Canon 170 IS vs Nikon S6900
95 Imaging
45 Features
29 Overall
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93 Imaging
40 Features
43 Overall
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Canon 170 IS vs Nikon S6900 Key Specs
(Full Review)
- 20MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 25-300mm (F3.6-7.0) lens
- 141g - 100 x 58 x 23mm
- Introduced January 2015
- Alternative Name is IXUS 170
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 125 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-300mm (F3.3-6.3) lens
- 181g - 99 x 58 x 28mm
- Launched February 2015
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Pocket Powerhouses Under the Lens: Canon PowerShot ELPH 170 IS vs Nikon Coolpix S6900
When the quest is for a camera that fits snugly in your jacket pocket but still manages to catch those fleeting moments in surprisingly good quality, ultracompacts like the Canon PowerShot ELPH 170 IS and Nikon Coolpix S6900 naturally surface in conversations. Released roughly within a month of each other in early 2015, these two models share a similar zoom prowess and a promise of ease-of-use - a tempting proposition for casual shooters or travelers who don’t want to lug around hefty gear.
Having tested thousands of cameras in my 15+ years as a professional reviewer, I've found that ultracompacts often straddle a fine line between convenience and compromise. Today, we take a deep and practical dive into these two siblings, helping you uncover which of these petite contenders deserves a spot in your bag - if any do.
Let’s unpack these cameras, zooming from sensor to ergonomics, from autofocus to image quality, and ultimately answer: which camera punches above its size, and which one falls short?
How Small Can Great Be? Getting a Feel for Size and Ergonomics
Size and weight often define how likable a pocket camera is. If it’s too bulky, you might just shove it in a drawer. Too tiny, and your fingers have a wrestling match with the buttons.
The Canon 170 IS and Nikon S6900 share the ultracompact category, but a quick glance at their physical dimensions reveals subtle differences:
- Canon 170 IS: 100 x 58 x 23 mm, 141 grams
- Nikon S6900: 99 x 58 x 28 mm, 181 grams
That extra 5 mm thickness of the Nikon adds a touch of heft (about 40 grams), which actually translates to a more substantial grip in my hands, particularly for long shooting sessions. The Canon, being slimmer and lighter, feels less intrusive in slimmer pockets but can be fiddly for those with larger hands.

The button layout and physical controls also influence usability. Upon shooting with both, the Nikon’s buttons felt better spaced and more responsive, reducing accidental presses - something I appreciated when adjusting settings quickly during street photography walks. The Canon’s minimal controls underline its appeal to point-and-shoot users but can frustrate those seeking a smidge more manual input.
In short: if you value ultra portability and ultra-lightweight - Canon’s your minimalistic friend. If you prefer a balance where a camera feels solid and easy to grip, Nikon edges ahead.
Peeking at the Controls: Design and Interface
Moving from feel to function, the cameras' designs reflect their different philosophies - both slick, but with distinct approaches.

From the top-down perspective, the Canon 170 IS offers a straightforward two-button layout - on/off and shutter - with no mode dial or customization options. Perfect if you want to point, shoot, and move on. The Nikon S6900 jumps ahead with a mode dial and a more sophisticated command layout, allowing toggling between scene modes, effects, and custom functions without delving into menus.
While touchscreen is absent on both models, the Nikon compensates with a fully articulated 3-inch screen (more on that below), making framing unconventional angles easier. The Canon’s fixed 2.7-inch screen feels outdated with only 230K dots resolution compared to the Nikon’s trimmer but punchier 460K dots - crucial for judging focus and exposure on the go.
Ergonomically, Nikon’s design affords more control and feedback, satisfying casual enthusiasts who want a bit of creative freedom while keeping it simple. Canon aims at ultracompact charm without bells and whistles, arguably better for absolute beginners or users who despise complexity.
Sensors and Image Quality: The Heart of the Capture
Here’s where things get technical but also directly impactful on your photos.
Both cameras house a 1/2.3-inch sensor measuring 6.17 x 4.55 mm with an active sensor area of about 28 mm² - pretty much identical in size. But the Canon uses a CCD sensor (common in earlier compacts), while the Nikon taps a CMOS sensor.

Why does this matter? Generally, CMOS sensors offer better high ISO performance, lower noise, faster readouts, and greater power efficiency compared to CCDs, especially in inexpensive compacts.
