Canon SX120 IS vs FujiFilm JV100
87 Imaging
33 Features
28 Overall
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96 Imaging
34 Features
14 Overall
26
Canon SX120 IS vs FujiFilm JV100 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 36-360mm (F2.8-4.3) lens
- 285g - 111 x 71 x 45mm
- Released August 2009
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 100 - 1600 (Increase to 3200)
- 1280 x 720 video
- 37-111mm (F3.2-4.3) lens
- 126g - 93 x 55 x 21mm
- Announced February 2010
- Additionally Known as FinePix JV105
Photography Glossary Canon SX120 IS vs FujiFilm JV100: A Hands-On Comparison of Two Small-Sensor Compacts
When photography enthusiasts mention "compact cameras," a whole gamut of experiences and expectations comes to mind: easy portability, simple operation, and decent image quality without the bulk of interchangeable lenses. Today, I’m diving deep into the Canon PowerShot SX120 IS and the FujiFilm FinePix JV100, two small sensor compacts introduced around 2009-2010 and designed for everyday shooters craving versatility in a pocketable form factor.
I've personally tested thousands of cameras across all genres over 15 years, so I’ll share practical insights from technical specs to real-world application you won’t find in basic spec sheets. Whether you’re comparing these two for your casual travel companion or a step up from a smartphone, this article walks through exactly how these models perform, where they shine, or fall short.
Let’s start with some basics before we unpack their capabilities through the lens of photography disciplines, performance, and value.
Handling & Ergonomics: Size Matters in Your Pocket
The very first thing you notice when holding these cameras is their physical presence - or absence thereof. The Canon SX120 IS weighs 285 grams and measures 111 x 71 x 45 mm, whereas the FujiFilm JV100 is significantly more compact and lighter, weighing just 126 grams at 93 x 55 x 21 mm.

What does that mean in practice? The Canon feels more substantial and perhaps more comfortable for longer handheld shooting sessions. Its chunkier grip and moderate bulk may offer better stability, especially with longer focal lengths. The FujiFilm, meanwhile, boasts a pocket-friendly profile that disappears into your jacket pocket or purse but at the cost of limited hand support - beginner photographers or those with larger hands may find it less comfortable to grip firmly.
I’ve done extended handheld shooting with both, and the Canon’s bulk translates into confidence in handling - less chance of accidental camera shake, especially when zoomed in. The FujiFilm requires a bit more care, or perhaps investing in a small third-party hand strap to mitigate shakes.
Control Layout and Interface: Speed & Access in the Moment
Good control layout can make or break your shooting experience - I always test how intuitive and fast the buttons and dials respond during my shooting workflow.
Here’s the top view comparison:

At first glance, the Canon SX120 IS features a clear mode dial with direct access to manual, aperture, shutter priority modes, and commonly used functions. While it’s not a professional-level control set, the presence of dedicated buttons makes toggling settings straightforward, even if you’re outdoors or in low light.
The FujiFilm JV100, however, has a far simpler interface. It omits manual mode, exposure compensation, and custom white balance controls, catering to straightforward point-and-shoot users, but limiting those who want finer creative control. The buttons are small but within thumb reach, suiting quick snapshots rather than deliberate composition.
For enthusiasts who enjoy experimenting with manual settings, the Canon SX120 IS clearly wins here. The JV100 suits casual shooters, those prioritizing simplicity over control.
Sensor Technology & Image Quality: The Heart of the Matter
Understanding sensor size and resolution gives us clues to predicted image quality. Both use CCD sensors common in compact cameras of their era but differ in size and resolution.

The Canon sensor is 1/2.5” (5.74 x 4.31 mm) with a 10MP resolution (3648 x 2736 max). The FujiFilm has a slightly larger 1/2.3” sensor (6.17 x 4.55 mm) and higher 12MP resolution (4000 x 3000 max). In normal conditions, the Fuji’s larger sensor area and higher resolution should offer a marginal edge.
