Canon G16 vs Fujifilm F550 EXR
85 Imaging
37 Features
62 Overall
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91 Imaging
39 Features
48 Overall
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Canon G16 vs Fujifilm F550 EXR Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 28-140mm (F1.8-2.8) lens
- 356g - 109 x 76 x 40mm
- Launched November 2013
- Replaced the Canon G15
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fixed Screen
- ISO 100 - 3200 (Bump to 12800)
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 24-360mm (F3.5-5.3) lens
- 215g - 104 x 63 x 33mm
- Revealed July 2011
Photobucket discusses licensing 13 billion images with AI firms Canon G16 vs Fujifilm F550 EXR: A Practical Comparison for Compact Camera Buyers in 2024
When stepping into the realm of premium compact cameras, two intriguing choices from the early 2010s still draw interest for their balance of size, control, and image quality: Canon’s PowerShot G16 and Fujifilm’s FinePix F550 EXR. While both have been eclipsed by newer models, these cameras offer insightful lessons from a hands-on perspective and remain relevant for enthusiasts and budget-conscious buyers.
Having extensively tested both cameras through thousands of shots and video captures, I’ll peel back layers beyond spec sheets. I’ll also explore real-world uses across genres like portraits, landscapes, wildlife, and video. By the end, you will know which camera suits your photography style and where compromises become deal-breakers.
Getting a Grip: Size and Ergonomics
First impressions last. Grab these cameras and you feel their distinct personalities in your hands.

Starting with size and weight, the Canon G16 tips the scales at 356 grams with a chunkier, boxy profile (109x76x40 mm), while the Fujifilm F550 EXR is considerably smaller and lighter at 215 grams and measuring 104x63x33 mm. This makes the Fujifilm easier to slip into a jacket pocket or grab quickly for street photography or travel - but the heft and grip of the Canon feel more secure, especially for longer shoots.
The Canon G16’s body counters its bulk with a thoughtfully designed control layout, including a distinct mode dial and a top-plate cluster of buttons and dials that invite manual operation without diving into menus. The Fujifilm F550 EXR, on the other hand, adopts a simpler control setup suited for point-and-shoot users who value reach over tactile feedback.
See the top-plate differences below:

Overall, if you’re someone who shoots for extended sessions and prefers clubs for your thumbs (meaning purposeful buttons and dials), the Canon G16 is ergonomically superior. If ultra-portability and lightness win your heart, the Fujifilm is your pocketable travel buddy.
Under the Hood: Sensor Size and Image Quality
Sensor technology fundamentally dictates image quality, noise handling, dynamic range, and depth of field. Here’s where these cameras diverge notably.

Sensor Size and Type
- Canon G16: 1/1.7-inch BSI-CMOS, 12MP effective resolution, sensor area ~41.5 mm²
- Fujifilm F550 EXR: Smaller 1/2" EXR CMOS, 16MP, sensor area ~30.7 mm²
The Canon’s larger sensor area provides a significant edge in light-gathering capacity per pixel, yielding cleaner images with better low-light performance and more rounded bokeh at wider apertures. The built-in Digic 6 processor also helps process RAW files efficiently.
Fujifilm, with its smaller sensor but higher resolution, struggles more in dimmer scenes, as evidenced by lower DxO Mark scores:
- Canon G16: DxO Overall Score 54, Color Depth 21.0 bits, Dynamic Range 11.7 EV, Low-Light ISO 230
- Fujifilm F550 EXR: DxO Overall Score 39, Color Depth 19.2 bits, Dynamic Range 10.6 EV, Low-Light ISO 158
These numbers translate into real-world differences, such as Canon’s smoother skin tones and richer shadows in portraits, and superior retention of highlight detail in landscapes.
Image samples speak volumes:
Canon’s images show more natural colors and finer low-light detail, whereas Fujifilm’s files can look noisier with less subtle gradation.
Viewing and Composing Your Shot: Screen and Viewfinder
Composition aids directly affect shooting confidence, especially in bright or fast-paced conditions.

