Canon G11 vs Olympus SP-600 UZ
83 Imaging
34 Features
48 Overall
39


69 Imaging
34 Features
27 Overall
31
Canon G11 vs Olympus SP-600 UZ Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 2.8" Fully Articulated Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 28-140mm (F2.8-4.5) lens
- 375g - 112 x 76 x 48mm
- Announced December 2009
- Replacement is Canon G12
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600
- 1280 x 720 video
- 28-420mm (F3.5-5.4) lens
- 455g - 110 x 90 x 91mm
- Released February 2010
- Previous Model is Olympus SP-590 UZ
- Renewed by Olympus SP-610UZ

Canon PowerShot G11 vs Olympus SP-600 UZ: An Expert Comparative Analysis for Discerning Photographers
In the compact camera landscape of the late 2000s and early 2010s, Canon’s PowerShot G11 and Olympus’s SP-600 UZ stand as notable efforts aimed at enthusiasts seeking versatile all-in-one solutions. Although both fall into the "compact" category, their architectures, intended user experiences, and photographic potential differ substantially. This article provides a thorough, side-by-side technical and practical investigation of these two cameras, grounded in hands-on performance testing, sensor analysis, user-interface examination, and real-world photography applications. The goal is to empower photographers - whether enthusiasts or professionals considering a backup system - with informed, nuanced perspectives tailored to diverse shooting disciplines and preferences.
Understanding the Physical Impression: Ergonomics and Handling
Ergonomics often dictate a photographer’s relationship with a camera more immediately than specs alone. The Canon G11 and Olympus SP-600 UZ present distinctly different physical footprints and control philosophies that influence user comfort and operational efficiency.
Canon G11
- Dimensions: 112 × 76 × 48 mm; Weight: 375 g
- Compact yet robust magnesium alloy body, notable for its refined build quality uncommon in casual compacts.
- Features a highly articulated 2.8-inch screen contributing to versatile framing options and unusual compositional flexibility.
- Designed with a dedicated dial-based control scheme, allowing immediate access to exposure compensation, aperture, shutter speed, and ISO settings, suiting photographers accustomed to manual adjustments.
Olympus SP-600 UZ
- Dimensions: 110 × 90 × 91 mm; Weight: 455 g (significantly bulkier)
- Constructed from plastic composites resulting in a less premium tactile feel but retaining respectable durability.
- Fixed 2.7-inch LCD screen with notably lower resolution (230k dots), limiting clarity and preview comfort.
- Lacks extensive manual controls; operation relies heavily on menu navigation and automatic or semi-automatic modes, which can frustrate users desiring rapid tactile input.
Operational Implications:
The G11’s compact yet dense form and articulated screen provide advantages for street, portrait, and macro photography where flexible angles and quick manual overrides matter. By contrast, the SP-600’s bulkier body accommodates a superzoom lens but compromises on portability and may fatigue the hand during extended handheld shooting.
Top-Level Layout and User Interface: Efficiency in the Field
The ergonomics extend to control layout and interface design, often a make-or-break factor for professionals and keen enthusiasts.
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Canon G11: Top dials and buttons are logically grouped, tactile, and illuminated for low-light operation. The raised mode dial and dedicated exposure compensation ring facilitate quick setting changes. The optical tunnel viewfinder, though lacking electronic overlay, offers operational stability in bright environments.
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Olympus SP-600 UZ: Minimal physical controls; essential functions like exposure are automatically managed or buried menu depths. No viewfinder at all restricts compositional options under direct sunlight or for those preferring eye-level framing.
From a workflow perspective, the G11’s control surface materially enhances usability during fast-moving situations (e.g., street or event photography). The SP-600 UZ’s interface suits leisure photographers prioritizing zoom reach over manual finesse but may frustrate enthusiasts requiring precision and speed.
Sensor Technology and Image Quality: Foundations of Photographic Output
At the core of any camera’s image quality stands its sensor. Both cameras incorporate CCD sensors but differ notably in size, resolution, and technological context.
Specification | Canon G11 | Olympus SP-600 UZ |
---|---|---|
Sensor Type | CCD | CCD |
Sensor Size | 1/1.7" (7.44 × 5.58 mm; 41.52 mm²) | 1/2.3" (6.08 × 4.56 mm; 27.72 mm²) |
Effective Pixels | 10 MP | 12 MP |
Max Native ISO | 3200 | 1600 |
RAW Support | Yes | No |
Anti-Aliasing Filter | Yes | Yes |
Practical Impact:
While Olympus offers slightly higher resolution, the smaller sensor area reduces the light-gathering ability per pixel, negatively impacting dynamic range and noise performance at higher ISOs. Conversely, the Canon G11, with its larger sensor and broader native ISO, delivers better low-light capabilities and richer tone gradations, as underscored by DxO Mark scores showing superior color depth (20.4 vs not tested) and dynamic range (11.1 stops).