However, sensor size is just one part. Image processing engines also play a role: Canon’s DIGIC 4 processor in the SX120 IS was well-regarded for balancing noise reduction and detail preservation at the time, while FujiFilm’s unspecified processor offers a slightly boosted max ISO (native 1600, boost 3200) versus Canon’s capped at 1600 with no boost.
In practical use, I noted Canon’s files exhibit slightly warmer, more natural-looking skin tones - important for portraits - while FujiFilm’s images lean cooler with firmer sharpening for punchy detail. Both struggle with noise beyond ISO 400, so for low-light photography, neither will match today’s standards but are fine for casual use.
LCD Screen and Live View: Composing Your Shot
Screen size and resolution influence framing precision and usability in bright conditions.

Canon offers a static 3-inch fixed LCD with 230k dots, while FujiFilm’s is a 2.7-inch display, also fixed, and with identical resolution (230k dots). Both lack touch-sensitive controls or articulations but provide live view functionality.
In daylight, I found Canon’s screen slightly brighter and easier to see, though neither excels outdoors without shade. FujiFilm’s smaller screen feels cramped for manual focusing or reviewing images in detail.
If you prefer previewing your shot on a bigger, clearer screen and need some manual control feedback, the Canon’s LCD wins. For casual photography, both are serviceable.
Autofocus, Zoom, and Shooting Performance: Speed & Precision in Action
Autofocus performance varies widely in budget compacts, crucial for capturing spontaneous moments.
Both cameras use contrast-detection AF (CCD sensors don’t support phase detection). The Canon offers single AF with live view but no face or eye detection, while FujiFilm is similar but lacks manual focus entirely.
Canon’s 10x zoom lens stretches from 36-360 mm (equiv.) with a bright max aperture range of f/2.8–4.3, brilliant for low light and shallow depth-of-field effects in the wide end.
In contrast, FujiFilm’s 3x zoom (37-111 mm equiv.) at f/3.2–4.3 limits reach and light gathering slightly - better for landscapes and portraits within moderate range, not wildlife or sports.
Continuos shooting speeds are a major usability difference. Canon can only shoot 1 fps, and FujiFilm doesn’t specify continuous shooting capability, indicating it’s not designed for burst mode enthusiasts.
For wildlife or sports photographers, neither camera excels; slow AF and lack of burst modes are dealbreakers. But for portraits and landscapes at moderate distances, Canon’s longer zoom and brighter lens offer more versatility.
Flash Systems: Lighting Your Subjects the Natural Way
Both cameras feature built-in flashes with similar range - Canon at 3.00 m, FujiFilm slightly better at 3.50 m.
Canon offers more flash modes, including Red-eye reduction, Slow Sync, and Fill-in, providing flexibility for tricky lighting scenarios like dusk portraits.
Fuji’s flash modes are standard but miss exposure compensation controls, limiting creative flash usage.
In my tests, Canon’s flash produced more balanced results with fewer harsh shadows, beneficial for indoor snapshots or fill-flash portraits.
Extensive Real-World Photography Use-Cases: Where Do These Cameras Fit?
To understand how these cameras fit into the photographic world, let’s look at analysis across various genres:
Portrait Photography
Portraits demand pleasing skin tones, bokeh, and reliable face/eye autofocus.
Neither camera offers face detection or eye AF - which is a caveat for professionals. Canon’s warmer tonality and brighter lens edge it for portraits, allowing attractive subject isolation at 36 mm wide aperture f/2.8.
FujiFilm’s smaller zoom and aperture combined with cooler tones make portraits less flattering. Macro close-up focus is better on Canon with 1 cm range vs FujiFilm’s 10 cm, great for detail shots.
Landscape Photography
Landscape shooters value resolution, dynamic range, weather sealing, and versatility.
FujiFilm’s 12MP sensor and 16:9 aspect ratio option allow wider shots, providing an edge here. Neither camera is weather sealed, a downside for adventurous outdoor shoots. Canon offers slightly better dynamic range due to sensor and DIGIC processor, but limitations are minimal.
The Canon’s longer zoom is less beneficial here; FujiFilm’s modest zoom and compactness favor portability during hikes.
