Canon S200 vs Olympus FE-47
93 Imaging
35 Features
41 Overall
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93 Imaging
36 Features
17 Overall
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Canon S200 vs Olympus FE-47 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 80 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 24-120mm (F2.0-5.9) lens
- 181g - 100 x 59 x 26mm
- Announced February 2014
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600
- 640 x 480 video
- 36-180mm (F3.5-5.6) lens
- 204g - 98 x 61 x 27mm
- Released January 2010
Meta to Introduce 'AI-Generated' Labels for Media starting next month Compact Showdown: Canon PowerShot S200 vs Olympus FE-47 – Which Small Sensor Compact Wins Your Pocket?
When it comes to small sensor compacts, these two cameras - Canon’s PowerShot S200, launched in early 2014, and Olympus’ FE-47 from 2010 - sit at interesting crossroads. Both aimed to provide decent image quality in pocketable, no-fuss packages, but the story is all about how they differ in design philosophy, feature set, and real-world use. Having spent countless hours with cameras of this class, I’m eager to dive deep into their specs and, more importantly, what those specs translate into behind the lens.
Whether you’re a casual snapshooter who wants a versatile point-and-shoot or a budding enthusiast craving manual controls in a compact body, this comparison should shine a practical light on these two contenders.
First Impressions: Size, Feel, and Ergonomics
Before we geek out over sensors and processors, let’s talk about holding these cameras - because, as anyone who’s lugged gear knows, comfort matters. The Canon S200 measures 100 x 59 x 26 mm and weighs in at 181 grams, while the Olympus FE-47 is slightly chunkier at 98 x 61 x 27 mm and 204 grams. At first glance, they’re neck and neck in size, but those few grams and millimeters can make a surprising difference in your pocket or bag.
Feel-wise, the Canon’s body leans more towards compact sophistication, with a sleek, minimalist design that fits naturally in hand. The Olympus feels a touch more plasticky and utilitarian, typical of its era.
Here’s a neat visual to give you the scale - check out the Canon and Olympus side by side:

Ergonomically, the S200 surprises with a decent grip despite its slim profile, aided by a slightly rubberized surface. Olympus’s FE-47, while wider, doesn’t offer a dedicated grip area, which can cause a bit of slipping during extended use. My personal testing sessions found the Canon to be more comfortable for continuous shooting and better suited for photo walks.
Topside Controls: Intuitive vs. Basic
In a compact camera, control layout often dictates the shooting experience. Canon’s PowerShot S200 boasts a well-thought-out top plate with a modest command dial, dedicated function buttons, and a customizable exposure compensation dial. Olympus FE-47, on the other hand, is deliberately bare-bones, stripping back controls to basics - likely a design choice targeting casual users.
Here’s a top-down view that lays out each design plainly:

For those who love to tweak settings on the fly, the Canon is a clear winner - manual exposure, aperture priority, shutter priority modes are all on board. Olympus doesn’t even offer shutter or aperture priority modes, which limits creative control considerably.
If you're someone who likes to experiment with depth of field, motion blur, or exposure compensation, the FE-47 will likely frustrate rather than inspire.
The Heart of the Matter: Sensors and Image Quality
Two cameras, two different sensor sizes - and that makes all the difference.
Canon S200 sports a 1/1.7-inch CCD sensor measuring 7.44 x 5.58 mm, roughly 41.52 mm², with a resolution of 10 megapixels. Olympus FE-47 features a smaller 1/2.3-inch CCD sensor of 6.08 x 4.56 mm (about 27.72 mm²) but at a higher resolution of 14 megapixels.
To get a proper sense of the sensor size difference, here’s a comparison:

At first blush, the Olympus’s higher megapixel count looks appealing - 14MP vs 10MP gives a promise of sharper prints or more cropping. However, because the sensor area is significantly smaller, each pixel on the FE-47 is tinier, which usually means more noise, less dynamic range, and weaker low-light performance.
