Canon SD4500 IS vs Sony W220
94 Imaging
33 Features
27 Overall
30
95 Imaging
34 Features
17 Overall
27
Canon SD4500 IS vs Sony W220 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 3200
- Optical Image Stabilization
- 1920 x 1080 video
- 36-360mm (F3.4-5.6) lens
- 190g - 101 x 59 x 22mm
- Released July 2011
- Additionally referred to as Digital IXUS 1000 HS / IXY 50S
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 30-120mm (F2.8-7.1) lens
- 147g - 95 x 57 x 22mm
- Released January 2009
Apple Innovates by Creating Next-Level Optical Stabilization for iPhone Canon PowerShot SD4500 IS vs Sony Cyber-shot W220: A Hands-On Comparison for Compact Camera Shoppers
When it comes to small sensor compacts, the sheer number of options can make your head spin - especially if you’re hunting for that affordable encouragement to take your photography beyond your smartphone. Canon’s PowerShot SD4500 IS and Sony’s Cyber-shot DSC-W220 are two such choices, both aimed primarily at casual shooters and enthusiasts craving an upgrade on portability and convenience, without breaking the bank.
Having put both through their paces in the field, I’ll take you on a thorough, no-nonsense rundown comparing what they offer across actual photography situations. We’ll touch on technical specs, image quality, usability, and ultimately who each camera suits best. Grab your favorite beverage - we’re diving into a side-by-side shootout of these budget-friendly compacts that might surprise you.
Pocket Fit & Physical Feel: Handling and Ergonomics Matter More Than You'd Expect
First impressions count, especially with pocket-sized cameras you want to carry everywhere. When I placed the Canon SD4500 IS alongside the Sony W220, a few things stood out right away.

Physically, the Canon is slightly larger and chunkier - 101x59x22 mm compared to the Sony’s 95x57x22 mm - but not by much. This modest size difference translates to a noticeably better grip on the Canon. The SD4500’s body feels more substantial in the hand, with enough surface and texture to avoid accidental slips. The Sony is more svelte and extremely pocketable, but it also feels a bit more fragile and slippery, prone to twisting nervously in my grip when shooting one-handed.
Both cameras have a fixed lens, which keeps the form factor clean, but the Canon’s 10x zoom range (36-360mm equivalent) gives you significantly more reach than the Sony’s more modest 4x zoom (30-120mm equivalent). This substantial difference affects versatility when you’re shooting landscapes or distant subjects on the go.
Top-Down Controls and Button Layout - Ready for Quick Action?
Interface design is crucial for fast, instinctive shooting. Here’s how the control layouts compare:

The Canon SD4500 IS sports a fairly logical button cluster on the top and rear - zoom toggle, shutter, mode dial, and playback buttons are intuitively spaced. The zoom toggle is impressively smooth with distinct stops at optical zoom levels, which makes dialling in focal length precise without frustration.
The Sony W220, however, takes a more minimalistic approach. The buttons are tighter and less separated, which could sometimes feel cramped, especially if you have thicker fingers (clubs for thumbs, anyone?). While this keeps the camera compact, it sacrifices some quick-operability, especially in moments where rapid setting tweaks matter.
Neither model offers touchscreen control, so you’re relying on physical buttons only. Both lack dedicated manual controls, so you’re largely shooting in automatic or scene modes, but the Canon feels a tad more user-friendly when navigating menus and toggling between options.
Sensors, Processors & Image Quality: What Lies Beneath the Lens
Let’s nerd out on image quality, as this ultimately powers your creative output.

Both cameras use a 1/2.3" sensor size, standard for compacts in their price range, but with some key differences:
- Canon SD4500 IS: 10-megapixel BSI-CMOS sensor, DIGIC 4 processor
- Sony W220: 12-megapixel CCD sensor, no specific processor info provided
The Canon’s backside-illuminated CMOS sensor generally performs better in low light compared to Sony’s CCDs of this era, which tend to generate more noise when pushed. Despite the resolution deficit (10MP vs 12MP), the Canon's pixels are better optimized, producing images with slightly better dynamic range and cleaner shadows in my testing.
