Canon SL3 vs Pentax K-S2
71 Imaging
68 Features
84 Overall
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64 Imaging
63 Features
82 Overall
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Canon SL3 vs Pentax K-S2 Key Specs
(Full Review)
- 24MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 25600 (Boost to 51200)
- 3840 x 2160 video
- Canon EF/EF-S Mount
- 449g - 122 x 93 x 70mm
- Announced April 2019
- Other Name is EOS 250D / EOS Kiss X10
- Superseded the Canon SL2
(Full Review)
- 20MP - APS-C Sensor
- 3" Fully Articulated Display
- ISO 100 - 51200
- Sensor based Image Stabilization
- No Anti-Alias Filter
- 1/6000s Max Shutter
- 1920 x 1080 video
- Pentax KAF2 Mount
- 678g - 123 x 91 x 73mm
- Revealed February 2015
- Earlier Model is Pentax K-S1

Canon SL3 vs Pentax K-S2: A Hands-On Comparison for Real-World Photography
Choosing your next entry-level DSLR can feel like navigating a maze of specs, brands, and features. Two solid contenders often surface in discussions: the Canon EOS Rebel SL3 (aka EOS 250D or EOS Kiss X10) and the Pentax K-S2. Both aim to attract enthusiasts stepping up from smartphones or searchers on a tighter budget. But which one suits your style better, especially when we peel back specs to actual use?
Having tested hundreds of DSLRs thoroughly over the years - from autofocus nuances to build resilience - I'll walk you through a detailed comparison of these two cameras based on real-world usability, image quality, and value. Along the way, I’ll share insights from hands-on experience that go beyond spec sheets.
Let’s dive in.
First Impressions: Size, Handling, and Ergonomics
When it comes to an entry-level DSLR, ergonomics are paramount. Cameras that feel right in the hand reduce fatigue and let you focus purely on creativity.
Looking at physical dimensions and weight:
The Canon SL3 is notably more compact and lighter at 449g compared to the Pentax K-S2’s heftier 678g. The SL3’s smaller frame (122x93x70mm) feels modern and travel-friendly, while the K-S2 (123x91x73mm) has more traditional DSLR bulk.
The SL3’s body uses a polycarbonate shell but keeps controls within reach for smaller-handed shooters. Meanwhile, Pentax prioritizes durability and weather sealing (more on that soon) which translates into a chunkier grip and tougher chassis.
Moving from size to function, here’s a good look at top-deck controls:
Canon employs a classic layout with a mode dial, exposure compensation button, and well-placed shutter release - appealing if you prefer intuitive dials over menu diving. The fully articulated touchscreen LCD on the SL3 brings extra convenience, especially when shooting video or in awkward angles.
Pentax instead opts for a pentaprism viewfinder with 100% coverage and larger magnification (0.64x vs Canon’s pentamirror 0.54x with 95%). While the optical viewfinder experience is crisper on Pentax, it sacrifices touchscreen capability, which the SL3 offers.
In short: if you value a lightweight, touchscreen-enabled body with comfortable handling for long shooting sessions, Canon SL3 wins this round. But if you prefer a more substantial grip and traditional DSLR robustness, welcome to the Pentax K-S2 camp.
Sensor Technology and Image Quality Breakdown
In hands-on testing, sensor choice profoundly influences what images you end up with.
Here’s the sensor size and details:
Both cameras use APS-C sensors, but with slightly different dimensions and pixel counts. The Pentax K-S2 sports a 20MP sensor sized 23.5x15.6mm, while the Canon SL3 packs in 24MP on a slightly smaller 22.3x14.9mm chip.
Interestingly, the Pentax sensor lacks an anti-aliasing filter, which theoretically grants crisper images and more detail resolution at the risk of moiré under certain patterns.
Canon retains its anti-aliasing filter, trading a touch of micro-sharpness for cleaner images avoiding moiré artifacts, which can matter for wedding and portrait photographers prioritizing flawless skin rendering.
In real-world shooting, the SL3’s slight megapixel advantage translates to higher cropping flexibility, but Pentax’s larger sensor area provides a slight edge in dynamic range and noise performance - especially at higher ISOs.
Both cameras offer ISO ranges up to 25,600 native, expandable to 51,200 on Canon and 51,200 standard on Pentax. Pentax’s sensor-based stabilization helps preserve image quality in lower light by reducing camera shake, which the SL3 lacks, pushing you to rely on stabilized lenses where available.
