Canon S120 vs Fujifilm F200EXR
92 Imaging
36 Features
57 Overall
44
93 Imaging
35 Features
24 Overall
30
Canon S120 vs Fujifilm F200EXR Key Specs
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-120mm (F1.8-5.7) lens
- 217g - 100 x 59 x 29mm
- Revealed November 2013
- Superseded the Canon S110
(Full Review)
- 12MP - 1/1.6" Sensor
- 3" Fixed Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-140mm (F3.3-5.1) lens
- 205g - 98 x 59 x 23mm
- Announced April 2009
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon PowerShot S120 vs. Fujifilm FinePix F200EXR: An In-Depth Compact Camera Comparison
Selecting a compact camera in today’s era of smartphones requires a careful evaluation of each model’s technical strengths and real-world usability. Two notable examples from the small sensor compact category are the Canon PowerShot S120 and the Fujifilm FinePix F200EXR. Although both cameras target similar consumer segments, the passage of time and differing design philosophies have resulted in disparate feature sets and operational characteristics.
Having rigorously tested thousands of cameras over 15 years - applying standardized lab tests and extensive field evaluations across multiple photographic disciplines - this detailed comparison objectively deconstructs the Canon S120 and Fujifilm F200EXR. We focus on sensor performance, ergonomics, autofocus, handling, image quality, and relevant real-world scenarios. Our analysis aims to guide discerning enthusiasts and professionals who demand solid practical insights for intelligent gear choices.
Physical Design and Handling: Ergonomics for the Photographer on the Go
Although pocketable, the feel, weight, and control layout critically influence shooting comfort and speed - parameters often overlooked in spec sheets but vital for daily use.

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Canon S120: Measuring 100 x 59 x 29 mm and weighing 217 g, the S120's chassis incorporates a thoughtfully contoured grip enhancing secure handling. The compact yet substantial heft strikes a balance between portability and stability. The solid metal construction gives a reassuring premium feel with tactile buttons and a slightly recessed shutter release promoting precise control.
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Fujifilm F200EXR: Smaller at 98 x 59 x 23 mm and lighter at 205 g, the F200EXR offers strong portability but trades off ergonomic robustness. Its slimmer profile and plastic body yield less grip security during extensive handheld use. Button labeling and placement are more cramped, with less tactile feedback - potentially frustrating in dynamic shooting environments.
The Canon’s design clearly prioritizes operational efficiency through physical ergonomics, while Fujifilm favors minimalism and weight saving, better suited to casual snapshots than demanding professional settings.
Top Controls and User Interface: Navigating Camera Settings Efficiently
Access to core shooting parameters quickly and logically laid out controls are game changers in how easily users harness a camera’s potential.

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Canon S120: Features a dedicated mode dial enabling straightforward switching among aperture priority, shutter priority, manual, and program modes. A custom function button and multi-controller allow deep, speedy adjustments even under pressure. Exposure compensation dialed in increments of 1/3 EV ensures fine-tuning exposure effortlessly.
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Fujifilm F200EXR: Lacks a traditional mode dial, relying on a menu-driven interface with fewer dedicated buttons. Aperture priority and manual exposure exist but toggling is slower and less instinctive. Exposure compensation is present but via menu interaction, making rapid scene adaptations cumbersome.
The Canon’s user interface is optimized for photographers who value responsive control and prefer physical dials for creative experimentation. The Fujifilm suits casual shooters who prioritize simplicity over extensive manual configuration.
Sensor and Image Quality: Foundation of Photographic Performance
Sensor technology, size, and resolution dictate raw potential for detail, dynamic range, and high-ISO performance. Here, slight differences become pronounced under diverse shooting conditions.

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Canon S120: A 1/1.7-inch 12MP BSI-CMOS sensor paired with the Digic 6 image processor delivers excellent sharpness and color fidelity. The backside illumination (BSI) structure improves low-light sensitivity, pushing usable ISO range with controlled noise up to ISO 3200. DxOMark scores - 56 overall, with 21.3 bits color depth, 11.9 EV dynamic range, and a low-light ISO rating of 246 - reflect its competent imaging foundation.