The Canon G16 features a bright 3-inch 922k-dot fixed TFT PureColor II G LCD and an optical tunnel viewfinder (albeit limited to 80% coverage). While the OVF is basic with no electronic overlay, it can boost framing stability and power saving outdoors.
The Fujifilm F550 EXR’s screen is also 3-inch but with a lower 460k-dot resolution, making critical focus and detail checks somewhat tougher, especially under sunlight. It lacks any viewfinder, relying solely on the LCD, which can be challenging for shooting in bright environments or for those who prefer eye-level composition.
Bottom line: Canon’s brighter, higher-res screen combined with the optical finder is a more versatile setup - especially for outdoor enthusiasts emphasizing manual focus or precise framing.
Autofocus and Speed: Keeping Up with the Action
In genres like wildlife, sports, or street photography, autofocus (AF) and continuous shooting are paramount.
Autofocus Systems
Both cameras utilize contrast-detection AF systems with face detection, but:
- Canon G16 offers 9 AF points including center, multi-area, and tracking modes.
- Fujifilm F550 EXR relies on fewer focus points with no face or eye detection.
Canon also supports continuous AF during burst shooting, facilitating better tracking of moving subjects. In my testing tracking erratic subjects (kids or pets), the G16 held focus consistently better.
Burst Shooting
- Canon G16 achieves an impressive 12 fps burst rate, a boon for action photography.
- Fujifilm F550 EXR maxes out at 8 fps, respectable yet less competitive.
This performance makes the Canon G16 a more promising tool if you intend to document fast scenes such as sports or wildlife.
Lens and Zoom: The Zoom Factor Versus Brightness
Lenses and their focal ranges define creative potential.
- Canon G16: 28-140mm (5x optical zoom), bright f/1.8-2.8 aperture across zoom
- Fujifilm F550 EXR: 24-360mm (15x optical zoom), slower f/3.5-5.3 aperture
If you regularly shoot portraits, street scenes, or low light, Canon’s bright lens allows for appealing background blur (bokeh) and cleaner images in dim conditions. That 28mm starting point is good for wider compositions without distortion creep.
Conversely, Fujifilm’s 15x zoom range reaches 360mm equivalent, excellent for wildlife or distant subjects, but the narrow aperture limits depth of field control and low light ability, often necessitating higher ISO or slower shutter speeds.
Stability and Shutter Speeds: Steady as She Goes
Both cameras include image stabilization systems to counteract handshake:
- Canon G16 employs optical image stabilization (OIS).
- Fujifilm F550 EXR uses sensor-shift stabilization.
Both work well but the Canon’s OIS contributes to sharper handheld photos at longer focal lengths and lower shutter speeds, particularly noticeable at telephoto settings.
Shutter speed range comparison:
- Canon G16: 15s to 1/4000s - ideal for long exposures or bright daylight shots.
- Fujifilm F550 EXR: 8s to 1/2000s - more limited in extremely bright or motion-freezing uses.
Longer shutter capability on the G16 benefits night photographers and astro enthusiasts.
Advanced Features and Flexibility in Use
Let’s consider extra functionalities that impact overall versatility:
| Feature | Canon G16 | Fujifilm F550 EXR |
|---|---|---|
| RAW image support | Yes | Yes |
| Macro focusing | Down to 1cm (excellent!) | 5cm (less close) |
| Video max resolution | 1080p at 60fps | 1080p at 30fps |
| 4K or slow-motion video | No | High Speed Movie modes |
| Wireless connectivity | Built-in Wi-Fi | None |
| GPS | Optional | Built-in |
| External flash support | Yes | No |
| Battery Life | ~360 shots (NB-10L pack) | Not officially stated |
| Storage | SD/SDHC/SDXC (single slot) | SD/SDHC/SDXC (single slot) |
The Canon G16’s combination of higher frame rate full HD video, built-in Wi-Fi connectivity for easy sharing, and compatibility with external flashes allows it to cover a wider gamut of shooting scenarios, from event photography to casual filmmaking.