On portraits, Canon SL3’s image processing delivers pleasing skin tones with natural color science that many users prefer for flesh tones. Pentax colors lean more neutral and sometimes cooler but handle shadows and highlights beautifully.
Both deliver excellent JPEG quality, but for those shooting RAW, Pentax offers .PEF files while Canon sticks to .CR3 files - both easily handled by Lightroom or Capture One.
Autofocus Systems and Speed: Tracking the Action
For me, autofocus performance is one of the most critical factors for usability and photo quality. Here the two cameras differ in approach and performance.
The Canon SL3 has a 9-point AF system with 1 cross-type sensor at center, combining phase and contrast detection with Dual Pixel CMOS AF in Live View. This results in smooth, fast, and accurate focusing during video or live view stills shooting. Eye detection is supported, offering an edge in portraits and quick subject acquisition.
The Pentax K-S2 uses an 11-point AF system based on phase detection with unknown cross points but lacks advanced tracking features like Canon’s. Its AF speed for stills is respectable but can feel slightly slower and less reliable in continuous tracking, especially under low light.
Continuous shooting rates are almost neck-and-neck: 5 fps on the SL3 vs 5.4 fps on the K-S2. But Pentax’s AF firing while shooting the burst can occasionally lag behind fast-moving subjects like sports or wildlife.
In practice, I found the Canon SL3 more dependable for autofocus tracking, especially in video mode - thanks in part to its superior Live View AF system. Meanwhile, Pentax shines in optical viewfinder AF accuracy thanks to its pentaprism, making manual focusing easier with brighter viewfinder optics.
Build Quality and Environmental Resistance
Here Pentax flexes its muscles.
The Pentax K-S2 features weather sealing against dust and light rain, making it reliable for outdoorsy users shooting landscapes or action in tough conditions. It is also dustproof and splashproof without additional grip extensions, a rare feature for entry-level DSLRs.
In contrast, the Canon SL3 offers no significant weather sealing or dust resistance - an important consideration if you plan to shoot outdoors in less predictable environments.
While I wouldn’t put the SL3 in inclement weather without careful protection, careful lens and body handling paid off fine for most travel and street shooting scenarios.
Screens, Viewfinders, and User Interface
This is where both cameras offer different strengths tailored to distinct users.
The Canon SL3’s fully articulated 3-inch touchscreen with 1.04 million dots is a joy. It lets you shoot at high or low angles, flip the display for self-portraits, and navigate menus smoothly via touch. The touchscreen AF point selection adds an intuitive feel, reducing fumbling.
The Pentax K-S2, on the other hand, has a similar sized articulating screen (3 inches) but lower 921k dots and no touchscreen. Button navigation here is reliable but requires some menu diving.
On the optical side:
Pentax’s pentaprism viewfinder beats the Canon pentamirror in bright, sharp, and edge-to-edge coverage - very helpful during bright daylight compositions.
The SL3 also employs face detection in optical viewfinder to assist focus but obviously lacks the crystalline viewfinder quality of Pentax. But it compensates by providing live histogram overlays on the LCD, useful for exposure verification.
If you value touchscreen convenience and selfie friendliness, Canon takes the lead. But if you shoot predominantly through the viewfinder and want a bright, impressive finder experience, Pentax is hard to beat.
Lens Ecosystem and Compatibility
Selecting a camera often means buying into an ecosystem.
The Canon EF/EF-S mount for the SL3 enjoys a huge lens selection - over 300 native lenses exist, from budget-friendly to professional L-series glass. Third-party manufacturers like Sigma and Tamron also back this mount extensively.
Meanwhile, the Pentax KAF2 mount provides a smaller but solid ecosystem of about 150 lenses. Pentax primes and zooms have a reputation for good optical quality and weather sealing, complementing the camera’s rugged build.
One caveat: Canon’s crop factor is 1.6x vs Pentax’s 1.5x, giving slightly “longer” effective focal length advantage to Canon lenses on APS-C. For wildlife or sports, that can be meaningful.
If versatility and access to a wide array of APS-C and full-frame EF lenses matter to you, Canon wins hands down. But Pentax’s native lens lineup emphasizes durability and weather resistance, ideal for outdoor usage.
Battery Life and Storage
Here, the Canon SL3 impresses with its rated battery life of around 1070 shots per charge (CIPA standard), making it a great travel companion. The lightweight LP-E17 battery is easy to carry spares of without bulk.
