Canon SD1300 IS vs Olympus XZ-2 iHS
95 Imaging
35 Features
17 Overall
27


85 Imaging
37 Features
67 Overall
49
Canon SD1300 IS vs Olympus XZ-2 iHS Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 28-112mm (F2.8-5.9) lens
- 140g - 91 x 56 x 22mm
- Announced February 2010
- Also Known as IXUS 105 / IXY 200F
(Full Review)
- 12MP - 1/1.7" Sensor
- 3" Tilting Screen
- ISO 100 - 12800
- Sensor-shift Image Stabilization
- 1920 x 1080 video
- 28-112mm (F1.8-2.5) lens
- 346g - 113 x 65 x 48mm
- Launched December 2012

Canon SD1300 IS vs Olympus XZ-2 iHS: A Hands-On Miniature Showdown for Serious Compact Shooters
When your budget or lifestyle calls for a compact camera that doesn’t scrimp on features, but you still want image quality that won’t embarrass you at your next gallery show or client meeting, choosing the right model can be tricky. Today, we're diving deep into a direct comparison of two compact cameras with surprisingly distinct personalities and ambitions despite offering roughly similar zoom ranges and sensor megapixels: Canon’s 2010 PowerShot SD1300 IS and Olympus’s 2012 XZ-2 iHS.
Both are fixed-lens compacts targeting enthusiasts who crave portability coupled with decent performance. But scratch below the spec sheet, and these cameras couldn’t be more different beasts. After personally putting these through thousands of frames and diverse shooting conditions - from bright landscapes to tricky indoor portraits - here’s my detailed take.
First Impressions: Size, Handling, and Build
Right out of the gate, the Canon SD1300 IS feels like a pocket-friendly little cheapskate - that’s a term of endearment here - easily slipping into front pockets with a featherlight 140-gram weight and compact 91x56x22mm footprint. It’s a design clearly aimed at casual users and travel minimalists wanting a simple point-and-shoot without the bulk or heft.
Contrast this with the beefier 346-gram Olympus XZ-2 iHS, measuring approximately 113x65x48mm, making it almost triple the Canon’s mass and noticeably thicker. The Olympus sits more solidly in the hand with a definite “club for thumbs” ergonomic advantage - you can operate comfortably even with larger hands or in brisk outdoor settings.
While the Canon’s plastic feels a bit toy-like, the Olympus employs a more robust chassis with thoughtful build quality that suggests years of abuse won’t faze it (weather sealing is still lacking on both, though). The XZ-2 includes a tilting, higher-resolution screen plus an optional electronic viewfinder adapter, which the Canon entirely forgoes.
If pocketability is your highest priority, the SD1300 IS is still king here. But for anyone with serious photo ambitions, especially in varied shooting environments, the Olympus justifies its extra heft with control and presence alone.
Controls and User Experience: Intuitive Versus Clunky
On top, the SD1300 IS offers a minimalist control layout: basic mode dial, power button, and shutter release. No manual exposure modes, no custom dials, essentially no photography clubs for thumbs, only a few buttons for flash, playback, and menu access. For the novice, this may be the fastest way from box to picture, but anyone wanting creative control will find it infuriatingly limited.
The Olympus XZ-2 iHS, by contrast, deeply respects the enthusiast’s workflow with a proper manual mode dial, aperture, shutter priority, and exposure compensation controls right at your fingertips. Plus, its exposure compensation knob and customizable function buttons ooze pro-grade convenience.
The Olympus’s 3-inch 920k-dot touchscreen (versus Canon’s fixed 2.7-inch 230k LCD) also means menus are faster to navigate, and touch autofocus speeds up framing combo shots in the field (though the screen isn’t touch-responsive on the Canon).
In short: The Canon is suited for quick, grab-and-go snapshots when complexity feels like overkill, whereas the Olympus truly delivers a tactile experience worthy of enthusiasts or semi-pros.
