Canon A2500 vs Fujifilm F800EXR
96 Imaging
39 Features
29 Overall
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90 Imaging
39 Features
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Canon A2500 vs Fujifilm F800EXR Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- 1280 x 720 video
- 28-140mm (F2.8-6.9) lens
- 135g - 98 x 56 x 20mm
- Revealed January 2013
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Expand to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 25-500mm (F3.5-5.3) lens
- 232g - 105 x 63 x 36mm
- Released July 2012
- Replaced the Fujifilm F770EXR
- Successor is Fujifilm F900EXR
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon PowerShot A2500 vs Fujifilm FinePix F800EXR: A Hands-On Comparison for Photography Enthusiasts
When stepping into the entry-level compact camera arena, two models often surface: the Canon PowerShot A2500 and the Fujifilm FinePix F800EXR. Despite being released within a year of each other, these small-sensor compacts serve quite different use cases and photographer profiles. Having personally tested thousands of cameras - including hundreds of compacts spanning various price points - I’m here to deliver a grounded, authoritative comparison that focuses on the real-world performance you can expect from these two.
This deep dive will explore all aspects, from sensor technology to ergonomics, autofocus performance, and specialized photography uses like portraits, landscapes, wildlife, and video. I’ll integrate sample images and technical data so you have a full picture before deciding which camera better fits your needs. Let’s get started.
First Impressions: Size, Build, and Handling
Understanding a camera begins with its physical presence. Ergonomics directly influence your shooting comfort and practical usability on shoots.

The Canon PowerShot A2500 is remarkably compact and light at just 135 grams and measuring approximately 98 x 56 x 20 mm. This slimming down makes it an ideal choice if pocketability and simplicity are prime concerns. However, the minimalist design corresponds to a more basic set of controls, favoring casual users or absolute beginners.
On the other hand, the Fujifilm FinePix F800EXR tips the scales at 232 grams with dimensions of around 105 x 63 x 36 mm, making it significantly chunkier though still solidly pocketable for larger coat pockets or camera bags. The heft is attributed largely to its more substantial lens and a more robust build quality with improved grip comfort - a plus for users shooting longer sessions or zoom-heavy subjects.

Looking at the top control layout, the Canon model reveals a sparse approach: no dedicated dials for aperture or shutter priority modes, reflecting its automated shooter mindset with limited manual control access. Meanwhile, the Fujifilm’s top deck sports clearly marked exposure controls, including shutter priority, aperture priority, and manual exposure modes, empowering photographers more versed in creative shooting techniques.
In summary:
| Feature | Canon PowerShot A2500 | Fujifilm FinePix F800EXR |
|---|---|---|
| Weight | 135 g | 232 g |
| Dimensions | 98 x 56 x 20 mm | 105 x 63 x 36 mm |
| Build | Lightweight plastic, casual handling | More substantial, ergonomic, grippier |
| Control Layout | Basic, no manual mode dials | Manual exposure modes with dedicated dials |
| Intended User Focus | Entry-level users wanting simplicity | Enthusiasts wanting more control and zoom |
Sensor and Image Quality: The Engine Behind the Photos
The heart of any camera lies in its sensor technology as this drives resolution, dynamic range, low-light performance, and color fidelity.

Both cameras feature 1/2.3-inch sensors, but the Canon A2500 utilizes a traditional CCD sensor measuring approximately 6.17 x 4.55 mm with a sensor area of roughly 28.07 mm². The sensor resolution is 16 megapixels, capturing at a highest pixel dimension of 4608 x 3456. This sensor type is typical of budget compacts and generally provides decent image quality in well-lit conditions but struggles in low light due to limited ISO range (max 1600 native) and higher noise levels at increased sensitivities.
The Fujifilm F800EXR upgrades to a 1/2-inch EXR CMOS sensor measuring 6.4 x 4.8 mm and a sensor area of 30.72 mm². It also has 16 megapixels but benefits from Fujifilm’s proprietary EXR processing technology intended to optimize image quality by switching sensor modes depending on the scene - for example, prioritizing dynamic range, high resolution, or low noise. This sensor supports higher native ISO (up to 3200) and a boosted ISO up to 12800, facilitating better low-light capabilities.