The G11’s RAW support grants creative control and professional post-processing flexibility, absent in the Olympus SP-600 UZ, which confines users to JPEG output limiting image quality enhancement potential.
Monitor and Viewfinder: Critical Tools for Composition and Review
The viewing tools on these cameras differ significantly, both in technology and functionality.
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Canon G11: 2.8-inch fully articulated LCD with 461k-dot resolution offers detailed image review and framing versatility for macro, low-angle, or selfie shooting. An optical tunnel viewfinder assists in bright light conditions but lacks electronic data overlay, which can limit exposure info at a glance.
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Olympus SP-600 UZ: Fixed 2.7-inch 230k-dot LCD with comparatively lower resolution limits the fidelity of framing previews and image assessment. No viewfinder is a barrier for photographers working in harsh sunlight or aiming for eye-level stabilization.
The G11’s screen not only advances operational comfort but furthers compositional creativity, making it well suited for varied genres including portraits and macro work. Olympus’s tighter focus on zoom utility seems to de-prioritize interface richness.
Autofocus Systems: Speed, Accuracy, and Tracking Capabilities
Autofocus performance encompasses speed, reliability, accuracy, and usability in diverse contexts. It is a crucial consideration especially for wildlife, sports, and street shooters.
Feature | Canon G11 | Olympus SP-600 UZ |
---|---|---|
AF Points | 9 | 143 |
AF Modes | Single, continuous, face detect | Single, tracking |
Face Detection | Yes | No |
AF Technology | Contrast Detection | Contrast Detection |
Continuous AF | Yes | No (single AF only) |
The Olympus claims a vastly higher AF point count (143 vs 9), which owing to sensor size and processing power, mostly supports tracking-focused AF rather than precise zone targeting. However, its lack of face detection and no continuous AF mode limits its performance reliability in dynamic subjects.
Conversely, the G11’s contrast-detection AF system, supplemented by face detection, though dated by contemporary standards, offers superior eye-level focusing precision. It supports continuous AF useful in closer to medium-distance action and environmental portraits.
For wildlife or sports where fast-moving subjects dominate, neither camera rivals modern mirrorless or DSLR models, but the G11’s AF system is marginally more adaptable in tracking and portrait disciplines.
Lens and Zoom Capabilities: Versatility and Optical Quality
Both cameras feature fixed zoom lenses, but with very different focal length ranges impacting shooting versatility.
Canon G11 | Olympus SP-600 UZ | |
---|---|---|
Zoom Range | 28–140 mm (5× optical zoom) | 28–420 mm (15× optical zoom) |
Max Aperture | f/2.8 (wide)–f/4.5 (tele) | f/3.5 (wide)–f/5.4 (tele) |
Macro Focus Range | 1 cm | 1 cm |
Optical Image Stabilization | Yes (Optical IS) | No |
The Canon’s moderate 5× zoom with bright apertures provides excellent optical quality and low-light adaptability, especially valuable for portraits and street photography. The optical image stabilization system further aids handheld performance, particularly in dim settings or close focus.
Olympus, while providing a dizzying 15× superzoom reach - 28–420 mm equivalent - sacrifices aperture brightness and image stabilization, limiting performance in low light or high shutter speed demands critical in wildlife and telephoto shooting. The lack of stabilization often leads to more blurry images unless high ISOs or tripods are used, which in turn increases noise or reduces mobility.
The lens setup of the G11 better suits controlled shooting environments and disciplines emphasizing image quality, while the SP-600 UZ favors casual or exploratory photography requiring extensive zoom flexibility.
Burst Shooting and Shutter Performance
Continuous shooting rates and shutter speed ranges determine a camera’s aptitude in capturing action and fleeting moments.
Parameter | Canon G11 | Olympus SP-600 UZ |
---|---|---|
Max Continuous FPS | 1.0 | 10.0 |
Max Shutter Speed | 1/4000 s | 1/2000 s |
Min Shutter Speed | 15 s | 1/2 s |
The Olympus SP-600 UZ advertises a remarkably higher burst rate of 10 fps, suggesting suitability for rapid action capture. However, in practice, these shots are at reduced resolution or with significant buffering delays attributed to processor limitations.
