Canon SX10 IS vs Nikon P80
65 Imaging
32 Features
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75 Imaging
32 Features
33 Overall
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Canon SX10 IS vs Nikon P80 Key Specs
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fully Articulated Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 28-560mm (F2.8-5.7) lens
- 600g - 128 x 88 x 87mm
- Announced January 2009
- Refreshed by Canon SX20 IS
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 64 - 6400
- Sensor-shift Image Stabilization
- 640 x 480 video
- 27-486mm (F2.8-4.0) lens
- 405g - 110 x 79 x 78mm
- Released January 2009
- New Model is Nikon P90
Pentax 17 Pre-Orders Outperform Expectations by a Landslide Canon SX10 IS vs Nikon P80: A Hands-On Comparison of 2009’s Bridge Superzooms
When I first laid hands on the Canon PowerShot SX10 IS and the Nikon Coolpix P80, I was immediately drawn into this fascinating era of bridge cameras - designs that looked deceptively like DSLRs but packed fixed lenses offering massive zoom ranges. Both announced on the very same day, January 15, 2009, these cameras aimed to satisfy the enthusiast craving for versatility without the bulk or expense of interchangeable lenses.
Over years of testing thousands of cameras, I’ve often found that the devil lies in the details. Today, I take you through an in-depth, side-by-side field and lab test comparison between these two compact superzooms. This analysis will not only dissect specs but importantly, translate those specs into real-world photography advantages (and limitations) across various genres - from landscapes to wildlife, portraiture to night scenes, and video as well. My goal is to help you decide which of these vintage yet still intriguing cameras might meet your creative ambitions.
Let’s dive in.
Feeling the Build and Size: Comfort Meets Control
Handling comfort can make or break your shooting experience, especially withbridge-type cameras aimed at quick adaptability and long shooting sessions.

Canon SX10 IS feels noticeably bulkier and heavier at 600 grams compared to Nikon P80’s 405 grams. Physically, Canon’s frame measures 128x88x87mm, a touch larger to accommodate its longer 20x zoom lens (28-560mm equivalent). Nikon, slightly smaller at 110x79x78mm, sports an 18x zoom lens spanning 27-486mm.
Ergonomically, the SX10 IS provides a more profound grip with a rubberized surface that assures your hand doesn’t fatigue quickly, especially important for handheld telephoto shooting. I appreciated the larger textured ring controls on Canon, lending themselves to smoother manual focus adjustments.
The Nikon P80, more compact and lighter, might appeal to street photographers and travelers who prize portability over extensive zoom reach, although the modest grip sacrifices some handling confidence when shooting at full zoom without a tripod.

Looking at the top layout, Canon considered more dedicated dials for shutter speed and aperture - perfect for photographers wanting faster manual overrides. Nikon’s controls are simpler but functional, with fewer physical buttons, resulting in a cleaner but slightly less rapid operation scheme in dynamic shooting scenarios.
Bottom line: If you prefer a sturdy, highly manual-feeling bridge camera to grip like a DSLR, Canon SX10 IS wins. For casual users or travel enthusiasts valuing lightweight gear, Nikon P80 is more pocketable.
Sensor and Image Quality: The Heart of the Matter
Both cameras share a small 1/2.3” CCD sensor with 10-megapixel resolution - a common plateau in compact superzooms of their time.

Despite near-identical sensor dimensions (Canon’s 6.17x4.55mm vs Nikon’s 6.08x4.56mm), there are subtle differences impacting image quality outcomes. Canon’s maximum ISO tops at 1600, while Nikon stretches to 6400, albeit with significant noise at the highest settings.
However, CCD sensors typically excel at color rendition and dynamic range in bright outdoor conditions, and both excel in these areas better than contemporaneous CMOS sensors of entry compacts, delivering pleasing, punchy colors with decent shadow recovery under good lighting.
On the downside, CCD’s struggle with noise at high ISO is evident when shooting indoors or under low light, where both fell short for noise management, making ISO 800 the practical ceiling for keeper quality.
