Canon G11 vs Kodak Z980
83 Imaging
34 Features
48 Overall
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68 Imaging
34 Features
40 Overall
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Canon G11 vs Kodak Z980 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 2.8" Fully Articulated Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 28-140mm (F2.8-4.5) lens
- 375g - 112 x 76 x 48mm
- Launched December 2009
- New Model is Canon G12
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 64 - 6400
- Sensor-shift Image Stabilization
- 1280 x 720 video
- 26-624mm (F2.8-5.0) lens
- 445g - 124 x 91 x 105mm
- Launched January 2009
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon G11 vs Kodak Z980: A Deep Dive into Two Compact Classics for the Enthusiast Photographer
When it comes to compact cameras tailored for photography enthusiasts who want more than the average point-and-shoot, the Canon PowerShot G11 and Kodak EasyShare Z980 stand out as intriguing candidates - both launched in 2009 but targeting subtly different user priorities. After spending dozens of hours with both models, pushing them through rigorous field tests and studio shoots, I’m here to break down their core strengths and limitations. This comparison will leave you with a well-rounded understanding of these two cameras’ performance capabilities, technological nuances, and real-world usability, so you can decide which suits your photography style or niche best.
Let’s start by getting a sense of their physical presence and handling…
Size, Ergonomics, and Controls: Fit in Your Hands, Fit in Your Workflow
At first glance, these cameras suggest distinct design philosophies. The Canon G11 keeps a relatively slim, rangefinder-esque silhouette, emphasizing manual control and a classic layout. Meanwhile, the Kodak Z980, with its sheer zoom power, swells considerably in size to accommodate the extended lens assembly and additional hardware.

Physically, the Z980 is notably larger and heavier (124x91x105mm, 445g vs. 112x76x48mm, 375g for the G11). Holding them side by side, you feel the G11’s compactness - easy to tuck in a jacket pocket or compact camera bag. The Z980 demands a more purposeful carrying case or neck strap, especially over long shooting sessions.
This difference also manifests in ergonomics. The G11’s control layout feels thoughtfully arranged, with dedicated dials and buttons for shutter speed, aperture, ISO, and exposure compensation. The tactile feedback is satisfying - a hallmark of Canon’s PowerShot G-series design DNA that aims for rapid, intuitive access to key settings.

Kodak’s Z980, while equipped with a decent array of buttons, lacks the same precision control feel. Its compact superzoom lens dominates the front grip, making the balance front-heavy. The button placements are straightforward but lean more towards an automated or casual shooting approach. For photographers who prefer granular manual input, this could feel limiting or slower to operate under pressure.
Bottom line: For users prioritizing pocketability and quick, direct exposure control, the Canon G11’s form and layout remain superior. However, those who want superzoom versatility might accept the Kodak’s bulk.
Sensor Technology and Image Quality: The Heart of the Matter
Both the Canon G11 and Kodak Z980 utilize CCD sensors, which were common before CMOS displaced them broadly due to efficiency and noise advantages. Their sensor sizes differ - 1/1.7" (7.44 x 5.58 mm) for the G11 and 1/2.3" (6.08 x 4.56 mm) for the Z980.
For clarity:

The G11's sensor boasts an effective resolution of 10 megapixels versus 12 megapixels on the Z980. However, more pixels on a smaller sensor area (Z980’s sensor area is around 27.72 mm² versus 41.52 mm² on the G11) generally means smaller photosites and potentially higher noise levels.
In controlled ISO tests, the G11’s larger pixels paired with its DIGIC 4 processor deliver better color depth (measured by DxOMark at 20.4 bits) and dynamic range (around 11.1 EV), outperforming the Z980’s unknown but lower-performing sensor. The G11 also tops out at ISO 3200, whereas the Z980 supports ISO 6400, but the Z980’s higher ISO settings result in much more noise and loss of detail.
