Canon S200 vs Fujifilm S1500
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35 Features
41 Overall
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82 Imaging
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Canon S200 vs Fujifilm S1500 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Display
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.0-5.9) lens
- 181g - 100 x 59 x 26mm
- Announced February 2014
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 6400
- Sensor-shift Image Stabilization
- 640 x 480 video
- 33-396mm (F2.8-5.0) lens
- 345g - 103 x 73 x 68mm
- Launched February 2009

Canon PowerShot S200 vs Fujifilm FinePix S1500: The Small Sensor Camera Duel for Enthusiasts and Budget-Conscious Shooters
When choosing a small sensor camera these days, the options tend to fall into two camps: pocketable compacts for grab-and-go convenience, or bulkier superzooms boasting reach and versatility but sacrificing some portability. The Canon PowerShot S200 and Fujifilm FinePix S1500 epitomize this divide - both affordably priced, but aiming at different crowds and shooting styles. Having personally tested hundreds of cameras across compact and bridge categories, I wanted to pit these two against one another across a range of photography disciplines and real-world shooting situations.
If you’re after a camera that fits your needs without busting your budget, I’ll walk you through the key strengths, caveats, and practical differences between these two contenders - with a critical eye on ergonomics, image quality, autofocus, video, and usability. Let’s dive in.
Size, Handling, and Ergonomics: Pocketable vs. Club for Your Thumbs
First up, the physical experience - because if a camera doesn’t feel right in your hands, no amount of specs will save your shots. The Canon S200 is a bona fide compact with a slim profile (100x59x26mm) and a featherweight 181g body sporting a simple but thoughtful layout. The Fujifilm S1500, by contrast, looks and feels like a small DSLR - more like a bridge camera with its heftier 345g frame and larger chassis (103x73x68mm).
The S200’s compactness lets it slide into pockets or small bags easily, ideal for travel or street photography where discretion is key. Its 3” fixed LCD feels sharp and responsive, though you won’t find touchscreen controls here. The S1500’s bigger grip and pronounced clubs for thumbs makes for a comfortable hold during long shooting sessions and zooming, but it is noticeably less pocket-friendly.
Button-wise, the Canon’s fewer buttons and absence of a dedicated top LCD make it simpler but less quick-access than the S1500’s more classic bridge camera setup (which includes an electronic viewfinder - a rarity at this price range). For shooters coming from DSLRs, the S1500 offers a more familiar “club” design and dedicated dials, while the Canon is really built for those wanting compact convenience plus manual controls in a smaller package.
Ergonomic edge: Canon S200 wins for portability and street stealth, Fujifilm S1500 for comfort and traditional handling.
Sensor and Image Quality: The Heart of the Matter
Both cameras feature 10MP CCD sensors, but with key differences that influence image quality. The Canon employs a larger 1/1.7” sensor (7.44x5.58mm), whereas the Fujifilm uses a smaller 1/2.3” sensor (6.17x4.55mm). Larger sensor area generally equals better noise performance and dynamic range, so the Canon has a theoretical advantage.
Resolution-wise, both max out at 3648x2736 pixels, but their color depth and noise handling differ naturally due to sensor size and processing power. The Canon’s DIGIC 5 processor offers more advanced noise reduction and color reproduction compared to Fujifilm’s older processing pipeline.
In real-world shooting, the Canon S200 produces noticeably cleaner images at high ISO (above 800), which matters for low-light, street, or indoor shooting. Color rendition on skin tones is slightly warmer and more pleasing on the Canon, while the S1500’s images can appear flatter and less nuanced - likely due to older sensor and compression.
Dynamic range also favors the Canon, with better retention of highlight and shadow details, essential for landscape and portrait work.
Lens and Aperture: Versatility Meets Reach
The zoom range and maximum aperture define the creative potential of these fixed-lens cameras.
- Canon PowerShot S200: 24-120mm equivalent (5x zoom), max aperture F2.0-5.9
- Fujifilm FinePix S1500: 33-396mm equivalent (12x zoom), max aperture F2.8-5.0
The Canon’s wider starting focal length (24mm) gives you true wide-angle versatility for landscapes, environmental portraits, and interiors - a notable advantage. Plus, the bright F2.0 wide end allows for more depth of field control and some usable bokeh, especially handy for portraits or artistic shots in low light.
