Canon SX170 IS vs FujiFilm JX300
88 Imaging
39 Features
41 Overall
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95 Imaging
36 Features
22 Overall
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Canon SX170 IS vs FujiFilm JX300 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-448mm (F3.5-5.9) lens
- 251g - 108 x 71 x 44mm
- Released August 2013
- Replaced the Canon SX160 IS
(Full Review)
- 14MP - 1/2.3" Sensor
- 2.7" Fixed Display
- ISO 100 - 1600 (Boost to 3200)
- 1280 x 720 video
- 28-140mm (F2.6-6.2) lens
- 130g - 94 x 56 x 24mm
- Released January 2011
- Other Name is FinePix JX305
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon SX170 IS vs FujiFilm JX300: A Detailed Comparison for Photography Enthusiasts
When diving into the extensive catalog of compact cameras from the early 2010s, two approachable models stand out for budget-conscious users who want simple operation without breaking the bank: Canon’s PowerShot SX170 IS and Fujifilm’s FinePix JX300. Both were designed as compact, fixed-lens point-and-shoots targeted largely at casual users, yet they diverge significantly in features and handling. Over my 15+ years evaluating hundreds of cameras, I’ve seen how even devices with similar sensor sizes and class can serve very different types of shooters with diverse needs.
In this comparison, I’ll walk through every major aspect from sensor performance and optical design to ergonomics and specialty use cases to help you understand where each camera excels and ultimately which might fit your workflow or collection best. We’ll cover key photography genres, technical specs, and real-world performance. Let’s dive in.
First Impressions: Size, Handling, and Controls
Ergonomics can make or break your shooting experience, especially if you spend extended time behind the camera. The Canon SX170 IS is, simply put, bulkier but offers more physical presence in the hand. With dimensions at 108 x 71 x 44 mm and weighing 251 grams, it feels robust for a compact. In contrast, the FujiFilm JX300 is smaller and lighter at 94 x 56 x 24 mm and just 130 grams, embodying the classic pocketable point-and-shoot profile.

Ergonomic considerations extend beyond size. The Canon features a more substantial grip area, providing better stability - helpful in telephoto use or outdoor shooting. The smaller Fuji lacks a prominent grip, which could induce hand fatigue for extended handheld sessions.
On the top, the Canon offers a more traditional control layout with dedicated mode dials and buttons that provide intuitive access to exposure modes and flash settings. The Fuji honestly feels more minimalist, with fewer physical controls and reliance on menus.

From my testing, the Canon’s tactile controls make a significant difference for photographers who want quick exposure adjustments without diving into menus - handy for street photography or dynamic event shooting. Meanwhile, the Fuji is ideal for point-and-shoot users who prefer ‘auto everything’ and minimal fiddling.
Sensor and Image Quality: The Heart of the Matter
Both cameras use a 1/2.3” CCD sensor measuring approximately 6.17 x 4.55 mm - standard for their compact class - but they differ in pixel count and processing.

The Canon SX170 IS packs 16 megapixels, versus the Fuji JX300’s 14 megapixels. At first glance, this might suggest an edge for the Canon, but megapixels aren’t everything. The Canon employs the DIGIC 4 image processor, a tried and tested unit known for decent color reproduction and noise management at base ISO levels, while Fuji offers less detail on their processor architecture for this model.
In practical shooting, both cameras produce respectable image quality given their sensor size. However, the Canon’s deeper zoom range (28-448 mm equivalent) paired with optical image stabilization results in sharper images across telephoto focal lengths, especially under less-than-ideal light. The Fuji, lacking stabilization, struggles with sharpness beyond mid-zoom and in dimmer settings.
Color rendition is a matter of taste, but Fuji often favors punchier tones, which some street photographers might appreciate. The Canon’s images are more neutral and balanced, lending themselves well to portraiture where skin tones benefit from subtlety.
Low light performance is fairly modest on both, limited by their sensors and maximum ISO 1600 native capability (the Fuji also offers a boosted ISO 3200, but with noticeable grain). Neither supports RAW capture, constraining post-processing latitude.
On-the-Go Composition: Displays and Viewfinders
Given the cameras’ compact nature, composing shots digitally is the primary method, as neither features viewfinders.
