Canon G12 vs Kodak Z950
83 Imaging
34 Features
50 Overall
40


89 Imaging
35 Features
29 Overall
32
Canon G12 vs Kodak Z950 Key Specs
(Full Review)
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600 (Increase to 3200)
- Optical Image Stabilization
- 1280 x 720 video
- 35-350mm (F3.5-4.8) lens
- 243g - 110 x 67 x 36mm
- Released June 2010

Canon PowerShot G12 vs Kodak EasyShare Z950: A Hands-On Comparison for the Practical Photographer
In the realm of compact cameras, the early 2010s saw a crowded battlefield where functionality, image quality, and portability fought for dominance. Among contenders, the Canon PowerShot G12 and Kodak EasyShare Z950 both carved out niches targeting enthusiasts and casual users alike - but which one holds up better today for photography lovers? Having spent considerable time testing - and sometimes struggling - with both, I’m here to deliver a real-world, experience-driven head-to-head comparison. Whether you’re eyeing portraits, landscapes, or traveling light, I’ll break down what to expect from each, highlighting strengths, drawbacks, and where these models shine or falter.
Let’s start by taking their physical dimensions and design ergonomics into account because handling a camera is often where the romance with photography begins.
Size, Feel, and Body Design: Compact, But Which One Fits?
Sizes and shapes matter - especially if you’re a street shooter or travel with your kit daily. The Canon G12 measures 112mm x 76mm x 48mm and weighs 401 grams with its built-in battery. The Kodak Z950 is a bit sleeker and lighter at 110mm x 67mm x 36mm, tipping the scales at just 243 grams. That difference of over 150 grams is noticeable in-hand, especially over prolonged shoots.
The G12’s body feels more robust, partly due to a chunkier grip and more thoughtfully placed buttons that encourage intuitive one-handed operation. Clubs for thumbs? You bet - with textured rubber areas that help grip in humid or unpredictable environments. Kodak’s Z950, while easy to pocket and less obtrusive, feels plasticky and less confident in the hand. It’s a camera designed more for casual snapshots than deliberate composition.
If you value ergonomics and a camera that begs to be held, the G12 is your friend. But if the cheapskate in you craves a more compact, lightweight option that you can stash without protest, the Z950 has clear appeal.
Comparing their control layouts amplifies these impressions.
Control Layout and Top View: Hands-On Usability Versus Basic Simplicity
Canon’s G12 boasts a more classic enthusiast-oriented control scheme: dedicated dials for mode, exposure compensation, and a zoom ring that feels tactile and precise. The top plate also features customizable buttons and an articulating screen that swivels, aiding shooting from awkward angles - the boon of a photographer who wants versatility.
Kodak’s Z950, by contrast, opts for simplicity - fewer buttons, a fixed 3-inch screen that lacks swivel, and a conventional zoom toggle. This layout doesn’t offer as much control in the heat of action photography or nuanced manual exposure tweaks. It’s more point-and-shoot with manual options hidden under layers of menus.
For photographers who want fast, manual control and creative flexibility, the G12’s layout is more professional-grade. The Z950 is okay if you’re happy with auto modes and casual shooting.
Sensor Size and Image Quality: The Heart of the Matter
Here’s where things get juicy. Both cameras rest on CCD sensor technology common in their era, but the Canon G12 sports a 1/1.7-inch sensor (~41.5mm² sensor area) with 10 megapixels, while the Kodak Z950 uses a smaller 1/2.3-inch sensor (~27.7mm²) with 12 megapixels.
What does this mean practically?
- Larger sensor = better image quality potential. The G12’s sensor size lets in more light, enabling better low-light performance and less noise at higher ISOs.
- The Z950’s smaller sensor with higher megapixels squeezes more pixels into less space, which can increase noise and reduce dynamic range.
In my tests, the G12 produces cleaner images with smoother tonal transitions and richer color depth, thanks to its Canon DIGIC 4 processor fine-tuning JPEG output and better RAW processing. Kodak’s images - even at base ISO - show more noise and less shadow detail, especially in indoor or shaded scenarios.
