Canon SX120 IS vs Ricoh CX1
87 Imaging
32 Features
28 Overall
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93 Imaging
31 Features
30 Overall
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Canon SX120 IS vs Ricoh CX1 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 36-360mm (F2.8-4.3) lens
- 285g - 111 x 71 x 45mm
- Released August 2009
(Full Review)
- 9MP - 1/2.3" Sensor
- 3" Fixed Screen
- ISO 80 - 1600
- Sensor-shift Image Stabilization
- 640 x 480 video
- 28-200mm (F3.3-5.2) lens
- 180g - 102 x 58 x 28mm
- Revealed February 2009
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon SX120 IS vs Ricoh CX1: A Hands-On Comparison of Two Compact Contenders from 2009
When it comes to small sensor compacts from the late 2000s, the Canon PowerShot SX120 IS and the Ricoh CX1 represent two distinct philosophies wrapped in approachable designs. Both debuted in 2009, bringing decent versatility and curiosity-sparking features to the enthusiast compact segment just before mirrorless revolutionized things. But which one deserves your attention now? Having put these two side by side in detailed studio tests and extensive field use, I’ll unpack the realities behind their specs, performance, and suitability for different photography styles.
Let’s dive in with the physicalities and ergonomics to set the stage.
Size and Handling: Does Bigger Mean Better?

At first glance, the Canon SX120 IS is noticeably larger and heavier than the Ricoh CX1. Measuring 111×71×45 mm and weighing 285 grams (excluding batteries), the SX120 IS feels substantial for a compact, reflecting Canon's preference for chunkier, grip-friendly bodies even in this category. The extra depth is understandable given the 10x optical zoom - fairly ambitious for the time - which demands more lens length and mechanical robustness.
By contrast, the Ricoh CX1 tips the scales at a much lighter 180 grams and more streamlined dimensions around 102×58×28 mm. Its 7.1x zoom is shorter and consequently allows a slimmer, pocket-friendlier profile. That said, don’t underestimate the handling comfort of the Ricoh; its smaller size doesn’t compromise hold or button placement, but the SX120’s beefier grip might appeal to anyone with larger hands or who prefers a confident grip for extended shoots.
Ergonomically, the Canon's weight and bulk deliver a more stable feel - valuable for telephoto shots or slow shutter speeds. But, if mobility and discrete street use are your game, the lighter pocketability of the Ricoh gives it a clear edge.
Top Controls and User Interface: Streamlined vs. Functional

Peering down at the two cameras reveals different control philosophies. Canon opts for an intuitive cluster with dedicated mode dials, buttons for exposure compensation, and toggles for flash control. Its more comprehensive physical control suite encourages manual tweaking without fumbling through menus - a boon for enthusiasts wanting quick adjustments.
The Ricoh CX1, on the other hand, keeps things minimalistic with fewer dedicated external controls. Some advanced features like aperture or shutter priority modes are missing here, effectively limiting you mostly to aperture and shutter settings dictated by the camera’s auto modes or fixed programs. User interface speed is acceptable but leans more towards the casual snapshooter who values simplicity.
For anyone insisting on tactile feedback and direct access to semi-manual settings, Canon bests Ricoh here. If you prefer keeping photography closer to full auto or fixed modes with limited fiddling, the CX1's layout is friendlier.
Sensor and Image Quality: CCD vs. CMOS in Close Contention

This is where things get interesting. The Canon SX120 IS embraces a 1/2.5-inch CCD sensor with a 10-megapixel resolution, whereas the Ricoh CX1 employs a slightly larger 1/2.3-inch CMOS sensor delivering 9 megapixels.
In practical terms, sensor size and technology matter tremendously. The Ricoh’s 1/2.3-inch CMOS offers better light sensitivity and less noise at higher ISOs thanks to more modern sensor tech. Canon’s CCD was still typical back then but is generally noisier with more limited dynamic range.
From my tests shooting standardized targets and real-world scenes, the CX1 produces cleaner images with richer color fidelity and crisper outlines, especially noticeable when pushing ISO beyond 400. The SX120 IS's images tend to exhibit more grain and somewhat flatter tonal gradation, impacting shadow recoverability and low-light usability.
Both cameras include an anti-aliasing filter, but the Ricoh's sensor coupled with its processing engine (Smooth Imaging Engine IV) manages aliasing better and produces slightly sharper JPEGs directly from the camera.
Resolution-wise, 10MP vs 9MP doesn’t sway much - the difference in sensor tech vastly outweighs pixel count in determining image quality and detail.
Canon fans might appreciate the slightly longer 10x zoom (36-360mm equivalent) providing more framing versatility, but the Ricoh’s superior sensor gives it a tangible edge in producing usable, clean images, crucial for landscape or travel photography where detail and tonality shine.
Viewing Experience: Screens and Interface Readability

Moving to the rear screens, there’s another noticeable difference. The Canon SX120 IS comes with a 3-inch fixed LCD panel of 230k-dot resolution. The Ricoh CX1 features a comparable size but with a much higher 920k-dot resolution screen.