The Canon’s 3-inch fixed TFT color LCD with 230k dots provides a slightly larger and more responsive display than the Fuji’s 2.7-inch screen at the same resolution.

From hands-on testing, the Canon’s more generous screen size assists with tighter manual focusing and framing. The Fuji’s smaller screen, while decent, can show limitations for users with less-than-ideal eyesight or photographers working in bright daylight.
Neither display offers touchscreen capability, limiting direct on-screen controls, but both benefit from live view autofocus confirmation, which can be a lifesaver in macro and telephoto contexts.
Versatility in Focal Range and Aperture
One of the most striking differences is lens reach. The Canon SX170 IS features a remarkable 28-448 mm equivalent focal range (16x zoom) with an aperture range from f/3.5 at the wide end to f/5.9 telephoto.
The Fuji JX300, however, sports a more modest 28-140 mm (5x zoom) with a slightly brighter f/2.6 maximum aperture wide and f/6.2 telephoto.
For landscape photographers, the Canon’s longer zoom allows capturing faraway scenes without changing gear, though the slower aperture may require more care in exposure. The Fuji makes up for this with a brighter wide aperture, offering better performance in lower light at the wide-end and shallower depth of field - to an extent.
For macro work, the Canon allows focusing down to 1 cm, whereas the Fuji’s macro range tops out at 10 cm, making the Canon better suited for detailed close-ups.
Autofocus, Shutter Speeds and Continuous Shooting
Both cameras employ contrast-detect autofocus without phase detection, limiting tracking speed and focus acquisition, but with subtle differences.
The Canon provides single autofocus and rudimentary eye-detection for portraits, a feature absent on the Fuji. However, the continuous shooting rate is quite slow on both - capped at 1 fps essentially - not optimal for action or wildlife photography, but expected in the entry-level compact segment.
In tangible use, the Canon focuses reasonably well for casual subjects but hunts noticeably in low light or fast movement. The Fuji is slower still and lacks facial or eye detection.
Shutter speed ranges also differ. Canon offers 15 seconds to 1/3200 sec allowing for some night photography or motion freezing in bright light, while the Fuji limits at 8 seconds to 1/1800 sec - less flexible for diverse lighting conditions.
Flash, Stabilization, and Other Features
Both cameras have built-in flashes with roughly 3-meter range, suitable for fill-flash in close surroundings. Canon’s array of flash modes (Auto, On, Slow Sync) gives more shooting flexibility.
Optical image stabilization is present on the Canon, crucial for minimizing shake at long zooms or low shutter speeds. Fuji lacks any built-in stabilization mechanism, heavily limiting its telephoto or handheld low-light usability.
Wireless connectivity is another divide: the Canon SX170 IS supports Eye-Fi card compatibility for wireless image transfer - still a neat feature in a pre-smartphone WiFi era - whereas the JX300 offers no wireless options.
Battery Life and Storage
Battery longevity significantly affects usability in the field. The Canon’s removable NB-6LH battery offers approximately 300 shots per charge. The Fuji’s unspecified battery provides just about 180 shots under standard conditions, which could frustrate those shooting all day without spares.
Both rely on SD/SDHC/SDXC cards with single card slots. This keeps storage simple but might require careful management if shooting extensively.
Video Capabilities
Both cameras support video recording up to 1280x720 at 30fps, but with differences in format and audio.
Canon records in MPEG-4 / H.264, generally yielding efficient files, while Fuji utilizes Motion JPEG, which results in bulkier files and lower compression efficiency.
Neither device has external microphone inputs or headphone jacks, limiting audio capture quality; also, no 4K or advanced video features are available on either.
For casual home videos or occasional travel clips, both suffice, but enthusiasts will find the capabilities limited.
Durability and Build: Can These Cameras Handle Travel?
Neither camera offers environmental sealing, waterproofing, or ruggedized construction. Both models assume careful use predominantly under mild conditions.
The Canon’s bulkier build slightly improves handling durability, but both should be treated as delicate consumer compacts rather than workhorses.
For travel photographers prioritizing portability, the Fuji’s smaller size and lighter weight enhance pocketability, but you sacrifice zoom reach, stabilization, and battery endurance.