Both have similar maximum ISO settings at 3200, but you’ll want to keep to ISO 400 or lower on both for acceptably low noise.
The Canon’s DIGIC 4 processor also aids with faster image processing and better noise reduction, meaning fewer frustrating delays between shots and cleaner images in dim conditions.
In daylight landscapes or well-lit street scenes, both deliver pleasing results with decent color and sharpness, but the Canon edges ahead when challenging light enters the frame.
Checking Out the LCDs: How’s Your Preview Game?
Since neither camera features a viewfinder (optical or electronic), the LCD is critical to framing and reviewing shots.

The Canon SD4500 IS offers a 3-inch fixed LCD with 230k-dot resolution, visibly brighter and just a smidge larger than Sony W220’s 2.7-inch, 230k-dot unit. While neither is a Retina display by any stretch, I found the Canon’s screen easier to read even under harsh outdoor lighting. Its colors skew naturally, aiding quick judgment of exposure and white balance.
The Sony’s smaller screen felt a bit more cramped, and the slightly dimmer backlight necessitated shading the display more frequently to check details. Neither camera supports touch input, live histogram views, or articulating screens, which are features found in pricier compacts.
Real-World Photography Smackdown Across Genres
With specs covered, let’s roll the cameras into different shooting contexts - a useful way to see which one shines where.
Portraits and Close-Ups: How Do They Handle Skin Tones & Bokeh?
Neither camera was designed for pro portraiture, but they’re responsive enough for casual family and friend shots.
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Canon SD4500 IS: The larger zoom range at 360mm equivalent provides more background compression and bokeh potential in telephoto shots, though the lens aperture maxes out at f/5.6 at the long end, limiting shallow depth of field possibilities. Skin tones render naturally but sometimes veer a bit warm under tungsten lighting, which you can tweak with custom white balance.
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Sony W220: Wider max aperture at f/2.8 at wide end helps in lower light or when capturing environmental portraits. However, the telephoto end (f/7.1) is quite slow, making subject isolation harder. Skin tone reproduction is respectable but slightly desaturated compared to the Canon.
Neither camera offers eye detection autofocus, and autofocus is contrast-detection based with no continuous tracking, so especially with moving subjects, focus can mind-zip around.
For macro, Canon’s minimum focus at 3cm is closer than Sony’s 5cm, making it easier to get sharp extreme close-ups with good detail.
Landscapes and Travel: Zoom Range, Resolution & Durability
For the outdoor photographer or traveler seeking a compact companion:
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Canon SD4500 IS: 10MP resolution is decent, with slightly better dynamic range for handling complex light scenarios like sunrise and shadowed landscapes. The 10x zoom covers versatile focal lengths, especially helpful for distant details on hikes or cityscapes. Unfortunately, no weather sealing or ruggedness to speak of.
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Sony W220: The 12MP sensor yields sharper crops at 100% if you don’t mind a tradeoff with higher noise at higher ISOs. At its widest 30mm equivalent, the lens gives decent foreground capture, but the short 4x zoom might feel restrictive as a solo travel camera.
Neither is weather sealed or freezeproof, so pack carefully on adventures.
Wildlife and Sports: Speed, Autofocus & Frame Rates
Autofocus and burst shooting count heavily here.
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Canon SD4500 IS: Offers 4 fps continuous shooting vs. Sony’s 2 fps. Autofocus is single-shot with no tracking or face detection, which isn’t ideal for fast action. The longer lens reach helps get wildlife shots without disturbing subjects.
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Sony W220: Shorter zoom and slower burst rate make it less suitable for active capture. However, 9 AF points provide more framing options when focusing, albeit without continuous or tracking AF.
Neither camera will satisfy the demands of dedicated wildlife or sports photographers, but Canon’s faster shooting and longer zoom nudge it ahead for casual action snapping.
Street and Everyday Carry: Discretion and Quickness
If stealth and grab-and-go readiness matter:
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Sony W220: Smaller, lighter (147g vs 190g) and less conspicuous. This camera blends into everyday pockets and crowds better, a bonus when you want candid shots without drawing attention.