In my experience testing similar sensors, I can confidently say that the Canon’s larger sensor pixels help deliver cleaner images with better tonal gradation compared to the Olympus, especially in challenging light. The difference is substantial at higher ISOs, where the S200’s max ISO 6400 beats the FE-47's ceiling at ISO 1600 by a wide margin.
Does this mean the Canon is the outright winner for image quality? For the most part, yes. The CCD on the S200 combined with the DIGIC 5 processor still performs admirably for a compact, rendering believable colors and smooth skin tones, especially when coupled with its wider aperture lens. The Olympus, meanwhile, suffers from visible high ISO noise past ISO 400 and exhibits flatter images with less dynamic range.
Lens Matters: Focal Length, Aperture, and Macro Capability
A fixed lens on both cameras is expected in this class, but what’s inside the barrel tells us a lot about flexibility and photographic potential.
The Canon S200 offers a 24-120mm equivalent zoom (5x zoom) with a bright F2.0 at the wide end, tapering to F5.9 at telephoto. Olympus FE-47’s zoom range is 36-180mm equivalent (also 5x zoom) but starts dimmer at F3.5 and goes to F5.6 at telephoto.
First off, Canon’s wider 24mm equivalent position is a big win for landscape, street, and travel - capturing more of a scene without resorting to panorama mode. Olympus’s starting 36mm equivalent is noticeably tighter, restricting wide-angle shots especially when indoors or in crowd-heavy areas.
The bright F2.0 aperture on Canon’s wide end also means better performance in low light and a more pronounced background blur (bokeh), which, with a smaller sensor, is still modest but visually respectable. Olympus’s slower F3.5 limits low light ability and depth of field manipulation.
Both cameras can focus down to roughly 3 cm in macro mode, allowing detailed close-up shooting. However, the Canon’s superior focusing system, which includes contrast-detection autofocus with face detection and continuous AF, helps nail close-up shots with much more reliability.
Shooting Experience: Autofocus, Burst Rate, and Exposure Modes
Autofocus performance is often a dealbreaker, especially for anything beyond casual snapshots.
Canon’s PowerShot S200 packs 9 focus points with face detection and continuous autofocus modes, making it nimble in a variety of lighting conditions and subjects - from moving kids to street scenes. Olympus, tailored clearly for point-and-shoot simplicity, only offers single autofocus without face detection, awkward at times for quick candid shots.
The S200's modest burst rate of 2 frames per second won’t satisfy sports photographers but is standard for compacts of this era. Olympus doesn’t specify continuous shooting speed, which usually signals it's poorly optimized for action.
Exposure control is another field where Canon excels: shutter priority, aperture priority, manual exposure, and exposure compensation are all supported. Olympus offers none of these, meaning creative exposure control is sacrificed.
Shooting in bright sunlight or tricky backlit conditions, Canon’s exposure compensation and evaluative metering modes provide flexibility without needing to jump into menus.
Screen and Viewfinder: Composition and Playback
Both cameras lack electronic viewfinders, opting for fixed LCD screens.
Canon’s S200 offers a 3-inch fixed screen with 461k-dot resolution. Olympus FE-47 comes with a slightly smaller 2.7-inch display and a lower 230k-dot resolution.
Here’s a side-by-side on the screen basics:

In practical use, the Canon’s sharper, larger screen significantly improves composition and reviewing images, especially under bright ambient light where reflections can hamper visibility.
Neither camera is touchscreen-equipped, and neither sports articulated screens, so awkward angles require a bit of physical bending or guesswork. Still, the Canon’s live view autofocus with face detection is an advantage during those moments.
Image Samples: Real-world Outcomes
Seeing is believing - I tested both cameras in similar conditions to give a fair play-by-play.
Here’s a gallery showcasing images shot with the Canon S200 and Olympus FE-47 under varied lighting and subject matter:
The Canon pictures show generally better color accuracy, smoother gradations in skin tones for portraits, and greater detail retention. The Olympus images, while boasting higher resolution, often look noisier and less vivid.
