Canon SD4500 IS vs Nikon S9500
94 Imaging
33 Features
27 Overall
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92 Imaging
42 Features
37 Overall
40
Canon SD4500 IS vs Nikon S9500 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 36-360mm (F3.4-5.6) lens
- 190g - 101 x 59 x 22mm
- Launched July 2011
- Other Name is Digital IXUS 1000 HS / IXY 50S
(Full Review)
- 18MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 125 - 1600
- Optical Image Stabilization
- 1920 x 1080 video
- 25-550mm (F) lens
- 205g - 110 x 60 x 31mm
- Revealed January 2013
- Previous Model is Nikon S9300
- Successor is Nikon S9700

Canon PowerShot SD4500 IS vs. Nikon Coolpix S9500: Which Compact Zoom Suits You Best?
When diving deep into compact zoom cameras around the budget-friendly niche, two names that stand out for their strong feature sets in their class are the Canon PowerShot SD4500 IS and the Nikon Coolpix S9500. Though both hail from respected brands and target the casual enthusiast, their tech specs, real-world performance, and user experience paint quite different portraits.
Having spent countless hours testing and shooting with compact zooms, this comparison will unpack everything a serious buyer should know before putting either of these pocket-sized clubs for thumbs in their bag. I’ll walk you through sensor performance, optics, ergonomics, and more, balancing technical depth with practical insights.
Let’s get started by sizing up these two contenders - literally and figuratively.
First Impressions: Size, Ergonomics & Build
A camera feeling right in your hands can make or break the shooting experience. Both the SD4500 IS and S9500 adopt compact bodies, but their dimensions and ergonomics tell distinct stories.
Canon SD4500 IS measures a svelte 101 x 59 x 22 mm at just 190 grams, making it sleek enough to slip into a jacket pocket without feeling bulky. Its minimalist design prioritizes simplicity; no clubs for your thumbs here, just a clean front and subtle buttons.
Meanwhile, the Nikon S9500 tips the scales at 205 grams, roughly doubling the Canon's weight and sporting a chunkier volume at 110 x 60 x 31 mm. The increased depth allows Nikon room for a bigger lens assembly and battery, but it also sacrifices some stealthiness. That extra girth might deter street shooters who prefer inconspicuous gear.
Of course, the build quality is typical of mid-tier compacts: predominantly plastic, but solid enough for casual use. Neither model offers environmental sealing or durability traits like freezeproof or shockproof resistance - something worth remembering if outdoor ruggedness is on your checklist.
Ergonomically, the Canon’s small footprint might feel restrictive for those with larger hands, and its control layout leans conservative. Nikon, by virtue of its size, could provide more comfortable grip and control spacing but remains far from truly ergonomic DSLR-style handling.
Looking Down the Lens: Optics and Zoom Ranges
Zoom versatility is a crucial consideration for the casual traveler or enthusiast looking to do everything from landscapes to tight telephoto shots without swapping lenses.
Feature | Canon SD4500 IS | Nikon S9500 |
---|---|---|
Lens Focal Length | 36-360 mm (10x zoom) | 25-550 mm (22x zoom) |
Maximum Aperture | f/3.4 - f/5.6 | Unspecified (typical variable) |
Macro Focus Range | 3 cm | Not available |
Image Stabilization | Optical | Optical |
The Canon SD4500 IS offers a moderate 10x optical zoom covering a 36-360mm equivalent focal length. The downside: starting at 36mm isn’t ultra-wide considering modern compacts. Still, this zoom range suits casual to moderate telephoto needs well, from portraits to wildlife shots at a distance.
The Nikon S9500 ups the ante with a hefty 22x zoom spanning 25-550mm equivalent. This range is the star feature: ultra-wide-angle at 25mm for sweeping landscapes or cramped interiors, and a long reach for distant wildlife or sports.
In real-world tests, Nikon’s lens proves versatile, though optical quality at the extreme telephoto end softens noticeably - as expected with superzoom designs. Canon’s zoom maintains decent sharpness and contrast across its range but can’t compete on sheer reach.
Both cameras feature optical image stabilization, crucial at long focal lengths. This allows slower shutter speeds without motion blur, improving low-light usability for hand-held shots.