Canon’s max ISO 3200 can be pushed in emergencies, whereas Kodak caps at 1600 natively, with extended ISO up to 3200 - albeit with heavy noise creeping in.
This sensor advantage gives the G12 an edge in portrait, landscape, and low-light photography, where image fidelity matters.
Screen and Viewfinder: Flexibility vs Simplicity
The articulating 2.8-inch LCD on the Canon G12 features a respectable 461k-dot resolution, sharp enough for critical focus confirmation and image playback clarity. The ability to flip and tilt the screen opens up shooting opportunities from waist level, overhead, or awkward positions.
The Kodak Z950’s fixed 3-inch LCD is slightly larger but considerably lower in resolution (about 230k dots). The difference in sharpness is palpable, making it trickier to check fine focus or spot minor exposure issues. Plus, without an optical or electronic viewfinder, the Z950 forces you to rely on the LCD exclusively, which can be problematic in bright sunlight.
The G12 also sports a tunnel-type optical viewfinder - a modest aid but better than nothing for composing in tough light. Kodak’s lack of any finder means you must shield the LCD, which can slow down candid shots.
For those into composing precisely or shooting outdoors in bright conditions, the Canon’s flexible screen and viewfinder combo provide a real advantage.
Autofocus and Shooting Performance: Tracking, Speed, and Precision
When it comes to autofocus, both cameras employ contrast-detection AF systems typical of compact cameras of their generation. However, the Canon G12 offers 9 focus points with face detection, while Kodak Z950 lacks face detection and uses a simpler AF system with fewer focus options.
In practice, the G12 nails focus more quickly and reliably on stationary and slow-moving subjects, with decent accuracy when shooting portraits, thanks to face detection. The Z950 can wander in moderately challenging conditions, struggling especially with low contrast or low light.
One particularly glaring difference is the continuous shooting capability: the G12 manages a mere 1 fps burst rate - adequate for casual shooting but not for action or wildlife. The Z950 doesn’t provide specified continuous shooting data (effectively none), so don’t expect sports-grade pace from either.
Therefore:
- For portraits and careful compositions needing precise focus, Canon shines.
- For any serious wildlife or sports photography - both cameras are underqualified, with the G12 slightly better due to face detection AF.
Lens and Focal Range: Versatility with Trade-Offs
Canon PowerShot G12 sports a versatile 28-140mm equivalent zoom with a brightish aperture range of f/2.8–4.5, which facilitates decent shallow depth-of-field effects (at least at the wide end) and low-light shooting. The macro focus distance of just 1cm is outstanding at this price point, letting you get extremely close to small subjects - a boon for macro enthusiasts.
Kodak Z950 offers a much longer 35-350mm equivalent zoom but with a smaller maximum aperture (f/3.5-4.8), which translates to a bit darker viewfinder, more reliance on stabilization, and less background blur capability. Its macro distance minimum is 6cm, still respectable but less intimate than Canon’s.
If you prioritize telephoto reach, Kodak’s 10x zoom edges out the G12’s 5x. However, be prepared for narrower apertures and more motion blur risk without stellar stabilization.
Canon’s lens is the better all-rounder with a faster aperture and superior close-up abilities for portraits and macros, while Kodak’s telephoto range is better for casual distant shooting (though image quality degrades noticeably at maximum zoom).
Image Stabilization: Optical Help Matters
Both the Canon G12 and Kodak Z950 feature optical image stabilization (OIS) - a vital feature when shooting handheld at slower shutter speeds or max zoom lengths. Canon’s system is well-tuned and provides noticeable steadiness benefits, helping keep images sharp in low light or at long focal lengths.
Kodak’s OIS is more basic and less effective when tested side-by-side, making handholding at 350mm equivalent a challenge without blur creeping into shots.
Battery Life and Storage: Ready for Extended Use?
Battery life matters, especially for travel and long shoots.
Canon G12 employs NB-7L rechargeable lithium-ion batteries delivering about 370 shots per full charge based on CIPA standards. This is decent for a compact, adequate for a day’s shooting with backup.
Kodak Z950 uses KLIC-7003 lithium-ion batteries, but official battery life numbers are not provided, though user reports suggest around 200-250 shots per charge - significantly less than Canon’s.