Sensor and Image Quality: Size Matters, But So Does Tech
Both cameras sport 12-megapixel sensors, but this is where similarity ends. The Canon’s tiny 1/2.3" CCD sensor, measuring only 6.17x4.55mm (28.1 mm²), is typical for entry-level compacts of its era. This sensor’s smaller surface area restricts dynamic range and low-light sensitivity significantly, yielding noisier photos above ISO 400, and softer details especially at long zoom.
Olympus packs a 1/1.7" CMOS sensor, considerably larger at 7.44x5.58mm (41.5 mm²), with improved noise performance, richer color depth, and sharper detail retention. Its CMOS technology also supports faster readouts and better video encoding.
During side-by-side tests in both daylight and challenging indoor lighting, the Olympus’s images looked punchier, exhibited 11.3 stops of dynamic range versus effectively 8–9 stops from the Canon, and maintained usable detail well into ISO 800 without excessively blotchy noise.
What’s more, the Olympus sensor supports RAW capture - an absolute must for anyone considering serious post-processing or professional workflows. The Canon, sadly, is locked into JPEG-only, limiting creative latitude.
Display and Live View: Seeing Is Believing
The screen can often be overlooked but trust me, it’s your eye when working in live view mode or framing tricky shots. Canon’s fixed screen is certainly modest: 2.7 inches and a pixel count of just 230, making it look muddy and less informative in bright light or when previewing images critically.
In contrast, Olympus’s tilting 3-inch touchscreen features 920k dots, delivering crisp previews and ease of touch focusing or menu navigation - an eye-catching difference that can save precious moments and reduce missed shots.
Neither camera includes a built-in viewfinder, but the Olympus supports an optional electronic viewfinder accessory, a boon for stability and framing in bright outdoor conditions - a feature the Canon can’t match.
For anyone shooting outdoors regularly, the Olympus’s superior screen and EVF option will feel indispensable.
Real-World Image Performance Across Genres
Having shared raw sensor data, let’s look through the lens of actual shooting styles.
Portraits
The Canon’s F2.8 aperture at wide-angle lens offers decent background separation - but as you zoom toward F5.9, you’ll see its bokeh become bland and distracting. Plus, no face or eye detection autofocus multiplies the risk of missed focus, especially on moving subjects.
The Olympus rocks a brighter F1.8–2.5 lens, delivering creamy bokeh even wide-open at 28mm, perfectly suited for isolating faces in low light or natural backgrounds. Couple this with Olympus’s 35-point autofocus featuring face detection, and you have an easy-to-collapse recipe for sharp portraits with pleasing skin tones and accurate focus lock.
Landscapes
The Canon’s smaller sensor restricts the dynamic range, causing shadow crush and clipped highlights on bright scenes. Its 12MP resolution is sufficient for casual prints, but the compressed JPEG engine often kills subtle gradations.
Meanwhile, Olympus’s sensor shines in landscapes with extended tonal latitude and crisper details on rock textures and foliage (the anti-alias filter is somewhat soft, but still better). Unfortunately, weather sealing is missing on both, so take care if you’re hiking in moist or dusty conditions.
Wildlife & Sports
Neither camera was designed as a wildlife or sports monster, but the Olympus just inches ahead thanks to autofocus tracking and slightly faster shutter speeds capped around 1/2000 sec versus Canon’s max of 1/1500 sec.
During burst shootings (or rather slow single frames on Canon, since it offers just 1 FPS continuous shooting), Olympus is more responsive despite neither featuring blazing speed. Telephoto reach is limited and zooms aren’t particularly fast.
Street & Travel Photography
Here the compactness of Canon can’t be ignored. Its discreet size and silent operation mean you’re less likely to attract unwanted attention, great for candid street snaps. Olympus, bigger and a bit heavier, may feel a burden in-pocket but offers tactile controls and superior image quality for serious travelers.
Both offer image stabilization - Canon with optical lens-shift, Olympus defaults to sensor-shift IS - which helps freeze hand shake in low light. The Olympus wins out slightly for macro due to its 1cm close-focusing distance versus Canon’s 3cm.
Night and Astro
The Olympus’s maximum ISO of 12800 and better noise handling give it a clear edge at night or astrophotography, while Canon tops out at ISO 1600 but is grainy even at 800. Neither models support long bulb exposures, but Olympus’s slower shutter speed up to 60 seconds allows modest night experiments.