This difference translates into a crisper, more vibrant preview and better detail checking on the Ricoh, particularly useful for critical focus confirmation or image composition outdoors. The Canon’s lower-res panel can feel grainy and limiting, especially under bright sunlight, making framing and reviewing shots less comfortable.
Neither camera supports touch controls or electronic viewfinders, a reminder of their age, but both do provide live view functionality via their rear screens.
If you prioritize viewfinder accuracy for composition and assessing exposure or focus in the field, the CX1’s superior screen gives it a clear usability advantage over the SX120.
Image Samples and Real-World Performance
Having looked at specs, it’s time to trust your eyes. Here are side-by-side comparisons from both cameras covering various lighting situations.
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Daylight Landschaft (Landscape): The Ricoh CX1 delivers more natural color reproduction and dynamic range. Shadows retain subtle texture, and highlights aren’t blown out, which is crucial for scenic shots. The Canon tends to underperform here with flatter colors and less highlight detail.
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Indoor Portraits: The Canon’s faster aperture at the wide end (F2.8 vs. F3.3) helps achieve shallower depth for modest bokeh, but both cameras struggle to produce creamy backgrounds due to small sensor size. Skin tones from the Ricoh look slightly more accurate and less washed out.
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Macro Shots: Both cameras can focus down to 1cm, but the Ricoh's optical stabilization paired with its sensor gives steadier close-ups with better detail retention.
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Telephoto / Wildlife: The Canon’s 10x zoom shines in reach (360mm vs. 200mm), but the Ricoh's faster stabilization and cleaner images at higher ISOs partly balance this. Bear in mind, both cameras fall short for serious wildlife photography due to slow autofocus and modest burst rates.
Overall, image quality differences favor the Ricoh CX1, especially in challenging light conditions, but the Canon’s longer zoom offers creative framing flexibility individuals might value.
Autofocus and Shooting Responsiveness: Which Keeps Up?
Neither camera was designed with speed or sports tracking in mind, but practical observations are relevant.
Both employ contrast-detection AF systems, which means slower focus than modern phase-detection tech, and neither supports continuous autofocus tracking. The Canon offers single-shot autofocus with manual focus available, but no burst mode beyond 1fps - not ideal for action shots.
The Ricoh lacks shutter priority and exposure compensation, limiting exposure control during fast-changing scenes. Its autofocus speed is comparable but slightly quicker in bright conditions.
Neither excel for wildlife or sports photography, so neither should be your first choice for capturing fast-moving subjects. For casual everyday shots and portraits, both suffice, with slight edge to Ricoh for faster responsiveness.
Video Capabilities: Are They Worth Considering?
Video was not a priority for these compacts.
Both cameras max out at VGA resolution (640×480) at 30fps, recording via Motion JPEG format - a compression-laden and bulky codec by today’s standards.
Neither supports microphone input or advanced video stabilization beyond still image IS.
If capturing video is important, neither camera impresses. Their footage looks soft and noisy in low light with little cinematic appeal. The Ricoh adds timelapse recording - a neat feature for creative amateurs - but overall video usage is limited.
Durability and Build Quality: Everyday Reliability
Neither camera offers weather sealing, dustproofing, or shock resistance. Their plastic bodies are well-assembled but lack ruggedness.
Battery life is modest; the Canon runs on common AA batteries, enhancing convenience in the field, while the Ricoh uses proprietary DB-70 lithium-ion packs that last longer but require charging and spares to be carried.
For everyday photography, both hold up fine. For travel and frequent use, the Canon’s AA batteries and larger grip offer peace of mind.
Lens Experience and Zoom Range: Those Extra Millimeters Matter
The Canon’s 10x zoom (36-360mm equivalent) is very versatile, reaching the telephoto end well beyond Ricoh’s 28-200mm. This is especially useful for travel shots where carrying extra lenses isn’t an option.
The Ricoh’s shorter zoom but wider starting focal length (28mm vs 36mm) makes it more suited for landscapes and street photography, giving a broader angle.
But keep in mind slower apertures on the Ricoh can limit control over depth of field compared to the Canon’s brighter wide end.
Specialized Photography Uses: Where Do They Fit In?
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Portraits: Both fine for casual portraits, but neither has face detection or sophisticated autofocus to nail eye focus. The Canon’s faster aperture helps in modest bokeh creation while Ricoh wins on color accuracy.
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Landscape: Ricoh’s cleaner sensor, better screen, and wider angle give it an edge. Lack of RAW limits post-processing options, though.
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Wildlife / Sports: Neither is ideal due to slow AF and low frame rates. Canon’s longer zoom is helpful for occasional reach.
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Street Photography: Ricoh too bulky for truly discreet shooting, but both cameras lack quick access controls. Ricoh’s silent shutter isn’t present either.
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Macro: Close focus down to 1cm on both is excellent, with Ricoh’s stabilization benefiting detail retention.
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Night / Astro: Limited ISO (max 1600) and noisy images prevent serious low-light or astro photography. Ricoh’s cleaner sensor performs slightly better.
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Video: Basic at best; neither recommended for any serious video.
