Canon R8 vs Fujifilm X-T5
71 Imaging
78 Features
85 Overall
80


70 Imaging
76 Features
89 Overall
81
Canon R8 vs Fujifilm X-T5 Key Specs
(Full Review)
- 24MP - Full frame Sensor
- 3.00" Fully Articulated Screen
- ISO 100 - 102400 (Raise to 204800)
- 3840 x 2160 video
- Canon RF Mount
- 461g - 133 x 86 x 70mm
- Released February 2023
(Full Review)
- 40MP - APS-C Sensor
- 3.00" Tilting Display
- ISO 125 - 12800 (Increase to 51200)
- Sensor based 5-axis Image Stabilization
- No Anti-Alias Filter
- 1/8000s Max Shutter
- 6240 x 4160 video
- Fujifilm X Mount
- 557g - 130 x 91 x 64mm
- Released November 2022
- Older Model is Fujifilm X-T4

Canon EOS R8 vs Fujifilm X-T5: A Hands-On Battle of Mirrorless Titans
I’ve spent the past few months putting two of the most talked-about mirrorless cameras of recent times - the Canon EOS R8 and the Fujifilm X-T5 - through their paces in a variety of shooting scenarios. As a reviewer and working professional who has handled thousands of cameras, my goal here is to distill my deep experience into a comprehensive, unbiased comparison that helps you decide which one aligns best with your photographic vision and workflow.
Both cameras appeal to advanced enthusiasts and prosumers but differ fundamentally in sensor format, philosophy, and feature sets. In this in-depth review, I compare them across the full spectrum of photography disciplines and practical use, integrating technical analysis with hands-on insights.
Getting a Feel: Size, Build, and Ergonomics
First impressions matter a lot. The Canon R8 and Fujifilm X-T5 are both designed to sit comfortably in your hands - but in naturally different ways given their sensor sizes and layout philosophies.
The Canon R8 has a slightly more compact silhouette than I expected for a full-frame camera, thanks in part to its pared-back design. At 461 grams and dimensions of 133 x 86 x 70 mm, it feels light and nimble - but the grip is a bit flatter, which might not suit photographers with larger hands or those who prefer a chunkier, more substantial hold for stability.
The X-T5, sporting an APS-C sensor, weighs in heavier at 557 grams but with a slightly slimmer body (130 x 91 x 64 mm). Its classic SLR-style shape and prominent dials - typical Fujifilm aesthetic - lend it a more tactile, immersive “retro” feel. The textured grip is deep and secure, and the layout invites direct control without having to dig into menus.
On the top, the difference is even more pronounced:
The X-T5 impresses with dedicated shutter speed, ISO, and exposure compensation dials - perfect for photographers who value tactile control and shooting “off the cuff.” Canon’s R8, on the other hand, opts for a cleaner, more minimalist control scheme with fewer manual dials, pushing more settings into the touchscreen interface.
If you love rapid, instinctive manual adjustments, the X-T5 wins here. If you prefer a sleeker, more stripped-back camera that fits discreetly in a bag, the R8 may be preferable.
Sensor Showdown: Full-Frame vs APS-C - What Difference Does It Make?
This is the fundamental technical split between these two cameras - Canon’s R8 boasts a full-frame 24.2MP CMOS sensor while Fuji’s X-T5 packs a 40MP BSI-CMOS sensor in APS-C size (23.5 x 15.6mm). Let's dive into how this plays out in detail.
Resolution and Detail
While the R8’s 24MP resolution is respectable, Fuji’s 40MP APS-C sensor pushes a substantial leap in detail rendering. In landscape and studio portraits, the X-T5 consistently delivered files with incredible micro-contrast and resolution that was evident on 100% crops. This higher resolution APS-C sensor also benefits from Fuji’s removal of an anti-aliasing filter, resulting in crisper images with less optical blur.
Dynamic Range and Color Depth
Canon’s full-frame sensor edges ahead in dynamic range (14.5 stops per DXOmark ratings) and slightly in color depth (24.5 bits). This means you can recover more shadows and highlights, giving you greater latitude especially in challenging lighting situations like sunsets or high-contrast scenes. I found this particularly useful in landscape shooting when capturing delicate cloud formations or sunlit mountains.
Fujifilm’s sensor, while slightly behind on raw dynamic range numbers, benefits greatly from its color science heritage and produces rich, vibrant, and film-like tones straight out of camera.
High ISO Performance
Canon’s R8 shines in high-ISO noise management. Its DXO low-light ISO score suggests clean outputs up to ISO 3200-6400 usable with confidence - ideal for dimly lit events, night shots, and indoor sports.
The Fuji’s APS-C sensor maxes out at ISO 12800 natively, with boosted ISO up to 51200, but noise is noticeably more pronounced above ISO 6400. The higher megapixel count also means smaller photosites, which can introduce more noise and limit low light usability.