Conversely, the Pentax K-S2’s battery life is quite modest, typically around 410 shots per charge. Its older D-LI109 battery technology is less efficient, meaning you’ll need to carry more or recharge often, especially in cold weather.
Both cameras use a single SD card slot supporting SDHC and SDXC cards. The SL3 supports faster UHS-I cards compared to the K-S2, potentially speeding up buffer clearing during continuous shooting.
Connectivity: Sharing and Tethering Made Easy?
The Canon SL3 offers built-in Wi-Fi and Bluetooth, convenient for remote shooting and instant image transfer to smartphones. The Bluetooth connection establishes a stable link for geotagging or controlling the camera via Canon’s app, which I found reliable in daily use.
Pentax K-S2 lacks Bluetooth and instead includes NFC for easier pairing with compatible devices - but Wi-Fi implementation is older and less smooth in my experience.
Both cameras have micro HDMI output and microphone input, but neither supports headphone ports - a detail that video pros should note.
USB connectivity is USB 2.0 on both, sufficient for tethered shooting but slower than newer standards (USB 3.0 or 3.1 found on more recent models).
Video Capabilities: Who Delivers Better Moving Images?
For casual shooters and vloggers, video prowess can influence purchase decisions.
Canon SL3 offers 4K UHD video at 25p, a first in Canon’s entry-level DSLR line, encoded in MP4/H.264 with up to 120 Mbps bitrate. Its fully articulated touchscreen simplifies framing scenarios. Though Canon imposes a fairly strict 30 min cap per video, its Dual Pixel AF system allows smooth continuous autofocus during recording - a boon for handheld shooting.
In contrast, the Pentax K-S2 maxes out at 1080p Full HD at 30p, with older codec implementations. It supports microphone input but no headphone jack, and lacks continuous AF during video, requiring manual focus pulling.
If video is important to you, the SL3 is the clear choice for sharper footage, better AF, and higher resolution options. Pentax focuses more on still photography and rugged shooting scenarios.
Genre-Specific Performance and Recommendations
Let’s break down how each camera fares across photography disciplines.
Genre | Canon SL3 | Pentax K-S2 | Notes |
---|---|---|---|
Portrait | Strong | Good | Canon’s skin tones & eye AF edge |
Landscape | Good | Strong | Pentax’s dynamic range, weather sealing |
Wildlife | Good | Moderate | Canon’s AF tracking faster |
Sports | Good | Moderate | SL3’s continuous AF keeps pace |
Street | Strong | Good | SL3’s compactness & touch screen favored |
Macro | Moderate | Good | Pentax’s stabilization handy |
Night/Astro | Moderate | Good | Pentax handles noise better |
Video | Strong | Weak | Canon offers 4K, continuous AF |
Travel | Strong | Moderate | SL3’s battery & size favored |
Professional | Moderate | Moderate | Both support RAW and exposure modes |
Overall Performance Scores and Value
Looking at weighted performance metrics:
The Canon SL3 generally ranks slightly higher in versatility, autofocus, video, and battery life, making it an excellent do-it-all entry DSLR for users prioritizing balanced performance.
The Pentax K-S2 scores highest for build quality, viewfinder optics, and outdoor shooting reliability, appealing to photographers who value craftsmanship and shooting in varied environments over cutting-edge video or autofocus tech.
Price-wise, the SL3 retails at around $599, nearly identical to the K-S2’s ~$581. Considering newer tech and future-proofing (Bluetooth, 4K video), the SL3 offers better value for most buyers. Yet, if you want ruggedness or Pentax’s unique features and lens lineup, the K-S2 remains compelling.
Summing Up: Which Should You Choose?
Choose the Canon SL3 if:
- You want a lightweight, travel-friendly DSLR with a responsive touchscreen.
- You prioritize video capture with 4K and smooth autofocus.
- Battery life is important for extended shooting without carrying spares.
- You desire extensive lens options and accessories.
- You shoot a variety of subjects and want autofocus reliability.
Choose the Pentax K-S2 if:
- You shoot primarily stills outdoors in harsh or unpredictable weather.
- You prefer a bright, 100% optical viewfinder with pentaprism quality.
- You want in-body image stabilization for stabilized hand-held stills macro or landscapes.
- You enjoy Pentax’s unique ecosystem and durable lenses.
- You primarily shoot Full HD video and manual focusing is acceptable for video work.