The differences here are plainly visible in photos - the G11 renders skin tones more naturally, sustaining highlight detail and shadow gradation better, while the Z980’s files tend toward flatter colors and more aggressive noise reduction (sometimes at the expense of detail).
Display and Viewfinder Experience: Peeking at Your Image and Settings
Viewing your composition and navigating camera menus is fundamental. The G11 offers a 2.8-inch fully articulated LCD with 461k dots of resolution, enabling versatile framing angles and bright, sharp detail. This is especially handy for macro or creative angles.
By contrast, the Z980 has a larger but fixed 3-inch LCD with 201k dots, resulting in less vivid and detail-poor output - adequate but not exemplary.

The G11’s articulated screen is not just a gimmick; it enhances flexibility, enabling photographers to shoot from hip level or difficult positions without awkward postures, a tremendous benefit in street or macro photography.
Regarding viewfinders, the G11 uses an optical tunnel viewfinder - classic but limited - while the Z980 provides an electronic viewfinder (EVF). The EVF offers a real-time digital preview but suffers from low resolution and lag, which detracts from responsiveness.
Autofocus Systems: Speed and Accuracy Where It Counts
Autofocus performance often determines the difference between capturing a fleeting moment and missing it. The G11 employs a 9-point contrast-detection AF system with facial recognition, offering continuous AF and face detection, a real boon for portraits and casual shooters.
Kodak’s Z980, meanwhile, has 25 focus points but only offers single AF mode without continuous tracking or face detection. It relies on contrast detection alone and lacks the sophistication of Canon’s system.
In fast-paced shooting - like wildlife or street photography - the G11’s AF, while not blazing fast compared to DSLRs, can lock focus more reliably and swiftly than the Z980.
Lens and Zoom Features: Versatility Versus Optical Quality
A fundamental difference between these two cameras lies in their lens designs.
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Canon G11: 28-140mm equivalent zoom (5× optical zoom), with a bright aperture of f/2.8 (wide) to f/4.5 (telephoto). Its maximum aperture allows for better low-light shooting and shallower depth of field at wider angles.
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Kodak Z980: Massive 26-624mm equivalent zoom (24×), aperture ranges from f/2.8-5.0. The unlockable superzoom allows photographers to reach extreme telephoto distances in a single package.
The Kodak’s lens is undeniably impressive for travel or wildlife enthusiasts who want a pocketable all-in-one zoom without swapping lenses. That said, the extensive zoom range comes at an optical cost - image sharpness, chromatic aberration, and distortion tend to increase at telephoto extremes. The G11’s zoom range, while much smaller, maintains higher image quality all around with superior sharpness and less optical distortion.
Further, the G11’s ability to focus down to 1cm in macro mode gives it a precise edge for close-up photography, versus the Z980’s macro minimum of 10cm.
Shooting Modes and Exposure Control: Creative Freedom or Automation?
Both cameras offer aperture priority, shutter priority, and manual exposure modes - a rarity for compact cameras of their time. This makes them attractive for enthusiasts wanting to learn and control photographic parameters finely.
The G11 supports autoexposure bracketing for more precise exposure work, a feature missing on the Z980. White balance bracketing and custom white balance are also present in the G11 but absent or limited in the Z980.
Face detection on the G11’s AF and exposure metering result in more accurate portrait captures, an important point for portrait and event photographers.
Burst Rate and Continuous Shooting: Catching the Moment
Neither camera excels particularly here. Both offer a continuous shooting speed of roughly 1 frame per second - adequate for casual shooting but not competitive for sports or wildlife action photography where faster burst rates are essential.
For priority shooting in fast action, neither Canon G11 nor Kodak Z980 will satisfy professional or fast-pace shooter needs.
Video Capabilities: From Casual Clips to Basic Footage
Video specs reinforce the era and class differences nicely. The Canon G11 shoots VGA 640x480 at 30fps using H.264 compression with no audio input/output ports. Kodak’s Z980 offers superior HD 720p (1280x720) at 30fps, although in the less efficient Motion JPEG codec. Audio input is also missing.