Both support common SD/SDHC cards, but Kodak also uses internal storage, which can fill quickly and isn’t ideal for archiving.
If you want more shooting endurance and reliable card options, Canon is the safer pick.
Video Capabilities: Basic, But Functional for Casual Use
Both cameras record HD video (720p), but Canon’s G12 captures at 24fps using the H.264 codec, offering better compression and compatibility. Kodak’s Z950 shoots HD at 30fps but in Motion JPEG format, which tends to produce larger files and lower quality.
Neither cameras offer microphone or headphone jacks, limiting advanced video control. The G12’s articulating screen and manual exposure controls help produce better results in varied lighting.
For casual videographers or vloggers on a budget, both suffice - Canon’s superior codec handling gives it a slight edge.
Real-World Performance Across Photography Genres: Which Camera Excels Where?
Let’s circle back to practical photography disciplines and see how these contenders stack up.
Portraits
- Canon G12: Better skin tone rendering, accurate face detection autofocus, faster lens, and macro capabilities make it ideal for intimate portraits with pleasing bokeh.
- Kodak Z950: Limited face detection, narrower aperture, and smaller sensor mean flatter images with less background separation.
Landscapes
- Canon G12: Larger sensor and better dynamic range provide richer, more detailed landscapes, especially with manual controls for exposure bracketing.
- Kodak Z950: Smaller sensor and less dynamic range can yield noisier, lower-contrast images; not the ideal tool for fine landscape work.
Wildlife
- Both cameras struggle with autofocus speed and burst rate - none are great for fast-moving subjects.
- Kodak Z950’s longer 10x zoom is appealing but needs a tripod or stabilization help.
- Canon G12’s better image quality makes cropped wildlife shots more usable.
Sports
- Neither camera excels here due to slow continuous shooting and AF.
- Canon edges out slightly with more AF points.
Street Photography
- Kodak Z950’s compactness and lightness give it an edge for discrete shooting.
- Canon’s articulated screen plus better AF capabilities can aid creative shots but costs size and weight.
Macro
- Canon’s 1cm macro focus distance and stabilized optics are superior.
- Kodak’s 6cm minimum still decent but less immersive.
Night/Astro
- Larger sensor and better noise control let Canon be more usable at night.
- Kodak tends to struggle with noise and lacks manual time exposures.
Video Shooters
- Canon’s better codec handling and articulating display win.
- Kodak is passable for quick clips.
Travel
- Kodak’s light, compact body is easier to carry.
- Canon’s versatility and image quality give more creative freedom but weighs more.
Professional Work
- Canon’s RAW support, wider exposure tools, and manual controls make it more trustworthy for semi-pro workflows.
- Kodak lacks RAW, less reliable results.
Build Quality, Weather Resistance, and Durability
Neither camera offers weather sealing or ruggedness suited to extreme environments, but Canon’s build quality feels sturdier with higher-grade materials. Kodak’s lighter plastic body suits casual use but warrants careful handling under rough conditions.
Connectivity and Wireless Features
Canon G12’s support for Eye-Fi wireless cards allows convenient in-camera Wi-Fi-like transfers - a notable perk at the time. Kodak Z950 offers no wireless features.
Both support USB 2.0 and HDMI outputs, standard for files transfer and external display.
Price and Value: What Does Your Wallet Say?
At launch, the Canon PowerShot G12 was priced near $600, targeting serious enthusiasts willing to invest in a flexible compact.
The Kodak Z950 launched under $250, making it an attractive option for budget buyers seeking longer zooms and simple usability.
If tight on cash but craving zoom reach and light portability, Kodak delivers acceptable snap-shooter performance.
For those valuing image quality, manual controls, and longer-term creative growth, Canon’s G12 remains worth the premium, even secondhand.
Visual Examples Speak Volumes
To wrap up the technical chatter, here’s a gallery pairing shots from both cameras across lighting situations and subjects:
While small sensor limits the Kodak shots, Canon’s images show richer colors, better sharpness, and a more natural look even in lower light.
Performance Scores: Quantifying the Capabilities
Here are the overall scores based on industry-standard testing (e.g., DxOMark for Canon; Kodak lacks full data):
Canon’s G12 consistently outperforms in color depth, dynamic range, and low light ISO robustness.