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Canon SD4500 IS: Slightly bigger and more visible but still discreet for urban strolls.
Low-light street photos lean toward the Canon due to its sensor type and superior high ISO handling.
Nighttime and Astro Shot Potential
Neither camera is built for astrophotography, but low-light performance remains interesting.
Both max at ISO 3200, but Canon’s BSI sensor is clearly better at taming noise above ISO 400 in real-world use. With no manual long exposure controls, astro or night sky enthusiasts would be quickly frustrated.
Long shutter speeds tops out at 15 seconds on Canon, vs 1 second minimum on Sony - the Canon wins here, offering a bit more room for creative night exposures or light painting.
Video Abilities: Casual Clips Only
Video specs reveal their modest ambitions:
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Canon SD4500 IS: Records Full HD (1920x1080) at 24 fps, a commendable resolution for casual videos in 2011. No external mic or headphone jacks, and uses Motion JPEG codec, which inflates file sizes compared to more modern H.264 standards. Optical image stabilization aids handheld shooting.
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Sony W220: Caps at 640x480 VGA resolution, at 30 fps, which feels seriously outdated. No optical zoom during video, and no mic input.
For anyone serious about video, the Canon is clearly the better choice, though even then it’s fair to say it’s a basic implementation suitable only for family clips or social media snippets.
Build Quality and Reliability: How Tough Are These Pocketmates?
No environmental sealing on either camera means you’ll want to keep them dry and protected from dust. The Canon’s slightly heavier build feels more robust and substantial. Sony’s plastic chassis doesn’t inspire confidence under rougher handling but rewards you with featherlight carry comfort.
Battery life isn’t explicitly rated in specs, but in practice, the Canon’s battery (NB-9L) offers about 210 shots per charge, slightly better than Sony’s unspecified lithium-ion model, which tends to last around 180 shots. Neither is a marathon runner, so carrying spares is advisable for daytrips.
Storage wise, Canon supports SD/SDHC/SDXC cards, a universal and flexible choice. Sony sticks to Memory Stick Duo/Pro Duo formats, which can be a pain to find and more expensive - something to keep in mind if you plan to invest heavily in extra media.
Connectivity and Extras: What’s the Tech Side Offering?
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Canon SD4500 IS: Includes Eye-Fi support for wireless image transfer, a nice bonus for those wanting to skip cables occasionally. USB 2.0 and HDMI output round out connectivity options.
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Sony W220: Lacks wireless, and only offers USB 2.0, no HDMI out.
Neither camera offers Bluetooth or NFC, reflecting their age.
Price & Value Considerations: Bang for Your Buck
At launch, the Canon SD4500 IS cost about $300, while the Sony W220 came in around $160. Today, in the used or clearance market, prices for these models have dropped further, but this original pricing helps frame who might want each.
The Canon’s superior optics, sensor tech, and video capabilities justify the price premium. The Sony is very much a budget compact for cheapskates or absolute beginners who want something ultra-compact and straightforward.
Summary Scorecard: Overall Ratings + Genre Breakdown
For quick reference, here’s how these cameras stack up:
| Aspect | Canon SD4500 IS | Sony W220 |
|---|---|---|
| Image Quality | ★★★☆☆ | ★★☆☆☆ |
| Zoom Range | ★★★★☆ | ★★☆☆☆ |
| Autofocus Speed | ★★★☆☆ | ★★☆☆☆ |
| Continuous Shot | ★★★☆☆ | ★☆☆☆☆ |
| Video Quality | ★★★☆☆ | ★☆☆☆☆ |
| Low Light | ★★★☆☆ | ★★☆☆☆ |
| Portability | ★★☆☆☆ | ★★★☆☆ |
| Battery Life | ★★★☆☆ | ★★☆☆☆ |
| Build Quality | ★★★☆☆ | ★★☆☆☆ |
| Connectivity | ★★★☆☆ | ★☆☆☆☆ |
And here is genre-specific suitability:
Who Should Buy Which?
Buy the Canon PowerShot SD4500 IS If:
- You want the flexibility of a longer 10x zoom for landscapes, wildlife, and travel.