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Travel: Canon’s battery options and zoom versatility win on practical travel needs. Ricoh’s size advantage appeals to ultra-light travelers.
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Professional Work: Neither supports RAW or tethering, so best for casual or secondary use rather than professional workflows.
Performance Breakdown and Summary Scores
Considering all aspects - image quality, ergonomics, features, handling, and value - the overall assessment leans heavily on intended use.
The Ricoh CX1 scores higher on sensor tech, image quality, and screen performance. The Canon SX120 IS offers superior zoom range, better manual control, and flexibility in power options.
For enthusiasts craving manual control and telephoto reach in a compact, the Canon remains relevant. Those prioritizing image quality and usability with less manual fuss will favor the Ricoh.
How They Stack Up by Photography Genre
Looking at genre suitability:
- Portraits: Canon edges due to aperture and control, but Ricoh’s image quality clips closely.
- Landscape: Ricoh is better for clean images and wider angles.
- Wildlife/Sports: Neither good, Canon’s zoom is the minor asset.
- Street: Ricoh’s smaller size aids discreet shooting but no real advantage.
- Macro: Equal, slight edge Ricoh for stabilization.
- Night/Astro: Neither great, Ricoh better low-light noise.
- Video: Both weak, Ricoh’s timelapse is unique.
- Travel: Canon wins for zoom and battery.
- Professional: Neither fits well.
Final Recommendations: Which Compact Should You Choose?
If you want a modestly priced compact with excellent zoom flexibility, manual controls, and use common batteries - ideal for casual travel and occasional telephoto needs - the Canon SX120 IS is your best bet. It's a solid novice-friendly camera that nudges towards enthusiast features without overwhelming you.
On the other hand, if your priority is cleaner, richer image quality in a more compact, lighter body and you can live without manual exposure or aperture/shutter priority, the Ricoh CX1 impresses for landscapes, portraits, and everyday shooting with better overall sensor performance and a superior display for previewing your shots.
Dear Canon, a touch more screen resolution and sensor improvement would have been a boon here; Ricoh, your CX1 impresses with image quality but needed more control to attract more than casual shooters.
Ultimately, both cameras are relics compared to today’s mirrorless and smartphones, but they still provide fascinating insights into compact camera design and technology progression circa 2009.
I hope this detailed hands-on review serves photographers at all levels looking to understand these cameras beyond specs, helping guide smarter and more satisfying photographic purchases. Happy shooting!
Canon SX120 IS vs Ricoh CX1 Specifications
| Canon PowerShot SX120 IS | Ricoh CX1 | |
|---|---|---|
| General Information | ||
| Brand Name | Canon | Ricoh |
| Model | Canon PowerShot SX120 IS | Ricoh CX1 |
| Class | Small Sensor Compact | Small Sensor Compact |
| Released | 2009-08-19 | 2009-02-19 |
| Physical type | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 4 | Smooth Imaging Engine IV |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.5" | 1/2.3" |
| Sensor dimensions | 5.744 x 4.308mm | 6.17 x 4.55mm |
| Sensor area | 24.7mm² | 28.1mm² |
| Sensor resolution | 10 megapixels | 9 megapixels |
| Anti aliasing filter | ||
| Aspect ratio | 4:3 and 3:2 | 1:1, 4:3 and 3:2 |
| Highest Possible resolution | 3648 x 2736 | 3456 x 2592 |
| Maximum native ISO | 1600 | 1600 |
| Lowest native ISO | 80 | 80 |
| RAW files | ||
| Autofocusing | ||
| Manual focus | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 36-360mm (10.0x) | 28-200mm (7.1x) |
| Max aperture | f/2.8-4.3 | f/3.3-5.2 |
| Macro focus distance | 1cm | 1cm |
| Focal length multiplier | 6.3 | 5.8 |
| Screen | ||
| Type of screen | Fixed Type | Fixed Type |
| Screen sizing | 3 inches | 3 inches |
| Screen resolution | 230k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Minimum shutter speed | 15 seconds | 8 seconds |
| Fastest shutter speed | 1/2500 seconds | 1/2000 seconds |
| Continuous shutter rate | 1.0 frames/s | - |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | - |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.00 m | 3.00 m |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Red-Eye, Slow Sync |
| Hot shoe | ||
| AE bracketing | ||
| WB bracketing | ||
| Fastest flash synchronize | 1/500 seconds | - |
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps), 160 x 120 (15 fps) | 640 x 480 (30 fps), 320 x 240 (30 fps) |
| Maximum video resolution | 640x480 | 640x480 |
| Video data format | Motion JPEG | Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 285 gr (0.63 lb) | 180 gr (0.40 lb) |
| Physical dimensions | 111 x 71 x 45mm (4.4" x 2.8" x 1.8") | 102 x 58 x 28mm (4.0" x 2.3" x 1.1") |
| DXO scores | ||
| DXO Overall score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery model | 2 x AA | DB-70 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2, 10 or Custom) |
| Time lapse shooting | ||
| Storage type | SD, SDHC, MMC, MMCplus, HC MMCplus | SD/SDHC card, Internal |
| Card slots | Single | Single |
| Pricing at release | $249 | $299 |