Putting It All Together: Situational Performance by Photography Genre
Now that we’ve parsed specifications and practical use, let’s evaluate each camera’s fit across major photography categories.
Portrait Photography
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Canon SX170 IS: Superior thanks to eye detection autofocus and neutral skin tone rendering. The long zoom also facilitates flattering compressed perspectives. Stabilization aids handheld shots.
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Fujifilm JX300: Less tailored, lacking face or eye detection autofocus, resulting in wider focus hits. Color can be vibrant but less accurate to natural skin tones.
Verdict: The Canon offers more convincing portrait performance.
Landscape Photography
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Canon SX170 IS: Greater zoom flexibility gives more framing options. Decent dynamic range for sensor class but limited by lack of RAW. Weather sealing absent - be cautious outdoors.
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Fujifilm JX300: Brighter wide aperture helpful for handheld wide landscapes in lower light but limited focal length and slower shutter speed cap may restrict creative options.
Verdict: Canon’s extended range and longer shutter speeds provide more versatility, despite lack of RAW.
Wildlife Photography
Both cameras fall short for demanding wildlife use. The Canon’s longer zoom (16x) and stabilization offer some usability, though autofocus speed is slow and burst rate minimal. The Fuji’s shorter zoom and no stabilization hamper reach and sharpness.
Verdict: Canon is the safer bet but still limited.
Sports Photography
Both capped at 1 fps continuous shooting with slow contrast-detect autofocus and limited shutter speed range hamper ability to capture fast action.
Verdict: Neither camera suits sports photography where speed and tracking matter.
Street Photography
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Canon: Size and grip may make it less discreet, though the manual exposure modes offer creative control in varying lighting.
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Fujifilm: Small and light, ideal for quick candid shots, but slower AF and fixed aperture modes reduce flexibility.
Verdict: Fuji edges ahead in portability and discretion; Canon for creative control.
Macro Photography
Canon excels with a 1 cm minimum focus distance and stabilization, making it effective for close-up work. Fuji’s 10 cm macro limits detailed close-ups, and lack of stabilization further restricts sharp hand-held shots.
Verdict: Canon is clearly superior for macro.
Night and Astro Photography
Longer max shutter speed (15 sec) on Canon vs 8 sec on Fuji is regionally advantageous. Lack of RAW support limits noise reduction options, but Canon’s longer exposure range aids star trails and night scenes.
Verdict: Canon preferred for night photography.
Video Capabilities
Basic HD recording on both; Canon’s codec is more efficient. Neither supports mic input or stabilization for video, limiting professional use.
Verdict: Close call, minor edge Canon.
Travel Photography
Canon’s heavier body and better zoom suit travelers wanting versatility. Fuji’s compactness and lighter weight favor minimalist packers.
Battery life favors Canon, too, an important factor for extended trips.
Verdict: Canon recommended for versatility; Fuji for portability.
Professional Use
Neither camera targets professionals, lacking RAW, robust build, or advanced features.
Verdict: Neither recommended for demanding professional workflows.
Technical Assessment: Build, Connectivity, and Value
The Canon SX170 IS’s DIGIC 4 processor, optical stabilization, longer shutter speeds, and manual exposure modes underscore it as the more flexible and capable camera in this pairing.
Fuji’s JX300 is a basic, minimalist compact with the virtue of smaller size and punchier colors but less advanced feature set and slower performance.
Neither camera offers modern connectivity options such as Bluetooth or NFC, although Canon’s Eye-Fi compatibility is a nod to wireless image transfers of the era.
Battery reliability favors the Canon, helping mitigate heavier weight.
Both cameras are dated, making price-to-performance a crucial factor. Remarkably, the Fuji still retails under $110 used or new old stock, making it a budget-friendly option for beginners or casual shooters. The Canon, now out of production, tends to cost a bit more but delivers more versatility.
Final Thoughts and Recommendations
Choosing between the Canon PowerShot SX170 IS and Fujifilm FinePix JX300 boils down to weighing size/portability against photographic reach and control.
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Choose the Canon SX170 IS if:
- You want longer zoom and optical stabilization for sharper images at telephoto lengths.
- Manual exposure controls and flash modes matter.
- You need better low-light flexibility and slightly better video compression.
- Macro, landscape, portrait, or travel versatility is a priority.