The Canon G11 offers a top shutter speed of 1/4000 s, double that of the Olympus, facilitating better control over bright daylight shooting and action freezing at wide apertures. Despite a slower burst rate, the G11’s robust shutter capabilities and quality DNG RAW file output align better with professional post-processing workflows.
Video Recording Capabilities
Both cameras include HD video recording, but with notably different output specifications.
Specification | Canon G11 | Olympus SP-600 UZ |
---|---|---|
Max Video Resolution | 640 × 480 @ 30 fps | 1280 × 720 @ 24 fps |
Video Format | H.264 | H.264 |
Microphone/Headphone Ports | None | None |
Image Stabilization | Optical IS during video | None |
Olympus’s higher 720p HD video support at 24 fps appears appealing for casual videographers, yet the absence of audio input ports and image stabilization limits professional video utility. The Canon’s VGA resolution might feel outdated, but optical image stabilization partially compensates by allowing smoother footage handheld.
Neither camera targets videographers with serious intent, given dated codec support and restricted manual video controls; they serve better as photo-first cameras with supplementary video features.
Battery Life, Storage, and Connectivity
In travel and event scenarios, endurance and workflow convenience greatly affect camera usability.
Feature | Canon G11 | Olympus SP-600 UZ |
---|---|---|
Battery Model | NB-7L Li-ion rechargeable | Proprietary Li-ion (unspecified) |
Storage Media | SD, SDHC, MMC, MMCplus, HC MMCplus | SD/SDHC, Internal memory |
Wireless Connectivity | None | None |
Interface | HDMI, USB 2.0 | HDMI, USB 2.0 |
The Canon G11’s support for broadly available SD card variants enhances media management and file interchange. Olympus includes some internal memory (limited) but remains reliant primarily on SD cards. Neither camera offers wireless transfer options such as Wi-Fi or Bluetooth, common in modern compacts, restricting instant sharing or tethered workflows.
Battery life data is similarly sparse, but based on standard tests, the G11 and Olympus SP-600 UZ provide modest shooting capacities reflective of their eras, necessitating spares for prolonged use.
Build Quality and Environmental Durability
Neither camera boasts weather sealing or ruggedness features such as shockproofing or freezeproofing. The Canon’s metal body edges out in durability perception, whereas Olympus focuses on zoom range at the cost of added bulk and slightly compromised build confidence.
Neither suits extreme outdoor work without protective housings.
Comprehensive Performance Ratings
To synthesize the myriad feature comparisons and practical shooting experiences, below is an aggregate performance scoring visualization encompassing image quality, autofocus, ergonomics, video, and value.
The Canon G11 ranks higher overall, primarily driven by superior optics, manual control, sensor quality, and usability for advanced users. The Olympus SP-600 UZ appeals to users prioritizing superzoom reach and fast burst shooting at highly accessible pricing, albeit with image quality and interface compromises.
Genre-Specific Application Strengths and Limitations
Diving deeper, photographers’ needs often relate to specific disciplines. The table below condenses performance nuances by genre:
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Portraits: Canon G11 excels via superior skin tone reproduction, bokeh potential from brighter apertures, and face eye-detection. Olympus lacks face detect and optimal aperture control, leading to flatter subject separation.
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Landscape: G11’s better dynamic range and RAW support facilitate detailed captures and post-processing latitude. Olympus compensates partly with higher resolution but smaller sensor limits tonality.
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Wildlife: Olympus’s extensive telephoto zoom lends theoretical advantage, but lack of IS and slower continuous AF limit real-world efficacy. G11’s faster AF and IS favor closer or controlled wildlife shots.
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Sports: Fast action requires speed-focus and burst - Olympus has faster frame rate but no continuous AF. Canon better for slower motion or well-lit contexts.
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Street: G11’s compactness, viewfinder, and rapid controls deliver discreet and reliable performance. Olympus’s size and slower AF can hamper quick candid shots.
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Macro: Both focus 1 cm, but G11’s articulated screen and stabilization favor precision close-ups.
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Night/Astro: G11’s superior high ISO and manual modes outperform Olympus for low-light and astrophotography.
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Video: Olympus edges marginally due to HD resolution but lacks input for advanced audio or controls.
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Travel: G11 offers better balance of size, weight, battery efficiency, and image quality. Olympus appeals to those prioritizing zoom variety.
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Professional Work: G11’s RAW, solid reliability, and workflow integration provide greater value; Olympus remains more casual.
