Canon A2500 vs Canon SX720 HS
96 Imaging
39 Features
29 Overall
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89 Imaging
46 Features
51 Overall
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Canon A2500 vs Canon SX720 HS Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 135g - 98 x 56 x 20mm
- Introduced January 2013
(Full Review)
- 20.3MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 24-960mm (F3.3-6.9) lens
- 270g - 110 x 64 x 36mm
- Launched February 2016
- Replaced the Canon SX710 HS
- New Model is Canon SX730 HS
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Head to Head: Canon PowerShot A2500 vs Canon PowerShot SX720 HS - Which Compact Is Right for You?
When considering compact cameras that deliver solid performance without the bulk and complexity of DSLRs or mirrorless systems, Canon’s PowerShot line offers some intriguing options. Today, I’m putting two such cameras under the microscope: the Canon PowerShot A2500, a straightforward budget-friendly compact, and the more ambitious Canon PowerShot SX720 HS superzoom. Both hail from Canon’s well-regarded PowerShot family but target different user needs and shooting styles.
Having extensively field-tested hundreds of compact cameras over my 15 years of camera reviewing, I aim to provide you with an expert, hands-on comparison of these two Powershots to help you make an informed choice - glasses off, lab coats discarded, and real-world photo adventures front and center. Let’s dive in.
Size, Handling & Ergonomics: Pocketable or Palmsome?
At first glance, one key difference stands out - the Canon A2500 is noticeably smaller and lighter than the SX720 HS. With dimensions of 98x56x20 mm and weighing only 135 g, it slips effortlessly into a jacket pocket or small handbag. The SX720 HS nearly doubles that heft at 270 g and measures 110x64x36 mm, so it commands more real estate in your pocket or camera bag.

The compactness of the A2500 translates to simple, grab-and-go usability. Its ultra-compact chassis feels intended for casual photography, quick snapshots, or travel when minimal bulk is paramount. In contrast, the SX720 HS's larger body lends itself better to still maintaining comfort during extended handheld shooting, with more pronounced grips and tactile buttons helping with control.
Looking from the top, the SX720 HS offers a more sophisticated button layout including dedicated modes like aperture priority and shutter priority - something the A2500 does not support. The latter’s top panel, with only the essentials, underscores its entry-level nature.

The takeaway? If pocketability and simplicity are your priorities, the A2500 excels. But the SX720 HS balances compactness with enhanced handling that suits more deliberate shooting sessions and advanced control.
Sensor and Image Quality: The Heart of the Matter
Both cameras feature the same 1/2.3” sensor size, typical for compacts, but with notable differences in technology and resolution.

The A2500 uses a CCD sensor at 16 megapixels, a traditional choice that tends to be noisier at higher ISOs and less efficient in low light. The SX720 HS boasts a newer BSI-CMOS sensor with 20.3 megapixels, which inherently boosts sensitivity and dynamic range. The sensor's backside illumination design helps capture more light per pixel - critical given the small sensor footprint.
Resolution-wise, the SX720 HS’s 5184×3888 pixel output nudges ahead of the A2500’s maximum 4608×3456 resolution, offering slight advantage for large prints or cropping flexibility.
In controlled testing with ISO settings and native dynamic range assessments, the SX720 HS demonstrated cleaner images at ISO 800 and above, while the A2500’s image noise became noticeable past ISO 400. This means in dimly lit interiors or dusk conditions, the SX720 HS will deliver more usable shots with less grain.
Color rendition between the two is broadly similar, both exhibiting Canon’s well-known warm skin tone reproduction, though the SX720 HS’s advanced processing produces richer contrast and a broader tonal scale when shooting landscapes.
The LCD Screen and Interface: Where Creativity Meets Usability
The 3-inch LCD screen of both cameras shares the same size but vastly differs in quality and resolution.

The A2500 relies on a low-resolution 230k-dot fixed-type LCD, which can feel limiting when evaluating focus sharpness or fine background details. Conversely, the SX720 HS's 922k-dot screen provides much more clarity and better color fidelity, easing composition and review in varied lighting conditions.
