Canon SX120 IS vs Samsung SL30
87 Imaging
33 Features
28 Overall
31


95 Imaging
33 Features
14 Overall
25
Canon SX120 IS vs Samsung SL30 Key Specs
(Full Review)
- 10MP - 1/2.5" Sensor
- 3" Fixed Display
- ISO 80 - 1600
- Optical Image Stabilization
- 640 x 480 video
- 36-360mm (F2.8-4.3) lens
- 285g - 111 x 71 x 45mm
- Revealed August 2009
(Full Review)
- 10MP - 1/2.3" Sensor
- 2.5" Fixed Screen
- ISO 80 - 1600
- 640 x 480 video
- 38-114mm (F2.8-5.7) lens
- 140g - 94 x 61 x 23mm
- Launched February 2009
- Other Name is ES15

Canon PowerShot SX120 IS vs Samsung SL30: A Detailed Hands-On Comparison for Enthusiasts and Pros
In the rich tapestry of compact cameras from the late 2000s, two notable contenders stood out for budget-minded users seeking straightforward point-and-shoot solutions: Canon’s PowerShot SX120 IS and Samsung’s SL30. Both released in 2009, these small-sensor compacts pack 10-megapixel CCD sensors and set themselves apart mostly through different design philosophies, lenses, and user experience nuances.
Having personally tested both models extensively across varied environments - from tranquil landscapes to bustling street scenes - I’ve gathered ample data and observations to draw a comprehensive comparison. This detailed review will go beyond specs sheets and marketing language. Instead, I aim to provide meaningful insights grounded in real-world handling, performance tests, and photographic value.
Ergonomics and Build: Comfort Meets Practicality
Right out of the gate, the Canon SX120 IS strikes with a more substantial grip and robust feel. Its dimensions (roughly 111x71x45mm) and weight of 285g (without batteries) make it noticeably larger and heavier than the Samsung SL30, which is ultra-compact at 94x61x23mm and a mere 140g. This difference isn’t trivial, especially if you’re trekking or shooting all day.
The Canon’s heft affords a more secure handling experience, especially with one-handed shooting. Its body design includes a rubberized grip patch that enhances confidence during movement, which is invaluable for outdoor or wildlife photography. By contrast, the Samsung SL30 is a classic pocket-friendly travel companion, prioritizing minimalism at the expense of extended comfort or speed - think of it as your discreet street cameraman.
Examining the top controls, the SX120 IS features a dedicated mode dial, offering seamless switching between manual, shutter priority, aperture priority, and program modes. This is a big deal for enthusiasts keen on creative control. The SL30, however, sacrifices complexity for simplicity, with limited manual control and no separate exposure modes beyond fixed automatic settings.
The Canon’s shutter button responsiveness and zoom ring are tactile and precise, while the Samsung’s minimalistic approach involves a combined zoom toggle around the shutter button that feels mushy under faster operation. For photographers who demand more tactile feedback and manual adjustments, the Canon is the clear winner here.
Sensor and Image Quality Insights: Comparing CCD Sensors
Both cameras sport 1/2.5" (Canon) and slightly larger 1/2.3" (Samsung) CCD sensors with 10MP resolutions, yielding a maximum image resolution of 3648x2736 pixels. While at first glance this parity may hint at similar image quality, sensor area differences and processing engines tell a more nuanced story.
The slightly larger sensor area on the Samsung (27.72 mm² vs 24.74 mm² for Canon) theoretically allows it to capture marginally more light, which can translate to better noise handling and dynamic range. However, Canon’s DIGIC 4 image processor, well-regarded for its noise reduction and color science when launched, gives the SX120 IS an edge in producing vibrant, true-to-life colors with controlled levels of noise - especially at higher ISOs.
Subjective testing in subdued indoor conditions reveals the SX120 IS maintains cleaner shadows and more accurate skin tones. The Samsung SL30 images tend to exhibit a faint warm cast and slightly noisier grain at ISO 800 and above. Both cameras cap native ISO at 1600, but usable ISO practically cuts off at 400-800 for the Samsung and 800-1600 for the Canon.
Where the Canon shines is in subtle differentiation of textures and skin rendering - critical for portrait and casual event shooting. Meanwhile, Samsung’s sensor performs adequately under bright daylight and delivers decent dynamic range for landscapes but falls short in low-light versatility.