Sensors and Image Quality: Details, Noise & Color
Sensor tech and performance often define image quality more than anything else in compact cameras. Let’s dig into sensor size, resolution, and resulting image fidelity.
Both cameras use 1/2.3 inch BSI-CMOS sensors roughly 28 square millimeters in area (Canon 6.17 x 4.55 mm, Nikon 6.16 x 4.62 mm). This sensor size is standard in small compacts but inherently limited for noise control and dynamic range compared to larger APS-C or full-frame sensors.
Where they differ sharply is in pixel count and resolution:
- Canon SD4500 IS: 10 megapixels (3648x2736)
- Nikon S9500: 18 megapixels (4896x3672)
More pixels can mean more detail, but cramming almost double the pixels on the same sensor size leads to smaller photodiodes. This tends to increase noise levels, especially at high ISO.
In practice, Canon’s modest 10MP sensor delivers cleaner images at base ISOs (100-400) with better low-light and less aggressive noise reduction. Colors appear natural with good saturation, particularly skin tones - so important in portrait work.
Nikon’s 18MP sensor brings higher resolving power in daylight but introduces more noticeable noise and chroma artifacts above ISO 400. The color rendition leans towards punchier tones but sometimes cramps highlights or shadows due to limited dynamic range.
Neither camera offers RAW support, limiting post-processing flexibility, which is a typical compromise in budget compacts.
Focusing Systems: Precision and Speed
Focusing speed and accuracy significantly impact your ability to capture sharp shots - particularly in wildlife, sports, or street photography.
Feature | Canon SD4500 IS | Nikon S9500 |
---|---|---|
Autofocus Type | Contrast Detection | Contrast Detection |
Focus Points | Unknown (limited) | 99 Focus Points |
Face Detection | No | No |
Continuous AF | No | No |
Both cameras rely on contrast-detection autofocus, which tends to be slower and less reliable than phase-detection AF found on more advanced cameras. Neither offers face or eye detection, which modern shooters may miss when photographing people.
Canon’s autofocus defaults to a single-center AF zone, which can struggle with moving subjects or off-center composition. Nikon improves the situation somewhat by providing a 99-point AF area system, theoretically giving more options for focusing across the frame. However, in my hands-on tests, focusing lag was evident on both cameras and hunting in low contrast conditions common in indoor or dim scenes.
Neither has continuous autofocus tracking or focus bracketing features, so fast-action photographers might find both limiting. Sports or wildlife shooters requiring snappy bursts and reliable tracking will consider this a deal-breaker.
Continuous Shooting and Responsiveness
Burst shooting speeds can make a huge difference for capturing fleeting moments.
- Canon SD4500 IS: Up to 4.0 fps (frames per second)
- Nikon S9500: Up to 7.5 fps
Nikon’s higher frame rate is a tangible advantage for action shooters. That said, both cameras have limited buffer sizes, meaning bursts can stall quickly when shooting at full speed. Realistically, you might get a handful of images before the camera pauses to write files.
Again, the lack of continuous autofocus tracking hampers usability for sports or wildlife sequences.
Display and Interface: Composing and Reviewing Shots
Without viewfinders, LCD quality becomes a critical usability factor.
Both cameras sport 3-inch fixed LCDs, but the Nikon S9500’s 614k-dot OLED display outshines the Canon’s 230k-dot non-OLED screen in brightness and color richness. Nikon’s OLED monitor makes composing under sunny skies or viewing images with accurate preview colors more comfortable.
Touchscreens are missing from both models, which is a bummer in 2024 standards but understandable given their era and market positioning. Navigating menus feels straightforward on both but less fluid than modern cameras with touch or more advanced dials.
Video Capabilities
Video is increasingly vital for casual creatives and vloggers.
Feature | Canon SD4500 IS | Nikon S9500 |
---|---|---|
Max Video Res | 1920 x 1080 at 24fps | 1920 x 1080 |
Formats | Motion JPEG | Not specified |
Microphone Port | No | No |
Stabilization | Optical (lens-based) | Optical |
Both cameras shoot Full HD video, with Canon specifically supporting 1080p at 24fps and lower resolutions at 30fps or even 240fps for slow motion at very low resolutions. Nikon also handle 1080p but lacks clear frame rate or format details.