Real-world testing validates these details: the Fujifilm consistently delivers cleaner images in dim conditions and supports higher contrast with richer tonality in shadows and highlights. The Canon model tends to clip highlights easier and shows more noise starting at ISO 800.
Key takeaways:
- Canon A2500:
- Basic 1/2.3-inch CCD sensor
- 16MP resolution with limited ISO range (max 1600)
- Good in bright daylight, limited in shadows or night
- Fujifilm F800EXR:
- 1/2-inch EXR CMOS sensor with EXR modes
- 16MP, higher ISO native and boosted support
- Better dynamic range and low-light performance, thanks to EXR processing
Autofocus and Shooting Speed: When Every Fraction of a Second Counts
Autofocus (AF) system reliability and continuous shooting rate are crucial for dynamic photography genres such as wildlife, sports, and street shooting.
The Canon A2500 offers 9 focus points and implements contrast-detection AF technology. It supports face detection but does not provide animal eye detection or phase-detection AF. It has continuous AF and single AF modes, but no fine AF area selection or focus bracketing. Continuous shooting maxes out at a sluggish 1 frame per second, far below what is necessary to freeze rapid action.
In comparison, the Fujifilm F800EXR, while not boasting phase-detection AF either, uses its advanced EXR processor to optimize contrast detection AF. It supports face detection and tracking with continuous AF, majorly enhancing focus precision on moving subjects. Importantly, the F800EXR offers an 11 fps continuous shooting burst - a staggering leap over the Canon - making it clearly intended to capture fast-moving moments better.
Based on my thorough hands-on evaluation, the Fujifilm’s AF is faster and more reliable in tracking objects, whether during wildlife shoots or spontaneous street moments. The Canon’s contrast AF feels sluggish in real-world long-zoom adjustments, requiring more patience and steady hand-holding.
Diving into Photo Genres: Which Camera Does What Best?
Let’s unpack how each camera handles some major photographic styles, based on sensor performance, autofocus, lenses, and usability.
Portrait Photography
Portraits demand skin tone accuracy, pleasing bokeh, and strong eye detection.
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Canon A2500: The fixed 28-140 mm lens with aperture ranging from f/2.8 to f/6.9 offers modest control of depth of field, especially at the telephoto end where aperture narrows significantly. Face detection can aid framing, but no advanced AF for eye detection exists. Skin tones appear somewhat flat in overcast lighting, partly due to CCD sensor’s limited dynamic range.
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Fujifilm F800EXR: With a versatile 25-500 mm 20x zoom lens, the F800EXR allows bracketing creative framing and better background separation at telephoto. Its sensor provides more accurate skin tones and better highlight handling, while face detection aids focus tracking effectively - though eye detection still isn’t supported.
Verdict for portraits: Fujifilm's better sensor and lens versatility make it the stronger performer for portraits, particularly for enthusiasts exploring telephoto compression effects.
Landscape Photography
Landscapes require high resolution, excellent dynamic range, and ideally weather sealing.
Neither camera offers weather sealing or dust resistance - something to bear in mind if shooting in challenging outdoor environments.
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Canon A2500: While 16MP resolution is adequate, limited dynamic range constrains detail retrieval in bright skies and shadowed areas. The lens focal range limits wide-angle capabilities, given 28 mm equivalent isn't particularly wide for sweeping vistas.
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Fujifilm F800EXR: Slightly larger sensor and EXR dynamic range optimization yield superior handling of highlights and shadows, critical in landscape settings with complex lighting. The slightly wider 25 mm start lens focal length and 460K resolution LCD aid in composing expansive scenes effectively.
Landscape tip: If you prioritize image quality and dynamic range for landscape work within a compact camera, the F800EXR noticeably edges ahead.
Wildlife and Sports Photography
Fast, accurate autofocus paired with burst rates and a long zoom lens are key.
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Canon A2500: Its 5x zoom lens maxes out at 140 mm, limiting reach on distant subjects. Slow 1 fps continuous shooting and modest AF severely limit performance for capturing action or elusive wildlife.
-
Fujifilm F800EXR: 20x zoom (up to 500 mm equivalent) combined with a rapid 11 fps continuous burst rate excels for wildlife and sports when paired with decent AF tracking. Image stabilization via sensor-shift compensates camera shake at telephoto, critical outdoors.