In practical shooting, the Canon R8 gave me more usable frames when light dropped off, particularly for sports and wildlife.
Viewing and Touch Control: The Interface Experience
In the field, the way you interact with the camera can make or break your creative flow. Let’s compare the viewfinder and LCD experience:
The Canon R8 sports a 3.0-inch fully articulating touchscreen with 1.62 million dots resolution. This is terrific for vlogging, low-angle shots, or selfie-style compositions - you can really “flip it around” and get angles that are otherwise tricky. Its menu system is intuitive with fast touchscreen responses, especially great for those migrating from Canon DSLR systems.
Fuji’s X-T5 features a slightly higher resolution tilting screen (1.84 million dots) but it doesn’t fully articulate or face forward - meaning vloggers or selfie shooters might feel limited here. However, the viewfinder on the X-T5 is a standout: 3.69 million dots OLED with 0.8x magnification offers a bright, crisp, and immersive shooting experience - a boon for manual focus or critical composition.
Canon’s R8 EVF, while excellent with 2.36 million dots and 0.76x magnification, feels a touch smaller and less detailed in prolonged use, especially in bright conditions.
If I’m prioritizing a superb viewfinder for critical composition, especially in manual focus scenarios, I lean toward the Fuji. For flexible screen positions and touch-driven operation, Canon’s R8 leads.
Autofocus and Shooting Speed: Tracking Fast Subjects
As a photographer who's tested autofocus systems extensively across wildlife and sports genres, I can say autofocus performance is often the defining factor between a keeper and a missed moment.
Both these cameras share phase-detection autofocus systems with eye/animal detection - technology that’s become indispensable for portrait, wildlife, and sports photography.
Canon R8 AF Overview:
- 1053 autofocus points covering nearly the entire frame
- Dual Pixel CMOS AF with smooth, fast acquisition
- Impressive eye-detection AF that locks instantly on human and animal eyes
- Max continuous shooting: 6 fps mechanical, 40 fps electronic silent shutter (with focus locked on first frame)
Fujifilm X-T5 AF Overview:
- 425 focus points covering around 80% of the frame
- Hybrid AF with high-speed phase and contrast detection
- Eye and face detection effective, though a touch less responsive with animals in my experience
- Max continuous shooting: 15 fps mechanical shutter, 13 fps electronic shutter
In real-world bursts, I found the Fuji’s 15 fps mechanical burst very helpful for fast action. The Canon’s electronic 40 fps silent shooting is jaw-dropping if your subject holds position or lighting allows, but mechanical is slower at 6 fps, which is limiting.
The R8’s eye-detection AF was slightly more reliable with tricky subjects - especially fast-moving dogs and birds in flight - perhaps due to the denser AF coverage and Canon’s Dual Pixel technology.
Genre-Specific Testing: How They Measure Up in Practice
I wanted to test both systems across multiple photographic disciplines to provide you with practical insight.
Portraiture
Skin tones are vital. Canon’s full-frame sensor produces smooth, natural skin with excellent tonal gradation and creamy bokeh thanks to full-frame depth of field characteristics. Eye-detection AF was near flawless, locking quickly during shoot sessions with minimal hunting - even in low light.
Fuji’s higher-res APS-C sensor rendered portraits with incredible detail and texture. I loved the film simulations, which added character without needing processing. However, shallower depth of field was less pronounced, resulting in busier backgrounds unless shooting wide-open lenses.
If you value bokeh and low-light autofocus for portraits, Canon edges ahead. For fine detail and vibrant colors with Fuji’s unique film look, the X-T5 has its own appeal.
Landscape
Here, resolution, dynamic range, and weather sealing count. Fuji’s 40MP sensor delivered finer detail and richer colors - especially when paired with Fuji’s extensive native prime lenses, making it a dream for landscape photographers who want large prints or heavy cropping options.
Canon’s wider dynamic range was apparent in high contrast scenes, retaining more highlight detail on bright skies and shadow nuance in trees.
Both cameras offer weather sealing suitable for inclement conditions, a must-have for nature shooters.
For ultimate resolution and detail, Fuji is better; for versatility and highlight retention, Canon wins.
Wildlife
I tested bird-in-flight and mammal tracking in forest settings. Canon’s eye detection and 1053 AF points granted superior tracking confidence. The full-frame sensor’s low-light advantage let me keep faster shutter speeds during dawn/dusk.
The Fuji, while surprisingly nimble, sometimes lost focus on erratic movements and had slower burst speeds compared to Canon’s silent shutter mode.
If wildlife is your primary focus and low light is common, Canon R8’s AF and sensor flexibilities stand out.