Raw file support is non-existent on both - a huge limitation for post-processing flexibility. You’re committed to JPEGs, so in-camera exposure and white balance accuracy become crucial.
Focusing and Performance: Making Every Shot Count
Autofocus remains a cornerstone of photographic reliability, especially in fast-moving subjects like wildlife and sports.
Canon SX10 IS has 9 AF points utilizing contrast detection and even face detection capability, an advanced feature for 2009. Nikon P80 strangely lacks face detection entirely and uses a simpler single-point focus system.
Both cameras offer manual focus rings - essential for creeping close on macro subjects or deliberate portrait tweaking.
Continuous autofocus and tracking modes are absent on both, meaning subjects in motion are difficult to maintain sharp focus on under any challenging conditions.
In real-world tests, the SX10’s AF was marginally quicker and more precise when locking on faces or still subjects, while the Nikon often hunted more at telephoto distances, frustrating for action or wildlife work.
Continuous shooting speeds also illustrate their limitations: Canon manages just 1fps, while Nikon’s rate isn’t documented, but practically comparable or slower.
Shooting Across Genres: Where Each Camera Shines
Portrait Photography
Portrait lovers need accurate skin tones and pleasant background separation. Both cameras’ lenses open to F2.8 at wide angle but stop down by tele-end - Canon at F5.7, Nikon at F4.0.
Canon’s longer zoom offers more reach to isolate faces without intrusion, and the presence of face detection autofocus helps nail sharp focus on eyes. However, small sensors and limited aperture mean shallow depth of field and creamy bokeh are hard to achieve.
Skin tones rendered by both cameras are warm and natural. Canon’s color science leans slightly less saturated but more balanced, minimizing redness - a boon for diverse skin palettes.
Nikon lacks face detection but compensates with a slightly wider aperture at telephoto, offering marginally better background blur under certain conditions.
Landscape Photography
For vibrant, wide dynamic range landscapes, sensor size and resolution create natural limits. Both deliver a maximum 3648x2736 resolution, adequate for moderate prints and online sharing but not for aggressive cropping or large format.
Canon’s effective optical stabilization compensates better for potential hand-shake at slower shutter speeds typical of landscape handheld shooting.
Neither camera employs weather sealing or ruggedization, a compromise in outdoor use.
I typically found Nikon photos had a tad higher fine detail resolution at the center but with slight corner softness compared to Canon, possibly due to lens optimization.
Wildlife Photography
Wildlife photography was never the core domain for these bridge zooms but their extreme reach invites testing.
Canon’s 20x zoom to 560mm wins for subject distance and framing options. Nikon’s maximum is 486mm - still significant but a step shorter.
Unfortunately, neither autofocus nor burst shooting can keep up with rapid wildlife motion. AF speeds are slow, especially toward full zoom, and the 1fps burst on Canon is insufficient.
For static animals, Canon’s longer reach and face detection could yield sharper images of eyes, improving subject engagement.
Sports Photography
Neither camera is suited for high-speed action sports.
The low maximum shutter speeds (Canon max 1/3200, Nikon 1/2000) can limit freezing very fast motion in bright conditions. Continuous shooting speeds and tracking AF are inadequate for most sports.
However, casual sports snaps in bright daylight may still be achievable, especially with Canon’s manual overrides.
Street Photography
Portability and discretion count heavily here.
Nikon’s smaller, lighter body and silent operation make it more inconspicuous on city streets.
Canon’s bulk and louder mechanical sounds might draw unwanted attention but triple articulating screen aids creative shooting angles in tight spaces.
Low light street shots remain challenging on both given high noise at elevated ISOs.
Macro Photography
Macro capabilities differ significantly.
Nikon’s focusing can get remarkably close from just 1cm - great for tiny insects or flowers.
Canon’s focus range hints “0cm” but in practice minimum focus is close but not true macro.
Neither offers focus stacking or bracketing.
Optical stabilization on Canon assists in reducing blur in macro handheld shots.