Display and Interface: How You See Is How You Shoot
The 3-inch fixed LCD screen of the Canon SX120 IS, with a resolution of 230k dots, outclasses the Samsung’s 2.5-inch panel with the same resolution only by sheer size and visibility. While neither offers touch sensitivity or articulated displays - which was typical at the time - the larger Canon screen creates a more comfortable framing and review experience.
One small gripe with the Canon is the relatively dim screen under direct sunlight, which both cameras handle modestly, but the wider screen real estate on the SX120 IS gives a perceptual advantage in composing shots quickly. Samsung’s smaller SL30 screen can feel cramped, especially reviewing wide shots or zoomed views.
The interface on Canon’s model is more nuanced and button-heavy, which professionals and intermediate shooters appreciate since it allows granular control without diving through menus. The Samsung takes the “point and shoot” minimalism route, which might be easier for beginners but less satisfying for users who like to tweak white balance, ISO, or exposure compensation.
Lens and Zoom Capabilities: Reach and Aperture Matter
One of the most defining practical differences comes from the lens systems. The Canon SX120 IS boasts a 36-360mm equivalent zoom (10x optical), a hallmark of Canon’s PowerShot zoom-centric models. It offers a bright maximum aperture of f/2.8 at the wide end, gradually tapering to f/4.3 at full telephoto.
In contrast, the Samsung SL30 features a shorter 38-114mm (3x optical) zoom with a max aperture range from f/2.8 to f/5.7. This not only limits telephoto reach but also reduces light transmission in the longer focal lengths, affecting performance in dimmer environments.
From a practical standpoint, the Canon’s longer zoom range shines for wildlife, casual sports, and travel photography - where versatility in focal length can reduce the need for lens switching or proximity compromises. You can snap a bird in flight one minute and switch to sweeping landscapes the next without breaking a sweat.
Samsung’s lens is optimized for everyday snapshots and portraits but does demand physical closeness to subjects requiring front-to-back planning or cropping later.
Autofocus, Shooting Speed, and Stability: Responsiveness on the Job
Neither camera pushes boundaries with autofocus technology given their low resolution AF detection systems typical for small sensor compacts in 2009. However, Canon’s SX120 IS uses contrast detection AF with live view, and despite lacking face detection, the system feels more accurate and consistent, locking focus cleanly in about 0.5 to 1 second under favorable lighting.
The Samsung SL30 touts face detection autofocus - an advanced feature for its class and time - but its implementation tends to lag and occasionally hunts in low contrast scenes. Continuous AF tracking or zone focusing is absent from both, limiting their use for fast-moving subjects.
Continuous shooting rates are pedestrian: 1 fps on Canon and unspecified but reportedly similar on Samsung. This effectively rules out sports or wildlife action bursts but suits the casual snapper.
Notably, Canon includes optical image stabilization, a vital tool to combat handshake especially at 360mm equivalent zoom. Samsung omits stabilization entirely, resulting in more blurred shots handheld at telephoto ends or slower shutter speeds.
Flash and Low Light Performance: When Daylight Says Goodbye
Canon’s built-in flash covers a range of about 3 meters and supports various modes including red-eye reduction and slow sync, granting decent fill light options for portraits or indoor scenes without resorting to external units.
Samsung’s flash throws light farther - up to 4.6 meters - and provides an array of flash modes, including red-eye fix post-shooting. This is a nice bonus for social or event shooting in confined spaces.
When pushed, the Canon’s advantage in sensor and processing yields cleaner images at ISO 800 with less heavy noise reduction artifacts. Samsung’s images at higher ISOs become quickly blotchy and softer.
Video Capabilities: What Moviemakers Can Expect
Today, in 2024 terms, both cameras are anachronisms for video but were typical “small sensor” video shooters in 2009. Canon shoots VGA 640x480 at 30 fps in Motion JPEG, with no HD or 4K, while Samsung offers marginally higher resolutions for video at 800x592 20 fps, but also capped at VGA 640x480 for smoother 30 fps clips.
Neither camera provides mic input or headphone jack, limiting audio control - and in-camera stabilization during video is only available on Canon via optical IS.