The Fujifilm baseline at 33mm is more telecentric from the get-go, and the longer zoom reach up to 396mm certainly caters to wildlife, sports, or any time you want to get closer without lugging a big lens. Aperture slows to F5.0 at telephoto, so image brightness drops under zoom, a limitation typical of superzooms.
The Canon S200 allows macro shooting at 3cm, while Fujifilm pushes even closer at 2cm, so macro enthusiasts might find the S1500 marginally better for up-close details - though neither is a dedicated macro camera.
Bottom line on lenses: Canon is your choice for wider, brighter shots with manual focus control, while Fujifilm excels at extended zoom reach for distant subjects.
Autofocus and Shooting Speed: Tracking the Action and Moments
When it comes to autofocus, the Canon S200 features a 9-point contrast-detection AF system with face detection and continuous AF available, giving it a better edge for portraits and street candidness. It also supports selective and tracking AF, making it more reliable for moving subjects in moderate action scenarios.
Fujifilm’s S1500, on the other hand, lacks autofocus tracking, relying instead on basic contrast detection at a single point. This makes it slower and less precise for fast-moving subjects or shifting scenes, which you’ll notice especially in wildlife or sports settings.
Continuous shooting speeds also differ: Canon’s 2 fps might sound slow compared to modern cameras, but it’s a step ahead of Fujifilm’s 1 fps rate, which severely limits burst shooting for action sequences.
For real-world use, I found the Canon’s AF quicker and more dependable in both daylight and low light, with fewer hunting issues. The Fujifilm requires more patience and deliberate composition.
Video Capabilities: Modest but Functional for Casual Creation
Neither is a video powerhouse, but if recording casual HD footage matters, the Canon has the upper hand.
- Canon S200 video: 1280x720p at 24 fps (H.264)
- Fujifilm S1500 video: 640x480p at 30 fps (Motion JPEG)
The Canon produces sharper HD videos with better compression efficiency, though frame rates are capped at cinema-style 24fps. The Fujifilm’s maximum 640x480 resolution is decidedly outdated, with relatively large file sizes from its MJPEG format and softer detail.
Neither camera supports external microphones, headphone jacks, or advanced stabilization in video mode, so serious videographers will need to look elsewhere.
LCD and Viewfinder: Framing and Reviewing Shots
Both cameras feature fixed 3” or 2.7” LCDs without touch capability, but the Canon’s screen boasts 461k dots, making it sharper and brighter compared to Fujifilm’s 230k resolution panel. The Canon’s screen is more usable outdoors and for review, which I appreciated during field testing.
Fujifilm compensates with an electronic viewfinder, lacking in the Canon. While EVFs at this price tend to be modest, the S1500’s EVF is a helpful compositional aid in bright conditions when the LCD may struggle.
If you’re keen on a viewfinder experience, Fujifilm holds an advantage. Otherwise, Canon’s better LCD makes for an easier shooting experience, especially for casual users.
Battery Life and Storage: Staying on the Go
The Canon S200 uses a proprietary NB-6LH lithium-ion battery packing about 200 shots per charge per CIPA standards - modest but typical for compacts. The Fujifilm S1500 uses four AA batteries, which is convenient if you want to carry spares or shoot extended periods without access to charging, albeit at the cost of extra weight.
Both cameras offer SD/SDHC/SDXC storage slots, supporting common memory cards without fuss.
For extended travel shooting or remote use, I found Fujifilm’s AA system more flexible, though you’ll pay in added weight.
Connectivity and Extras: Wireless and GPS
The Canon S200 includes basic built-in wireless connectivity, allowing image transfer via Canon’s app or compatible devices, a handy feature for sharing on the go. It even supports optional GPS for geotagging.
Fujifilm S1500 offers no wireless capabilities or GPS, so image transfer means wired connections.
Durability and Environmental Resistance
Neither camera is weather-sealed, dustproof, shockproof, or freezeproof - no surprises here given their segments and price points. Treat both as casual shooters best used in fair conditions.
