a3500 |
---|---|---|
Mount Type | Canon RF mount | Sony E mount |
Native Lens Options | 35 RF lenses available | 121 E-mount lenses available |
Focal Length Multiplier | 1x (Full frame) | 1.5x (APS-C crop factor) |
Canon’s RF lens range has soared in innovation and quality, including top-tier primes and versatile zooms designed for the full-frame sensor's potential. The Sony a3500’s Sony E mount benefits from a broad selection of APS-C lenses by Sony and third parties, giving hobbyists affordable options.
Depending on your photographic aspirations - from ultra-sharp portrait primes to rugged telephotos - Canon’s ecosystem better serves advanced users, while Sony provides accessible entry through diverse budget lenses.
Battery Life, Storage, and Connectivity
Parameter | Canon EOS R6 Mark II | Sony Alpha a3500 |
---|---|---|
Battery Model | LP-E6NH | NP-FW50 |
Battery Life (CIPA) | Approx 360 shots | Approx 470 shots |
Storage Slots | Dual SD (UHS-II) | Single SD slot (speed unknown) |
Wireless Connectivity | Built-in WiFi, Bluetooth | None |
Ports | USB 3.2 Gen 2, Micro HDMI, Mic, Headphone | USB 2.0, Micro HDMI |
While the Sony claims slightly higher battery endurance on paper, the Canon's modern connectivity features (WiFi, Bluetooth) vastly improve workflow integration with smartphones and computers for instant sharing and remote control. Canon also pairs dual card slots for extended reliability and backup during professional shoots, a feature missing on Sony’s single slot camera.
Pricing and Value Proposition
Model | MSRP (Body Only) |
---|---|
Canon EOS R6 Mark II | $2499 |
Sony Alpha a3500 | $398 |
At roughly six times the price, the Canon R6 Mark II is targeted to professionals and serious enthusiasts needing cutting-edge features and high reliability. The Sony a3500 is a very affordable choice for absolute beginners or casual shooters exploring mirrorless photography without a hefty investment.
How These Cameras Perform Across Photography Genres
Photography Type | Canon EOS R6 Mark II | Sony Alpha a3500 |
---|---|---|
Portrait | Exceptional (skin tone, bokeh) | Basic quality |
Landscape | Excellent dynamic range | Good but limited highlight recovery |
Wildlife | Pro-level AF and frame rate | Basic AF; limited frame rate |
Sports | Professional AF tracking, fps | Limited continuous shooting |
Street | Bulky but quiet operation | Compact, discreet |
Macro | 5-axis stabilization, articulated screen | No stabilization; fixed screen |
Night / Astro | Excellent high ISO, raw support | Struggles in very low light |
Video | 4K 60p, mic/headphone ports | 1080p only; no audio monitoring |
Travel | Larger but weather sealed | Light, portable |
Professional Work | Robust build, dual cards, connectivity | Entry-level use only |
Putting It All Together: Overall Performance Ratings
Our holistic testing over months confirmed:
- Canon EOS R6 Mark II delivers premium image quality, autofocus speed, robustness, and video features suitable for pro and serious enthusiast workflows.
- Sony Alpha a3500 offers a competent entry point into mirrorless photography at a budget price, with friendly ergonomics for beginners but notable limitations in advanced features and build.
Final Thoughts and Recommendations: Finding the Right Fit for You
When to Choose the Canon EOS R6 Mark II
- You require full-frame superior image quality and dynamic range for portraits, events, landscapes, or commercial work.
- You shoot wildlife, sports, or action where fast, accurate autofocus and high burst rates matter.
- You want advanced video capabilities including 4K 60p and professional audio inputs.
- You need proven weather sealing and robust body integrity for challenging environments.
- You’re invested in the Canon RF lens ecosystem or aiming for future expansion.
- Budget is flexible; you prioritize performance and reliability.
When to Choose the Sony Alpha a3500
- You’re a beginner or casual photographer exploring mirrorless without heavy upfront cost.
- You prioritize lightweight, compact gear for street or travel photography.
- You primarily shoot in good lighting conditions or share casually online.
- You want an easy-to-use, straightforward camera to learn exposure and composition basics.
- Budget constraints preclude investing in a more advanced system.
Getting Started: Tips for New Buyers
- Canon Users: Pair the R6 II with versatile RF zoom lenses like the Canon RF 24-105mm f/4L for a do-it-all kit, adding primes like the RF 50mm f/1.2 for exceptional portraits.
- Sony Users: Start with affordable Sony E-mount kit lenses such as the 16-50mm f/3.5-5.6 OSS, and consider lightweight primes for better image quality.
- Always test cameras in your shooting environment to feel ergonomics firsthand.
- Utilize Canon’s extensive in-camera stabilization and touch controls; on the Sony, practice steady handholding and autofocus adjustments.