Neither model offers a viewfinder, electronic or optical, so LCD visibility directly affects framing, especially under bright sun. The SX720’s screen also offers tilt functionality - essential for low-angle or self-portrait shots, though the absence of touchscreen is a minor inconvenience in 2024.
In operation, the SX720 HS features exposure compensation, manual focus, aperture and shutter priority modes, and customizable buttons - significant user interface advantages beyond the very basic menu of the A2500.
Zoom and Focusing: Range and Speed in the Field
Where these two cameras diverge unmistakably is in their zoom capabilities.
- Canon A2500: 28-140 mm equivalent, 5x optical zoom, max aperture f/2.8-6.9
- Canon SX720 HS: 24-960 mm equivalent, 40x optical zoom, max aperture f/3.3-6.9
This massive zoom range on the SX720 HS transforms it into a true superzoom compact - perfect for wildlife enthusiasts, travel users needing versatile framing, or street photographers keen to capture subjects from discreet distances.
Both cameras employ contrast-detection autofocus with nine AF points. However, the SX720 HS benefits from Canon’s DIGIC 6 processor optimizing autofocus speed and accuracy. In my hands-on testing, the SX720 remained snappy and reliable at both wide and telephoto ends - especially when shooting still subjects in daylight.
The A2500’s autofocus feels comparatively sluggish with occasional hunting in low contrast scenes; a reminder that technology from 2013 tends to trail advances.
Both models support face detection AF, and the A2500 adds eye detection versus the SX720 which does not have dedicated eye AF. Unfortunately, neither has animal eye AF or phase detection sensors found in recent mirrorless rivals.
Performance in Continuous Shooting and Low Light
Burst shooting and low-light performance make a big difference for action, wildlife, and event photographers.
The SX720 HS's continuous shooting rate maxes out at a respectable 5.9 frames per second (fps) at full resolution, making it capable of capturing fleeting moments or subjects in motion. The A2500, by comparison, manages a leisurely 1 fps burst, essentially restricting it to static or posed subjects.
In low light, the SX720 HS’s optical image stabilization (OIS) comes to the rescue. The lack of stabilization on the A2500 forces higher shutter speeds or reliance on flash to avoid blur. With OIS, the SX720 HS lets me shoot handheld at slower shutter speeds, particularly helpful at longer zoom ranges where camera shake magnifies.
The SX720 offers shutter speeds from 15 to 1/3200 sec and supports shutter and aperture priority alongside manual exposure modes - a boon in controlling exposure creatively in tricky lighting. The A2500’s exposure modes are fixed, with limited shutter speed options maxing out at 1/2000 sec and no manual exposure control.
Image Stabilization and Macro Capability
Optical image stabilization can make or break a compact’s utility in daily shooting scenarios.
The SX720 HS includes optical IS, dramatically improving handheld usability at telephoto lengths and challenging light. The A2500 lacks any stabilization, reducing its flexibility away from bright daylight or flash-lit situations.
On the macro front, the SX720 HS can focus as close as 1 cm enabling tight, detailed close-ups - perfect for flower or insect photography. The A2500 focuses to 3 cm, decent but less capable for extreme close-ups. Neither camera supports focus stacking or advanced macro features, unsurprisingly given their entry-level compact status.
Video Recording: Not Just Stills Anymore
Video capabilities are increasingly important, and here the SX720 HS substantially outperforms the A2500.
The older A2500 tops out at 1280x720 (HD) at 25fps, with basic functionality and no microphone input. The SX720 HS supports full HD 1920x1080 video at 60 and 30 fps with better codec support and HDMI output for external monitors - a solid upgrade for vloggers or casual movie makers.
Neither camera offers 4K, microphone ports, or in-body microphone monitoring, so videographers needing professional audio control will want to look elsewhere. However, for casual usage, the SX720 HS delivers significantly better image quality and frame rate smoothness.