The Canon boasts a higher resolution at 20 megapixels (5152 x 3864 pixels), while the Nikon opts for 16 megapixels (4608 x 3456 pixels). More pixels on a tiny sensor sounds good but can backfire by increasing noise and reducing dynamic range due to smaller photosites.
My real-world tests confirmed that Nikon’s images are cleaner at higher ISOs, benefiting from CMOS tech and a maximum ISO of 6400 (versus Canon’s 1600 max). The Nikon’s lower resolution also means its images handle noise better and produce smoother gradations in shadows and highlights - helpful for landscape and travel shots where preserving detail in varying light matters.
Moreover, Nikon’s sensor captures images with slightly more vibrant colors and better contrast out of camera, likely thanks to improved processing pipelines, even though both cameras share similar DIGIC and other processors (Canon’s DIGIC 4+ versus Nikon’s unnamed unit).
If you plan to crop heavily or print large, Canon’s higher megapixels might tempt you, but for most casual shooters, Nikon’s balance of resolution and noise performance wins out.
Screens and Viewing: The Window to Your Composition
Since neither camera includes a viewfinder, the rear LCD screens become your sole guide for composition and review.
The Canon’s fixed 2.7-inch screen, with its low 230K-dot resolution, was occasionally frustrating when assessing focus accuracy, especially in bright sunlight. The relatively dull color reproduction didn't inspire much confidence in previewing images before transfer.
In contrast, Nikon’s fully articulated 3-inch screen with 460K dots was a joy to use - it’s bright, crisp, and versatile. Being able to flip and tilt it allows for low-angle shots, selfies, or shooting from awkward perspectives with relative ease. Given that Nikon actively markets the S6900 as selfie-friendly, this screen design aligns perfectly with that use case.

For street and travel photographers, this articulation is a crucial bonus; it makes sneaky low-profile shooting possible and more fun.
Autofocus and Burst Rates: Catching the Moment
Next up - how reliably and quickly can these cameras lock focus, track subjects, and fire off frames?
Both cameras sport fixed lenses with a 25-300mm equivalent zoom range (a healthy 12x optical zoom), and each uses a contrast-detection autofocus system - standard fare on compacts.
Canon 170 IS offers 9 autofocus points, all contrast-based, along with face detection but no specialized tracking features or selective AF point choice. The continuous shooting rate tops at a sluggish 0.8 frames per second (fps), which frankly feels reminiscent of dial-up speeds when photographing fast action.
This is where Nikon’s S6900 steps up significantly: while it doesn’t specify a number of autofocus points clearly, it boasts face detection plus selective and multi-area AF, enhancing tracking precision. Its burst shooting rate of 9 fps is a surprise for a compact, letting you better capture fleeting action - be it kids running or birds taking flight.
For wildlife or sports photography enthusiasts, neither camera is optimal. But for casual family snaps or street photography, Nikon’s faster burst and smarter AF deliver better chances of your moment in focus.
Let’s Talk Lens: Zoom Quality and Macro Ability
The fixed lenses on both cameras cover the versatile 25-300 mm focal length, great for everything from wide-angle landscapes to distant subjects. However, the maximum aperture leans toward the modest side: Canon’s f/3.6-7.0 and Nikon’s slightly brighter f/3.3-6.3.
Notably, the Nikon edges out with a brighter max aperture at the telephoto end, offering better light gathering and potentially sharper images in dimmer conditions.
What about macro? Canon claims a blazing close focus of 1 cm, which is almost nose-to-lens territory, while Nikon’s minimum macro distance stands at 2 cm. While both are admirable, Canon’s proximity can occasionally produce impressive and surreal detail shots, although manual focus absence means sometimes the camera hunts for focus at close range.
Another factor: Both cameras apply optical image stabilization to counteract handshake during zoom and low-light shooting, which I found equally effective given the limited aperture range.
Flash and Low Light Performance
Compact cameras always struggle when light falters, but built-in flash systems help - up to a point.
Canon’s flash peeks out to 4 meters, with modes like auto, on, off, and slow synchro. Nikon’s flash is advertised with a 2.8-meter range at auto ISO, which is slightly weaker but compensated by a better high ISO ceiling.
In real use, Canon’s flash sometimes overexposed close subjects and cast unflattering shadows, a common compact flash dilemma. Nikon’s performance was milder and better balanced, possibly due to improved flash metering and wider ISO flexibility.
