Canon S95 vs Panasonic SZ1
93 Imaging
34 Features
42 Overall
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95 Imaging
39 Features
34 Overall
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Canon S95 vs Panasonic SZ1 Key Specs
(Full Review)
- 10MP - 1/1.7" Sensor
- 3" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 1280 x 720 video
- 28-105mm (F2.0-4.9) lens
- 195g - 100 x 58 x 30mm
- Launched November 2010
- Old Model is Canon S90
- Newer Model is Canon S100
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-250mm (F3.1-5.9) lens
- 131g - 99 x 59 x 21mm
- Introduced January 2012
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon PowerShot S95 vs Panasonic Lumix DMC-SZ1: A Hands-On Comparison for Photo Enthusiasts
Choosing the right compact camera can feel like walking through a labyrinth: dozens of models, specs that blur together, and marketing speak promising skies full of stars. Today, I’m here to cut through the clutter by intimately comparing two noteworthy small sensor compacts from slightly different eras and price points: the 2010 Canon PowerShot S95 and the 2012 Panasonic Lumix DMC-SZ1. I’ve shot thousands of frames on each, from portraits to landscapes to some light wildlife, and it’s time to pull insights you can actually use. Whether you’re on a budget or squeezing compact versatility from your pocket toolkit, here’s what you’ll find when you put these two cameras side-by-side.
Size, Handling, and Ergonomics: The First Feel
When you pick up a camera, the first impressions - the shape, weight, and control layout - play a huge role in daily use. The Canon S95, slightly thicker and heavier at 195 grams, offers a more durable and substantial grip than the featherweight Panasonic SZ1’s 131 grams.

Measuring dimensions, the S95’s 100 x 58 x 30 mm versus the SZ1’s 99 x 59 x 21 mm, the Panasonic is more pocket-friendly especially if you favor super-slim travel gear. However, its slender body somewhat limits tactile comfort during extended use.
Looking at button placement and overall design from above:

The S95 shines with classic manual controls - dedicated dials for exposure compensation, aperture priority, shutter priority, and manual focusing. These physical controls grant photographers quick responsiveness in dynamic shooting situations, which I sorely missed on the SZ1. Panasonic’s interface aims for simplicity, sacrificing direct manual exposure modes - if you crave creative control, the SZ1 might feel restrictive.
The Canon’s buttons are intuitive, well-sized, and moderately backlit, a boon when shooting in low light. The SZ1 has a minimal number of buttons and only basic settings adjustment through menus. So if your photography style leans toward spontaneous manual tweaking, Canon wins ergonomics hands down.
Sensor Specifications and Image Quality: Under the Hood
Let’s dive into the heart of the matter: image quality, which predominantly hinges on sensor size, resolution, and processing.

The Canon S95 employs a 1/1.7” CCD sensor measuring 7.44 x 5.58 mm, yielding a sensor area of approximately 41.52 mm², housing 10 megapixels. The Panasonic SZ1, meanwhile, has a smaller 1/2.3” CCD sensor (6.08 x 4.56 mm; 27.72 mm²) but bumps resolution with 16 megapixels.
At first glance, more megapixels might seem better - higher resolution equals sharper images, right? Not necessarily. The larger sensor of the S95, despite fewer pixels, results in larger individual photodiodes that gather more light, improving low-light performance and dynamic range. Indeed, the Canon’s DxOMark scores reflect this advantage with better color depth (20.4 bits) and dynamic range (11.3 EV) over the Panasonic, which unfortunately lacks official DxOMark results but trends lower due to sensor size and pixel density.
In practical shooting, the S95 studio and outdoor shots exhibit cleaner images with less noise ascension beyond ISO 400. The SZ1 is capable in bright daylight for capturing fine details but starts to struggle with noise and detail loss when pushed beyond ISO 400-800.
For RAW shooters, the S95 supports RAW files, a crucial feature for professionals or enthusiasts who want to wring maximum quality out of their files during post-processing. The SZ1 lacks RAW support - meaning reliance on JPEG, which limits exposure flexibility later.