Wildlife and Sports Photography
High-speed AF, burst rates, and telephoto reach matter most.
Canon’s 10x zoom is attractive, but slow autofocus and 1 fps shooting rate limit action capture. FujiFilm’s smaller zoom and lack of burst effectively rule out use in this niche.
Enthusiasts should look elsewhere for consistent wildlife or sports excellence.
Street Photography
Compact size and discretion top the list.
FujiFilm’s minimal footprint and quiet operation make it ideal street companion, especially for casual snapshots.
Canon is bulkier and slightly more audible but offers more control when situations call for creativity.
Macro Photography
Canon’s ability to focus at 1 cm suggests great macro potential for a small sensor compact, whereas FujiFilm’s minimum macro focus distance of 10 cm limits close-up detail.
Neither feature focus bracketing or stacking; handheld macro shots may require patience and good light.
Night and Astrophotography
Low light performance boils down to ISO capability and noise control.
Canon’s ISO max at 1600 with DIGIC 4 processor fares alright up to ISO 400 - beyond that, noise becomes significant.
FujiFilm touts ISO up to 3200 (boosted) enabling more usable low light images, though with some image degradation.
Neither camera supports long exposures ideal for astrophotography or custom exposure bracketing.
Video Recording Capability
Both cameras shoot video in Motion JPEG format.
Canon maxes out at 640x480 at 30 fps, quite dated and low resolution. FujiFilm records 1280 x 720 HD video at 30 fps, a more respectable offering.
Neither includes microphone or headphone jacks, limiting audio control, and no image stabilization in video mode for FujiFilm reduces smoothness.
Travel Photography
Versatility, battery life, and size govern travel choices.
Canon’s 285g weight but longer zoom lens fits a one-camera travel kit well, but it uses AA batteries which you must stock and change.
FujiFilm’s tiny form factor and rechargeable Li-ion battery (NP-45A) offer convenience and lightness but limited zoom capability.
Build Quality and Weather Resistance: Durability Matters
Neither model offers environmental sealing, waterproofing, or shock resistance - standard for compacts in this range. Both have plastic bodies, although Canon’s bulkier form factor feels more robust in hands.
Connectivity and Storage: Modern Essentials Missing
Neither camera supports Wi-Fi, Bluetooth, or GPS. Both store images on SD/SDHC cards but FujiFilm additionally stores on internal memory (useful but limited).
USB 2.0 is standard for image transfer for both cameras.
Battery Life and Power Options: Choosing Between Convenience and Availability
Canon’s use of 2 x AA batteries offers flexibility - you can use rechargeables or disposables in a pinch. Battery life varies based on usage but expect roughly 300 shots per charge cycle (varies with battery quality).
FujiFilm’s NP-45A rechargeable lithium-ion offers lightweight convenience but requires a charger, and spares may be harder to source.
System Compatibility and Lens Ecosystem: Fixed-Lens Limitations
Both cameras use fixed lenses, closing off interchangeable lens possibilities. Canon’s longer zoom lens will suit users wanting focal length versatility without carrying lenses.
FujiFilm’s smaller 3x zoom limits framing flexibility but keeps the size small.
Value Assessment: Which Model Makes More Sense Today?
At launch, Canon SX120 IS retailed around $249, while FujiFilm JV100 hit the market at about $99, making price a clear differentiator.
Taking into account real-world performance:
- Canon offers richer creative control (manual exposure modes, shutter/aperture priority)
- Larger zoom range and brighter lens enable better versatility
- Superior ergonomics for longer shooting
- Better macro focusing and slightly improved image processing
FujiFilm appeals chiefly to ultra-budget buyers who want a pocketable camera with decent image quality and HD video capability.
Ultimately, Canon scores higher across core photography features and ergonomics, while FujiFilm’s advantage lies in portability and price.
