Canon G11 vs Canon SX70 HS
83 Imaging
34 Features
48 Overall
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63 Imaging
47 Features
67 Overall
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Canon G11 vs Canon SX70 HS Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 2.8" Fully Articulated Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 28-140mm (F2.8-4.5) lens
- 375g - 112 x 76 x 48mm
- Revealed December 2009
- Replacement is Canon G12
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Fully Articulated Display
- ISO 100 - 3200
- Optical Image Stabilization
- 3840 x 2160 video
- 21-1365mm (F3.4-6.5) lens
- 608g - 127 x 91 x 117mm
- Revealed September 2018

Canon PowerShot G11 vs SX70 HS: A Hands-On Showdown for Enthusiasts and Pros
Choosing between two Canon PowerShot cameras like the venerable G11 and the more recent SX70 HS might seem like comparing apples to oranges at first glance - after all, they debuted nearly a decade apart and serve somewhat different purposes. But with years of digging into countless cameras under my belt, I can say it’s absolutely worthwhile to unpack where each shines, what compromises they've made, and how that translates into real-world shooting. Whether you’re a seasoned enthusiast craving control or a zoom-hungry explorer seeking all-in-one convenience, this detailed comparison will guide you with both technical rigor and practical wisdom.
First Impressions and Handling - Which Size Fits Your Style?
Holding these two next to each other, as shown here, you immediately feel the difference in form factor and heft. The Canon G11, launched back in 2009, is a classic compact with a robust, pocketable body measuring 112x76x48 mm and weighing 375 grams. It’s built with a certain old-school charm - metallic finish, a fully articulating 2.8-inch screen with 461k dots, and that distinctive optical tunnel viewfinder giving just enough framing guidance without electronic fuss.
Flip to the much chunkier SX70 HS from 2018 - it tips the scales at 608 grams and boasts a bulkier SLR-style build measuring 127x91x117 mm. The size increase isn’t gratuitous; it accommodates a gargantuan 65x zoom lens (21-1365mm equivalent) and an elegant 3-inch fully articulated screen with a crisp 922k-dot resolution. Plus, it sports a high-res electronic viewfinder (2360k dots), providing a bright, detailed preview no optical finder can match.
Hands-on, the G11’s smaller grip suits street photographers and casual travel shooters who prize discreteness and easy pocket carry. The SX70 HS, while less stealthy, offers ergonomic comfort and button spacing that play well during extended handheld sessions or tracking fast subjects. Ergonomically, I found both sensible and well thought out for their respective classes, but the SX70’s larger chassis feels more professional and secure, especially with long telephoto use.
The top controls further reveal their divergence. The G11 is refreshingly straightforward - dedicated dials for ISO, exposure compensation, aperture, and shutter speed, plus toggles for shooting modes. You get tactile feedback and direct control - a big plus for those who like manual exposure without diving through menus.
In contrast, the SX70 HS packs in more functions to juggle on its top plate: a mode dial, zoom lever, and customizable buttons to accommodate its varied feature set. The absence of an external ISO dial might frustrate purists, but the on-screen menus and touch controls (though it lacks true touchscreen) alleviate this somewhat. The real highlight here is the zoom range control - silky smooth and vast - which instantly elevates the SX70 HS into a true superzoom class.
Sensors and Image Quality - Bigger? Better? Not Always Clear Cut
Now to the heart of any camera’s image-making - its sensor. The G11 sports a 1/1.7” CCD sensor measuring 7.44x5.58 mm, delivering a respectable 10 megapixels. Though modest by modern standards, CCD technology of that era was treasured for rich color depth - measured here at 20.4 bits on DxOMark - and good dynamic range (~11.1 EV), creating pleasing images straight out of camera.
In contrast, the SX70 HS moves to a smaller but more modern 1/2.3” backside-illuminated CMOS sensor of size 6.17x4.55 mm with 20 megapixels. Despite the smaller sensor area, the BSI CMOS design confers enhanced sensitivity for low-light shooting and better noise management at higher ISOs, though DxOMark tests for this particular model remain unavailable.