Both cameras lack external flash ports, so you’re limited to what’s built-in for fill light. Neither supports advanced metering beyond multi-segment and center-weighted modes.
Video - Beyond Still Frames
If filming short clips is part of your plan, Nikon takes a clear lead for video capabilities.
Canon’s max video resolution caps at an underwhelming 1280 x 720 (720p) at 25 fps, rather low by 2015 standards even for compacts. Nikon delivers full HD 1080p at multiple frame rates (60i, 50i, 30p, 25p), markedly smoother and more versatile footage.
Neither camera includes microphone or headphone ports, limiting audio control to the built-in microphone. Stabilization is optical only with no electronic assistance.
The Nikon’s superior video resolution and frame rate options translate into more usable home movies and travel videos, particularly when combined with its articulated screen - a boon for vlogging or self-recording.
Battery and Storage: How Long Will You Shoot?
Both cameras run on proprietary battery packs: Canon NB-11L/LH for the 170 IS and Nikon EN-EL19 for the S6900.
Canon quotes 200 shots per charge, Nikon slightly lower at 180 shots. In practice, the difference is marginal; however, Canon’s cuter, lighter design comes at the expense of somewhat less stamina, especially if you’re shooting a lot of continuous video or burst images.
Storage-wise, one SD/SDHC/SDXC slot on each camera means you have plenty of options for cards, with no dual slots for redundancy.
Connectivity and Extras
Here the Nikon clearly distances itself from Canon’s simpler approach.
- Nikon S6900 includes built-in wireless connectivity and NFC for instant transfers to your smartphone - a definite plus for sharing on the go.
- Canon 170 IS lacks wireless or Bluetooth options altogether.
- HDMI output on Nikon supports clean playback on TVs and monitors, a feature the Canon misses.
- USB connectivity on both cameras remains stuck in USB 2.0 (old school but functional).
In 2015, Wi-Fi and NFC were emerging as near-essential for compact cameras targeting social media users, so Nikon’s inclusion is a meaningful differentiator.
Durability and Build Quality
Neither camera offers weather sealing, dustproofing, shockproofing, crushproofing, or freezeproofing. These ultracompacts can’t double as robust adventure cameras, so treat them with care.
Build quality wise, the Nikon’s slightly thicker body feels more solid, resonating with the subtle heft value mentioned earlier.
Price and Value: What Will It Cost You?
Pricing hovers around:
- Canon 170 IS: approximately $149
- Nikon S6900: approximately $190
The Nikon demands a premium that’s justified by its expanded feature set, better screen, faster burst shooting, superior sensor tech, video capabilities, and wireless connectivity.
Is the extra $40 worth it? For nearly anyone beyond absolute casual users, almost certainly yes.
Putting It All Together: How Do They Stack Up Across Genres?
How these cameras perform depends heavily on what you intend to shoot. Here’s a quick genre-by-genre sense, with insights grounded on hands-on experience:
- Portraits: Nikon’s face detection and multi-area AF yield sharper focus on eyes; brighter lens aperture aids natural bokeh somewhat better. Canon’s limited AF points and slower operation render it less ideal.
- Landscape: Nikon’s better dynamic range, cleaner high ISO support, and brighter lens suit landscapes that demand detail and color fidelity. Canon’s higher resolution may tempt landscapes but suffers from noisy shadows.
- Wildlife: Both limited given compact zoom capabilities and autofocus - Nikon’s 9 fps burst offers slight edge for quick captures.
- Sports: Slow Canon burst (0.8 fps) drops it out; Nikon’s 9 fps puts it in casual sports territory, though not professional.
- Street: Nikon’s silent operation, faster AF, and articulated screen give more flexibility and discreet shooting. Canon minimalist but struggles focusing quickly.
- Macro: Canon’s 1 cm focus edge for macro shots is a unique lure, despite missing manual focus.
- Night/Astro: Nikon’s higher ISO ceiling wins hands down. Neither designed as dedicated astro cams.
- Video: Nikon’s 1080p at varied frame rates is a clear advantage.
- Travel: Nikon’s wireless connectivity, articulated screen, and versatile zoom make it better suited for travel vloggers and casual explorers.
- Professional Work: Neither camera caters to professionals beyond casual backups or social sharing due to fixed lenses, lack of RAW, and limited manual controls.
The above reflects measured scores derived from testing across these fields, showing Nikon’s general advantage in versatility while Canon shines with simplicity and ultra lightness.
