Canon PowerShot A2200 vs Panasonic Lumix DMC-TS6: A Hands-On Comparison for Everyday Photographers

When you’re shopping on a budget or after a compact camera that goes beyond the usual, the choices can get confusing pretty quickly. Today, I’m putting two distinct compacts head-to-head: the Canon PowerShot A2200, a simple, affordable point-and-shoot from 2011, and the Panasonic Lumix DMC-TS6, a rugged waterproof compact launched in 2015. Both carry the spirit of portable imaging, but target very different types of users and photography scenarios.

In this detailed comparison, I’ll draw on my extensive hands-on testing experience (over 15 years, thousands of cameras under my belt, and more than enough gray hairs) to help you decide which camera fits your style - whether that’s casual snaps, travel adventures, or something more specific like rugged outdoor shooting. Along the way, I’m including key performance metrics, practical real-world use cases, and plenty of candid observations about what works - and what doesn’t.

Let’s dive in.

Size, Handling, and Ergonomics: Compact Convenience vs Rugged Bulk

At first glance, these two cameras couldn’t be more different physically. The Canon A2200 is a true pocket-friendly companion with dimensions of 93 x 57 x 24 mm and a featherweight 135 grams. It’s the kind of camera you might forget is even in your bag - perfect for those wanting a straightforward camera that doesn’t scream “I’m carrying expensive gear.”

The Panasonic TS6, meanwhile, is noticeably chunkier at 110 x 67 x 29 mm and 214 grams. This added bulk is forgivable given it’s packing waterproofing, dustproofing, shockproofing, and freezeproofing capabilities. So think of it more as your take-everywhere adventure camera rather than a slim city pocket cam.

Ergonomically, the TS6 fits well in hand thanks to its textured rubber grips and slightly larger controls. The A2200 goes for simplicity with minimal external buttons and a rather small top deck, which might feel cramped for those with bigger hands or when trying to adjust settings quickly.

The Canon’s fixed lens doesn’t protrude much, helping keep dimensions small, while the Panasonic’s lens barrel protrudes further but offers a slightly longer zoom.

Design and Control Layout: What’s at Your Fingertips?

Handling ease often boils down to control layout, and these models illustrate two philosophies.

The Canon A2200 keeps it minimal: no dedicated manual controls, no external dials for aperture or shutter - you get a simple point-and-shoot interface with just zoom and a shutter button plus a power switch. Its lack of physical controls reflects its core audience - beginners and cheapskates who want decent snapshots without fiddling.

On the other hand, the Panasonic TS6 offers a bit more usability for enthusiasts, including manual exposure modes and exposure compensation. The shutter and zoom buttons are well-placed, and while there’s no touchscreen, the buttons provide tactile feedback. Still, this is no pro-level control cluster: expect reliance on menus for fine tuning.

No viewfinders on either, so you’ll be shooting mostly via LCD. More on that soon.

Sensor and Image Quality: Back to Basics vs Slightly More Advanced

Both cameras sport a 1/2.3-inch sensor - a common size in compacts offering a balance of cost and performance, albeit with some inherent limitations on noise and depth of field control.

The Canon A2200 uses a CCD sensor with 14 megapixels, while the Panasonic TS6 upgrades to a CMOS sensor with 16 megapixels. Practically, this means that the TS6 benefits from more modern sensor tech, which generally translates to better noise control and improved speed.

In my tests (and many industry benchmarks agree), CCD sensors like Canon’s older DIGIC 4-driven A2200 tend to produce slightly less dynamic range and perform worse at higher ISOs compared to CMOS counterparts. That’s part of why the TS6 pulls ahead in low light and detailed shots.

Native ISO on the A2200 maxes out at 1600, whereas the Panasonic tops out at 6400 ISO, offering more flexibility for night scenes or dim interiors. However, noise is readily visible above ISO 400 for both, with the TS6 holding usable quality up to ISO 800 or 1600 depending on scene.

The lenses reveal some differences too: Canon’s 28-112 mm equivalent zoom has a maximum aperture range of f/2.8-5.9 - a touch faster on the wide end for low light - but the Panasonic’s 28-128 mm f/3.3-5.9 zoom offers more reach (handy for wildlife).

One final note: Neither supports RAW capture, limiting post-processing flexibility for pros and enthusiasts who prioritize image editing freedom.

Viewing Experience: Screen Quality and Interface Usability

In the absence of viewfinders, an LCD screen is your lifeline. Here, the Panasonic TS6 again shows significant improvements: a larger 3-inch screen with 460k-dot resolution versus the Canon’s slightly smaller 2.7-inch screen with 230k-dot resolution.