Pragmatically, the G11 continually impresses for landscape and portraiture under ample light - richer skin tones and smoother gradations stand out. Its anti-aliasing filter helps prevent moiré but slightly softens detail. Meanwhile, the SX70 excels for telephoto and casual wildlife applications but shows more noise at ISOs above 800 due to its smaller sensor pixel pitch, even with advanced Digic 8 processing.
In real-world portraits, the G11’s 5x zoom with F2.8 max aperture allows for tighter bokeh and subject separation than the SX70’s lens wide open at F3.4-6.5, especially at telephoto where maximum aperture narrows further. For landscapes, the G11’s cleaner shadows and highlights are a strong draw, but the SX70 counters with higher resolution that may reveal more fine detail when stopped down.
Autofocus and Shooting Speed - Patience vs. Action
Autofocus technology has evolved massively between these two cameras, reflecting their differing eras and intended audiences.
The G11’s 9-point contrast-detection system, featuring face detection, performs adequately for general photography but struggles with fast-moving subjects or in low contrast scenes. Continuous AF is supported but slow to react, and there’s no AF tracking or eye detect features - a limitation for sports or wildlife shooters.
The SX70 HS shines here with its 9-point AF system that incorporates continuous autofocus, face detection, and thankfully AF tracking - a game changer when following erratic wildlife or sports action. While it lacks phase detection pixels (retaining contrast detect AF), the Digic 8 processor provides snappy focus acquisition and remarkably steady tracking for such a superzoom bridge camera. Continuous shooting jumps to a useful 10 fps versus the G11’s subdued 1 fps.
For birding or fast sports photography, the SX70 HS noticeably outpaces the G11, though neither can keep up with flagship mirrorless cameras boasting advanced hybrid autofocus systems. Still, for casual action or opportunistic wildlife, the SX70 is a superior candidate.
Shooting Experience - Screen, Viewfinder, and Interface
Let’s chat about framing and previewing your shots, since these cameras couldn't be more different here.
The G11 sports an optical tunnel viewfinder - essentially a small optic letting in light roughly matching the lens view. It’s tricky to rely on precision framing, especially at telephoto, but useful in bright daylight when LCD visibility is poor. The 2.8-inch articulated screen is a blessing for low-angle or overhead shots, though its 461k pixel count now feels dated.
The SX70 HS embraces a modern electronic viewfinder with 2360k dots covering 100% frame, which means you see exactly what the sensor sees - exposure, white balance, focus confirmation, all in real-time. It's transformative for critical shooting, particularly with long zoom where composing on the rear screen can be shaky. That rear LCD is larger (3 inches) and sharper (922k dots), contributing to a more immersive and confident shooting experience.
Though unfortunately, neither camera offers a touchscreen, both have user-friendly menus and customizable controls to tailor your workflow. Experience shows that while touchscreen interfaces are a modern convenience, the tactile dials and buttons on the G11 still hold appeal for manual exposure buffs.
Don’t overlook connectivity: the SX70 HS offers built-in Wi-Fi and Bluetooth, enabling quick image transfer to smartphones or remote shooting - a feature the G11 lacks entirely.
Lens Versatility - From Modest Zoom to Superzoom Spectacle
If you’re zoom-crazy, the SX70 HS’s 65x optical zoom lens spanning 21-1365 mm equivalent will blow you away. That’s a huge focal length range - from 24mm ultra-wide to a jaw-dropping 1365mm telephoto, perfect for wildlife, sports, and everything in between.
The G11’s 5x zoom (28-140 mm equivalent) lenses serve well for portraits, street, and landscape, with a faster aperture at the wide end (F2.8) beneficial for low light and shallow depth-of-field. However, the G11’s lens maximum aperture narrows to F4.5 at telephoto, limiting long-distance shooting in dimmer conditions.
The trade-off: the SX70’s lens is slower (F3.4-6.5), so image sharpness softens somewhat at the longest focal lengths. Optical image stabilization (OIS) on both helps stabilize handheld shots, but the G11's shorter zoom allows faster shutter speeds to freeze action.
