Canon N100 vs Panasonic TS1
89 Imaging
37 Features
51 Overall
42


93 Imaging
34 Features
24 Overall
30
Canon N100 vs Panasonic TS1 Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F1.8-5.7) lens
- 289g - 105 x 68 x 36mm
- Released January 2014
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 28-128mm (F3.3-5.9) lens
- 189g - 98 x 63 x 23mm
- Released January 2009
- Additionally referred to as Lumix DMC-FT1
- Updated by Panasonic TS2

Choosing the right camera often boils down to understanding not just raw specifications but how those translate into real-world photographic experiences. Today, I’m diving deep into a head-to-head comparison of two compact yet intriguing cameras: the Canon PowerShot N100 and the Panasonic Lumix DMC-TS1 (also known as Lumix DMC-FT1). Both bring distinct personalities to the table, targeting very different types of photographers despite some overlaps in feature sets.
Having spent countless hours testing cameras across categories - from compact travel shooters to rugged action cams - I’ll guide you through their strengths and weaknesses across multiple shooting scenarios, technical nuances, and usability factors. This is a practical, in-the-field evaluation aimed at enthusiasts and professionals who want to spend their hard-earned money wisely, not just chase megapixel counts or pixel peeping specs.
First Impressions: Size, Handling, and Design Philosophy
Right out of the gate, the Canon N100 and Panasonic TS1 feel like two cameras built with entirely different intentions. The Canon N100 positions itself as a stylish, versatile compact, whereas the Panasonic TS1 focuses heavily on durability and adventure readiness.
In terms of raw dimensions and weight, the Canon PowerShot N100 measures 105 x 68 x 36 mm and weighs 289 grams, presenting a somewhat chunky but comfortable grip for daily shooting. Its tilting 3-inch touchscreen invites creative angles and intuitive menu navigation. The Panasonic TS1 is slimmer and lighter at 98 x 63 x 23 mm and 189 grams, emphasizing portability and ruggedness over glamor, with a fixed 2.7-inch screen and smaller resolution that’s less visually satisfying but more resilient in harsh environments.
The Canon’s design is undeniably more sophisticated, with a minimalist, sleek body that appeals to urban shooters and casual users wanting an upgrade from smartphones. Conversely, the Panasonic’s rugged, rubberized shell layout screams readiness for outdoor escapades. If you prefer to shoot in challenging weather or awkward settings, the TS1’s weather sealing (waterproof, dustproof, shockproof) is a critical asset the Canon cannot match.
Unpacking the User Experience: Control Layout and Interface
Design is one thing, but how these cameras handle in real-time shooting makes or breaks the user experience.
The Canon N100’s touchscreen-centric interface is ahead of its time for the 2014 release date. The DIGIC 6 processor ensures smooth responsiveness when navigating menus or previewing images. Manual focus is available via the touchscreen, although the lack of manual exposure modes like shutter or aperture priority limits creative control for seasoned users.
The Panasonic TS1 sticks to a traditional compact camera interface with tactile buttons, but lacks touchscreen. The buttons are logically placed, albeit small, accommodating quick operation while wearing gloves during outdoor excursions. However, the absence of manual exposure modes and slower shutter speeds (longest at 60 seconds) restricts it slightly in creative applications, especially in low light or astrophotography.
Both cameras have no viewfinders, so reliance on LCDs for composing images is mandatory. I found the N100’s higher resolution and tilting screen significantly enhance framing flexibility, important for street and macro photography. The TS1’s fixed and lower-res screen was harder to use in bright sunlight but wonderfully durable.
Sensor and Image Quality: The Heart of the Matter
Arguably the most critical component for image quality is the sensor, and here the two diverge substantially.
The Canon features a 1/1.7-inch CMOS sensor measuring 7.44 x 5.58 mm (41.5 mm² sensor area) with 12 megapixels resolution. Its DIGIC 6 image processor contributes to excellent noise control and color reproduction for this sensor size, supporting ISO 80 to 6400. By contrast, the Panasonic uses a smaller 1/2.3-inch CCD sensor, sized 6.08 x 4.56 mm (27.7 mm²), also 12 megapixels, but relying on a less advanced processing pipeline.