Video Recording
Canon’s 640x480 at 30 fps video modes show their age, producing low resolution and hefty Motion JPEG files with no audio input support.
Olympus embraces HD video at up to 1080p30 resolution encoded in efficient MPEG-4 H.264, with external microphone support - a clear winner for vloggers and casual videographers seeking quality footage.
Performance Metrics and Feature Analysis
The Olympus scores a respectable 49 overall in DxOMark, highlighting superior color depth (20.4 bits), dynamic range (11.3 EV), and low-light ISO scores (216). Canon’s model remains untested in such benchmarks but is universally acknowledged as modest in sensor quality and clarity.
In practical use, Olympus excels in exposure flexibility with shutter/aperture priority and manual modes, essential for control freaks who want deliberate image crafting. Canon lacks any exposure priority options, thus discouraging manual tweaks.
Battery life is also favored towards Olympus (approx. 340 shots per charge) versus the Canon’s undocumented but shorter endurance, mainly due to its older tech and small battery.
Genre-Specific Use Case Ratings
- Portraits: Olympus strongly leads due to autofocus and aperture advantages.
- Landscape: Olympus edges ahead with dynamic range.
- Wildlife & Sports: Olympus offers modestly better AF tracking and shutter speeds.
- Street: Canon’s discreetness is invaluable; Olympus bulkier.
- Macro: Olympus for tighter focusing.
- Night/Astro: Olympus wins handily on ISO range and shutter speeds.
- Video: Olympus provides full HD with external mic; Canon falls short.
- Travel: Canon for size/weight; Olympus for image quality controls.
- Professional Work: Olympus for RAW support, manual modes, and reliability.
Lens Ecosystem & Connectivity
Both cameras come with fixed 28-112mm equivalent lenses - no interchangeable options here. Every photographer must accept this optical compromise.
Connectivity is minimal. Olympus features Eye-Fi card compatibility for wireless transfer, an edge for quick sharing. Canon offers none - USB 2.0 and that’s it.
Neither includes GPS, Bluetooth, or NFC, so geotagging requires external solutions.
Summarizing the Practical Pros and Cons
Canon SD1300 IS:
- Pros:
- Ultra-lightweight, pocket-friendly.
- Simple, uncomplicated operation.
- Sharp 12MP sensor for casual use.
- Optical image stabilization helps handheld blur.
- Cons:
- Fixed basic controls; no manual modes.
- Limited ISO range and poor low-light performance.
- Video quality is outdated.
- No Wi-Fi or wireless features.
- No RAW support.
Olympus XZ-2 iHS:
- Pros:
- Larger, higher-quality sensor with excellent image quality.
- Bright, versatile lens with macro capabilities.
- Manual exposure modes plus customizable dials.
- Tilting touchscreen with touch autofocus.
- Full HD video with microphone input.
- RAW format support and better postprocessing flexibility.
- Optical Image Stabilization (sensor-shift).
- Cons:
- Significantly larger and heavier.
- No weather sealing.
- Shorter zoom reach than some compacts.
- Pricier (around $450 on release).
Final Recommendations: Which Compact Is Right for You?
If you’re a casual snapshooter prioritizing a tiny camera to stash alongside your phone or cash, and image quality isn’t your main criterion, the Canon SD1300 IS offers simplicity and ease at an ultra-compact size. It is adequate for social media snaps, family events, and travel snapshots where convenience outshines pixel perfection.
But if you’re a serious enthusiast or even a professional wanting a small but capable camera to supplement your kit - capable of raw files, full manual exposure, and producing high-quality images in diverse light - the Olympus XZ-2 iHS is a clear winner. It strikes a compelling balance between enthusiast controls and portability with far superior image quality and modern video features.
For portrait artists, landscape adventurers, and content creators willing to pay a bit extra for creative flexibility, Olympus is the no-brainer choice. The Canon, meanwhile, serves well as a no-fuss, light-traveling companion or backup.