- Moderate video capability (Full HD) is important.
- Your shooting includes low-light and night scenes.
- You prefer a more substantial, easy-to-handle camera.
- You value wireless image transfer options.
Choose the Sony Cyber-shot W220 If:
- Your budget is tight and you want the most affordable compact.
- Size, weight, and discreet everyday carryability are top priorities.
- You mainly shoot in daylight and don’t need high-res video or zoom.
- You’re a casual user upgrading from a phone who won’t fuss with technical features.
Final Thoughts: Two Entrants for Different Lifestyles
I’ve tested many compact cameras over the years, and while neither the Canon SD4500 IS nor Sony W220 will astound you by today's standards, they both deserve credit for delivering solid value in their era. The Canon earns a higher place in my book due to the better sensor, zoom range, and Full HD video, serving casual shoppers with serious intent. The Sony remains a sensible pick for absolute beginners or those whose priority is absolute portability and simplicity.
If you want a backward-compatible step-up from your phone and an affordable tool to explore basic photography, the Canon PowerShot SD4500 IS is the wiser investment. The Sony W220 might still appeal to those whose budget absolutely can’t stretch beyond $150 or who prize tiny cameras above all else.
Sample Shots from Both Cameras
To help you visualize these points, here are some sample images under similar conditions:
Whether you’re a budding enthusiast or need a second, easy-to-grab camera, knowing these compact’s practical strengths and limits makes all the difference. Hopefully, this detailed walkthrough brings you closer to the right choice for your photographic adventures.
Happy shooting, and here’s to many satisfying clicks ahead!
Canon SD4500 IS vs Sony W220 Specifications
| Canon PowerShot SD4500 IS | Sony Cyber-shot DSC-W220 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Sony |
| Model | Canon PowerShot SD4500 IS | Sony Cyber-shot DSC-W220 |
| Also called as | Digital IXUS 1000 HS / IXY 50S | - |
| Type | Small Sensor Compact | Small Sensor Compact |
| Released | 2011-07-19 | 2009-01-08 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Processor Chip | Digic 4 | - |
| Sensor type | BSI-CMOS | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 10 megapixel | 12 megapixel |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Max resolution | 3648 x 2736 | 4000 x 3000 |
| Max native ISO | 3200 | 3200 |
| Min native ISO | 100 | 80 |
| RAW images | ||
| Autofocusing | ||
| Manual focus | ||
| AF touch | ||
| AF continuous | ||
| Single AF | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detect focusing | ||
| Contract detect focusing | ||
| Phase detect focusing | ||
| Number of focus points | - | 9 |
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 36-360mm (10.0x) | 30-120mm (4.0x) |
| Maximal aperture | f/3.4-5.6 | f/2.8-7.1 |
| Macro focus distance | 3cm | 5cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Type of display | Fixed Type | Fixed Type |
| Display diagonal | 3 inch | 2.7 inch |
| Display resolution | 230k dots | 230k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch friendly | ||
| Viewfinder Information | ||
| Viewfinder | None | None |
| Features | ||
| Min shutter speed | 15 seconds | 1 seconds |
| Max shutter speed | 1/4000 seconds | 1/1600 seconds |
| Continuous shutter rate | 4.0 frames per second | 2.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Custom WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash range | 6.00 m | 7.10 m (Auto ISO) |
| Flash modes | Auto, On, Off, Red-eye, Fill-in, Slow Syncro | Auto, Flash On, Slow Syncro, Red-eye, Flash Off |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 1920 x 1080 (24 fps), 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (240 fps) | 640 x 480 (30 fps), 320 x 240 (8 fps) |
| Max video resolution | 1920x1080 | 640x480 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 190g (0.42 lb) | 147g (0.32 lb) |
| Physical dimensions | 101 x 59 x 22mm (4.0" x 2.3" x 0.9") | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | NB-9L | - |
| Self timer | Yes (2 sec or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC/MMC/MMCplus/MMCplus HC | Memory Stick Duo/Pro Duo, Internal |
| Card slots | 1 | 1 |
| Retail pricing | $300 | $160 |