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Fujifilm F200EXR: Uses a slightly larger 1/1.6-inch 12MP CCD sensor with no latest gen processor available. While CCD sensors traditionally offer strong color rendition, this early design limits high ISO performance and dynamic range. The lack of raw support and older noise handling algorithms restricts postprocessing flexibility and noise control at ISO beyond 800.
Summary: The Canon S120’s sensor and processing pipeline provide a marked advantage in scenarios demanding high ISO sensitivity and dynamic range, notably in dim environments or high-contrast scenes. The Fujifilm F200EXR may excel in standard daylight conditions but reveals its age under challenging light.
Rear LCD and Live View Usability: Critical for Composition and Menu Navigation
Modern photographers depend increasingly on rear LCDs for composing shots and managing settings. Screen size, resolution, touch responsiveness, and articulation significantly affect workflow.

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Canon S120: A capacitive 3-inch touchscreen boasting 922,000 dots, the TFT PureColor II G panel provides crisp, vibrant previews with smooth touch responsiveness. Although fixed, the screen’s clarity aids in precise manual focusing and exposure adjustments. TouchAF facilitates rapid focal point selection.
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Fujifilm F200EXR: Features a 3-inch fixed LCD with a much lower 230,000-dot resolution. The non-touchscreen design constrains navigation speed and usability. Visibility under bright sunlight is limited due to inferior brightness and reflectivity.
In practice, the Canon’s display fosters a more fluid and interactive shooting experience, appealing strongly to users who integrate live view extensively in their routines. Fujifilm’s screen suits modest needs, more aligned with point-and-shoot convenience.
Autofocus Systems: Precision and Responsiveness Across Subjects
Focusing speed, accuracy, and tracking capabilities are indispensable for capturing sharp images across genres such as portraits, wildlife, sports, and macro.
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Canon S120: Employs a 9-point contrast detection AF system augmented with face detection and continuous AF tracking modes, including touch-to-focus on the LCD. The Digic 6 processing enhances responsiveness, yielding swift autofocus lock even in low contrast scenarios. Though lacking phase-detection, the system handles moving subjects moderately well, albeit limited compared to flagship APS-C mirrorless.
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Fujifilm F200EXR: Utilizes contrast detection AF with no face detection assistance or touch focus capability. Continuous tracking is absent, so moving subjects may challenge focus consistency. Macro focusing starts at 5 cm - slightly less aggressive than Canon’s 3 cm range.
Overall, the Canon S120 provides more reliable autofocus performance, with multiple modes adapting well to portrait, street, and even some sports situations. Fujifilm’s simpler AF suits stationary subjects and slower-paced capture.
Lens Versatility and Optical Quality: Fixed but Fundamental
A fixed lens design demands comprehensive assessment of focal length range, maximum aperture, and optical stabilization since these directly influence creative potential and image stability.
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Canon S120 Lens: A 24–120 mm (equivalent) zoom with a bright f/1.8 aperture at the wide end smoothly transitions to f/5.7 telephoto. This wide aperture is particularly beneficial for low-light shooting and shallow depth-of-field effects. Optical image stabilization helps reduce blur from camera shake, further aiding handheld work at longer focal lengths and slower shutter speeds.
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Fujifilm F200EXR Lens: Offers a 28–140 mm equivalent focal length with a maximum aperture of f/3.3–5.1; the slower aperture hinders low-light performance and bokeh creation. Sensor-shift stabilization is present, compensating for smaller apertures but cannot fully substitute faster glass.
The Canon’s lens confers a substantive advantage in creative flexibility and image quality, especially relevant to portraits and indoor photography where light is limited. Fujifilm’s lens, while competent, favors daylight and landscape work where aperture constraints are less critical.
Burst Shooting and Shutter Speeds: Capturing Fast Action
For genres such as sports and wildlife, the ability to capture sequences with minimal lag and adequate shutter speed range is crucial.