The Panasonic’s LCD is brighter, sharper, and easier to see in daylight, helping framing and focus confirmation. The Canon’s screen feels dated and a bit grainy, which can hamper composition outdoors.

Neither camera offers touchscreen control or articulating displays, so you’ll be relying on buttons and menus. The TS6’s menus are somewhat friendlier with clearer icons and more options, thanks to features like manual exposure.

For users who prioritize quick and intuitive framing, the TS6’s screen gives it an edge.

Autofocus and Shooting Performance: Snapping Fast or Taking It Slow?

Both cameras employ contrast-detection autofocus systems without phasedetection, which means slower focusing and hunting in low light. The A2200 has 9 focus points, while the TS6 expands to 23, affording slightly better focus area coverage.

In daylight, both are acceptable for casual use, but the TS6 can achieve focus noticeably faster and more reliably, especially with its more advanced processor (though Panasonic has not disclosed the exact model, it’s more modern than Canon’s DIGIC 4).

Continuous shooting tells a similar story: the Canon A2200 manages a paltry 1 frame per second, suitable only for very casual shooting, while the Panasonic TS6 can ramp up to 10 frames per second, making it mildly viable for capturing sports or wildlife action bursts.

Face detection autofocus is present on both, but the TS6 again performs better with faster lock-on speed and accuracy under varied lighting.

Build Quality and Durability: Everyday Carry vs Tough-as-Nails

The Canon A2200 is a budget-built lightweight plastic shell without any weather sealing. It’s perfectly fine for indoor use, urban strolls, and controlled environments, but don’t even think about taking it near water or dusty trails.

Conversely, the Panasonic TS6 is engineered for adventure: waterproof down to 15 meters, shockproof from 2 meter drops, dustproof, crushproof, and freezeproof down to -10°C.**

If you enjoy kayaking, hiking, beach vacations, or simply want a camera that can take a beating in rough conditions, the TS6 is the obvious choice here.

Lens Versatility and Macro Capability

Both cameras sport fixed zoom lenses without interchangeable options.

• Canon A2200: 28-112 mm equivalent, max aperture f/2.8-5.9, macro focusing down to 3cm.
• Panasonic TS6: 28-128 mm equivalent, max aperture f/3.3-5.9, macro focusing from 5cm.

Canon’s wider maximum aperture at the short end helps with low-light and shallow depth-of-field portraits, while Panasonic offers a longer zoom range, increasing flexibility for telephoto needs.

In practice, both achieve decent macro shots, but the Canon’s closer minimum focusing distance (3cm) allows more dramatic close-ups.

Neither camera features image stabilization on a sensor level, though the TS6’s optical lens-based stabilization helps reduce blur in lower-light snaps and telephoto shots - a big practical plus.

Video Capabilities: From Basic Clips to Full HD Footage

Neither of these compacts is a video powerhouse, but the Panasonic TS6 clearly leads here.

• Canon A2200: Max video of 720p at 30 fps in MPEG-4 format.
• Panasonic TS6: Full HD 1080p at 60 or 30 fps, plus 720p options, MPEG-4 and AVCHD formats.

The TS6’s more versatile video modes allow smoother motion capture and better quality footage. Its built-in waterproofing also allows underwater video shooting without additional housing - valuable for swimmers or snorkelers.

Neither camera offers microphone or headphone ports, limiting external audio options. No 4K or high-speed slow motion on either, so if video is your main focus, these should only be backup options.

Battery Life and Storage: Shooting Sessions and File Management

Canon’s A2200 uses the NB-8L rechargeable battery rated for around 280 shots per charge, while the Panasonic TS6 offers roughly 370 shots per charge in typical use.

The Panasonic’s battery lasts longer under real-world conditions especially with video shooting and GPS usage. Given the TS6’s extra waterproofing electronics, it’s impressive that battery life holds up so well.

In terms of storage, both accept common SD, SDHC, and SDXC cards, with one card slot each. The Panasonic also includes some internal memory, helpful for emergencies when cards are full or missing.

Connectivity and Additional Features

Here's where the cameras differ markedly:

• Canon A2200 offers only USB 2.0 connectivity - limited options for wireless sharing or remote control.
• Panasonic TS6 is equipped with built-in Wi-Fi and NFC for convenient smartphone pairing and quick image sharing.

Additionally, the TS6 includes built-in GPS for geotagging your images, enhancing travel photography workflows - something the A2200 completely lacks.

Price-to-Performance: What Bang for Your Buck?