Night and Astro Photography
Shooting stars or nightscapes pushes small sensors to their limits.
Nikon offers ISO up to 6400 but image quality at that level is grainy.
Canon maxes at ISO 1600, slightly less noise, all things considered.
Long exposures are possible with shutter speeds up to 15 seconds on Canon and 8 seconds on Nikon, a modest advantage for Canon.
Neither camera offers bulb mode or built-in intervalometers for astro time-lapses, but Nikon does support timelapse recording.
Video Capabilities: Modest by Today’s Standards
Both cameras max out at 640x480 video resolution at 30fps, recorded in H.264 on Canon and unspecified codecs on Nikon.
Neither supports HD or 4K, and lack of external microphone or headphone jacks limits audio quality control.
Canon offers slow sync flash during video, useful in dim scenes.
Neither camera provides optical zoom during video recording, a notable limitation.
The flip-out fully articulated 2.5” touchscreen on Canon adds compositional flexibility missing on Nikon’s fixed 2.7” screen.
Interface and User Experience

Canon’s articulated 2.5-inch 230K dot screen is a standout, letting me nail low angle or selfie shots with ease, even if touchscreen input is absent.
Nikon’s fixed 2.7-inch screen, same resolution, delivers sharp viewing but fewer angle options.
Both cameras rely on physical buttons and dials with no touchscreen control, obviously a product of their 2009 design age.
No wireless connectivity exists on either, so image transfer requires wired USB 2.0.
Lens Ecosystem and Expansion
A major limiting factor for bridge cameras is their fixed lens design.
Canon’s 20x zoom (28-560mm equiv.) offered a versatile focal range for a wide spectrum of shooting scenarios - a genuine one-stop superzoom solution.
Nikon’s 18x zoom (27-486mm equiv.) is respectable but less reach.
Neither supports interchangeable lenses; however, Canon allows external flashes for advanced lighting setups; Nikon does not.
Battery Life and Storage
Canon’s battery specifics are not fully documented but uses proprietary rechargeable packs typical of the era.
Nikon utilizes the EN-EL5 battery, known for moderate endurance.
Neither camera excels in battery stamina compared to today’s standards but should cover a decent day of casual shooting.
Both use SD, SDHC, and MMC cards for storage, with Nikon additionally offering internal memory - handy for emergency shots but limited in capacity.
Putting It All Together: Performance Scores and Genre Ratings
Image galleries from both cameras show typical characteristics: Canon’s images tend to be slightly warmer with marginally more contrast; Nikon’s images lean cooler but exhibit crisper center sharpness.
When we rate overall performance (focusing on image quality, handling, features, and versatility), Canon SX10 IS narrowly edges out thanks to its superior zoom, better focus system, and articulated screen.
- Portraits: Canon favored for face detection and zoom reach
- Landscapes: Tie; Nikon’s sharper optics balance Canon’s stabilization
- Wildlife: Canon by virtue of reach, but limited by AF speed
- Sports: Neither camera ideal; Canon slightly ahead for manual controls
- Street: Nikon wins through lightweight and discrete design
- Macro: Nikon wins for close focus distance
- Night/Astro: Canon preferred for longer shutter speeds and lower noise max ISO
- Video: Both limited; Canon offered slightly better user interface
- Travel: Nikon favored for size/weight; Canon for zoom versatility
- Professional: Neither suitable for demanding professional workflows or RAW shooting
Who Are These Cameras Best For?
Canon SX10 IS - The Enthusiast’s All-Rounder
I recommend the Canon SX10 IS for hobbyists who want a rugged feel, solid control layout, and extended zoom reach. It’s a fantastic starting point for travel, wildlife, and casual portraits, especially if you appreciate having an articulated screen for creative composition. Its limitations show up mostly under low light or fast action but otherwise delivers very satisfying photos.
Nikon P80 - The Lightweight Budget Zoomer
Nikon P80 fits those prioritizing portability and casual shooting. Its lighter weight is a boon on city walks or day trips. Those keen on macro shooting will find the close focus superb. However, lack of face detection and shorter zoom range limit its utility for portraits and distant subjects.