If image quality forms the core of your purchase decision, the S95 is the more capable sensor-wise.
Display and Interface: Your Window to the World
Both cameras offer a 3-inch LCD screen, but there’s a definite difference in how they present the viewfinder experience.

The Canon S95 has a higher resolution screen (461,000 dots) compared to the Panasonic’s 230,000 dots, yielding crisper previews and easier focus checking. Both rely solely on LCDs - no electronic viewfinders here - but the S95’s sharper screen makes framing and reviewing images much easier, especially under dim lighting.
Neither has touchscreens, which in today’s standards feels dated, though in 2010-2012, touch was still gaining ground. Both cameras offer live view but the Panasonic does not utilize live view autofocus effectively, sometimes leading to hunting. Canon’s autofocus in live view is smoother and more reliable in my experience.
If you value a bright, detailed display for composing shots and reviewing your work, the S95’s screen absolutely pays dividends.
Lens and Zoom Range: Versatility Leader or Optics Specialist?
Lens choice on fixed-lens compacts often dictates who the camera suits best. The Canon S95 sports a 28-105 mm (3.8x zoom) lens with a faster maximum aperture of f/2.0 at the wide end, narrowing to f/4.9 at telephoto. Panasonic SZ1 boasts a longer 25-250 mm (10x zoom) lens, but with a slower aperture ranging from f/3.1 to f/5.9.
Simply put: Canon’s lens captures more light and yields shallower depth of field for that creamy bokeh in portraits or macro work. The Panasonic’s lens is a longer telephoto zoom powerhouse suited for travel and wildlife telephoto sniping, but the slower aperture hampers low-light speed and background separation.
On close focus capabilities, the SZ1 nips at 4 cm for macro shots, slightly closer than the S95’s 5 cm, offering a bit more magnification. Optical image stabilization on both cameras helps minimize camera shake with slower shutter speeds, especially vital given their smaller sensors.
If you prioritize low-light portraiture or street shooting with some background blur, Canon’s lens is your ally. For travel, wildlife, or just wanting more zoom reach in a slim body, Panasonic’s 10x zoom lens is compelling.
Autofocus and Shooting Performance: Catching Moments as They Fly
Autofocus speed and accuracy significantly impact real-world usability, particularly for action, wildlife, or street photography.
The Canon S95 uses 9 contrast-detection AF points but lacks continuous autofocus or face detection features. It hunts more noticeably in lower light - unsurprising given its 2010 era design - but generally locks focus reliably in good lighting. The absence of continuous AF and tracking limits its use in fast moving subjects or quick shutter release sequences.
The Panasonic SZ1 steps forward with 23 contrast-detection AF points, includes autofocus tracking and face detection, and supports continuous AF. This makes it better suited for moving subjects or family snapshots with variable distances. However, the focusing system’s speed is middling at best for demanding wildlife or sports, more appropriate for gentle moving subjects.
Both cameras have a modest 1 fps continuous shooting rate - slow by today’s standards but acceptable in their segment. Neither camera supports burst modes conducive to serious action shooting.
In low light, neither AF system excels, but the Panasonic’s face detection aids user experience for casual portraits, whereas the Canon struggles due to its older AF design.
Image Stabilization and Shutter Mechanics
Both cameras feature optical image stabilization - a must-have in compact cameras to counteract handheld shake. Canon’s IS is well-regarded and noticeably effective, particularly useful given the wide-to-mid zoom and slow aperture combination. The Panasonic’s IS works but is less effective at longer focal lengths where shake is more pronounced.
Shutter speed ranges for the S95 span from 15 seconds to 1/1600s, offering long exposures beneficial for night and low-light photography. The Panasonic’s slower minimum shutter speed of 8 seconds limits night photography duration but still enables some creativity.
Neither camera offers silent or electronic shutter modes, so shooting in scenarios requiring near-silent operation isn’t ideal.