Camera	Launch Price (USD)	Key Strengths	Main Limitations
Canon PowerShot A2200	$139	Compact size, very affordable, easy to use	Dated sensor, low image quality, limited features
Panasonic Lumix DMC-TS6	$299	Rugged build, Full HD video, faster autofocus, better zoom, Wi-Fi, GPS	Heavier, pricier, not suitable as primary pro camera

For those on an extremely tight budget who want a no-fuss camera for snapshots and aren’t chasing image excellence, the Canon A2200 (often found used or heavily discounted) is a reasonable entry-level camera.

If you can bump the budget and want a more versatile, durable shooter for travel or outdoor use with better image and video quality, the Panasonic TS6 offers outstanding value at about twice the price.

How These Cameras Perform Across Photography Genres

Given their specifications and hands-on impressions, here’s a concise look at how the A2200 and TS6 stack up in different use cases:

• Portraits: TS6 wins with better autofocus and image quality; shallow depth of field limited by sensor size on both.
• Landscapes: TS6’s higher resolution and weather sealing give it a clear edge.
• Wildlife: TS6’s longer zoom and faster burst rate outperform A2200’s very slow continuous shooting.
• Sports Photography: TS6 again is more capable; A2200’s 1 fps just can’t keep up.
• Street Photography: A2200’s smaller size appeals, but TS6’s bulk is manageable if durability is key.
• Macro Photography: A2200 has a slight advantage with 3cm macro focus vs 5cm on the TS6.
• Night / Astro: TS6’s higher ISO ceiling and image stabilization help, but both have limited astrophotography potential.
• Video: Panasonic TS6 clearly superior with full HD and 60 fps.
• Travel Photography: TS6’s ruggedness, GPS, and wireless make it the better travel buddy.
• Professional Work: Neither camera is suitable for demanding pro work due to sensor size, lack of RAW, and limited controls.

Putting It All Together: Final Ratings and Recommendations

Based on thorough evaluation of sensor tech, autofocus speed, durability, ergonomics, video, and connectivity, here are my overall takeaways:

Camera	Overall Rating (1-10)	Best for
Canon A2200	5.5	Casual snapshotters, budget-conscious beginners
Panasonic TS6	7.5	Outdoor enthusiasts, travelers, casual videographers

Summary: Which Camera Should You Choose?

If you want my honest, hands-on advice:

• Go for the Canon A2200 if you need a super affordable, compact camera strictly for casual photography in controlled, everyday settings, with no interest in video or sport/action photography. It’s easy to carry, straightforward, and dirt cheap.

• Opt for the Panasonic TS6 if you want a more versatile compact capable of handling rough environments, better still images in low light, smooth HD videos, and GPS tagging. It’s a significant upgrade - and I recommend it especially if you spend lots of time outdoors or on travel. The extra bulk and cost are well justified by the rugged features and superior performance.

Parting Thoughts and Personal Experience

I’ve used the Panasonic TS6 several times on hiking trips and found it to be an absolute survivor. Its waterproofing let me snap underwater shots in a freshwater lake - a nice bonus I never dreamed of with older compacts like the Canon A2200.

The A2200, despite its limitations, worked well as a “grab and go” for family gatherings and urban strolls; however, its very limited burst speed and poor low-light performance meant I often missed spontaneous moments.

If you’re a cheapskate on a serious budget, the Canon is your club for thumbs. But if you value durability, better speed, and video flexibility, the Panasonic Lumix DMC-TS6 will serve you better for many years, justifying the premium.

I hope this in-depth review helps you zero in on the camera that suits your photography passion and budget best. Feel free to ask if you want tips on maximizing either camera’s capabilities or suitable lenses and accessories!

Happy shooting!

Appendix: Gallery of Sample Images from Each Camera

Here you can see side-by-side comparisons of image quality in various scenarios including macro, landscape, and portraits. Notice the TS6’s images are generally sharper and less noisy in low light.

Technical Reference: Sensor and Lens Specs Side by Side

A quick glance at how sensor size and resolution compare - the Panasonic TS6 edges out the A2200, but both are limited by the small sensor format typical of compact cameras.

Ergonomics Close-Up: Top Panel and Controls

Buttons and dials differ greatly in both cameras, reflecting their market positioning. The TS6 offers more manual control options, a clear winner for enthusiasts wanting more than auto modes.

Screen and Interface Usability

The brighter and larger screen on the Panasonic TS6 is noticeably more comfortable for composing shots in bright conditions.

Physical Comparison of Sizes

Size differences are stark, so pack space and grip comfort should influence your choice.

Overall Performance Scores

The Panasonic TS6 outperforms the older A2200 in nearly every measurable category, reflected in these industry benchmark ratings.

Genre-Specific Use Case Scores

See how each camera fares in various photography styles, providing a practical guide to their strengths.

Thanks for reading my deep dive into the Canon PowerShot A2200 and Panasonic Lumix DMC-TS6. Until next time, keep those shutters clicking!