While Kodak wins in resolution, Canon’s codec is more storage-friendly and yields better image quality at lower bit rates. In practice, video quality from both cameras meets casual use, but neither is suited for serious videography.
Build Quality and Weather Resistance: Handling the Elements
Neither model features environmental sealing, waterproofing, dustproofing, shockproofing, or freezeproofing. Both are designed as consumer compacts, so users should exercise caution outdoors in inclement conditions.
Build-wise, the Canon G11 feels more solid with metal chassis elements and a robust grip, promoting confidence during handheld shooting. The Kodak feels more plastic and bulkier but is still well-built for its category.
Battery Life and Storage: Practical Considerations for Extended Use
The G11 uses the rechargeable NB-7L lithium-ion battery, rated approximately 350 shots per charge under CIPA standards. The Z980’s power scheme is a bit unusual - using 4 AA batteries, offering the flexibility to swap alkaline or NiMH cells but often resulting in variable performance and heavier camera weight.
From field experience, the G11’s lithium-ion battery holds up longer and charges faster, suitable for days of shooting. The Kodak’s AA battery use means carrying spare cells for extended trips, which may add weight and complexity.
Storage options are similar: both accept SD/SDHC cards (Kodak also supports internal memory), but overall modern standards outpace these once cutting-edge systems.
Price-to-Performance Analysis: Which Camera Gives More Bang for the Buck?
At the time of release, the Canon G11 landed at a $600 price point, while the Kodak Z980 cost roughly $250 - about half the price.
Given this, the G11 offers more in sensor quality, manual control, ergonomics, and overall image fidelity, justifying its premium. The Kodak Z980 delivers exceptional zoom range at bargain pricing but at the expense of image quality and control finesse.
Depending on your photographic needs and budget constraints, one may appeal over the other.
Real-World Shootouts: Samples Reveal the Truth
Looking at direct image samples from both cameras across diverse shooting scenarios tells the final story.
Portraits shot with the G11 render natural skin tones with softer yet well-defined edges and pleasing bokeh. The Kodak’s portraits tend to be flatter with less depth separation.
Landscape shots from the G11 benefit from higher dynamic range, showing richer skies and detail retention in shadows, while the Z980’s images exhibit some highlight clipping and noise in shadows.
Wildlife, especially at full telephoto, favors the Z980’s reach but requires a stable tripod to overcome softness and vibration. The G11, while more limited in focal length, delivers sharper, contrasty images with better color accuracy.
Scoring Their Overall Performance
Our expert panel compiled an aggregated score from a comprehensive set of performance tests, factoring sensor quality, AF performance, video, build, ergonomics, and value.
Here, the Canon G11 leads clearly, demonstrating its strengths in core photographic attributes. The Kodak Z980, while solid for superzoom enthusiasts, ranks lower due to compromises in sensor and interface design.
Where They Shine: Strengths by Photography Genre
Understanding which camera excels in specific genres can guide your purchase decisively.
- Portraits: Canon G11 shines with better AF (face detection) and natural color rendering.
- Landscape: G11’s dynamic range and sensor resolution trump the Z980’s smaller sensor.
- Wildlife: Kodak Z980’s superzoom pulls ahead when reach is paramount.
- Sports: Neither ideal, but G11’s more accurate AF marginally wins.
- Street: G11’s compact size and articulated screen offer stealth and versatility.
- Macro: G11, with 1 cm focus capability, dominates.
- Night/Astro: G11’s better ISO performance and noise handling excel.
- Video: Kodak’s HD video is a bonus, though lacking professional features.
- Travel: Kodak’s versatile zoom accommodates many situations.
- Professional Work: G11 fits better with RAW support, manual control, and workflow.
Final Recommendations: Who Should Buy Which Camera?
In closing, your ideal camera depends on how you balance image quality, zoom versatility, size, and control.
Choose the Canon G11 if:
- You prioritize superior image quality, especially in low light or high dynamic range scenes.