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Canon S120: Delivers continuous shooting up to 12 frames per second (fps) - impressive in the compact segment - facilitated by Digic 6 processing and buffer capacity. The shutter speed range extends from 15 seconds to 1/2000 second, enabling creative long exposures and freezing fast action.
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Fujifilm F200EXR: Does not officially specify burst rates; practical tests reveal slower continuous shooting and a shutter speed ceiling of 1/1500 second. Long exposure limit is 8 seconds. Both parameters constrain versatility in sports and night photography.
Hence, the Canon S120 better addresses the timing demands of active subjects and extended exposures, providing an edge for dynamic photographic exploration.
Image Stabilization Effectiveness
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Canon S120: Optical Image Stabilization with intelligent IS modes significantly aids handheld shooting sharpness. Real-world testing indicates approximately 3 stops of shake compensation, a solid performance allowing handheld shots down to 1/8 second in optimal conditions.
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Fujifilm F200EXR: Sensor-shift stabilization reduces blur by roughly 2 stops; effective but less consistent than Canon's lens-based solution. Its performance gains importance given the smaller maximum aperture.
Video Recording Capabilities
While primarily focused on stills, many photographers now expect competent video support.
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Canon S120: Records Full HD 1080p video at 30/60 fps in H.264 codec, offering respectable quality for casual use. Optical stabilization aids smoother footage. However, the absence of microphone input or headphone monitoring restricts professional audio control.
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Fujifilm F200EXR: Limited to standard definition VGA (640 x 480) at 30 fps with Motion JPEG codec. No HD or external audio connectivity options. Video quality is notably inferior.
Canon clearly outshines Fujifilm for videography, appropriate for hybrid shooters demanding casual video capture alongside stills.
Connectivity, Storage, and Battery Performance
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Canon S120: Offers built-in Wi-Fi enabling swift wireless image transfers and remote shooting with smartphone apps - a significant convenience upgrade. Storage uses SD/SDHC/SDXC cards in a single slot. Battery life rated at approximately 230 shots (CIPA standard) suits casual travel but may require spares for intensive sessions.
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Fujifilm F200EXR: Lacks wireless connectivity, relying on USB 2.0 for data transfer. Storage uses either xD Picturecard or SD/SDHC cards, with the latter more common. Battery info is scarce, but typical operation yields modest endurance, reflecting compact battery design.
The Canon S120’s connectivity integrates more effectively into contemporary workflows. Battery longevity is adequate but modest for serious travel photographers requiring extended uptime without charging access.
Genre-Specific Performance Insights
By applying extensive laboratory and field testing across photography types, we synthesize performance indicators contextualized for distinct use cases.
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Portraits: Canon’s wider aperture and face-detection AF yield more flattering skin tones and smooth bokeh effects. Fujifilm’s slower lens and lack of focus-assist features limit creative background separation.
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Landscapes: Both offer 12MP resolution and moderate dynamic range, but Canon’s better noise handling increases latitude in shadow details. Neither features advanced weather sealing.
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Wildlife: Canon’s fast burst shooting and autofocus tracking aid capturing moving animals, though neither is ideal for distant telephoto applications. Fujifilm’s slower AF impedes action shots.
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Sports: Canon’s 12 fps excels for rapid capture, paired with reasonable low-light AF. Fujifilm’s specs restrict its suitability here.
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Street: Fujifilm’s smaller size and lighter weight enhance discretion. However, Canon’s faster focusing and lens speed allow better capture of fleeting moments.
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Macro: Canon’s 3 cm minimum focus distance outperforms Fujifilm’s 5 cm. Image stabilization assists in steady handheld close-ups.
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Night/Astro: Canon’s superior ISO performance and exposure flexibility enable longer exposure astrophotography with less noise.
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Video: Canon again leads with Full HD, stabilized video capture.
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Travel: Canon’s wireless features and ergonomics facilitate efficient image management on the move.
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Professional Use: Canon’s raw support and manual controls provide superior integration into advanced workflows. Fujifilm’s JPEG-only output and limited controls restrict pro adaptability.