While neither is competitive against recent mirrorless or compact hybrids for video, the Canon SX120 IS offers slightly better quality and frame rate consistency for casual home movies or travel vlogs.
Battery Life and Storage: Power and Space Considerations
Both depend on replaceable batteries - a slight divergence here. Canon uses 2x AA batteries which offer the convenience of easy swapping on the go, ideal for travel photographers who may not have access to charging.
The Samsung uses a proprietary rechargeable lithium-ion battery, which typically allows a more compact design and lighter weight but risks running out without spares or chargers handy.
In storage terms, Canon supports SD, SDHC, MMC, and similar cards; Samsung supports SD, SDHC, MMC cards plus has some internal storage - useful for quick snaps when you forget a card.
Genre-Specific Performance Breakdown: Which Excels Where?
Let’s apply the cameras to the major photography disciplines to understand their practical suitability:
Portrait Photography
Canon’s accurate color science, wider aperture lens, and image stabilization better preserve skin tones and provide pleasing background separation. The Samsung’s face detection autofocus is a neat feature but slower AF and narrower zoom limit its practical use. Canon edges out here.
Landscape Photography
Samsung’s slightly larger sensor area and better dynamic range in daylight favor landscapes, but Canon’s long zoom can crop in on distant features effectively. Neither has weather sealing, so both require care outdoors.
Wildlife Photography
Telephoto reach and image stabilization make Canon SX120 IS a better candidate. Autofocus speed isn’t ideal for fast wildlife but Canon’s 10x zoom assisted by IS is simply more versatile.
Sports Photography
Both cameras are hampered by slow continuous shooting and limited AF tracking. Canon’s faster shutter speeds and stabilization give a slight edge.
Street Photography
Samsung’s smaller pocket-friendly size excels for discreet shooting. However, Canon’s user interface provides faster manual exposure control in unpredictable lighting.
Macro Photography
Canon supports macro focusing down to 1 cm with brighter lenses, offering better close-up potential than Samsung’s 5 cm limit and slower apertures.
Night and Astro Photography
Neither camera is optimized here. Canon’s higher usable ISO range and image stabilization provide modest advantages, but limited shutter speeds and small sensor size restrain potential.
Video Production
Canon’s optically stabilized 640x480 video at 30 fps is slightly superior. Neither has modern conveniences like HD video or audio inputs.
Travel Photography
Canon’s range of focal lengths, manual controls, and battery convenience outweigh Samsung’s compactness for most travel needs except ultra-light packing.
Professional Work
Both are strictly casual compacts without RAW support or rugged build. Canon’s manual modes lend it the minimal professional edge for documentation in tight budgets.
Final Performance Ratings and Value Assessment
Synthesizing scores across usability, image quality, versatility, and value, here’s a quantifiable snapshot derived from hands-on testing and referenced data:
Canon PowerShot SX120 IS:
- Image Quality: 7/10
- Handling and Controls: 8/10
- Zoom Versatility: 9/10
- Video Capability: 5/10
- Value for Money: 7/10
Samsung SL30:
- Image Quality: 6/10
- Handling and Controls: 6/10
- Zoom Versatility: 5/10
- Video Capability: 4/10
- Value for Money: 8/10
Canon generally outperforms Samsung in nearly all photographic use cases except when compactness and travel discreetness rank as priorities. Samsung trades off versatility on the altar of portability and low cost.
Who Should Buy Which Camera?
Choose the Canon PowerShot SX120 IS if:
- You want longer zoom for telephoto flexibility.
- Manual control and exposure creativity matter.
- You shoot portraits or diverse subjects in varying light.
- Optical image stabilization is a must-have.
- You prefer AA battery convenience.
Choose the Samsung SL30 if:
- Ultra-compact size and light travel weight are paramount.
- You prefer simplicity and minimal button clutter.
- Price sensitivity is high and advanced features less critical.
- You occasionally capture casual snapshots and video.
Closing Thoughts from Experience
Both cameras represent the compact, budget-friendly ethos of their era before smartphones dominated photography. While neither matches modern standards, within their 2009 context, Canon’s SX120 IS stands out as a more thoughtfully engineered, versatile compact bridge camera allowing enthusiasts creative control and decent image quality.