What does this mean in practice? The Canon N100 shows notably better dynamic range and low-light performance. Shadows retain richer detail, and highlights are less prone to clipping - important for landscapes and interiors. Colors are vibrant but natural, especially pleasing skin tones for portraits.
The Panasonic’s CCD sensor tends to produce slightly flatter images with a narrower tonal range and more visible noise at higher ISOs. While the TS1 is perfectly capable under good light, pushing beyond ISO 400 quickly degrades image quality. This limits its appeal for night photography or indoor events.
Neither camera supports RAW capture, so in-camera JPEG processing is final. The Canon’s RAW absence stings a bit more given its better sensor potential but may not bother casual shooters.
Zoom and Lens Performance: Focal Ranges Meet Real Usage
Lens specs often get overlooked when evaluating compact cameras, but the difference here affects creative versatility.
The Canon’s fixed lens stretches from 24 to 120 mm equivalent at a bright aperture range of f/1.8 to f/5.7. This fast wide-angle makes it great for indoor shots, street scenes, and low light, plus the telephoto end at f/5.7 is adequate for portraits and casual zoom work. Image stabilization is optical, which helps in handheld low-light shooting.
The Panasonic offers a 28-128 mm equivalent lens at f/3.3 to f/5.9 - starting slightly narrower in wide angle and reaching a bit longer telephoto but with slower apertures overall. The fixed lens macro focus down to 5cm is impressive, enabling close-up shots with fine detail, a boon for nature and travel photographers.
In real-world testing, the Canon’s faster lens produced brighter, clearer images in dim conditions and enabled some pleasing background blur at longer focal lengths. The Panasonic’s lens struggled indoors but excelled in rugged outdoor close-ups thanks to macro mode and rugged body protection.
Autofocus and Performance Under Pressure
Autofocus systems are pivotal depending on your subjects - wildlife, sports, portraits, or quick candid moments.
Canon N100 employs a contrast-detection system with 9 autofocus points and face detection. Its touch AF functionality works adequately but lacks continuous AF or tracking. While it locks focus promptly in good light, I found it less reliable in darker situations and poor for moving subjects.
The Panasonic TS1 has an 11-point contrast-detection AF with center-priority. It misses face detection altogether but retains reasonable accuracy for still subjects in daylight. Continuous AF is absent, and burst shooting peaks at a slow 2 fps.
Neither camera is optimized for wildlife or sports. The Canon’s touchscreen focus method is smarter for portraits and street shooting where you can carefully select focus points, but if you anticipate action scenes, neither will satisfy.
Display and Viewfinder Realities
Both cameras forego viewfinders, meaning reliance on LCD screens for composing and reviewing images is a must.
The Canon’s 3-inch tilting TFT PureColor II touchscreen with 922k dots resolution makes composing at odd angles enjoyable and sharp. Touch gestures provide control over settings like exposure compensation, zoom, and focus point selection. This is a definite ergonomic advantage for creative framing, especially in street and travel photography.
Panasonic’s 2.7-inch fixed LCD screen has a modest 230k-dot resolution and no touchscreen. This screen is less immersive and struggles outdoors but contributes to the rugged camera’s shock resistance. In bright sunlight, I found it frustrating but acceptable given the TS1’s adventure goals.
Build Quality and Weather Resistance
Here the Panasonic TS1 holds a significant edge.
While the Canon N100 has a quality plastic body with a splash of metal accents, it is not sealed against dust or moisture, making it vulnerable outside controlled environments.
The Panasonic TS1 is built tough: waterproof to 10m, dustproof, shockproof from 1.5m drops, and freezeproof down to -10 °C. No warranty claim in the world replaces lost shots from weather or accident damage. For hikers, beachgoers, or snow adventurers, TS1’s ruggedness is decisive.
Battery Life and Connectivity
The Canon N100 uses the NB-12L battery pack rated for roughly 330 shots per charge - decent for a compact but falls short of longer trips without access to power. It offers built-in WiFi and NFC, modern conveniences for quick photo sharing.