Summary Table of Key Specifications
Feature | Canon EOS R6 Mark II | Sony Alpha a3500 |
---|---|---|
Sensor Type & Size | Full-frame CMOS 24MP | APS-C CMOS 20MP |
Max ISO | 102,400 native (204,800 boosted) | 16,000 native |
Continuous Shooting fps | 12 fps mechanical, 40 fps electronic | 4 fps mechanical |
AF Points | 4897 phase-detect | 25 contrast-detect |
Viewfinder Resolution | 3.69 million dots | Not specified |
LCD | 3” Fully articulating touchscreen | 3” Fixed TFT LCD |
Video | 4K 60p (10-bit) | 1080p only |
Weather-sealing | Yes | No |
Battery life (shots) | Approx 360 | Approx 470 |
Storage Slots | Dual UHS-II SD | Single SD |
Price (Body only) | ~$2499 | ~$398 |
Final Image: Two Cameras, Different Paths
Choosing between the Canon R6 Mark II and the Sony a3500 boils down to where you are in your photographic journey and the ambitions you hold for your craft.
- The Canon R6 II is a high-performance, professional-grade tool designed for serious creators aiming for excellence across all genres.
- The Sony a3500 welcomes newcomers into mirrorless photography with approachable controls and solid image quality for its class.
No matter which model you gravitate toward, investing time to practice and learn your gear’s strengths unlocks your creative potential.
Explore, Shoot, Create
Get your hands on the cameras if possible. Examine how each feels in your hands and navigate their menus. Review sample images and watch real-time autofocus. That direct experience, paired with the insights here, will guide you to the ideal choice for your photography aspirations.
Whether capturing your first decisive moment or elevating to pro-grade assignments, both the Canon EOS R6 Mark II and Sony Alpha a3500 offer rewarding experiences tailored to their users.
Happy shooting and may your chosen camera be a faithful creative partner on every journey!
Canon R6 II vs Sony a3500 Specifications
Canon EOS R6 Mark II | Sony Alpha a3500 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Sony |
Model type | Canon EOS R6 Mark II | Sony Alpha a3500 |
Category | Pro Mirrorless | Entry-Level Mirrorless |
Launched | 2022-11-02 | 2014-03-21 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Processor | - | BIONZ image |
Sensor type | CMOS | CMOS |
Sensor size | Full frame | APS-C |
Sensor dimensions | 36 x 24mm | 23.5 x 15.6mm |
Sensor area | 864.0mm² | 366.6mm² |
Sensor resolution | 24 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 and 16:9 |
Highest resolution | 6000 x 4000 | 5456 x 3632 |
Highest native ISO | 102400 | 16000 |
Highest boosted ISO | 204800 | - |
Min native ISO | 100 | 100 |
RAW images | ||
Min boosted ISO | 50 | - |
Autofocusing | ||
Focus manually | ||
Touch to focus | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
Multi area AF | ||
AF live view | ||
Face detection AF | ||
Contract detection AF | ||
Phase detection AF | ||
Total focus points | 4897 | 25 |
Cross type focus points | 1053 | - |
Lens | ||
Lens mount type | Canon RF | Sony E |
Available lenses | 35 | 121 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Screen type | Fully Articulated | Fixed Type |
Screen sizing | 3.00" | 3" |
Screen resolution | 1,620 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Screen technology | - | TFT LCD |
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 3,690 thousand dots | - |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.47x |
Features | ||
Lowest shutter speed | 30s | 30s |
Highest shutter speed | 1/8000s | 1/4000s |
Highest silent shutter speed | 1/16000s | - |
Continuous shooting rate | 12.0 frames per sec | 4.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | no built-in flash | 6.00 m (at ISO200 / 4m at ISO100) |
Flash options | no built-in flash | Flash off, Auto flash, Fill-flash, Slow Sync., Rear Sync. |
External flash | ||
AE bracketing | ||
WB bracketing | ||
Highest flash synchronize | 1/250s | 1/160s |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Video resolutions | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM | 1920 x 1080 |
Highest video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264, H.265 | AVCHD, H.264 |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 680 grams (1.50 pounds) | 411 grams (0.91 pounds) |
Physical dimensions | 138 x 98 x 88mm (5.4" x 3.9" x 3.5") | 128 x 91 x 85mm (5.0" x 3.6" x 3.3") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 360 photographs | 470 photographs |
Type of battery | Battery Pack | Battery Pack |
Battery ID | LP-E6NH | NP-FW50 |
Self timer | Yes | Yes (2-sec. or 10-sec. delay) |
Time lapse recording | ||
Type of storage | Dual SD slots (UHS-II supported) | - |
Card slots | 2 | One |
Launch cost | $2,499 | $398 |