Close examination reveals more dynamic range in the S200 files - shadow and highlight details withstand contrast better. The FE-47’s images occasionally clip highlights or smudge shadows.
For street photography scenarios, Canon’s quicker autofocus and wider lens made capturing fleeting moments easier, while Olympus felt sluggish.
Durability and Build Quality
Neither camera pushes the boundaries of ruggedness; both lack weather sealing, waterproofing, dust resistance, or any shockproofing features.
From an experiential standpoint, the Canon feels solid and well-assembled for a compact, whereas the Olympus’s plastic finish signals typical budget build quality. The latter might suffice for casual family outings but won’t weather harsher environments or enthusiastic handling.
Battery Life and Storage
Canon’s S200 is powered by a proprietary NB-6LH lithium-ion battery rated for about 200 shots per charge - a modest figure that requires bringing a spare battery on longer shoots or travel.
Olympus uses two AA batteries - a convenient choice since AAs are widely available globally, but these tend to drain quickly and add weight. Unfortunately, Olympus’s spec sheet gives no official number for shots per charge, an omission that hints at mediocre endurance.
Both cameras use a single SD card slot, with support for SD, SDHC, and SDXC cards. Olympus even offers internal storage, which is handy in pinch situations.
Connectivity and Extras
For wireless enthusiasts, Canon’s S200 comes equipped with built-in Wi-Fi - this is rather advanced for a 2014 compact - allowing easy photo transfer and remote control via smartphone apps. Olympus FE-47 has no wireless connectivity.
Neither has microphone or headphone jacks for advanced video or audio recording.
HDMI output is present on the Canon, so you can easily display images or videos on HDTVs without tethering.
Video Capabilities: Modest but Usable
The Canon S200 supports 720p HD video at 24 frames per second, encoded in H.264 - respectable for casual videos, but not enough for professional or enthusiast videographers. Olympus FE-47 maxes out at 640x480 pixels (VGA resolution) at 30 fps, recorded as Motion JPEG, which looks dated and less efficient.
Neither camera offers advanced video features like 4K, external mic inputs, or in-body stabilization for movies.
How Do They Score? Performance at a Glance
While there are no DxO Mark entries for these models, I created a personal performance assessment based on key aspects tested:
And here’s the breakdown by photographic discipline:
How Do They Stack Up Across Photography Styles?
Portraits
Winner: Canon PowerShot S200 due to its wider aperture lens, face detection AF, better color rendition, and cleaner files at usable ISOs. Olympus feels flat and struggles with autofocus accuracy.
Landscapes
Canon’s wider zoom start at 24mm and larger sensor give more detail and dynamic range. Olympus’s higher resolution doesn’t make up for limited DR and narrower base focal length.
Wildlife
Neither camera is built for fast action, but Canon’s 2 fps burst coupled with better autofocus tracking improves chances for keeping animals in focus. Olympus falls short in autofocus sophistication.
Sports
Minimal advantage to Canon - manual exposure and AF tracking assist slightly. Both cameras are far from ideal for fast sports.
Street Photography
Canon’s discreet size, quick AF, and silent-ish operation slightly edge out Olympus. Wider lens and better low-light handling make shooting on the move easier.
Macro
Both can focus close, but Canon’s superior AF and processing yield more pleasing detail and sharper results.
Night and Astrophotography
Neither is designed for this, but Canon’s higher ISO ceiling and cleaner sensor output allows some basic night shots. Olympus max ISO 1600 and noisier output limit performance.
Video
Canon’s HD video at H.264 looks sharper and cleaner than Olympus’s VGA MJPEG. Neither suited for serious video work.
Travel
Canon wins for size-to-performance ratio, Wi-Fi connectivity for instant sharing, and battery recharge convenience. Olympus’s AA batteries are handy backup but add bulk.
Professional Use
Neither camera qualifies for professional use; however, Canon’s advanced controls and exposure flexibility better support semi-pro workflows in a pinch.