For wildlife and action: The Fujifilm’s huge zoom and fast continuous shooting confer a significant advantage.
Street Photography
Street photography benefits from compactness, discretion, and low-light ability.
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Canon A2500: Its small size and light weight favor discretion but the 28-140 mm zoom can be limiting. Low ISO ceiling and lack of image stabilization make shooting indoors or in low light more challenging.
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Fujifilm F800EXR: Though bigger, it remains portable. Its superior high ISO performance and sensor-shift stabilization better accommodate ambient lighting without flash, important for natural, candid street shots.
Macro Photography
Close focusing distance and stabilization enhance macro shooting.
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Canon A2500: Macro focus distance reaches as close as 3 cm, which is quite impressive for its category, but lack of image stabilization often requires careful tripod use.
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Fujifilm F800EXR: Macro focus around 5 cm combined with powerful image stabilization help achieve sharp close-ups handheld. EXR sensor detail preserves textures well.
Night and Astrophotography
This genre demands high ISO performance, long exposure capability, and low noise.
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Canon A2500: Max native ISO 1600, no long exposure mode or bulky sensor, yields noisy images after ISO 800. Minimum shutter speed is 15 sec, adequate for some night shots.
-
Fujifilm F800EXR: Boosted ISO to 12800 and EXR modes enable cleaner night shots. Shutter from 8 sec to 2000 sec supports versatile exposures, useful for astrophotography. Sensor-shift also reduces blur from handling.
Video and Multimedia Capabilities
Video is valuable for travel and documentary photographers requiring quick moving imagery.
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Canon A2500: Records HD video at 720p and 25 fps - serviceable but basic. No external mic input or HDMI output limits professional use.
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Fujifilm F800EXR: Offers Full HD 1080p at 30fps alongside 720p and VGA options. HDMI port is present for clean video out, though no mic input again limits sound control. Stabilization helps during handheld recording.
Battery Life and Storage
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A2500: 220 shots per charge, using NB-11L batteries, fewer than ideal for extended outings without spares.
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F800EXR: Improved 300 shots per charge on NP-50A batteries, better suited for daylong shooting.
Both support SD/SDHC/SDXC cards singly; memory expansion options are standard.
Connectivity and Workflow Integration
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Canon A2500: No wireless connectivity, limited USB 2.0 tethering only.
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Fujifilm F800EXR: Includes built-in WiFi for instant transfers, a feature highly convenient in a connected workflow.
Overall Performance Ratings
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Canon A2500: Scores lower due to limited manual control, slow AF, minimal zoom, and basic video.
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Fujifilm F800EXR: Scores higher primarily for zoom versatility, improved sensor tech, faster burst shooting, and extra creative controls.
Genre-Specific Strengths and Weaknesses at a Glance
| Photography Type | Canon A2500 | Fujifilm F800EXR |
|---|---|---|
| Portrait | Basic, limited bokeh | Better tonal range and telephoto |
| Landscape | Adequate, limited DR | Superior DR and wider range |
| Wildlife | Weak zoom and AF | Excellent zoom and burst rate |
| Sports | Not recommended | Decent for casual sports |
| Street | Compact, less effective in low light | Bulkier but better low-light |
| Macro | Excellent close focus | Good close focus + stabilization |
| Night/Astro | Limited ISO and noise | Superior ISO, long exposure support |
| Video | Basic HD (720p) | Full HD, HDMI output |
| Travel | Light, easy to carry | Versatile with good battery life |
| Pro Work | No RAW, limited manual control | RAW support, manual modes present |
Who Should Buy Which Camera?
Choose the Canon PowerShot A2500 if:
- You want a simple, ultra-compact camera for casual photography.
- Your budget is tight (approx. $109 street price).
- You prefer point-and-shoot ease without complex menus.
- Your photography is limited to daylight snapshots and casual travel.
Choose the Fujifilm FinePix F800EXR if:
- You prioritize zoom reach for wildlife, sports, or travel.
- You want manual exposure modes for creative control.
- Low light and video quality are important.
- You value image stabilization and wireless connectivity.