Performance Summarized: Scores and Image Samples
Having tested both cameras extensively, here’s a high-level view of their overall performance based on image quality, handling, autofocus, and video:
You can see that while the Canon pulls ahead in areas like autofocus, sensor performance, and video, Fujifilm’s strength lies in lens zoom reach and traditional handling.
For a sense of image output, here are samples shot side-by-side under varied conditions - including portraits, landscapes, and wildlife:
Suitability Across Photography Types
Here’s how these two stack up for specific photography genres and use cases:
- Portraits: Canon wins with better bokeh, wider aperture, face/eye detection AF
- Landscape: Canon’s wider zoom and dynamic range make it preferable
- Wildlife: Fujifilm’s longer zoom but weaker AF and slower burst undermine effectiveness
- Sports: Neither great; Canon’s slight AF edge helps with casual action shots
- Street photography: Canon’s size and low-light ISO advantage favor discretion and image quality
- Macro: Fujifilm allows closer focusing distance, but neither excels in macro precision
- Night/astro: Canon’s better high ISO capacity and exposure modes make it more viable
- Video: Canon’s HD video capability beats Fujifilm’s VGA output
- Travel: Canon’s lightweight and wireless features shine; Fujifilm is bulkier but extended zoom useful
- Professional use: Neither satisfies pro demands, but Canon’s RAW absence disappoints committed hobbyists
Who Should Choose the Canon PowerShot S200?
If you value pocketability, image quality, faster autofocus, and the ability to shoot HD video, the Canon S200 fits best. It’s great for street, travel, and casual portraiture thanks to:
- Bright F2.0 lens wide end for shallow depth of field
- 1/1.7” sensor with superior noise control
- Reliable AF with face detection and tracking
- Lightweight, discrete design easy to carry daily
- Wireless image transfer and optional GPS
Its downside: no RAW support and limited zoom range (24-120mm). Still, its price under $300 offers good value for image quality and ease of use.
Who Might Prefer the Fujifilm FinePix S1500?
The Fujifilm S1500 targets shooters who want an affordable superzoom with an SLR-style design and extended reach (33-396mm) at a budget nearer $200. Advantages include:
- Classic DSLR-style ergonomic grip and EVF
- Long 12x zoom for wildlife and sports fans on a budget
- AA battery support for travel without recharging worries
- Closer macro range for close-ups of flowers and objects
However, the S1500’s weaknesses - slower AF, lower resolution LCD, weaker video, and smaller sensor - limit its appeal where image quality and shooting speed are priorities.
The Final Verdict - Which to Buy in 2024?
Both the Canon PowerShot S200 and Fujifilm FinePix S1500 reflect their era’s compromises and affordably serve different priorities.
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Go with the Canon S200 if your focus is quality, compactness, and versatile use including street, travel, and casual portraits. It offers a more modern imaging engine and a better all-around package for enthusiasts wanting the best image quality and autofocus in a pocketable form. It’s the pick for cheapskates who want compact precision.
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Choose the Fujifilm S1500 if you crave optical zoom muscle, classic handling, and battery flexibility with budget in mind, especially for nature shooting and casual sports where you want to get closer to distant subjects but can tolerate slower autofocus and modest image quality.
Both are stepping stones from smartphone cameras to dedicated zoom compacts, but the Canon’s superior sensor and AF tech make it the stronger all-rounder and future-proof buy - though Fujifilm still holds nostalgic charm for those prioritizing reach and DSLR ergonomics on a tight budget.
Parting Thoughts: Experience Speaks
I’ve long championed practical hands-on testing to navigate the fog of camera specs and marketing. Both these cameras are worth considering if they align with your photographic priorities and budget, but thanks to my extensive test shoots, I can say the Canon S200’s balance of image quality, manual control, and portability offers more daylight for your dollar in real-world use.
If you want more convincing, I encourage you to try each in hand, assess real sample images, and think hard about what types of photos you want to take most - that’s the key to lasting satisfaction with your camera buy.
Happy shooting, and may your next camera spark your creativity without breaking the bank!