Video Capabilities: Casual Recording Only
If you want a pocket camera that doubles for video, here’s what you’ll get.
Both cameras record HD video at 1280 x 720 resolution - Canon at 24fps, Panasonic at 30fps. The Panasonic edges out a slightly smoother framerate but both output 720p max resolution, which feels limited compared to modern standards.
Canon records video in H.264 format, Panasonic uses MPEG-4. Both lack stereo microphones, microphone/headphone ports, or advanced video features like focus peaking or zebras.
Optical image stabilization helps smooth handheld footage, but neither camera is geared for serious videography. For home movies or travel snippets, though, they suffice.
Battery Life and Storage Options: Practical Considerations
Battery information on the Canon S95 lists the NB-6L rechargeable lithium-ion pack with unofficial real-world performance yielding around 200-250 shots per charge. The Panasonic SZ1 comes specified with about 250 shots per charge and uses a similar lithium-ion pack.
Storage-wise, both use standard SD card formats including SDHC and SDXC, but only the Panasonic explicitly supports internal memory as well (though limited in capacity). Both rely on a single card slot.
Given their compact nature, neither camera excels in battery endurance for long shoots. Bringing a spare battery or external charger is advisable.
Build Quality and Durability: Will They Last?
Both cameras are consumer compacts without any weather sealing or toughened magnesium alloy chassis. The Canon feels more solid, weightier, and more robust on handling, with a metal body shell. The Panasonic is plastic-bodied and feels more toy-like in the hand, but reasonably well assembled.
For rough outdoor use - especially landscapes, travel, or casual wildlife - neither is ideal in severe weather or rugged conditions. They’re more suited to casual or careful shooting environments.
Cost and Value: Stretching Your Dollars
At launch, the Canon S95 was significantly more expensive, retailing around $495 compared to the Panasonic SZ1’s budget price of about $179.
That price difference mirrors their priorities: Canon delivers higher image quality, creative controls, and a robust build, while Panasonic offers zoom reach and basic snapshooting at a bargain price.
In today's used market, the S95 still commands a premium and appeals to enthusiasts prioritizing quality. The SZ1 can be a decent second camera or for those who want simple, long zoom convenience.
Sample Image Gallery: Seeing Is Believing
To truly grasp how these specs translate to real shots, I compiled side-by-side comparisons across genres. Notice Canon’s smoother gradations in portrait skin tones, finer detail retention in landscapes, and lower noise in shadow areas.
The Panasonic impresses when zooming on distant subjects and macro shots but reveals softer details and higher noise levels.
Overall Camera Scores and Summary Ratings
Based on my hands-on testing, benchmark metrics, and user experience, here’s a quick scoring overview illustrating the strengths and weaknesses.
Canon S95 leads on image quality, build, and control, Panasonic SZ1 on zoom and ease-of-use.
Specialized Use Case Ratings: Who Should Pick What?
Let’s unpack how each camera performs across popular photography types:
Portraits: Canon’s faster lens and finer detail make it better by far.
Landscapes: Canon’s dynamic range and resolution shine.
Wildlife: Panasonic’s long zoom helps but limits detail and AF gains.
Sports: Neither ideal, but Panasonic’s continuous AF is a plus.
Street: Canon’s discreet solid feel, faster aperture, and manual controls excel.
Macro: Similar close focusing capabilities, Panasonic closer range but Canon better optics.
Night/Astro: Canon’s longer shutter and cleaner high ISO matter.
Video: Panasonic’s smoother 720p30 frame rate nudges ahead.
Travel: Panasonic’s size, zoom, and price point make it a frequent choice.
Professional Use: Canon’s RAW support and precise controls make it slightly suitable for professional casual use.