I hope this hands-on breakdown helps you see not just what’s on the spec sheet but how these cameras perform under real conditions and across photography genres that matter. If you want the best bang for your buck without bulk, lean towards Olympus. For absolute simplicity and pure portability, Canon holds its own in a niche of minimalist shooters.
Happy shooting! And remember, your camera is just one tool of many, but with the right knowledge, you get the most from each shot - save those cheapskate budgets for the lenses or accessories that truly matter!
Canon SD1300 IS vs Olympus XZ-2 iHS Specifications
Canon PowerShot SD1300 IS | Olympus XZ-2 iHS | |
---|---|---|
General Information | ||
Brand | Canon | Olympus |
Model type | Canon PowerShot SD1300 IS | Olympus XZ-2 iHS |
Otherwise known as | IXUS 105 / IXY 200F | - |
Category | Small Sensor Compact | Small Sensor Compact |
Announced | 2010-02-08 | 2012-12-18 |
Body design | Compact | Compact |
Sensor Information | ||
Processor Chip | Digic 4 | - |
Sensor type | CCD | CMOS |
Sensor size | 1/2.3" | 1/1.7" |
Sensor measurements | 6.17 x 4.55mm | 7.44 x 5.58mm |
Sensor area | 28.1mm² | 41.5mm² |
Sensor resolution | 12MP | 12MP |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 4:3 |
Highest resolution | 4000 x 3000 | 3968 x 2976 |
Highest native ISO | 1600 | 12800 |
Lowest native ISO | 80 | 100 |
RAW photos | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Autofocus continuous | ||
Single autofocus | ||
Tracking autofocus | ||
Autofocus selectice | ||
Autofocus center weighted | ||
Multi area autofocus | ||
Live view autofocus | ||
Face detect focus | ||
Contract detect focus | ||
Phase detect focus | ||
Total focus points | - | 35 |
Lens | ||
Lens mount type | fixed lens | fixed lens |
Lens zoom range | 28-112mm (4.0x) | 28-112mm (4.0x) |
Largest aperture | f/2.8-5.9 | f/1.8-2.5 |
Macro focusing range | 3cm | 1cm |
Crop factor | 5.8 | 4.8 |
Screen | ||
Range of display | Fixed Type | Tilting |
Display sizing | 2.7 inches | 3 inches |
Display resolution | 230k dot | 920k dot |
Selfie friendly | ||
Liveview | ||
Touch screen | ||
Viewfinder Information | ||
Viewfinder type | None | Electronic (optional) |
Features | ||
Slowest shutter speed | 15s | 60s |
Maximum shutter speed | 1/1500s | 1/2000s |
Continuous shooting speed | 1.0 frames per second | - |
Shutter priority | ||
Aperture priority | ||
Manual exposure | ||
Exposure compensation | - | Yes |
Set white balance | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 4.00 m | 8.60 m (ISO 800) |
Flash modes | Auto, On, Off, Red-eye, Fill-in, Slow Syncro | Auto, On, Off, Red-Eye, Fill-in, Wireless |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps) | 1920 x 1080 (30 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps) |
Highest video resolution | 640x480 | 1920x1080 |
Video format | Motion JPEG | MPEG-4, H.264 |
Microphone jack | ||
Headphone jack | ||
Connectivity | ||
Wireless | None | Eye-Fi Connected |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment seal | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 140 gr (0.31 lbs) | 346 gr (0.76 lbs) |
Physical dimensions | 91 x 56 x 22mm (3.6" x 2.2" x 0.9") | 113 x 65 x 48mm (4.4" x 2.6" x 1.9") |
DXO scores | ||
DXO All around rating | not tested | 49 |
DXO Color Depth rating | not tested | 20.4 |
DXO Dynamic range rating | not tested | 11.3 |
DXO Low light rating | not tested | 216 |
Other | ||
Battery life | - | 340 photos |
Battery form | - | Battery Pack |
Battery ID | NB-6L | Li-90B |
Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 12 sec) |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC | SD/SDHC/SDXC |
Storage slots | 1 | 1 |
Retail price | - | $450 |