Sports
Sports shooters demand blazing frame rates and fast AF tracking. Fuji’s 15 fps mechanical shutter offers faster continuous shooting with AF intact. Canon’s 40 fps electronic shutter is enormous on paper, but less practical for moving sports due to rolling shutter artifacts.
Low light? Canon again benefits from better high ISO noise handling.
Overall, for sports, I slightly favor Fuji for shutter speed steadiness and direct physical controls, but Canon for low light and AF precision.
Street Photography
My street photography tests centered on portability, discretion, and low light capabilities.
The Canon R8’s smaller size and lighter weight make it easier to carry around casually and less intimidating to subjects.
Fuji’s retro styling and dial controls invite a slower, considered approach - plus it offers silent shooting modes that both cameras have.
Both handle low light well, but again, Canon’s noise advantage gave me sharper, cleaner images at night.
Macro
While neither camera is marketed as a macro specialist, lens availability and focus precision matter.
Fuji’s X-mount lens ecosystem includes excellent macro lenses with superb optical quality. The in-body 5-axis stabilization helps at slower shutter speeds to reduce camera shake.
Canon R8 lacks IBIS but pairs with RF-mount macro lenses. Though heavier lenses add bulk, phase-detect AF pairing with Canon’s excellent focus accuracy helps nail critical focus.
For macro shooters who want a compact body with IBIS and exceptional lenses, Fuji is a solid choice.
Night and Astro Photography
Canon’s cleaner high ISO files and more expansive dynamic range make it better suited for astrophotography, where low noise and highlight retention are key.
Fuji’s higher resolution lets you crop in on star fields to isolate sections, but noise becomes more noticeable at extreme ISOs.
I also appreciated Canon’s electronic shutter options which allow longer exposures without vibration.
Video: Moving Images and Audio Capabilities
Video shooters will find depth here worth examining.
Feature | Canon R8 | Fujifilm X-T5 |
---|---|---|
Max video res | 4K UHD (3840x2160) @ up to 60p, 120 Mbps | 6K (6240x4160) @ 30p, 4K @ up to 60p |
Codec | H.264, H.265 | H.264, H.265 |
S-Log / F-Log | Canon Log profiles available | F-Log |
Stabilization | No IBIS, relies on lens stabilization | Sensor-based 5-axis IBIS |
Mic / Headphone ports | Yes / Yes | Yes / Yes |
Bitrate | Max 230 Mbps | Higher in 6K, specifics vary |
The Fuji X-T5’s ability to shoot 6K video is remarkable, offering more detail for cropping and post-production flexibility. Its robust 5-axis in-body image stabilization (IBIS) is smooth and effective for handheld shooting.
Canon R8’s 4K 60p is clean and great for most usages but lack of IBIS means you’ll need stabilized lenses or gimbals for smooth footage. Its higher bitrate options provide quality video for enthusiasts.
Both cameras include mic and headphone ports, making them suitable for serious video vloggers and creators.
Battery, Storage, and Connectivity
Canon R8 uses LP-E17 batteries, rated for about 290 shots per charge. This is noticeably less than Fuji X-T5’s NP-W235 battery delivering around 580 shots (based on CIPA standards).
Fujifilm’s dual SD card slots supporting UHS-II provide redundancy and extended capacity, ideal for professionals shooting long events.
Canon’s single-slot design simplifies matters but limits back-up options.
Connectivity-wise, both offer built-in Wi-Fi and Bluetooth for remote control and file transfer. Both cameras include USB 3.2 Gen 2, and HDMI outputs for external monitors.
Price and Value
At launch, Canon R8 retails around $1500 body-only, while Fujifilm X-T5 is about $1700.
Canon’s price is competitive considering its full-frame sensor and Canon RF lens compatibility - even if lenses are pricier on average.
Fuji’s broader, more affordable Fuji X lens lineup and higher resolution justify its price for those valuing detail and manual control.
Summing Up: Which One Should You Choose?
Now, let me distill my hands-on findings into straightforward recommendations.
-
Choose Canon EOS R8 if:
- You want a true full-frame experience with excellent high ISO performance.
- You shoot a lot of portraits, events, wildlife, and sports in variable light.
- You’re invested or planning to invest in Canon RF lenses.
- You prefer a smaller, lighter body with articulating LCD for vlogging or versatile shooting angles.
- You value blazing electronic shutter speeds for silent shooting.
-
Choose Fujifilm X-T5 if:
- You want highest resolution from an APS-C sensor with incredible detail for landscapes, studios, and fine art photography.
- You love tactile controls, dedicated dials, and a retro aesthetic enhancing the photographic experience.
- IBIS matters to you for handheld video or stills in low light.
- Battery life and dual memory card slots are priorities for professional-style shoots.
- You want 6K video capability and vibrant film simulation profiles.