Strengths by Photography Type: Who Wins What?
Canon dominates portraits, landscapes, macro, and low light.
Kodak has modest advantage in telephoto reach and portability for casual daylight shooting.
Final Thoughts and Recommendations
To sum it all up, here’s the breakdown:
Why Choose Canon PowerShot G12?
- You want superior image quality with a larger sensor.
- Manual controls and RAW support matter to you.
- You shoot portraits, macro, and landscapes seriously.
- You appreciate a better hand grip, articulating screen, and solid build.
- You’re okay spending a bit more for versatility and long-term capability.
Why Opt for Kodak EasyShare Z950?
- You need a lightweight, pocket-friendly camera with long zoom reach.
- Budget constraints steer you away from pricier compacts.
- You prefer a simple control setup and casual shooting.
- You’re mostly shooting in good light, for day trips and snapshots.
- Video and advanced manual modes are less important.
In my personal workflow, the Canon G12 regularly deserves a spot in my bag for compact trips where a DSLR is overkill. The image quality and reliability give me confidence to shoot creatively and edit heavily. The Kodak Z950? More a handy point-and-shoot fallback when size and zoom trumps finesse.
If you’re scanning the used market or researching a budget-friendly compact, I hope this comparison cleared the fog. Both cameras carry their era’s DNA, with Canon G12 holding the clear edge for enthusiasts who want more out of every shot, while Kodak Z950 still serves as a light, zoom-happy companion for everyday casual use.
Happy shooting, and may your next camera be the one that makes every frame count!
The End
Canon G12 vs Kodak Z950 Specifications
Canon PowerShot G12 | Kodak EasyShare Z950 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Kodak |
Model | Canon PowerShot G12 | Kodak EasyShare Z950 |
Class | Small Sensor Compact | Small Sensor Compact |
Launched | 2011-01-19 | 2010-06-16 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | Digic 4 | - |
Sensor type | CCD | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor area | 41.5mm² | 27.7mm² |
Sensor resolution | 10 megapixels | 12 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Full resolution | 3648 x 2736 | 4000 x 3000 |
Max native ISO | 3200 | 1600 |
Max boosted ISO | - | 3200 |
Min native ISO | 80 | 100 |
RAW format | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Autofocus tracking | ||
Selective autofocus | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 9 | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 28-140mm (5.0x) | 35-350mm (10.0x) |
Largest aperture | f/2.8-4.5 | f/3.5-4.8 |
Macro focus range | 1cm | 6cm |
Focal length multiplier | 4.8 | 5.9 |
Screen | ||
Type of display | Fully Articulated | Fixed Type |
Display sizing | 2.8 inches | 3 inches |
Resolution of display | 461 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | Optical (tunnel) | None |
Features | ||
Lowest shutter speed | 15 secs | 1/8 secs |
Highest shutter speed | 1/4000 secs | 1/1250 secs |
Continuous shooting rate | 1.0 frames/s | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | Yes |
Change white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m | 5.40 m |
Flash options | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Red-Eye |
External flash | ||
AEB | ||
White balance bracketing | ||
Highest flash synchronize | 1/2000 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps) 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Max video resolution | 1280x720 | 1280x720 |
Video data format | H.264 | Motion JPEG |
Microphone support | ||
Headphone support | ||
Connectivity | ||
Wireless | Eye-Fi Connected | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 401 grams (0.88 lb) | 243 grams (0.54 lb) |
Dimensions | 112 x 76 x 48mm (4.4" x 3.0" x 1.9") | 110 x 67 x 36mm (4.3" x 2.6" x 1.4") |
DXO scores | ||
DXO All around score | 47 | not tested |
DXO Color Depth score | 20.4 | not tested |
DXO Dynamic range score | 11.2 | not tested |
DXO Low light score | 161 | not tested |
Other | ||
Battery life | 370 shots | - |
Battery style | Battery Pack | - |
Battery model | NB-7L | KLIC-7003 |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus | SD/SDHC card, Internal |
Card slots | 1 | 1 |
Retail cost | $600 | $250 |