The Panasonic TS1’s battery details are less explicitly documented and lack wireless features. However, its lower-res screen and simpler processor likely help moderate power consumption.
Both cameras support SD/SDHC/SDXC cards with single slots. USB 2.0 and HDMI ports are standard on each, assisting in tethered file transfers and external displays.
Video Recording Capabilities
Both cameras cater to casual video shooters but reflect their respective eras and categories.
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Canon N100 records Full HD video but with a strange maximum resolution of 1920 x 1280 at 30 fps, which is unconventional compared to true 1080p 1920 x 1080. The H.264 codec ensures decent compression. With optical image stabilization and a microphone port, it is more suited to handheld casual video capturing, though its lack of external headphone monitoring limits professional-grade sound control.
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Panasonic TS1 maxes out at 1280 x 720 at 30fps using AVCHD Lite format, adequate for family moments or simple field recording but far from cinematic quality. No mic or headphone ports limits audio recording options, and the fixed lens aperture narrows creative possibilities in video.
Neither camera targets videographers; both act as backups or casual tools.
Sample Images and Real-World Results
During my side-by-side testing outdoors on a sunny spring afternoon, I captured street scenes, portraits, and macro shots to understand practical differences.
The N100’s images pop with better tonal range, sharper details, and smoother bokeh transitions, particularly evident in portraits under natural window light. Skin tones are naturally rendered without an artificial hue.
The TS1 images, although competent in daylight, show flatter contrast, more image noise creeping into shaded areas, and less subject isolation potential at their maximum aperture. Macro shots reveal interesting textures but occasionally soft corners.
Scoring Their Overall Strengths and Weaknesses
Here’s a visual summary of my testing scores compiled using industry-standard criteria emphasizing user-experience:
You’ll note the Canon N100 leads on image quality, general usability, and video features. The Panasonic TS1 scores higher for durability and outdoor readiness.
Specialized Performance Across Photography Genres
To help you hone in on which camera suits your photographic passion best, here I break down performance scores by genre:
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Portrait: Canon N100 shines with face detection, accurate skin reproduction, and pleasing bokeh. Panasonic lacks face detection and slower lens hurts background separation.
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Landscape: Canon’s better sensor dynamic range offers richer foliage details; however, Panasonic’s waterproofness invites shooting in unpredictable weather.
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Wildlife/Sports: Neither is ideal due to slow autofocus and hunting, but Canon’s touchscreen AF allows better focus selection.
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Street: Canon’s stealthier styling, articulating screen, and faster lens impress, while Panasonic trades image quality for ruggedness.
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Macro: Panasonic’s close focusing at 5 cm delivers excellent fine detail in outdoor settings. Canon performs well but without dedicated macro mode.
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Night/Astro: Canon’s superior sensor and stabilization perform better. Panasonic struggles due to sensor and exposure speed limitations.
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Video: Both are basic; Canon edges due to higher resolution and mic input.
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Travel: Panasonic’s toughness and lighter weight are assets; Canon offers more versatility but needs care.
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Professional Work: Neither supports RAW or advanced controls needed for professional workflows.
Putting It All Together: Final Thoughts and Recommendations
After thoroughly dissecting the Canon PowerShot N100 and Panasonic Lumix DMC-TS1 across specifications, field results, and practical usability, here’s what I sum up:
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If you’re a casual to enthusiast photographer prioritizing image quality, ease of use, and creative flexibility, the Canon PowerShot N100 is my strong recommendation. Its larger sensor, faster lens, touchscreen control, and WiFi connectivity offer daily shooting enjoyment and solid results in portraits, landscapes, and street scenarios.
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If your photography lifestyle brings you into harsh, wet, dusty, or accident-prone environments - say hiking, snorkeling, or snowboarding - then the Panasonic TS1’s rugged design and waterproof credentials outshine any image quality compromises. This is an adventure-proof camera designed to capture moments when others falter.
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For travelers seeking a compact camera that balances image quality and durability, the choice hinges on how rough your journey gets. The Canon N100 should serve well in cities and light outdoors; the Panasonic TS1 is better suited as a durable backup for unexpected weather.