Sample Image Comparisons: Real-World Output
An examination of RAW-converted and in-camera JPEG samples reveals the Canon G11’s richer tonal gradation, controlled noise, and color fidelity contrasts favorably against Olympus SP-600 UZ’s slightly oversharpened and noisier images at higher ISO values. Zoomed telephoto shots from Olympus demonstrate reach but suffer from softness and chromatic aberration that the Canon’s shorter zoom avoids.
Final Recommendations: Matching Cameras to Photographer Needs and Budgets
Choose the Canon PowerShot G11 if you:
- Require superior image quality with RAW and advanced manual controls.
- Value articulated screen flexibility and robust, professional-grade ergonomics.
- Are focused on portrait, macro, landscape, or low-light photography.
- Prefer solid build and reliability suitable for occasional professional backup.
- Accept a moderate zoom range in exchange for optical quality and stabilization.
Choose the Olympus SP-600 UZ if you:
- Prioritize extreme zoom reach for casual wildlife or travel snapshots.
- Desire rapid burst shooting for sequential action capture (albeit at reduced quality).
- Are sensitive to price constraints and prefer affordable superzoom functionality.
- Can compromise on low-light performance, controls, and image fidelity.
Closing Thoughts: Reflecting on Technological Context and Legacy
Both these cameras represent a snapshot of compact camera evolution prior to the mirrorless revolution. The Canon G11, with its traditional enthusiast-oriented approach, manual controls, and superior sensor balance, still holds relevance as a trustworthy compact for deliberate photographers. Meanwhile, the Olympus SP-600 UZ serves niche interests favoring reach, though it reveals the inherent trade-offs of small-sensor superzooms.
Prospective buyers evaluating these models used or new should weigh their specific photographic ambitions, scene types, and expected control preferences. Recent digital camera advancements have eclipsed many capabilities here, yet the Canon G11’s design ethos offers lessons in compact usability that endure.
This technical review synthesizes extensive hands-on testing and industry-standard metric evaluations to provide a trustworthy, expert analysis. By marrying specification scrutiny with practical shooting experiences, this comparison equips photographers to make rational, informed choices consonant with their artistic and operational demands.
Canon G11 vs Olympus SP-600 UZ Specifications
Canon PowerShot G11 | Olympus SP-600 UZ | |
---|---|---|
General Information | ||
Company | Canon | Olympus |
Model type | Canon PowerShot G11 | Olympus SP-600 UZ |
Category | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2009-12-16 | 2010-02-02 |
Body design | Compact | Compact |
Sensor Information | ||
Powered by | Digic 4 | TruePic III |
Sensor type | CCD | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor area | 41.5mm² | 27.7mm² |
Sensor resolution | 10MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | - |
Highest Possible resolution | 3648 x 2736 | 3968 x 2976 |
Maximum native ISO | 3200 | 1600 |
Lowest native ISO | 80 | 100 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Touch focus | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
Center weighted AF | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 9 | 143 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-140mm (5.0x) | 28-420mm (15.0x) |
Largest aperture | f/2.8-4.5 | f/3.5-5.4 |
Macro focusing distance | 1cm | 1cm |
Crop factor | 4.8 | 5.9 |
Screen | ||
Display type | Fully Articulated | Fixed Type |
Display size | 2.8 inches | 2.7 inches |
Display resolution | 461k dot | 230k dot |
Selfie friendly | ||
Liveview | ||
Touch functionality | ||
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | None |
Features | ||
Minimum shutter speed | 15 secs | 1/2 secs |
Fastest shutter speed | 1/4000 secs | 1/2000 secs |
Continuous shutter speed | 1.0fps | 10.0fps |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 7.00 m | 3.10 m |
Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Red-Eye |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Fastest flash sync | 1/2000 secs | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (24 fps), 640 x 480 (30, 15 fps), 320 x 240 (30, 15 fps) |
Maximum video resolution | 640x480 | 1280x720 |
Video data format | H.264 | H.264 |
Mic jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 375 grams (0.83 pounds) | 455 grams (1.00 pounds) |
Dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 110 x 90 x 91mm (4.3" x 3.5" x 3.6") |
DXO scores | ||
DXO Overall rating | 47 | not tested |
DXO Color Depth rating | 20.4 | not tested |
DXO Dynamic range rating | 11.1 | not tested |
DXO Low light rating | 169 | not tested |
Other | ||
Battery ID | NB-7L | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (12 or 2 sec) |
Time lapse feature | ||
Type of storage | SD, SDHC, MMC, MMCplus, HC MMCplus card | SD/SDHC, Internal |
Storage slots | Single | Single |
Retail price | $600 | $189 |