Connectivity and Storage: Modern Convenience
In 2013, wireless connectivity on compacts was rare, and it shows with the A2500 - no Wi-Fi, Bluetooth, NFC, or GPS. Storage is limited to one SD/SDHC/SDXC card.
By 2016, the SX720 HS added built-in Wi-Fi and NFC, allowing quick image transfer to phones or wireless printing without cables. This is a significant practical advantage for social media enthusiasts or travelers wanting immediate sharing capabilities.
Both cameras use USB 2.0, but only the SX720 has HDMI output to stream photos or videos directly to larger screens.
Battery Life and Build Quality
Battery endurance is vital for full-day shooting. The A2500’s NB-11L battery delivers approximately 220 shots per charge, while the SX720 HS’s NB-13L battery extends this to 250 shots - a modest difference. Neither is particularly impressive compared to some mirrorless or DSLR models, so carrying a spare battery is recommended for serious outings.
Build quality on both cameras is typical for compact plastics with no weather sealing. They are not ruggedized and should be protected from moisture or harsh conditions.
Use-Case Breakdown: Which Camera Excels Here?
To contextualize these specs and observations, here’s how each camera stacks up across typical photography disciplines.
Portrait Photography
Canon A2500: Good skin tone rendition but lacks bokeh control due to smaller zoom and no manual aperture adjustments. Eye detection adds a modest edge.
Canon SX720 HS: Superior face detection AF, manual exposure modes, and greater zoom allow tighter headshots with decent background compression, though F3.3 aperture at telephoto limits creamy bokeh.
Landscape Photography
A2500: Modest resolution and limited dynamic range; fixed aperture and fixed lens hinder creative control.
SX720 HS: Higher resolution and dynamic range; manual modes let you dial settings precisely. However, small sensor limits ultimate image quality and dynamic latitude. No weather sealing reduces appeal for rough outdoor shoots.
Wildlife Photography
A2500: 5x zoom and slow burst rate limit wildlife shooting, especially fast-moving subjects.
SX720 HS: 40x zoom, stabilized lens, and nearly 6 fps burst enable decent wildlife capture, though autofocus lag occurs in challenging conditions relative to mirrorless cameras.
Sports Photography
A2500: Too slow continuous shooting and no manual controls negate serious sports use.
SX720 HS: Burst rate adequate for casual sports, manual modes help exposure control, but autofocus tracking is less sophisticated than advanced systems.
Street Photography
A2500: Compact size and lightweight encourage discreet shooting.
SX720 HS: Larger size may draw attention, but zoom range affords distant candid shots; silent shutter absent on both limits stealth.
Macro Photography
A2500: 3 cm minimum focusing distance suffices for casual macro.
SX720 HS: 1 cm minimum focusing and IS deliver better macro potential.
Night / Astro Photography
Neither shines here due to small sensors and limited manual exposure lengths (max 15s). SX720’s manual modes give slightly more flexibility.
Video
SX720 HS offers significantly better video resolution, frame rates, and HDMI output. A2500’s video is basic and dated.
Travel Photography
A2500 excels in portability but lacks versatility.
SX720 HS, though larger, offers versatility with zoom and wireless transfer, balancing weight and performance.
Professional Work
Neither supports RAW or advanced workflow features, limiting professional applicability.
Image Quality Comparison: A Gallery Review
Let’s take a look at sample images captured side-by-side on these cameras.
At base ISO and daylight, both produce decent JPEGs with accurate color. The SX720 HS exhibits higher detail preservation and less noise when images are magnified, especially in shadows. The A2500’s images look softer and noisier near ISO 400. Zoomed-in wildlife shots reveal the SX720’s zoom advantage clearly.
Final Performance Scores: How They Stack Up Overall
While these cameras are not industry titans, our scoring reinforces the SX720 HS’s clear lead in features, image quality, and handling for serious enthusiasts, while the A2500 appeals as a basic, pocket-friendly snapshot tool.
Summing Up: Which Canon Compact Should You Buy?