For macro work, the G11 shines (1cm minimum focus distance), enabling crisp close-ups, while the SX70 lacks dedicated macro modes and its longer minimum focus distance curtails detailed close focusing.
Video Capabilities - Nostalgic VGA vs. Modern 4K
Video is where a generational leap is undeniable. The G11 records standard definition video at 640x480 pixels (VGA) at 30fps using H.264 compression. It was adequate for casual clips a decade ago but now feels severely limited - low resolution, no manual video controls, and no audio inputs.
Contrast that with the SX70 HS offering full 4K UHD video at 3840x2160 pixels, 30fps, with a respectable bitrate of 120 Mbps in MOV H.264 format. Additionally, it supports Timelapse recording, continuous autofocus during video, and a microphone port - much appreciated for better sound capture.
For videographers or hybrid shooters wanting decent footage without lugging a camcorder or mirrorless rig, the SX70 HS is head and shoulders above the G11. However, it lacks headphone monitoring or in-body stabilization beyond optical lens IS, so it’s not a perfect vlogging machine.
Battery Life and Storage - How Long Can You Shoot?
No surprises here: the SX70 HS with its larger body and newer tech boasts better stamina - rated for approximately 325 shots per charge from a built-in rechargeable battery. The fixed battery means you’ll want to carry a charger and plan accordingly but can expect consistent performance.
The G11 uses a removable NB-7L battery but has no official CIPA rating; anecdotal tests suggest roughly 220-250 shots per charge, faring worse in colder environments or with extensive use of the articulated screen.
Both cameras utilize SD cards, with the SX70 HS supporting SDXC and faster UHS-I protocols, improving buffer clearing and file transfers.
Durability and Weather Sealing - Handle with Care
Neither camera offers environmental sealing or ruggedized construction. Users venturing into harsh conditions should exercise care; using rain covers or protective cases is advised. The SX70 HS’s bulkier build may handle grips and bumps better, but no tougher than your average consumer gear.
Image Samples and Overall Image Quality Verdict
Comparing sample images side by side confirms the analysis: the G11 produces images with warmer colors, smoother gradations, and slightly better control of noise at base ISO. The SX70 HS’s images are sharper due to higher resolution but can exhibit more noise in shadows when pushed.
Portrait skin tones render better on the G11, benefiting from the lens aperture and sensor characteristics, while the SX70’s extra reach empowers telephoto compositions not possible with the G11.
Performance Scores - How Do They Stack Up Numerically?
Despite the G11’s vintage status, its DxOMark scores reflect solid core image quality for its class, particularly in color depth and dynamic range. The SX70 HS’s modern processor, zoom capabilities, and autofocus enhancements position it favorably on sheer versatility and speed, even if its sensor scores lag slightly.
Which Camera Excels at Which Photography Genre?
- Portraits: G11 edges out with better skin tones and background blur.
- Landscapes: G11's dynamic range and cleaner shadows preferred.
- Wildlife: SX70 HS wins easily with its massive zoom and faster AF.
- Sports: SX70 HS due to faster continuous shooting and tracking.
- Street: G11 favored for discreetness and compact size.
- Macro: G11 offers superior close focusing.
- Night/Astro: Slight advantage to G11’s lower noise at base ISO.
- Video: SX70 HS dominates with 4K and mic input.
- Travel: SX70 HS versatile for one-lens solution; G11 better for lightweight packing.
- Professional: Neither replaces DSLRs but respected for enthusiast roles.
Final Thoughts and Recommendations
Choosing between the Canon PowerShot G11 and SX70 HS boils down to what kind of photography you do and your priorities.
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If you value manual control, excellent image quality at base ISO, superior portrait and landscape performance, and a compact system with vintage charm, the Canon G11 remains a surprisingly tough contender. It’s especially attractive for street shooters, hobbyists who appreciate tactile dials, or macro enthusiasts. Do keep in mind it’s older tech, with limited video.
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If you want massive zoom range, speedy autofocus, better video specs including 4K, and modern connectivity for travel, wildlife, and sports photography, the Canon SX70 HS is a no-brainer. It’s an all-in-one bridge camera capable of impressively versatile shooting. The trade-off is a smaller sensor impacting noise and image quality at high ISO, somewhat slower lens aperture, and the heavier body.