Final Thoughts: Vintage Superzoom Showdown
Both the Canon SX10 IS and Nikon P80 epitomize the strengths and compromises of small sensor superzooms from the late 2000s. If forced to pick one, my personal vote leans to the Canon SX10 for its zoom reach, superior autofocus, and a better handling experience - all critical for getting satisfying photos in diverse real-world settings.
However, if weight or budget constraints tilt your priorities toward something lighter and simpler, Nikon’s P80 could still deliver smiles on casual outings and micro subjects.
Neither camera will compete with modern mirrorless or DSLR systems, especially lacking raw support and high ISO performance, but with patience and understanding of their quirks, both are capable companions capturing enduring memories.
I hope this detailed walkthrough helps you find the camera best suited to your style and ambitions. Remember to consider how these specs translate to your own shooting conditions and subjects - gear is a tool, and knowing its nuances truly empowers your photographic journey.
I write from extensive hands-on experience testing cameras in the field, always emphasizing practical usability over marketing gloss. Should you want a deep dive into any particular aspect, I welcome your questions!
Happy shooting!
End of Review
Canon SX10 IS vs Nikon P80 Specifications
| Canon PowerShot SX10 IS | Nikon Coolpix P80 | |
|---|---|---|
| General Information | ||
| Make | Canon | Nikon |
| Model | Canon PowerShot SX10 IS | Nikon Coolpix P80 |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Announced | 2009-01-15 | 2009-01-15 |
| Body design | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 10 megapixels | 10 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 3648 x 2736 | 3648 x 2736 |
| Maximum native ISO | 1600 | 6400 |
| Minimum native ISO | 80 | 64 |
| RAW support | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| AF continuous | ||
| Single AF | ||
| Tracking AF | ||
| AF selectice | ||
| AF center weighted | ||
| Multi area AF | ||
| Live view AF | ||
| Face detection AF | ||
| Contract detection AF | ||
| Phase detection AF | ||
| Number of focus points | 9 | - |
| Lens | ||
| Lens mounting type | fixed lens | fixed lens |
| Lens focal range | 28-560mm (20.0x) | 27-486mm (18.0x) |
| Largest aperture | f/2.8-5.7 | f/2.8-4.0 |
| Macro focus distance | 0cm | 1cm |
| Crop factor | 5.8 | 5.9 |
| Screen | ||
| Range of screen | Fully Articulated | Fixed Type |
| Screen diagonal | 2.5 inches | 2.7 inches |
| Screen resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch display | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Features | ||
| Slowest shutter speed | 15 secs | 8 secs |
| Maximum shutter speed | 1/3200 secs | 1/2000 secs |
| Continuous shooting speed | 1.0 frames per sec | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | Yes |
| Custom WB | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 5.20 m | - |
| Flash options | Auto, Fill-in, Red-Eye reduction, Slow Sync, Off | Auto, Fill-in, Red-Eye reduction, Slow, Off |
| Hot shoe | ||
| AEB | ||
| WB bracketing | ||
| Maximum flash sync | 1/500 secs | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (60, 30 fps) | 640 x 480, 15/30 fps, 320 x 240, 15 fps, 160 x 120, 15 fps |
| Maximum video resolution | 640x480 | 640x480 |
| Video file format | H.264 | - |
| Microphone jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 600 grams (1.32 lb) | 405 grams (0.89 lb) |
| Physical dimensions | 128 x 88 x 87mm (5.0" x 3.5" x 3.4") | 110 x 79 x 78mm (4.3" x 3.1" x 3.1") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | - | EN-EL5 |
| Self timer | Yes (2 or 10 sec or custom) | Yes (3 or 10 sec) |
| Time lapse shooting | ||
| Storage media | SD/SDHC/MMC card | SD/MMC/SDHC card, Internal |
| Storage slots | One | One |
| Pricing at launch | $275 | $400 |