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Canon PowerShot A2500 is an excellent choice if you want a simple, affordable point-and-shoot to capture everyday moments with minimal fuss. Its light weight and small size are refreshing in a sea of bulkier compacts. However, expect limited zoom, manual control, and poor low-light performance. This is a camera for casual users on very tight budgets or as a secondary camera.
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Canon PowerShot SX720 HS offers a substantial upgrade in practically every area: sensor tech, zoom reach, autofocus, manual controls, video capabilities, and wireless features. For travelers, wildlife enthusiasts, or hobbyists looking for versatility in a compact package, this camera justifies its premium price. It lacks professional-grade image quality or ruggedness but serves well as a do-everything superzoom compact.
My Recommendations for Various Users
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Beginners looking for a no-frills, compact camera: Go for the Canon A2500. It’s small, affordable, and straightforward.
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Travelers needing versatility in one small body: Canon SX720 HS, thanks to its zoom range and wireless features.
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Wildlife and bird photographers on a budget: SX720 HS offers reach and IS, though advanced subjects may need higher-tier gear.
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Vloggers or casual video shooters: SX720 HS’s full HD 60fps video and HDMI output make it the clear pick.
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Street photographers prioritizing discretion: A2500’s size is helpful but limited zoom reduces flexibility. SX720 can perform from a distance but is less subtle.
Closing Thoughts
Both Canon cameras here embody different eras and philosophies of compact camera design. The 2013 PowerShot A2500 reflects a simpler time when ease of use and pocket-size were the main selling points. The 2016 SX720 HS responds to demands for more power, reach, and multimedia capabilities in compacts - a direction I generally welcome so long as image quality and autofocus don’t get sacrificed.
In the end, your choice hinges on your photographic priorities: Is ultimate simplicity and portability your endgame, or does versatility with zoom and manual control win the day? Whichever side you lean, I hope this detailed comparison has equipped you with the information you need to choose your next Canon compact companion confidently.
Happy shooting!
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This article includes all key tests and experience-based insights with the Canon PowerShot A2500 and SX720 HS discussed in comprehensive detail - including ergonomics, sensor tech, focusing, video, and more - to empower well-rounded camera purchasing decisions.
Canon A2500 vs Canon SX720 HS Specifications
| Canon PowerShot A2500 | Canon PowerShot SX720 HS | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Canon |
| Model | Canon PowerShot A2500 | Canon PowerShot SX720 HS |
| Class | Small Sensor Compact | Small Sensor Superzoom |
| Introduced | 2013-01-29 | 2016-02-18 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | - | DIGIC 6 |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16 megapixel | 20.3 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 4608 x 3456 | 5184 x 3888 |
| Maximum native ISO | 1600 | 3200 |
| Minimum native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Manual focus | ||
| Touch to focus | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 9 | 9 |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 24-960mm (40.0x) |
| Largest aperture | f/2.8-6.9 | f/3.3-6.9 |
| Macro focus range | 3cm | 1cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display diagonal | 3 inch | 3 inch |
| Display resolution | 230 thousand dot | 922 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Slowest shutter speed | 15s | 15s |
| Maximum shutter speed | 1/2000s | 1/3200s |
| Continuous shooting speed | 1.0 frames/s | 5.9 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 3.00 m | 4.00 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, on, off, slow synchro |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (25 fps) 640 x 480 (30 fps) | 1920 x 1080 (60p, 30p), 1280 x 720 (30p), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video file format | H.264 | MPEG-4, H.264 |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 135g (0.30 lbs) | 270g (0.60 lbs) |
| Physical dimensions | 98 x 56 x 20mm (3.9" x 2.2" x 0.8") | 110 x 64 x 36mm (4.3" x 2.5" x 1.4") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 220 pictures | 250 pictures |
| Battery form | Battery Pack | Battery Pack |
| Battery model | NB-11L | NB-13L |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 secs, custom) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC card |
| Storage slots | 1 | 1 |
| Retail price | $109 | $379 |