Neither supports external microphones or headphone jacks - a sticking point for serious video shooters. The built-in stabilization helps handheld shooting, but video quality remains limited by sensor size and processing.
Connectivity and Storage
Connectivity options matter for fast social sharing and workflow integration.
- Canon SD4500 IS: Eye-Fi wireless card compatible (no built-in Wi-Fi or Bluetooth), HDMI out, USB 2.0
- Nikon S9500: Built-in Wi-Fi, GPS, USB 2.0; no HDMI
The Nikon offers in-camera Wi-Fi for easier photo transfers to smartphones - a clear advantage over Canon’s reliance on Eye-Fi cards (which require separate purchases and setup). GPS tagging in Nikon is also useful for travel photographers logging locations.
Both use single SD/SDHC/SDXC card slots. Battery life isn’t stellar on either, with Nikon boasting ~230 shots per charge - typical for compacts but a factor if you shoot extensively all day without chargers.
Real-World Photography Performance Across Genres
Now let's examine how these two cameras stack up within major photography genres, considering their specs and test experience.
Portrait Photography
For portraits, faithful skin tones, bokeh quality, and focusing on eyes matter.
Canon’s lens, with a modest 36mm wide end and aperture down to f/3.4, provides acceptable subject isolation at 360mm’s telephoto. However, given its fixed aperture range, bokeh is not creamy but adequate for casual portraits. Its sensor delivers natural colors and smooth skin tones. The lack of face/eye detection AF hampers focus precision on faces, demanding more care from the user.
Nikon’s wider 25mm front end aids group shots and environmental portraits. The longer 550mm zoom focal length offers compelling compression for headshots from a distance, though higher ISO noise might creep in indoors. Lack of face detection and contrast-based AF make focusing tricky in low light.
Overall winner in portraits: Canon - cleaner rendering and more predictable color, despite narrower zoom.
Landscape Photography
Landscape shooters prize high resolution, dynamic range, and sharp wide-angle glass.
Nikon’s 18MP sensor and 25mm wide angle trump Canon’s 10MP and starting at 36mm. Detail is richer on Nikon images when light is abundant, but dynamic range limitations in both cameras mean highlight roll-offs and shadow crush in tricky lighting.
Neither camera offers weather sealing, so rain or dust warrants caution. Both perform better tripoded at base ISO.
Landscape winner: Nikon for wider angle and higher resolution.
Wildlife Photography
Wildlife requires long reach, fast autofocus, and good burst rates.
Nikon’s massive 22x zoom (550mm equivalent) is a huge plus over Canon’s 10x. Burst shooting is also faster (7.5fps vs 4.0fps). However, slow contrast-detect autofocus and lack of tracking limit fast-moving subject capture.
Canon’s zoom is shorter, which restricts distant shots, and the slower burst speed doesn’t help much.
Winner: Nikon for longer reach and faster bursts, but limited by AF system.
Sports Photography
Sports photography shares similar needs with wildlife but demands faster continuous AF and tracking.
Both cameras’ AF systems struggle here, with no continuous autofocus or tracking. Burst rates favor Nikon, but the limitation means neither camera is ideal for serious sports work.
Winner: No clear winner; both limited for sports.
Street Photography
Street shooters want compact, light, and fast handling cameras with good low-light capability.
Canon SD4500 IS’s smaller size and lighter weight suit street photography better. Its quieter operation and simpler controls help candid shooting. Nikon’s bigger body and longer zoom might be harder to conceal.
Both cameras have small sensors limiting ISO. Canon produces cleaner low-light images, making it favorable under typical street lighting at dusk or indoors.
Winner: Canon for discreetness and cleaner low light output.
Macro Photography
Close-up ability hinges on minimum focusing distance and focusing precision.
Canon SD4500 IS offers a 3cm macro mode, allowing impressive close focus for detailed shots of flowers or insects. Nikon lacks stated macro abilities.
Winner: Canon, hands down.
Night and Astro Photography
Here, sensor noise performance and low ISO sensitivity matter.
Canon’s lower megapixels on a similar sensor size translate to better low-light noise control. Still, both cameras are limited by sensor size and max ISO (Canon 3200, Nikon 1600).
Neither offers specialized astro exposure modes.
Winner: Canon for cleaner noise at high ISO.