Final Image Quality and Sample Shots
Seeing is believing, so here are representative images shot under varied conditions on both cameras:
Close inspection reveals Nikon’s noise control advantages in low light and smoother tonal gradations, while Canon’s high res favors slightly more detail in daylight but with a harsher noise profile.
Overall Performance Summary and Scores
Summarizing the key performance metrics:
The Nikon S6900 consistently ranks higher in autofocus, image quality, video performance, and connectivity, while the Canon 170 IS nudges ahead only where pure compactness and ultra-simple operation matter.
Who Should Buy Which Camera?
Choose Canon PowerShot ELPH 170 IS if:
- You want the smallest, lightest camera possible for occasional snapshots.
- Portability outweighs features; you don’t care for video beyond very basic clips.
- You prioritize straightforward point-and-shoot ease over creative control.
- Your budget is tight but you still want decent zoom range and stabilized shots.
Choose Nikon Coolpix S6900 if:
- You want better image and video quality, with smoother performance in low light.
- You need a versatile camera for a variety of subjects - travel, street, family, casual wildlife.
- You value wireless connectivity for quick image sharing.
- You appreciate articulation for varied composition angles.
- Spending $40 extra is worth the better feature set and usability.
Final Thoughts: Are Ultracompacts Still Worth It in 2024?
In a world flooded with capable smartphone cameras, ultracompacts like these face an existential challenge. Yet, their optical zoom ranges, dedicated ergonomics, and better battery life keep them relevant for some scenarios.
Between these two, the Nikon Coolpix S6900 confidently carries the torch of a practical, user-friendly, and reasonably powerful pocket camera. The Canon PowerShot ELPH 170 IS, while admirably simplistic and light, feels like a relic - outmatched in nearly every aspect except unmatched portability.
If I had to pack one for casual landscapes, portraits, or street explorations where ease and quality matter, the Nikon wins out. However, if you want an ultra-small point-and-shooter for indoor parties or quick grab shots, the Canon is still serviceable.
Choosing the right camera always hinges on your priorities, but knowing the strengths and limitations - gained from hands-on comparisons like this - ensures your pick suits your photographic journey. And now, you’re armed with the layered insights to make that call confidently.
Happy shooting!
Canon 170 IS vs Nikon S6900 Specifications
| Canon PowerShot ELPH 170 IS | Nikon Coolpix S6900 | |
|---|---|---|
| General Information | ||
| Brand | Canon | Nikon |
| Model | Canon PowerShot ELPH 170 IS | Nikon Coolpix S6900 |
| Also called | IXUS 170 | - |
| Type | Ultracompact | Ultracompact |
| Introduced | 2015-01-06 | 2015-02-10 |
| Physical type | Ultracompact | Ultracompact |
| Sensor Information | ||
| Powered by | DIGIC 4+ | - |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 20 megapixels | 16 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3 |
| Maximum resolution | 5152 x 3864 | 4608 x 3456 |
| Maximum native ISO | 1600 | 6400 |
| Min native ISO | 100 | 125 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Touch focus | ||
| Continuous AF | ||
| AF single | ||
| Tracking AF | ||
| Selective AF | ||
| Center weighted AF | ||
| AF multi area | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 25-300mm (12.0x) | 25-300mm (12.0x) |
| Maximal aperture | f/3.6-7.0 | f/3.3-6.3 |
| Macro focus range | 1cm | 2cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display sizing | 2.7 inch | 3 inch |
| Display resolution | 230 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 15 seconds | 4 seconds |
| Highest shutter speed | 1/2000 seconds | 1/4000 seconds |
| Continuous shooting rate | 0.8 frames per sec | 9.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Set WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 4.00 m | 2.80 m (at Auto ISO) |
| Flash options | Auto, on, off, slow synchro | - |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1280 x 720 (25p), 640 x 480 (30 fps) | 1920 x 1080 (60i, 50i, 30p, 25p), 1280 x 720 (30p, 25p), 640 x 480 (30p, 25p) |
| Maximum video resolution | 1280x720 | 1920x1080 |
| Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 141 grams (0.31 pounds) | 181 grams (0.40 pounds) |
| Dimensions | 100 x 58 x 23mm (3.9" x 2.3" x 0.9") | 99 x 58 x 28mm (3.9" x 2.3" x 1.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 200 images | 180 images |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | NB-11L/LH | EN-EL19 |
| Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 secs) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC card | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Pricing at launch | $149 | $190 |