Final Recommendations: Match Your Style and Budget
-
Choose the Canon PowerShot S95 if:
You’re a photo enthusiast or professional wanting superior image quality, manual controls, RAW support, and better handling in a pocketable compact. Ideal for portraits, landscapes, and low-light work. A modestly used model is still a solid investment today. -
Consider the Panasonic Lumix DMC-SZ1 if:
Your priority is affordability, longer zoom reach, casual photography, and travel convenience. If you want a basic no-fuss camera that captures family moments and distant scenes without deep manual control obsession, this fits the bill.
Closing Thoughts
Comparing the Canon S95 and Panasonic SZ1 is a classic tale of trade-offs. Sharp optics and manual creativity on one side versus zoom versatility and low price on the other. Both bring value to different types of shooters.
If you ask me, for anyone serious about image quality and tactile photography experience, the Canon S95 remains a compelling choice despite its age. For casual users or travelers who prioritize pocketability and reach, the Panasonic SZ1 delivers surprisingly good value.
As always, your personal shooting preferences, post-processing habits, and budget will ultimately guide the best choice. I hope this deep dive equips you with clarity and confidence for your next compact camera pick!
If you’re interested in seeing more in-depth sample image analysis or workflow considerations between these cameras, leave a comment - I’m happy to share more insights from my extensive hands-on testing. Until then, happy shooting!
Canon S95 vs Panasonic SZ1 Specifications
| Canon PowerShot S95 | Panasonic Lumix DMC-SZ1 | |
|---|---|---|
| General Information | ||
| Company | Canon | Panasonic |
| Model | Canon PowerShot S95 | Panasonic Lumix DMC-SZ1 |
| Type | Small Sensor Compact | Small Sensor Compact |
| Launched | 2010-11-23 | 2012-01-09 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 4 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/1.7" | 1/2.3" |
| Sensor dimensions | 7.44 x 5.58mm | 6.08 x 4.56mm |
| Sensor surface area | 41.5mm² | 27.7mm² |
| Sensor resolution | 10 megapixel | 16 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Maximum resolution | 3648 x 2736 | 4608 x 3456 |
| Maximum native ISO | 3200 | 6400 |
| Min native ISO | 80 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| Continuous AF | ||
| Single AF | ||
| AF tracking | ||
| AF selectice | ||
| AF center weighted | ||
| AF multi area | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 9 | 23 |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-105mm (3.8x) | 25-250mm (10.0x) |
| Largest aperture | f/2.0-4.9 | f/3.1-5.9 |
| Macro focus distance | 5cm | 4cm |
| Focal length multiplier | 4.8 | 5.9 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen size | 3" | 3" |
| Screen resolution | 461k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Screen technology | - | TFT Color LCD |
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Lowest shutter speed | 15 secs | 8 secs |
| Highest shutter speed | 1/1600 secs | 1/1600 secs |
| Continuous shooting rate | 1.0 frames per sec | 1.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 6.50 m | 5.60 m |
| Flash settings | Auto, On, Off, Red-Eye, Slow Sync | Auto, On, Off, Red-Eye reduction |
| Hot shoe | ||
| AE bracketing | ||
| White balance bracketing | ||
| Highest flash synchronize | 1/500 secs | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (24 fps) 640 x 480 (30 fps), 320 x 240 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video file format | H.264 | MPEG-4 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 195 gr (0.43 lbs) | 131 gr (0.29 lbs) |
| Physical dimensions | 100 x 58 x 30mm (3.9" x 2.3" x 1.2") | 99 x 59 x 21mm (3.9" x 2.3" x 0.8") |
| DXO scores | ||
| DXO All around score | 47 | not tested |
| DXO Color Depth score | 20.4 | not tested |
| DXO Dynamic range score | 11.3 | not tested |
| DXO Low light score | 153 | not tested |
| Other | ||
| Battery life | - | 250 pictures |
| Battery style | - | Battery Pack |
| Battery model | NB-6L | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD/SDHC/SDXC/MMC/MMCplus/HC MMCplus card | SD/SDHC/SDXC, Internal |
| Card slots | - | One |
| Pricing at launch | $495 | $179 |