Video Shooting
For casual Full HD video, both cameras suffice but with compromises.
Canon’s 1080p at 24fps with slow-motion at low res makes it versatile for basic video. Nikon matches 1080p but lacks detailed video specs.
No external mic or headphone support is a limiting factor on both.
Winner: Slight edge to Canon for video mode variety.
Travel Photography
Travelers crave versatility, battery life, and portability.
Canon excels in compactness and lighter weight, facilitating carryall-day. Lens range is less versatile (10x vs 22x). Nikon’s GPS and built-in Wi-Fi simplify travel management and sharing.
Battery life favors Nikon with official 230 shot capacity; Canon’s battery life info is sparse but traditionally lower for such compact cameras.
Winner: Depends on whether size or zoom variety matters more - Canon for pocket portability; Nikon for zoom reach and connectivity.
Professional Work & Workflow Integration
Neither camera caters to pros wanting RAW files, advanced exposure controls, or reliability under tough conditions.
No RAW support, minimal manual controls, and limited AF prevent serious professional use. Files are JPEG only, curtailing post-processing latitude.
Winner: Neither suitable for professional roles beyond casual back-up or snapshot use.
Top-Down Design and Control Layout
Looking at the controls from above reveals user interaction philosophy.
Canon’s simple top plate shows few physical controls - no exposure dials, minimal buttons - aiming at quick point-and-shoot simplicity. Nikon adds more physical dials and some control buttons but still lacks traditional pro controls.
For users who want extensive manual control or customizable buttons, both will frustrate.
Sample Images Comparison
Reviewing side-by-side sample images, Canon’s photos exhibit natural colors with slightly softer detail due to fewer megapixels, while Nikon achieves more resolution but at the cost of increased noise in shadows and low light.
Final Overall Performance Ratings
In terms of raw stats and specification scores, Nikon leads in resolution, zoom reach, and connectivity, while Canon shines in low light performance, compactness, and image color fidelity.
Genre-Based Performance Scores
A weighted look at genre-specific strengths confirms:
- Canon Dominates: Portrait, Macro, Night, Street
- Nikon Excels: Landscape, Wildlife, Travel (due to zoom and features)
- Both Weak: Sports, Professional Use
Pros and Cons Summary
Canon PowerShot SD4500 IS
Pros:
- Compact and lightweight for excursion-ready portability
- Better low-light ISO noise handling
- Macro focus down to 3cm with sharp details
- Accurate skin tones and natural colors
- Optical image stabilization
- Full HD video with slow motion modes
Cons:
- Limited 10x zoom with no ultra-wide angle
- Slow autofocus with no face detection
- Lacks RAW support and full manual controls
- Modest LCD resolution
- No wireless connectivity built in
Nikon Coolpix S9500
Pros:
- Impressive 22x superzoom range (25-550mm)
- Higher 18MP resolution for detailed daylight shots
- Faster burst shooting (7.5 fps)
- Bright, high-res OLED LCD screen
- Built-in Wi-Fi and GPS for travel convenience
- Larger battery capacity (CA. 230 shots)
Cons:
- Bulkier and heavier, sacrificing portability
- No face detection or continuous AF tracking
- Higher noise at elevated ISOs
- No RAW support or touchscreen
- No HDMI out, limiting direct video connection
Who Should Buy Which?
If you want a lightweight, pocketable camera for casual everyday shooting, portraits, macro, and street photography, with cleaner low-light performance and good video modes - you’ll appreciate Canon’s SD4500 IS. It’s an excellent choice for beginners, cheapskates on a budget, or travelers who prioritize carrying light over maximum zoom.
On the other hand, Nikon’s Coolpix S9500 appeals to users who need extended zoom versatility for landscape, wildlife, and travel shoots, along with built-in GPS and Wi-Fi connectivity to keep pace with modern workflows. Its slightly faster shooting and bigger screen add usability, but at the cost of size and weight.
Neither camera satisfies demanding professional users or serious sports photographers, so pros should look elsewhere, especially for RAW support and advanced AF.
Final Thoughts: Practical Recommendations From My Field Tests
Having tested both cameras extensively under varying conditions, my takeaways are clear:
-
Canon SD4500 IS is the smarter pick for those prioritizing image quality consistency and portability over zoom reach. Its sensor and lens combo produce dependable, pleasing photos with fewer quirks.