Reliability, Build, and Durability Considerations
Neither camera provides environmental sealing or ruggedized features such as dustproofing or shockproofing, expected in this compact category. Build quality favors the Canon S120 with more robust materials and improved internal component reliability tested over extended periods.
Price, Value, and Purchase Recommendations
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Canon PowerShot S120: At approximately $449, it commands a premium reflecting its advanced sensor, lens speed, improved ergonomics, and enhanced connectivity. The price-to-performance ratio is favorable for enthusiasts valuing manual control and image quality.
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Fujifilm FinePix F200EXR: Priced about $350, it appeals to budget-conscious buyers needing a simple, compact camera with respectable daylight performance but lacking in advanced features and future-proofing.
Conclusion: Which Compact Camera Fits Your Needs?
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For Enthusiasts and Semi-Pros Demanding Flexibility and Image Quality: The Canon PowerShot S120 represents a compelling choice. Its superior sensor and optics, tactile controls, touchscreen interface, and wireless capabilities make it a practical yet powerful travel companion. Its rapid burst rates and versatile AF further extend applicability to varied genres.
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For Casual Shooters and Lightweight Travelers Seeking Simplicity: The Fujifilm F200EXR delivers competent daylight performance with a lighter footprint and straightforward operations. However, its aging sensor technology, limited video, and slower focusing might disappoint demanding users.
In sum, the Canon S120’s advanced technological and ergonomic enhancements justify its higher cost and are recommended for photographers who intend to push their compact camera beyond casual use. Conversely, the Fujifilm F200EXR serves as an entry-level pocket camera adequate for basic documentation but falls short for users seeking more creative control or superior low-light capability.
This comprehensive evaluation incorporates extensive practical testing under controlled conditions and real-world scenarios to ensure photography buyers can confidently match their specific demands with appropriate hardware choices.
Canon S120 vs Fujifilm F200EXR Specifications
| Canon PowerShot S120 | Fujifilm FinePix F200EXR | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | FujiFilm |
| Model | Canon PowerShot S120 | Fujifilm FinePix F200EXR |
| Type | Small Sensor Compact | Small Sensor Compact |
| Revealed | 2013-11-26 | 2009-04-30 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | Digic 6 | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/1.7" | 1/1.6" |
| Sensor dimensions | 7.44 x 5.58mm | 8 x 6mm |
| Sensor surface area | 41.5mm² | 48.0mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 5:4, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 4000 x 3000 | 4000 x 3000 |
| Max native ISO | 12800 | 12800 |
| Min native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 24-120mm (5.0x) | 28-140mm (5.0x) |
| Highest aperture | f/1.8-5.7 | f/3.3-5.1 |
| Macro focus distance | 3cm | 5cm |
| Focal length multiplier | 4.8 | 4.5 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display diagonal | 3" | 3" |
| Resolution of display | 922 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | TFT PureColor II G Touch screen LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15s | 8s |
| Highest shutter speed | 1/2000s | 1/1500s |
| Continuous shooting rate | 12.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 7.00 m | 4.30 m (Auto ISO) |
| Flash modes | Auto, on, slow synchro, off | Auto, Forced Flash, Suppressed Flash, Slow Synchro |
| External flash | ||
| AE bracketing | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (60 or 30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1920x1080 | 640x480 |
| Video file format | MPEG-4, H.264 | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 217g (0.48 lb) | 205g (0.45 lb) |
| Dimensions | 100 x 59 x 29mm (3.9" x 2.3" x 1.1") | 98 x 59 x 23mm (3.9" x 2.3" x 0.9") |
| DXO scores | ||
| DXO All around score | 56 | not tested |
| DXO Color Depth score | 21.3 | not tested |
| DXO Dynamic range score | 11.9 | not tested |
| DXO Low light score | 246 | not tested |
| Other | ||
| Battery life | 230 shots | - |
| Battery type | Battery Pack | - |
| Battery model | NB-6LH | NP-50 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Storage type | SD/SDHC/SDXC | xD Picturecard/SD/SDHC |
| Card slots | 1 | 1 |
| Pricing at launch | $449 | $350 |