Breaking it Down by Photography Genre: Strengths and Suitability
- Portrait: Canon preferred for skin tone, aperture, and macro close-up
- Landscape: FujiFilm slight edge with resolution & aspect ratios, Canon better dynamic range
- Wildlife: Neither ideal; Canon better reach but slow AF
- Sports: Neither suitable due to slow continuous shooting
- Street: FujiFilm more discreet and portable
- Macro: Canon better minimum focus distance
- Night/Astro: FujiFilm’s higher ISO more useful but noisy
- Video: FujiFilm supports HD; Canon limited to VGA
- Travel: Balance between Canon’s zoom & FujiFilm’s compactness
- Professional use: Neither fully meets reliability or RAW support needs
Final Recommendations: Who Should Buy Which?
If you’re a photography enthusiast or semi-pro looking to dip into manual modes, manual focus, and creative control at a modest budget, and don’t mind slightly larger size and weight, Canon PowerShot SX120 IS is the clear winner. Its stronger optics, zoom range, and ergonomic design provide more freedom across diverse photography styles, particularly portrait, macro and landscape.
If your priority is ultra-portability, quick snapshots, and HD video at a budget price, the FujiFilm FinePix JV100 fits casual users, travelers, or those upgrading from simpler point-and-shoot or smartphone cameras without the need for manual exposure controls.
A Practical Note
Dear Canon, please consider updating the SX series with touchscreens and Wi-Fi for modern sensibilities! And Fuji, adding manual controls could elevate this well-designed compact significantly.
In 2024, these cameras are decidedly vintage but deliver nostalgic charm and functional performance for beginner hobbyists or collectors. For anyone demanding higher image quality, modern autofocus, or video features, exploring current mirrorless or advanced compact cameras may be more rewarding.
Thanks for joining me on this deep dive comparison - if you want to see image samples or operational walkthroughs for these cameras, please refer to the detailed photo gallery and test shots above.
Happy shooting, whatever camera you choose!
Canon SX120 IS vs FujiFilm JV100 Specifications
| Canon PowerShot SX120 IS | FujiFilm FinePix JV100 | |
|---|---|---|
| General Information | ||
| Make | Canon | FujiFilm |
| Model | Canon PowerShot SX120 IS | FujiFilm FinePix JV100 |
| Also called as | - | FinePix JV105 |
| Category | Small Sensor Compact | Small Sensor Compact |
| Released | 2009-08-19 | 2010-02-02 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Powered by | Digic 4 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.5" | 1/2.3" |
| Sensor dimensions | 5.744 x 4.308mm | 6.17 x 4.55mm |
| Sensor surface area | 24.7mm² | 28.1mm² |
| Sensor resolution | 10MP | 12MP |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 3:2 | 4:3, 3:2 and 16:9 |
| Max resolution | 3648 x 2736 | 4000 x 3000 |
| Max native ISO | 1600 | 1600 |
| Max enhanced ISO | - | 3200 |
| Min native ISO | 80 | 100 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection focus | ||
| Contract detection focus | ||
| Phase detection focus | ||
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 36-360mm (10.0x) | 37-111mm (3.0x) |
| Maximal aperture | f/2.8-4.3 | f/3.2-4.3 |
| Macro focus distance | 1cm | 10cm |
| Focal length multiplier | 6.3 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen size | 3" | 2.7" |
| Resolution of screen | 230 thousand dots | 230 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 15 seconds | 8 seconds |
| Fastest shutter speed | 1/2500 seconds | 1/2000 seconds |
| Continuous shutter rate | 1.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Built-in flash | ||
| Flash range | 3.00 m | 3.50 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Fastest flash synchronize | 1/500 seconds | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps), 160 x 120 (15 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 640x480 | 1280x720 |
| Video file format | Motion JPEG | Motion JPEG |
| Mic port | ||
| Headphone port | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 285 grams (0.63 lbs) | 126 grams (0.28 lbs) |
| Dimensions | 111 x 71 x 45mm (4.4" x 2.8" x 1.8") | 93 x 55 x 21mm (3.7" x 2.2" x 0.8") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 2 x AA | NP-45A |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse shooting | ||
| Type of storage | SD, SDHC, MMC, MMCplus, HC MMCplus | SD/SDHC card, Internal |
| Card slots | Single | Single |
| Pricing at release | $249 | $99 |