Both cameras lack weather sealing and ruggedness, so handle accordingly. Online pricing also leans SX70 HS as slightly cheaper (~$550) to the G11’s historical $600, making the SX70 HS a better value in functionality.
In Summary
Use Case | Recommended Camera |
---|---|
Casual / Street | Canon G11 |
Travel / Wildlife | Canon SX70 HS |
Portrait / Macro | Canon G11 |
Sports / Action | Canon SX70 HS |
Video-centric | Canon SX70 HS |
You can’t go wrong with either as a solid pocketable companion, but temper expectations accordingly. Personally, I keep a soft spot for the G11 for its manual charm and image purity but would pack the SX70 HS for any trip requiring reach and modern versatility.
If you want a trusted camera that rewards patient, considered photography with delightful image quality - go G11. But if you crave blast-radius zoom, fast autofocus, and 4K video to capture fleeting moments of life - SX70 HS is your jam.
Happy shooting!
I hope this in-depth hands-on comparison helps you choose the Canon PowerShot that best fits your photographic adventures. Both cameras bring unique strengths to the table, shaped by their generation and design philosophy. As always, the best camera is the one you enjoy using most.
Safe travels and sharp images!
Canon G11 vs Canon SX70 HS Specifications
Canon PowerShot G11 | Canon PowerShot SX70 HS | |
---|---|---|
General Information | ||
Make | Canon | Canon |
Model | Canon PowerShot G11 | Canon PowerShot SX70 HS |
Type | Small Sensor Compact | Small Sensor Superzoom |
Revealed | 2009-12-16 | 2018-09-20 |
Body design | Compact | SLR-like (bridge) |
Sensor Information | ||
Chip | Digic 4 | Digic 8 |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor area | 41.5mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 20 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 5184 x 3888 |
Max native ISO | 3200 | 3200 |
Min native ISO | 80 | 100 |
RAW support | ||
Autofocusing | ||
Manual focus | ||
Touch focus | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detection autofocus | ||
Contract detection autofocus | ||
Phase detection autofocus | ||
Number of focus points | 9 | 9 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 21-1365mm (65.0x) |
Largest aperture | f/2.8-4.5 | f/3.4-6.5 |
Macro focus distance | 1cm | 0cm |
Crop factor | 4.8 | 5.8 |
Screen | ||
Range of screen | Fully Articulated | Fully Articulated |
Screen sizing | 2.8 inches | 3 inches |
Screen resolution | 461k dot | 922k dot |
Selfie friendly | ||
Liveview | ||
Touch friendly | ||
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | Electronic |
Viewfinder resolution | - | 2,360k dot |
Viewfinder coverage | - | 100 percent |
Features | ||
Lowest shutter speed | 15 seconds | 15 seconds |
Highest shutter speed | 1/4000 seconds | 1/2000 seconds |
Continuous shooting speed | 1.0 frames per sec | 10.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m | 5.00 m (at Auto ISO) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, on, slow sync, off |
External flash | ||
AEB | ||
WB bracketing | ||
Highest flash sync | 1/2000 seconds | - |
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 3840 x 2160 @ 30p / 120 Mbps, MOV, H.264, AAC |
Max video resolution | 640x480 | 3840x2160 |
Video data format | H.264 | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 375g (0.83 lb) | 608g (1.34 lb) |
Dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 127 x 91 x 117mm (5.0" x 3.6" x 4.6") |
DXO scores | ||
DXO All around score | 47 | not tested |
DXO Color Depth score | 20.4 | not tested |
DXO Dynamic range score | 11.1 | not tested |
DXO Low light score | 169 | not tested |
Other | ||
Battery life | - | 325 shots |
Form of battery | - | Built-in |
Battery model | NB-7L | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 secs, custom) |
Time lapse recording | ||
Storage media | SD, SDHC, MMC, MMCplus, HC MMCplus card | SD/SDHC/SDXC (UHS-I supported) |
Storage slots | 1 | 1 |
Launch pricing | $600 | $550 |