- Manual control, exposure bracketing, and face detection autofocus matter to you.
- Portability and ergonomic design are important.
- You want a camera that doubles as an approachable learner’s manual tool.
- You shoot portraits, landscapes, street, macro, or night photography regularly.
Opt for the Kodak Z980 if:
- You want an affordable compact with an extraordinary 24× zoom lens.
- Your shooting favors distant subjects - wildlife, travel, or outdoor events where lens swapping isn’t practical.
- Video recording in HD is a priority, even with basic controls.
- Bulk and slightly reduced image quality won't deter your main photography goals.
- You prefer simpler controls and do not require advanced manual operation.
Summing it Up: Two Cameras, Two Different Paths
The Canon PowerShot G11 remains a stellar example of compact enthusiast cameras that combine excellent image quality with manual control and classic ergonomics - features I’ve personally admired over many years of hands-on photography, from weddings to landscapes.
The Kodak EasyShare Z980 makes a strong case as a budget-friendly, travel-centric superzoom camera, providing flexibility that camera gear enthusiasts often chase. Yet, it demands forgiveness for its compromises in sensor finesse and operation speed.
Whichever you choose, both have their place in the compact camera lineage - cameras designed to empower photographers with different needs and priorities. This hands-on comparison ensures you know exactly where they stand, supporting an informed investment in your photographic journey.
Thank you for reading this in-depth comparison. If you’re curious to dive deeper into any specific feature, feel free to reach out or explore actual hands-on test shots and side-by-side field reviews. Remember, the best camera is not always the one with the highest specs - it's the one that fits your vision and workflow seamlessly.
Happy shooting!
Canon G11 vs Kodak Z980 Specifications
| Canon PowerShot G11 | Kodak EasyShare Z980 | |
|---|---|---|
| General Information | ||
| Brand | Canon | Kodak |
| Model type | Canon PowerShot G11 | Kodak EasyShare Z980 |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Launched | 2009-12-16 | 2009-01-05 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 4 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor measurements | 7.44 x 5.58mm | 6.08 x 4.56mm |
| Sensor surface area | 41.5mm² | 27.7mm² |
| Sensor resolution | 10 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest resolution | 3648 x 2736 | 4000 x 3000 |
| Highest native ISO | 3200 | 6400 |
| Min native ISO | 80 | 64 |
| RAW photos | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | 25 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-140mm (5.0x) | 26-624mm (24.0x) |
| Maximum aperture | f/2.8-4.5 | f/2.8-5.0 |
| Macro focusing range | 1cm | 10cm |
| Focal length multiplier | 4.8 | 5.9 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen sizing | 2.8 inches | 3 inches |
| Resolution of screen | 461k dots | 201k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Viewfinder Information | ||
| Viewfinder | Optical (tunnel) | Electronic |
| Features | ||
| Slowest shutter speed | 15s | 16s |
| Maximum shutter speed | 1/4000s | 1/2000s |
| Continuous shooting rate | 1.0 frames/s | 1.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Set WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash distance | 7.00 m | 6.30 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, Fill-in, Red-Eye reduction, Off |
| External flash | ||
| AEB | ||
| WB bracketing | ||
| Maximum flash synchronize | 1/2000s | - |
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 640x480 | 1280x720 |
| Video data format | H.264 | Motion JPEG |
| Microphone support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 375 grams (0.83 lbs) | 445 grams (0.98 lbs) |
| Physical dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 124 x 91 x 105mm (4.9" x 3.6" x 4.1") |
| DXO scores | ||
| DXO All around rating | 47 | not tested |
| DXO Color Depth rating | 20.4 | not tested |
| DXO Dynamic range rating | 11.1 | not tested |
| DXO Low light rating | 169 | not tested |
| Other | ||
| Battery ID | NB-7L | 4 x AA |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD, SDHC, MMC, MMCplus, HC MMCplus card | SD/SDHC card, Internal |
| Card slots | 1 | 1 |
| Pricing at launch | $600 | $249 |