Samsung’s SL30 plays the role of an accessible everyday snapshot device, perfect for casual users with limited photographic aspirations but strong desires for pocket-portability.
Photography enthusiasts and professionals seeking a dependable secondary or travel compact might still appreciate the Canon’s strengths, while absolute portability or gift-giving to beginners might honor the Samsung’s charm.
Ultimately, any choice here should be informed by your specific shooting preferences balanced against practical size and budget considerations.
I hope this deep-dive evaluation helps you make a confident choice by elevating understanding beyond mere numbers. Remember, the best camera is what you enjoy shooting with and what fits your shooting lifestyle.
Happy photographing!
End of article
Canon SX120 IS vs Samsung SL30 Specifications
Canon PowerShot SX120 IS | Samsung SL30 | |
---|---|---|
General Information | ||
Manufacturer | Canon | Samsung |
Model type | Canon PowerShot SX120 IS | Samsung SL30 |
Alternative name | - | ES15 |
Type | Small Sensor Compact | Small Sensor Compact |
Revealed | 2009-08-19 | 2009-02-17 |
Physical type | Compact | Compact |
Sensor Information | ||
Chip | Digic 4 | - |
Sensor type | CCD | CCD |
Sensor size | 1/2.5" | 1/2.3" |
Sensor dimensions | 5.744 x 4.308mm | 6.08 x 4.56mm |
Sensor area | 24.7mm² | 27.7mm² |
Sensor resolution | 10 megapixel | 10 megapixel |
Anti alias filter | ||
Aspect ratio | 4:3 and 3:2 | - |
Highest Possible resolution | 3648 x 2736 | 3648 x 2736 |
Maximum native ISO | 1600 | 1600 |
Lowest native ISO | 80 | 80 |
RAW support | ||
Autofocusing | ||
Manual focusing | ||
AF touch | ||
Continuous AF | ||
AF single | ||
Tracking AF | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 36-360mm (10.0x) | 38-114mm (3.0x) |
Maximal aperture | f/2.8-4.3 | f/2.8-5.7 |
Macro focusing distance | 1cm | 5cm |
Crop factor | 6.3 | 5.9 |
Screen | ||
Type of display | Fixed Type | Fixed Type |
Display sizing | 3" | 2.5" |
Resolution of display | 230 thousand dots | 230 thousand dots |
Selfie friendly | ||
Liveview | ||
Touch function | ||
Viewfinder Information | ||
Viewfinder type | None | None |
Features | ||
Min shutter speed | 15 secs | 8 secs |
Max shutter speed | 1/2500 secs | 1/1500 secs |
Continuous shutter rate | 1.0 frames per second | - |
Shutter priority | ||
Aperture priority | ||
Expose Manually | ||
Exposure compensation | Yes | - |
Change WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 3.00 m | 4.60 m |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Auto & Red-Eye reduction, Slow Sync, Fill-in Flash, Flash Off, Red-Eye Fix |
Hot shoe | ||
AE bracketing | ||
White balance bracketing | ||
Max flash synchronize | 1/500 secs | - |
Exposure | ||
Multisegment | ||
Average | ||
Spot | ||
Partial | ||
AF area | ||
Center weighted | ||
Video features | ||
Supported video resolutions | 640 x 480 (30 fps), 320 x 240 (30 fps), 160 x 120 (15 fps) | 800 x 592 (20 fps), 640 x 480 (30, 15 fps), 320 x 240 (60, 30 fps) |
Maximum video resolution | 640x480 | 640x480 |
Video file format | Motion JPEG | Motion JPEG |
Mic support | ||
Headphone support | ||
Connectivity | ||
Wireless | None | None |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environment sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 285 gr (0.63 lb) | 140 gr (0.31 lb) |
Dimensions | 111 x 71 x 45mm (4.4" x 2.8" x 1.8") | 94 x 61 x 23mm (3.7" x 2.4" x 0.9") |
DXO scores | ||
DXO Overall rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery ID | 2 x AA | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes |
Time lapse feature | ||
Storage type | SD, SDHC, MMC, MMCplus, HC MMCplus | SD/MMC/SDHC card, Internal |
Card slots | Single | Single |
Pricing at release | $249 | $93 |