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Choose the Fujifilm JX300 if:
- Ultra-lightweight, pocketable size is paramount.
- You mainly operate in full auto with minimal settings adjustments.
- Sharpness and zoom range are secondary to portability and quick snapshots.
- Your budget is tight, and you want a no-frills camera for occasional use.
Both cameras reflect their era’s typical compromises: limited sensor size, basic autofocus, and modest feature sets. For photography enthusiasts seeking more advanced capabilities, modern mirrorless or DSLR systems are better suited but come at higher cost and complexity.
That said, the Canon SX170 IS offers surprisingly broad utility within the compact superzoom niche, and for casual photographers who value flexibility without stepping into more complex gear, it still holds up well.
A Camera for Every Pocket, An Experience for Every Photographer
Whether you prioritize zoom and control or minimalism and discretion, both the Canon SX170 IS and Fujifilm JX300 illustrate how small-sensor compacts approached photography differently in the 2010s. My experience testing both highlights that no single camera fits all - but armed with this analysis, you can best match your needs and expectations.
Happy shooting, and may your next camera journey be both inspiring and well-informed.
Canon SX170 IS vs FujiFilm JX300 Specifications
| Canon PowerShot SX170 IS | FujiFilm FinePix JX300 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | FujiFilm |
| Model | Canon PowerShot SX170 IS | FujiFilm FinePix JX300 |
| Also Known as | - | FinePix JX305 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Released | 2013-08-22 | 2011-01-05 |
| Body design | Compact | Compact |
| Sensor Information | ||
| Chip | Digic 4 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor surface area | 28.1mm² | 28.1mm² |
| Sensor resolution | 16MP | 14MP |
| Anti aliasing filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Maximum resolution | 4608 x 3456 | 4288 x 3216 |
| Maximum native ISO | 1600 | 1600 |
| Maximum boosted ISO | - | 3200 |
| Lowest native ISO | 100 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| Tracking AF | ||
| AF selectice | ||
| Center weighted AF | ||
| Multi area AF | ||
| Live view AF | ||
| Face detect AF | ||
| Contract detect AF | ||
| Phase detect AF | ||
| Cross focus points | - | - |
| Lens | ||
| Lens mount | fixed lens | fixed lens |
| Lens focal range | 28-448mm (16.0x) | 28-140mm (5.0x) |
| Maximum aperture | f/3.5-5.9 | f/2.6-6.2 |
| Macro focus range | 1cm | 10cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Display type | Fixed Type | Fixed Type |
| Display sizing | 3 inches | 2.7 inches |
| Display resolution | 230k dot | 230k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch screen | ||
| Display technology | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder type | None | None |
| Features | ||
| Lowest shutter speed | 15 seconds | 8 seconds |
| Highest shutter speed | 1/3200 seconds | 1/1800 seconds |
| Continuous shooting speed | 1.0 frames per second | 1.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Custom WB | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash range | 3.00 m | 3.00 m |
| Flash settings | Auto, Flash On, Slow Synchro, Flash Off | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment metering | ||
| Average metering | ||
| Spot metering | ||
| Partial metering | ||
| AF area metering | ||
| Center weighted metering | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 25 fps), 640 x 480 (30 fps) | 1280 x 720 (30 fps), 640 x 480 (30 fps) |
| Maximum video resolution | 1280x720 | 1280x720 |
| Video format | MPEG-4, H.264 | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proof | ||
| Dust proof | ||
| Shock proof | ||
| Crush proof | ||
| Freeze proof | ||
| Weight | 251 gr (0.55 lbs) | 130 gr (0.29 lbs) |
| Physical dimensions | 108 x 71 x 44mm (4.3" x 2.8" x 1.7") | 94 x 56 x 24mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO All around score | not tested | not tested |
| DXO Color Depth score | not tested | not tested |
| DXO Dynamic range score | not tested | not tested |
| DXO Low light score | not tested | not tested |
| Other | ||
| Battery life | 300 photos | 180 photos |
| Type of battery | Battery Pack | Battery Pack |
| Battery model | NB-6LH | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD/SDHC/SDXC | SD / SDHC |
| Storage slots | One | One |
| Cost at launch | $0 | $110 |