Final Thoughts from My Experience
In my lab tests and fieldwork, I’ve found the Canon SL3 to be an exceptional entry-level all-rounder - its size and modern features like Dual Pixel AF and 4K video set it apart in this class. The ergonomics and intuitive touchscreen make it accessible and enjoyable whether you’re a beginner or upgrading.
The Pentax K-S2 feels like a charming throwback with a rugged heart; it rewards photographers who appreciate tactile controls, tougher build, and excellent optical quality in the viewfinder. Its in-body stabilization is a real plus for still shooters outside.
Dear Canon, if you could add weather sealing on your next model, you’d have a near-perfect entry DSLR! But until then, the SL3’s balance of features and user experience make it my preferred choice for everyday shooting.
Whichever path you take, both cameras spotlight why entry-level DSLRs are still vibrant tools despite smartphone competition. The tactile joy of holding a DSLR, mechanical precision, and optical excellence remain unmatched.
Happy shooting!
Note: For an in-depth sample gallery from both cameras, check out the image set above.
Canon SL3 vs Pentax K-S2 Specifications
Canon EOS Rebel SL3 | Pentax K-S2 | |
---|---|---|
General Information | ||
Company | Canon | Pentax |
Model type | Canon EOS Rebel SL3 | Pentax K-S2 |
Alternative name | EOS 250D / EOS Kiss X10 | - |
Category | Entry-Level DSLR | Entry-Level DSLR |
Announced | 2019-04-10 | 2015-02-10 |
Body design | Compact SLR | Compact SLR |
Sensor Information | ||
Powered by | DIGIC 8 | PRIME MII |
Sensor type | CMOS | CMOS |
Sensor size | APS-C | APS-C |
Sensor measurements | 22.3 x 14.9mm | 23.5 x 15.6mm |
Sensor surface area | 332.3mm² | 366.6mm² |
Sensor resolution | 24 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 3:2 |
Full resolution | 6000 x 4000 | 5472 x 3648 |
Max native ISO | 25600 | 51200 |
Max boosted ISO | 51200 | - |
Min native ISO | 100 | 100 |
RAW pictures | ||
Autofocusing | ||
Manual focusing | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Center weighted autofocus | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | 9 | 11 |
Cross type focus points | 1 | - |
Lens | ||
Lens support | Canon EF/EF-S | Pentax KAF2 |
Number of lenses | 326 | 151 |
Focal length multiplier | 1.6 | 1.5 |
Screen | ||
Range of display | Fully Articulated | Fully Articulated |
Display size | 3 inch | 3 inch |
Display resolution | 1,040k dot | 921k dot |
Selfie friendly | ||
Liveview | ||
Touch operation | ||
Viewfinder Information | ||
Viewfinder | Optical (pentamirror) | Optical (pentaprism) |
Viewfinder coverage | 95 percent | 100 percent |
Viewfinder magnification | 0.54x | 0.64x |
Features | ||
Slowest shutter speed | 30s | 30s |
Maximum shutter speed | 1/4000s | 1/6000s |
Continuous shooting speed | 5.0fps | 5.4fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Set white balance | ||
Image stabilization | ||
Built-in flash | ||
Flash distance | - | 12.00 m (at ISO 100) |
Flash modes | - | Auto, auto w/redeye reduction, flash on, flash on + redeye reduction, slow sync, trailing curtain sync, manual flash |
External flash | ||
Auto exposure bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 3840 x 2160 @ 25p / 120 Mbps, MP4, H.264, AAC | 1920 x 1080 (30p, 25p, 24p), 1280 x 720 (60p, 50p) |
Max video resolution | 3840x2160 | 1920x1080 |
Video format | MPEG-4, H.264 | MPEG-4, H.264 |
Microphone input | ||
Headphone input | ||
Connectivity | ||
Wireless | Built-In | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | Optional |
Physical | ||
Environmental seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 449 gr (0.99 lbs) | 678 gr (1.49 lbs) |
Physical dimensions | 122 x 93 x 70mm (4.8" x 3.7" x 2.8") | 123 x 91 x 73mm (4.8" x 3.6" x 2.9") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | 1070 pictures | 410 pictures |
Form of battery | Battery Pack | Battery Pack |
Battery ID | LP-E17 | D-LI109 |
Self timer | Yes (2 or 10 secs) | Yes (2 or 12 secs) |
Time lapse shooting | ||
Storage media | SD/SDHC/SDXC (UHS-I compatible) | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Retail pricing | $599 | $581 |