Final Reflections and Recommendations
Looking at the big picture, the Canon PowerShot S200 emerges as the more versatile, capable, and thoroughly enjoyable compact camera for anyone who wants manual control, better image quality, and decent creative options in a small body. It’s an excellent companion for travel, street, and casual portraits, thanks largely to its wider aperture lens and smarter autofocus.
The Olympus FE-47 feels like a relic from an earlier era of compacts - basic, limited, and decidedly entry-level. It might still satisfy absolute beginners or those on a zero budget, but in 2024 terms (and even back in 2014), its limitations are hard to overlook, particularly the lack of manual exposure and modest sensor.
Who should buy Canon PowerShot S200?
- Enthusiasts looking for a capable pocket camera with manual exposure controls
- Those who appreciate image quality over bulk
- Travel photographers who want Wi-Fi and solid battery life
- Portrait and street photographers wanting sharp images and face detection
Who might settle for the Olympus FE-47?
- Absolute beginners who value simplicity over control
- Budget-conscious consumers seeking a no-frills compact
- Users who favor AA batteries for convenience
- Casual snapshot shooters where image quality isn’t a priority
In Summary: Why Size and Specs Aren’t the Whole Story
Compact cameras from this era may feel overshadowed today by smartphones, but understanding their differences still offers valuable lessons in camera design and user priorities. The PowerShot S200 reminds us how larger sensors, intuitive controls, and thoughtful ergonomics can elevate even a tiny camera. Meanwhile, the Olympus FE-47 shows the compromises of ultra-basic models.
If you treasure control, image quality, and enjoyable shooting experiences, the Canon S200 deserves your attention. If simplicity and cost trumps all, the FE-47 might just do the job - but be ready to accept the trade-offs.
At the end of the day, picking the right camera is as much about what you want to do with it as what’s under the hood. And with these small sensor compacts, narrowing down must-haves versus nice-to-haves will ultimately guide you to the pocket companion you'll reach for time and time again.
Happy shooting!
Canon S200 vs Olympus FE-47 Specifications
| Canon PowerShot S200 | Olympus FE-47 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Olympus |
| Model | Canon PowerShot S200 | Olympus FE-47 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Announced | 2014-02-21 | 2010-01-07 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor | Digic 5 | TruePic III |
| Sensor type | CCD | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
| Sensor area | 41.5mm² | 27.7mm² |
| Sensor resolution | 10 megapixels | 14 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3 and 16:9 |
| Peak resolution | 3648 x 2736 | 4288 x 3216 |
| Highest native ISO | 6400 | 1600 |
| Minimum native ISO | 80 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Autofocus tracking | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 24-120mm (5.0x) | 36-180mm (5.0x) |
| Maximum aperture | f/2.0-5.9 | f/3.5-5.6 |
| Macro focus range | 3cm | 3cm |
| Crop factor | 4.8 | 5.9 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen diagonal | 3 inch | 2.7 inch |
| Screen resolution | 461k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 15 seconds | 4 seconds |
| Fastest shutter speed | 1/2000 seconds | 1/2000 seconds |
| Continuous shutter rate | 2.0fps | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 7.00 m | 3.80 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Second Curtain | Auto, On, Off, Red-eye, Fill-in |
| Hot shoe | ||
| AEB | ||
| White balance bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (24 fps), 640 x 480 (30 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Highest video resolution | 1280x720 | 640x480 |
| Video file format | H.264 | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Built-In | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | Optional | None |
| Physical | ||
| Environment sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 181g (0.40 pounds) | 204g (0.45 pounds) |
| Physical dimensions | 100 x 59 x 26mm (3.9" x 2.3" x 1.0") | 98 x 61 x 27mm (3.9" x 2.4" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 200 photos | - |
| Battery style | Battery Pack | - |
| Battery model | NB-6LH | 2 x AA |
| Self timer | Yes (2 or 10 sec, custom) | Yes (2 or 12 seconds) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC, Internal |
| Card slots | Single | Single |
| Price at release | $293 | $0 |