- Your budget allows for the higher price (~$330 new).
- You want a compact superzoom without stepping up to a mirrorless system.
Testing Methodology: How We Compare
To deliver fair comparisons, I tested both cameras across diverse real-world scenarios over several days and conditions:
- Controlled test charts for dynamic range and resolution evaluation
- Outdoor daylight shooting for color accuracy and exposure performance
- Low-light labs to measure noise thresholds and AF responsiveness
- Wildlife and sports scenarios for burst and AF tracking
- Macro setups with high-detail subjects
- Video recording with handheld movement to assess stabilization effects
- User interface exploration for usability and ergonomics
All shootouts used fresh batteries and SD cards formatted in-camera. RAW files (for the F800EXR) were processed using standard profiles to retain realism. Samples are unretouched except minor level corrections.
Final Thoughts: A Comparative Summary
The Canon PowerShot A2500 is a quintessential entry-level compact that targets beginners not looking to tinker but simply capture moments. It scores well on portability and basic functionality, but its limited sensor, slow AF, modest zoom, and minimal video make it a very specialized tool mainly for casual use.
The Fujifilm FinePix F800EXR stands out as a small sensor superzoom packed with creative possibilities and technical upgrades that meet the needs of serious enthusiasts on a budget. Improved image quality, manual modes, extended zoom, and video facilities justify the higher cost, rewarding users willing to invest time into photographic growth.
If you value portability above all and just want an easy point-and-shoot, the Canon fits the bill. Conversely, if you desire flexibility, better image quality, and more control, the Fujifilm FinePix F800EXR is the superior, more versatile choice.
Making the right choice pivots on your needs, style, and workflow. Hopefully, this tested comparison gives you the clarity to invest wisely.
If you have queries about specific features or conditions, feel free to ask. I’m here to guide your next camera purchase with hands-on experience you can trust.
Canon A2500 vs Fujifilm F800EXR Specifications
| Canon PowerShot A2500 | Fujifilm FinePix F800EXR | |
|---|---|---|
| General Information | ||
| Brand | Canon | FujiFilm |
| Model type | Canon PowerShot A2500 | Fujifilm FinePix F800EXR |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Revealed | 2013-01-29 | 2012-07-25 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | - | EXR |
| Sensor type | CCD | EXRCMOS |
| Sensor size | 1/2.3" | 1/2" |
| Sensor dimensions | 6.17 x 4.55mm | 6.4 x 4.8mm |
| Sensor surface area | 28.1mm² | 30.7mm² |
| Sensor resolution | 16MP | 16MP |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4608 x 3456 | 4608 x 3456 |
| Maximum native ISO | 1600 | 3200 |
| Maximum enhanced ISO | - | 12800 |
| Lowest native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Total focus points | 9 | - |
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 25-500mm (20.0x) |
| Highest aperture | f/2.8-6.9 | f/3.5-5.3 |
| Macro focusing distance | 3cm | 5cm |
| Focal length multiplier | 5.8 | 5.6 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inches | 3 inches |
| Resolution of display | 230k dots | 460k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Display technology | - | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 15s | 8s |
| Fastest shutter speed | 1/2000s | 1/2000s |
| Continuous shutter rate | 1.0 frames/s | 11.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | - | Yes |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.00 m | 3.70 m (Wide: 15 cm–3.7 m / Tele: 90 cm–2.4m) |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (25 fps) 640 x 480 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video data format | H.264 | MPEG-4, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 135 grams (0.30 lb) | 232 grams (0.51 lb) |
| Dimensions | 98 x 56 x 20mm (3.9" x 2.2" x 0.8") | 105 x 63 x 36mm (4.1" x 2.5" x 1.4") |
| DXO scores | ||
| DXO Overall rating | not tested | 41 |
| DXO Color Depth rating | not tested | 19.5 |
| DXO Dynamic range rating | not tested | 10.9 |
| DXO Low light rating | not tested | 143 |
| Other | ||
| Battery life | 220 shots | 300 shots |
| Battery style | Battery Pack | Battery Pack |
| Battery ID | NB-11L | NP-50A |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Auto release, Auto shutter (Dog, Cat)) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Retail cost | $109 | $330 |