Final Thoughts
Both Canon R8 and Fujifilm X-T5 excel in their niches, and neither is a clear “winner” universally - they serve different photographic approaches and priorities. If I were to carry one on a travel shoot requiring versatility, lightness, and robust AF, I’d lean toward the Canon R8. For studio or landscape work demanding exquisite detail, IBIS, and a manual control enthusiast experience, Fuji X-T5 takes the cake.
Whichever you pick, investing time to pair them with quality lenses and mastering their unique features will pay dividends. I encourage you to rent or try them hands-on if possible, but I hope this review, grounded in my extensive testing and real-world scenarios, has clarified how each camera will serve your specific photographic dreams.
Happy shooting!
Disclosure: I have no financial ties or sponsorship from Canon or Fujifilm. All testing was conducted independently over several months using consistent methodologies tailored to each camera’s unique capabilities.
End of Article
Canon R8 vs Fujifilm X-T5 Specifications
Canon EOS R8 | Fujifilm X-T5 | |
---|---|---|
General Information | ||
Brand | Canon | FujiFilm |
Model | Canon EOS R8 | Fujifilm X-T5 |
Class | Advanced Mirrorless | Advanced Mirrorless |
Released | 2023-02-08 | 2022-11-02 |
Physical type | SLR-style mirrorless | SLR-style mirrorless |
Sensor Information | ||
Sensor type | CMOS | BSI-CMOS |
Sensor size | Full frame | APS-C |
Sensor measurements | 36 x 24mm | 23.5 x 15.6mm |
Sensor area | 864.0mm² | 366.6mm² |
Sensor resolution | 24 megapixels | 40 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 3:2 and 16:9 |
Highest Possible resolution | 6000 x 4000 | 7728 x 5152 |
Maximum native ISO | 102400 | 12800 |
Maximum enhanced ISO | 204800 | 51200 |
Minimum native ISO | 100 | 125 |
RAW support | ||
Minimum enhanced ISO | 50 | 64 |
Autofocusing | ||
Manual focus | ||
AF touch | ||
AF continuous | ||
Single AF | ||
AF tracking | ||
Selective AF | ||
Center weighted AF | ||
Multi area AF | ||
AF live view | ||
Face detection focusing | ||
Contract detection focusing | ||
Phase detection focusing | ||
Number of focus points | 1053 | 425 |
Lens | ||
Lens mounting type | Canon RF | Fujifilm X |
Total lenses | 37 | 82 |
Focal length multiplier | 1 | 1.5 |
Screen | ||
Type of screen | Fully Articulated | Tilting |
Screen size | 3.00 inches | 3.00 inches |
Screen resolution | 1,620 thousand dots | 1,840 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | 2,360 thousand dots | 3,690 thousand dots |
Viewfinder coverage | 100% | 100% |
Viewfinder magnification | 0.76x | 0.8x |
Features | ||
Minimum shutter speed | 30 secs | 15 secs |
Fastest shutter speed | 1/4000 secs | 1/8000 secs |
Fastest silent shutter speed | 1/16000 secs | 1/180000 secs |
Continuous shutter rate | 6.0 frames/s | 15.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Built-in flash | ||
Flash range | no built-in flash | no built-in flash |
Flash settings | no built-in flash | no built-in flash |
Hot shoe | ||
AE bracketing | ||
WB bracketing | ||
Fastest flash synchronize | 1/250 secs | 1/250 secs |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 60p / 230 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, Linear PCM3840 x 2160 @ 23.98p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 120p / 120 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 60p / 60 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 30p / 30 Mbps, MOV, H.264, Linear PCM1920 x 1080 @ 23.98p / 30 Mbps, MOV, H.264, Linear PCM | 6240 x 4160 @ 30p /4096x2160 (60p/50p/30p/25p/24p/23.98p) |
Maximum video resolution | 3840x2160 | 6240x4160 |
Video data format | MPEG-4, H.264, H.265 | MPEG-4, H.264, H.265 |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 3.2 Gen 2 (10 GBit/sec) | USB 3.2 Gen 2 (10 GBit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 461g (1.02 pounds) | 557g (1.23 pounds) |
Physical dimensions | 133 x 86 x 70mm (5.2" x 3.4" x 2.8") | 130 x 91 x 64mm (5.1" x 3.6" x 2.5") |
DXO scores | ||
DXO Overall score | 93 | not tested |
DXO Color Depth score | 24.5 | not tested |
DXO Dynamic range score | 14.5 | not tested |
DXO Low light score | 3295 | not tested |
Other | ||
Battery life | 290 photos | 580 photos |
Form of battery | Battery Pack | Battery Pack |
Battery model | LP-E17 | NP-W235 |
Self timer | Yes | Yes |
Time lapse feature | ||
Storage type | Single UHS-II SD card slot | Dual SD/SDHC/SDXC card slots (UHS-II supported) |
Card slots | 1 | Dual |
Launch price | $1,499 | $1,699 |