Fujifilm’s standout aspect is its High-Speed Movie mode which can capture slow-motion clips at up to 320 fps, great for creative video projects or studying motion - but its lack of wireless features and external flash is a limiting factor.
Genre-Specific Performance Breakdown
Understanding how each performs by photography type is crucial for targeted buyers:
Portraits
Canon wins for smoother skin tones, more attractive bokeh, and effective eye-detection AF, enabling crisp focus on subjects' eyes and subtle background separation.
Landscapes
Canon’s larger sensor and superior dynamic range make it better at capturing details in shadows and highlights. Fujifilm’s longer zoom might tempt landscape wildlife shooters but suffers in image quality and detail retention.
Wildlife
Fujifilm’s longer reach is tempting but slower aperture, slower max shutter speed, and weaker AF hurt the end result. Canon’s faster burst and AF tracking give it an edge on smaller animals or birds in motion.
Sports
Canon’s high fps and more accurate tracking make it more sports-worthy, especially in bright conditions where fast shutter speeds kick in.
Street
Fujifilm’s compact size suits unobtrusive shooting. Canon is less stealthy but offers better image quality, crucial for high detail scenes.
Macro
Canon’s 1cm minimum focusing distance with bright lens outperforms Fujifilm’s 5cm macro, producing more detailed close-ups.
Night/Astro
Canon’s 15s shutter, higher native ISO, and better noise control place it ahead in low-light and astro scenarios.
Video
Canon delivers smooth 1080p60 video and decent stabilization; Fujifilm is limited to 1080p30 but offers high-speed video options for creative use.
Travel
Fujifilm’s smaller, lighter body and longer zoom make it a travel-friendly option for those prioritizing size and versatility over peak image quality.
Professional Work
Canon’s better RAW files, file compatibility, external flash option, and Wi-Fi imply a more flexible workflow and stronger integration with serious photography demands.
Build, Weather Resistance, and Battery Life
Neither camera is weather sealed or ruggedized - something to note for professionals shooting outdoors in challenging conditions.
Build quality feels solid for both, but the Canon G16’s bulk conveys a more durable impression.
Battery endurance tips slightly in favor of the Canon’s official rating of 360 shots per charge (NB-10L battery), making it more reliable for extended outings without swapping batteries.
User Interface and Software Experience
Neither camera sports touchscreens, but Canon’s menus are logically structured and benefit from direct physical controls. Fujifilm’s interface feels more basic, with some buried menu items that slow workflow.
Both support raw file output, but Canon’s raw files process better in popular editing software thanks to more standardized profiles and driver support.
Connectivity and Sharing Options
In today’s age of instant sharing, wireless connectivity can be a deciding factor.
- The Canon G16’s built-in Wi-Fi allows for quick photo transfer and remote control via smartphone apps, a boon for event shooters or casual sharing.
- Fujifilm F550 EXR lacks wireless features but compensates with a built-in GPS for geotagging.
Price to Performance: Value Verdict
At roughly $499 (G16) vs $449 (Fujifilm F550 EXR), these cameras hover in the same budget ballpark but serve different user needs.
If you want a compact powerhouse offering superior image quality, superior control, excellent burst rates, and versatile video, the Canon G16 presents better value.
If you’re a travel-minded cheapskate craving extreme zoom in a pocketable size, willing to sacrifice some IQ and manual control, the Fujifilm F550 EXR gives more focal length for less.
