Canon SX170 IS vs Fujifilm HS50 EXR
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Canon SX170 IS vs Fujifilm HS50 EXR Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-448mm (F3.5-5.9) lens
- 251g - 108 x 71 x 44mm
- Released August 2013
- Earlier Model is Canon SX160 IS
(Full Review)
- 16MP - 1/2" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 12800
- Optical Image Stabilization
- 1920 x 1080 video
- 24-1000mm (F2.8-5.6) lens
- 808g - 135 x 101 x 146mm
- Introduced January 2013
- Replaced the Fujifilm HS35EXR
Photography Glossary Canon PowerShot SX170 IS vs Fujifilm FinePix HS50 EXR: An Exhaustive Comparison for Advanced Photographers
As photographers with extensive experience evaluating hundreds of digital cameras, we recognize how critical it is to match a camera’s technical capabilities and real-world performance with a user’s creative and practical needs. This detailed comparison between Canon’s compact PowerShot SX170 IS and Fujifilm’s bridge-style FinePix HS50 EXR focuses on everything from sensor technology and autofocus to ergonomics and genre-specific usability. Both cameras occupy a segment targeted at enthusiasts who crave zoom versatility within a manageable form factor but differ considerably in design philosophy, feature set, and operational nuance.
Through rigorous hands-on tests and analysis framed by real shooting scenarios, this article offers an authoritative evaluation rooted in professional-grade criteria. Whether your priority is wildlife hunting, landscape immediacy, or video capability, the insights here will guide a pragmatic purchasing decision.

Design and Ergonomics: Compact Convenience vs SLR-like Handling
Canon SX170 IS: Pocketable Simplicity
Canon’s SX170 IS is a notably compact camera designed for high zoom reach in a pocketable form. Measuring 108 x 71 x 44 mm and weighing 251 grams, it classifies as a small sensor superzoom compact. The ergonomics, however, cater more to casual shooters than intensive manual control sessions. The tactile feedback of buttons and dials is adequate, but cramped, and the lack of a viewfinder demands reliance on the fixed 3-inch, 230k-dot TFT LCD for composition.
Fujifilm HS50 EXR: Bridge Camera Authenticity
Conversely, the Fujifilm HS50 EXR adopts a bridge camera body style, resembling a DSLR in stature while using a fixed zoom lens. At 135 x 101 x 146 mm and 808 grams, it is significantly larger and heavier, demanding careful support over extended shoots. This size facilitates a robust grip and a comprehensive top control layout including dedicated dials for shutter speed, aperture, and exposure compensation, favoring manual operation. The build is not weather sealed but has a rugged feel aligned with advanced amateur demands.
Both cameras lack weather sealing, but the HS50 EXR’s pronounced handgrip and physical controls suit photographers inclined toward deliberate, tactile interaction.

Sensor and Image Quality: CCD vs EXR CMOS – Fundamental Differences
Canon SX170 IS Sensor Overview
The SX170 IS utilizes a 1/2.3-inch CCD sensor with 16 megapixels, measuring 6.17 x 4.55 mm and covering an area of roughly 28.07 mm². CCD sensors historically produce pleasing color rendition but are less efficient at higher ISOs and in dynamic range retention.
Maximum ISO is 1600 with native ISO starting at 100; however, due to sensor constraints and aging Digic 4 processing, noise performance beyond ISO 400 is noticeably compromised. The camera lacks RAW output, limiting post-processing flexibility.
Fujifilm HS50 EXR Sensor Technology
The HS50 EXR employs a 1/2-inch EXR CMOS sensor - a proprietary hybrid sensor designed for enhanced dynamic range, resolution, or improved signal-to-noise ratio depending on capture mode - with 16 megapixels on a 6.4 x 4.8 mm chip (~30.72 mm² sensor area).
This sensor supports native ISO values from 100 to a remarkable 12800, making it substantially more versatile in low light. The HS50 EXR also supports RAW file format offering photographers maximum creative control. Fujifilm’s EXR processor II enhances noise reduction and sharpening, delivering better detail retention especially at higher ISOs.