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Professionals and advanced enthusiasts wanting control, RAW, or fast AF should look beyond these compacts to mirrorless or DSLRs.
A Few Pro Tips From My Testing Bench
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To get the best portraits with the Canon N100, tap the touchscreen to focus on the subject’s eye - this gives great sharpness and pleasing skin textures.
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When shooting in unpredictable weather outdoors and you have the Panasonic TS1, utilize its macro 5cm mode to capture detailed insects or flowers while adventuring.
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Both cameras benefit from shooting in good natural light due to sensor and lens constraints - avoid high-ISO reliance when possible.
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Don’t expect burst rates or fast AF to nail action shots; consider these cameras for relaxed, deliberate photography.
I trust this in-depth, experience-rich comparison helps you clarify which of these distinctive compacts fits your photographic aspirations best. Both the Canon PowerShot N100 and Panasonic Lumix DMC-TS1 have carved unique spaces in compact camera history, and with the right expectations, either could be a rewarding tool.
Always happy to answer any follow-up questions or dig into more specialized tests if you need - feel free to reach out!
Safe shooting and joyful framing,
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- Your Trusted Camera Reviewer*
Canon N100 vs Panasonic TS1 Specifications
Canon PowerShot N100 | Panasonic Lumix DMC-TS1 | |
---|---|---|
General Information | ||
Brand Name | Canon | Panasonic |
Model | Canon PowerShot N100 | Panasonic Lumix DMC-TS1 |
Otherwise known as | - | Lumix DMC-FT1 |
Category | Small Sensor Compact | Waterproof |
Released | 2014-01-06 | 2009-01-27 |
Physical type | Compact | Compact |
Sensor Information | ||
Processor | DIGIC 6 | - |
Sensor type | CMOS | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.08 x 4.56mm |
Sensor area | 41.5mm² | 27.7mm² |
Sensor resolution | 12MP | 12MP |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
Highest Possible resolution | 4000 x 3000 | 4000 x 3000 |
Maximum native ISO | 6400 | 6400 |
Lowest native ISO | 80 | 80 |
RAW photos | ||
Autofocusing | ||
Manual focus | ||
Autofocus touch | ||
Continuous autofocus | ||
Single autofocus | ||
Tracking autofocus | ||
Selective autofocus | ||
Autofocus center weighted | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Number of focus points | 9 | 11 |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 24-120mm (5.0x) | 28-128mm (4.6x) |
Highest aperture | f/1.8-5.7 | f/3.3-5.9 |
Macro focus range | - | 5cm |
Crop factor | 4.8 | 5.9 |
Screen | ||
Type of display | Tilting | Fixed Type |
Display diagonal | 3 inch | 2.7 inch |
Display resolution | 922k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch capability | ||
Display tech | TFT PureColor II G Touch screen LCD | - |
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Minimum shutter speed | 15s | 60s |
Fastest shutter speed | 1/2000s | 1/1300s |
Continuous shutter rate | - | 2.0 frames/s |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Custom white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash range | 7.00 m | - |
Flash settings | Auto, Flash On, Slow Synchro, Flash Off | Auto, On, Off, Red-eye, Slow Syncro |
Hot shoe | ||
AEB | ||
White balance bracketing | ||
Exposure | ||
Multisegment exposure | ||
Average exposure | ||
Spot exposure | ||
Partial exposure | ||
AF area exposure | ||
Center weighted exposure | ||
Video features | ||
Supported video resolutions | 1920 x 1280 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 1280x720 |
Video file format | H.264 | AVCHD Lite |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environment sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 289 gr (0.64 lbs) | 189 gr (0.42 lbs) |
Dimensions | 105 x 68 x 36mm (4.1" x 2.7" x 1.4") | 98 x 63 x 23mm (3.9" x 2.5" x 0.9") |
DXO scores | ||
DXO Overall score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 330 photos | - |
Form of battery | Battery Pack | - |
Battery model | NB-12L | - |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
Time lapse feature | ||
Storage type | SD/SDHC/SDXC | SD/MMC/SDHC, Internal |
Card slots | 1 | 1 |
Pricing at release | $349 | $380 |