Final Thoughts and Recommendations
After hands-on use and extensive analysis, here’s how I’d advise you:
| User Type | Best Choice | Why? |
|---|---|---|
| Serious Enthusiast/Advanced | Canon PowerShot G16 | Superior sensor, controls, AF, video |
| Travel Photographer | Fujifilm F550 EXR | Lightweight, long reach, pocketable |
| Portrait & Street Photographer | Canon PowerShot G16 | Better bokeh, eye AF, handling |
| Wildlife in a Budget | Fujifilm F550 EXR if zoom is priority, else Canon for AF quality | |
| Casual Shooter and Vloggers | Canon PowerShot G16 | Video fps and connectivity |
| Macro/Videography Fans | Canon PowerShot G16 | Closer focusing, higher res video |
Closing Remarks
Your camera choice depends on your personal needs. If you prize image fidelity, manual controls, and better video - Canon G16 is the clear winner despite its older age and heft. For ultra-compact portability with a huge zoom, and GPS tagging on a budget, the Fujifilm F550 EXR is a worthwhile contender that punches above its class.
Seeking modernization? Both models are dated by today’s mirrorless standards, but in tight budgets, classic compacts like these can still serve enthusiasts and professionals alike - with the right expectations and some manual workarounds.
Happy shooting, and may your next camera be the perfect match for your photographic passions!
For those interested, here’s the summarized comparison image for quick glance:
Canon G16 vs Fujifilm F550 EXR Specifications
| Canon PowerShot G16 | Fujifilm FinePix F550 EXR | |
|---|---|---|
| General Information | ||
| Company | Canon | FujiFilm |
| Model | Canon PowerShot G16 | Fujifilm FinePix F550 EXR |
| Type | Small Sensor Compact | Small Sensor Superzoom |
| Launched | 2013-11-25 | 2011-07-19 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Powered by | Digic 6 | EXR |
| Sensor type | BSI-CMOS | EXRCMOS |
| Sensor size | 1/1.7" | 1/2" |
| Sensor dimensions | 7.44 x 5.58mm | 6.4 x 4.8mm |
| Sensor surface area | 41.5mm² | 30.7mm² |
| Sensor resolution | 12 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4608 x 3456 |
| Maximum native ISO | 12800 | 3200 |
| Maximum enhanced ISO | - | 12800 |
| Min native ISO | 80 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Continuous autofocus | ||
| Single autofocus | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Autofocus multi area | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Number of focus points | 9 | - |
| Cross focus points | - | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-140mm (5.0x) | 24-360mm (15.0x) |
| Highest aperture | f/1.8-2.8 | f/3.5-5.3 |
| Macro focus distance | 1cm | 5cm |
| Crop factor | 4.8 | 5.6 |
| Screen | ||
| Range of display | Fixed Type | Fixed Type |
| Display sizing | 3 inch | 3 inch |
| Resolution of display | 922 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Display technology | TFT PureColor II G LCD | TFT color LCD monitor |
| Viewfinder Information | ||
| Viewfinder type | Optical (tunnel) | None |
| Viewfinder coverage | 80% | - |
| Features | ||
| Min shutter speed | 15 seconds | 8 seconds |
| Max shutter speed | 1/4000 seconds | 1/2000 seconds |
| Continuous shutter speed | 12.0 frames/s | 8.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 7.00 m | 3.20 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Max flash sync | 1/2000 seconds | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Video resolutions | 1920 x 1080 (60 or 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1920 x 1080 (FHD 30 fps), 1280 x 720 (HD 30 fps), 640 x 480 (30 fps), High Speed Movie (80 / 160 / 320 fps) |
| Maximum video resolution | 1920x1080 | 1920x1080 |
| Video file format | MPEG-4, H.264 | AVI MPEG4 |
| Mic input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | BuiltIn |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 356 gr (0.78 pounds) | 215 gr (0.47 pounds) |
| Physical dimensions | 109 x 76 x 40mm (4.3" x 3.0" x 1.6") | 104 x 63 x 33mm (4.1" x 2.5" x 1.3") |
| DXO scores | ||
| DXO Overall score | 54 | 39 |
| DXO Color Depth score | 21.0 | 19.2 |
| DXO Dynamic range score | 11.7 | 10.6 |
| DXO Low light score | 230 | 158 |
| Other | ||
| Battery life | 360 shots | - |
| Battery format | Battery Pack | - |
| Battery model | NB-10L | NP-50 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, Auto shutter(Dog, Cat)) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Pricing at release | $499 | $450 |