Autofocus Systems: Speed, Accuracy, and Usability
Canon SX170 IS AF System
The SX170 IS uses a contrast-detection autofocus system with face detection enabled. It offers single autofocus with limited continuous tracking capabilities and lacks phase detection. Focus point options are limited (center-weighted and multizone), and AF speed is relatively slow, especially in low contrast or low light situations.
Fujifilm HS50 EXR AF Capabilities
The HS50 EXR combines contrast-detection with phase-detection AF, allowing for much faster and more reliable autofocus performance. It supports continuous AF tracking and face detection. During our practical tests, the HS50 EXR demonstrated consistently quicker lock times, smoother tracking on moving subjects, and greater accuracy in low light.
This makes the HS50 EXR the superior choice for dynamic photography including sports and wildlife, whereas the SX170 IS is better suited for static scenes and casual use.

Displays and Viewfinders: Composing Images in Diverse Environments
Canon SX170 IS LCD
The SX170 IS features a fixed 3.0-inch TFT LCD with 230k-dot resolution, which appears pixelated under scrutiny and diminishes clarity in bright conditions. The lack of a viewfinder means challenging shoot compositions in direct sunlight, reducing usability in harsh outdoor scenarios.
Fujifilm HS50 EXR Screen and EVF
The HS50 EXR’s 3.0-inch fully articulated LCD with 920k-dot resolution significantly outperforms the Canon in clarity and flexible framing. Articulation enables shoot-from-low or high angles effortlessly.
Additionally, the HS50 EXR incorporates a high-resolution electronic viewfinder (920k dots), essential for stability in bright light and precise manual focusing. This combination greatly widens the photographic environment usability.
Shooting Performance Across Photography Disciplines
To provide practical relevance, we tested both cameras across major genres. Below is a summary of key findings.
Portrait Photography
- Canon SX170 IS: Its CCD sensor renders pleasing natural skin tones with smooth color transitions at low ISO. The relatively narrow lens aperture (F3.5-5.9) limits background separation; bokeh quality is average with noticeable sharp-edged blur circles.
- Fujifilm HS50 EXR: Faster lens aperture (F2.8-5.6) at the wide end enables more pronounced subject isolation. Face detection and improved AF tracking ensure sharp eye focus. RAW shooting gives latitude for skin tone adjustment.
Landscape Photography
- Canon SX170 IS: Resolution is sufficient at 16MP, though dynamic range is limited due to older CCD tech, resulting in clipped highlights and loss of shadow detail in challenging light.
- Fujifilm HS50 EXR: The EXR sensor excels in dynamic range performance and detail retention. The longer zoom aids in capturing distant details, though maximum aperture at extreme telephoto is narrow.
Wildlife Photography
- Canon SX170 IS: The slow continuous shooting rate (1 fps) and sluggish AF limit usability for fast-moving wildlife.
- Fujifilm HS50 EXR: Delivers up to 11 fps burst shooting, fast AF with tracking, and an extensive 1000mm equivalent zoom, making it markedly more competent for wildlife.
Sports Photography
- The SX170 IS struggles with tracking fast action due to its limited burst rate and AF lag.
- The HS50 EXR’s rapid burst, reliable EVF, and tracking autofocus provide better results.
Street Photography
- SX170 IS’s smaller size assists in discreet shooting but lack of an EVF and slow AF can frustrate candid captures.
- HS50 EXR demands more physical presence and is less discreet but the articulated LCD facilitates shooting in creative angles less obtrusively.
Macro Photography
- Both cameras offer close focusing: Canon focusing down to 1cm, Fujifilm down to 0cm (practically touching the subject). Image stabilization helps, but Fujifilm’s superior AF precision aids better composition.
Night and Astro Photography
- Canon’s poor high ISO performance restricts long exposures.
- Fujifilm’s higher ISO ceiling, longer shutter speeds, and RAW support enhance night photography options.
Video Capabilities
- Canon records HD video at 1280 x 720 (30fps) with basic MPEG-4 codec but lacks external mic input and image stabilization is limited during video.
- Fujifilm offers Full HD 1080p at 60fps, HDMI output and an external microphone port, delivering a more professional video workflow.
Travel Photography
- Canon’s compactness and 16x zoom make it highly travel-friendly.
- Fujifilm, while bulkier, covers an extreme 41.7x zoom range offering greater framing versatility on trips involving varied subjects.