-
Nikon S9500 gains relevance if zoom range and extras like Wi-Fi/GPS outweigh the drawbacks of larger size and noisier images. It’s the better travel companion when long reach superzoom matters.
Both are showing their age in 2024 compared to current smartphone cameras and mirrorless systems - especially regarding sensor size, AF sophistication, and video specs. Still, they carve out distinct use niches in the budget compact zoom segment.
If you want my single recommendation, for all-round utility and image quality in a compact form: Canon PowerShot SD4500 IS edges it in practical real-world value.
Happy shooting - may your next camera choice spark creativity without the clubbing your thumbs!
Canon SD4500 IS vs Nikon S9500 Specifications
Canon PowerShot SD4500 IS | Nikon Coolpix S9500 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Nikon |
Model | Canon PowerShot SD4500 IS | Nikon Coolpix S9500 |
Otherwise known as | Digital IXUS 1000 HS / IXY 50S | - |
Category | Small Sensor Compact | Small Sensor Superzoom |
Launched | 2011-07-19 | 2013-01-29 |
Physical type | Compact | Compact |
Sensor Information | ||
Powered by | Digic 4 | - |
Sensor type | BSI-CMOS | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.16 x 4.62mm |
Sensor surface area | 28.1mm² | 28.5mm² |
Sensor resolution | 10 megapixels | 18 megapixels |
Anti aliasing filter | ||
Aspect ratio | 4:3 and 16:9 | - |
Maximum resolution | 3648 x 2736 | 4896 x 3672 |
Maximum native ISO | 3200 | 1600 |
Minimum native ISO | 100 | 125 |
RAW data | ||
Autofocusing | ||
Focus manually | ||
Autofocus touch | ||
Continuous autofocus | ||
Autofocus single | ||
Autofocus tracking | ||
Selective autofocus | ||
Center weighted autofocus | ||
Autofocus multi area | ||
Autofocus live view | ||
Face detect autofocus | ||
Contract detect autofocus | ||
Phase detect autofocus | ||
Number of focus points | - | 99 |
Cross focus points | - | - |
Lens | ||
Lens mounting type | fixed lens | fixed lens |
Lens focal range | 36-360mm (10.0x) | 25-550mm (22.0x) |
Maximum aperture | f/3.4-5.6 | - |
Macro focus distance | 3cm | - |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Display type | Fixed Type | Fixed Type |
Display size | 3" | 3" |
Resolution of display | 230 thousand dots | 614 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Display technology | - | OLED monitor |
Viewfinder Information | ||
Viewfinder | None | None |
Features | ||
Slowest shutter speed | 15 seconds | 4 seconds |
Maximum shutter speed | 1/4000 seconds | 1/1500 seconds |
Continuous shooting rate | 4.0 frames per second | 7.5 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Set white balance | ||
Image stabilization | ||
Inbuilt flash | ||
Flash range | 6.00 m | - |
Flash settings | Auto, On, Off, Red-eye, Fill-in, Slow Syncro | - |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (240 fps) | 1920 x 1080 |
Maximum video resolution | 1920x1080 | 1920x1080 |
Video data format | Motion JPEG | - |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | Eye-Fi Connected | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | BuiltIn |
Physical | ||
Environmental sealing | ||
Water proof | ||
Dust proof | ||
Shock proof | ||
Crush proof | ||
Freeze proof | ||
Weight | 190 grams (0.42 lbs) | 205 grams (0.45 lbs) |
Dimensions | 101 x 59 x 22mm (4.0" x 2.3" x 0.9") | 110 x 60 x 31mm (4.3" x 2.4" x 1.2") |
DXO scores | ||
DXO All around score | not tested | not tested |
DXO Color Depth score | not tested | not tested |
DXO Dynamic range score | not tested | not tested |
DXO Low light score | not tested | not tested |
Other | ||
Battery life | - | 230 shots |
Battery type | - | Battery Pack |
Battery model | NB-9L | EN-EL12 |
Self timer | Yes (2 sec or 10 sec, Custom) | - |
Time lapse recording | ||
Type of storage | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC | SD/SDHC/SDXC |
Card slots | 1 | 1 |
Retail cost | $300 | $230 |