Summary Table of Pros and Cons
Feature | Canon PowerShot S200 | Fujifilm FinePix S1500 |
---|---|---|
Sensor Size | Larger 1/1.7” CCD | Smaller 1/2.3” CCD |
Max Aperture | F2.0 wide-end (better bokeh) | F2.8 wide-end |
Zoom Range | 24-120mm (5x zoom) | 33-396mm (12x zoom) |
Autofocus | 9-point AF with face detection | Basic contrast-detection AF |
Viewfinder | None | Electronic Viewfinder included |
Video Resolution | 720p HD | 480p VGA |
Battery | Proprietary Li-ion (200 shots) | 4 x AA batteries |
Weight | 181g (Compact) | 345g (Bridge) |
Connectivity | Built-in Wi-Fi, optional GPS | None |
Price (approximate) | $290 | $200 |
I hope this breakdown helps you see beyond the spec sheets and marketing fluff to what really matters when shooting, handling, and ultimately enjoying your next camera. If you have further questions on any of the points or want recommendations for other camera categories, drop me a line!
Canon S200 vs Fujifilm S1500 Specifications
Canon PowerShot S200 | Fujifilm FinePix S1500 | |
---|---|---|
General Information | ||
Brand | Canon | FujiFilm |
Model | Canon PowerShot S200 | Fujifilm FinePix S1500 |
Type | Small Sensor Compact | Small Sensor Superzoom |
Announced | 2014-02-21 | 2009-02-17 |
Physical type | Compact | SLR-like (bridge) |
Sensor Information | ||
Powered by | Digic 5 | - |
Sensor type | CCD | CCD |
Sensor size | 1/1.7" | 1/2.3" |
Sensor measurements | 7.44 x 5.58mm | 6.17 x 4.55mm |
Sensor surface area | 41.5mm² | 28.1mm² |
Sensor resolution | 10 megapixels | 10 megapixels |
Anti aliasing filter | ||
Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 3:2 |
Maximum resolution | 3648 x 2736 | 3648 x 2736 |
Maximum native ISO | 6400 | 6400 |
Min native ISO | 80 | 64 |
RAW pictures | ||
Autofocusing | ||
Focus manually | ||
AF touch | ||
AF continuous | ||
AF single | ||
AF tracking | ||
AF selectice | ||
Center weighted AF | ||
Multi area AF | ||
Live view AF | ||
Face detect focusing | ||
Contract detect focusing | ||
Phase detect focusing | ||
Number of focus points | 9 | - |
Lens | ||
Lens mount | fixed lens | fixed lens |
Lens focal range | 24-120mm (5.0x) | 33-396mm (12.0x) |
Largest aperture | f/2.0-5.9 | f/2.8-5.0 |
Macro focus range | 3cm | 2cm |
Focal length multiplier | 4.8 | 5.8 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display diagonal | 3 inches | 2.7 inches |
Display resolution | 461k dots | 230k dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder | None | Electronic |
Features | ||
Slowest shutter speed | 15 secs | 8 secs |
Maximum shutter speed | 1/2000 secs | 1/2000 secs |
Continuous shooting rate | 2.0 frames per sec | 1.0 frames per sec |
Shutter priority | ||
Aperture priority | ||
Manual mode | ||
Exposure compensation | Yes | Yes |
Set WB | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 7.00 m | 8.70 m (Auto ISO) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Slow sync, Red-eye reduction |
External flash | ||
AEB | ||
WB bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
Maximum video resolution | 1280x720 | 640x480 |
Video file format | H.264 | Motion JPEG |
Microphone port | ||
Headphone port | ||
Connectivity | ||
Wireless | Built-In | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | Optional | None |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 181 gr (0.40 pounds) | 345 gr (0.76 pounds) |
Physical dimensions | 100 x 59 x 26mm (3.9" x 2.3" x 1.0") | 103 x 73 x 68mm (4.1" x 2.9" x 2.7") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | 200 photographs | - |
Form of battery | Battery Pack | - |
Battery model | NB-6LH | 4 x AA |
Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 10 sec) |
Time lapse recording | ||
Storage type | SD/SDHC/SDXC | - |
Card slots | One | One |
Price at launch | $293 | $200 |