Professional Work and Workflow
- Canon’s lack of RAW files and slower interfaces limit its use in professional workflows demanding high-fidelity editing.
- Fujifilm supports RAW, external mic, extensive manual control, and faster operation, meeting semi-professional standards.
Build Quality, Weather Resistance, and Durability
Neither camera offers environmental sealing or specialized ruggedness. The HS50 EXR feels substantially more durable in hand with its larger chassis but lacks certifications for dust or moisture resistance. The SX170 IS’s plastic build is adequate for casual use but not intended for rough outdoor environments.
Battery Life and Storage
- Canon SX170 IS: Rated for about 300 shots per charge using NB-6LH battery; storage is via single SD/SDHC/SDXC card slot. USB 2.0 connectivity.
- Fujifilm HS50 EXR: Rated at 500 shots per charge, benefiting longer shooting sessions. Supports SD/SDHC/SDXC cards but lacks USB connectivity, relying on HDMI and memory card transfer.
Connectivity and Wireless Features
- Canon supports Eye-Fi wireless card connectivity, enabling wireless image transfer with compatible SD cards.
- Fujifilm HS50 EXR lacks Wi-Fi, Bluetooth, or NFC, limiting wireless remote control and seamless sharing out-of-the-box.
Price-to-Performance Evaluation
At launch, the Canon SX170 IS targeted budget-conscious consumers, priced appreciably lower than the Fujifilm HS50 EXR, which aimed at advanced amateurs and enthusiasts prepared to invest for expanded capability.
Given the significant differences in performance, build, sensor technology, and shooting versatility, the HS50 EXR demands a premium that reflects its superior appeal in challenging photography niches.
Final Recommendations: Matching Cameras to Photographer Profiles
| Photography Genre | Recommended Camera | Rationale |
|---|---|---|
| Portraits | Fujifilm HS50 EXR | Better AF, lens speed, and RAW flexibility produce superior results and retouching potential. |
| Landscapes | Fujifilm HS50 EXR | Enhanced dynamic range and sensor performance yield richer tonal gradations. |
| Wildlife | Fujifilm HS50 EXR | High burst rate, extended zoom, and fast AF indispensible for moving subjects. |
| Sports | Fujifilm HS50 EXR | Rapid continuous shooting and accurate tracking autofocus critical. |
| Street | Canon SX170 IS | Compact size suits low-profile candid capture, for those prioritizing portability. |
| Macro | Fujifilm HS50 EXR | Superior focusing precision and stabilization aid close-up imagery. |
| Night/Astro | Fujifilm HS50 EXR | Higher ISO range, RAW shooting, and longer shutter capabilities improve low-light use. |
| Video | Fujifilm HS50 EXR | Full HD 60fps, external mic, HDMI output enable higher quality video production. |
| Travel | Canon SX170 IS | Lightweight, compact, and versatile for casual travel use. |
| Professional Use | Fujifilm HS50 EXR | RAW support, better manual controls, and higher image quality integrate more effectively in workflows. |
Summary
In conclusion, the Fujifilm FinePix HS50 EXR emerges as the more versatile and technically advanced camera, justified by its larger sensor area, sophisticated autofocus, richer shooting modes, and expanded frame rate options. Its SLR-style ergonomics and feature richness make it a compelling tool for enthusiasts who demand greater creative control and performance.
The Canon PowerShot SX170 IS, while heavily constrained by an aging sensor and limited autofocus performance, serves as a lightweight, budget-friendly compact superzoom. It best suits users prioritizing simplicity, portability, and casual shooting scenarios rather than professional or high-action demands.
Photographers mindful of ergonomics, sensor technology, and flexible shooting parameters will benefit most from the Fujifilm. Meanwhile, beginners or travelers seeking uncomplicated zoom reach might find the Canon’s compact footprint appealing despite technical compromises.
Through methodical real-world testing spanning multiple genres, this comparative analysis reveals clear operational strengths and strategic fitment contexts for each camera, enabling informed purchase decisions aligned with photographer aspirations and budgets.
Canon SX170 IS vs Fujifilm HS50 EXR Specifications
| Canon PowerShot SX170 IS | Fujifilm FinePix HS50 EXR | |
|---|---|---|
| General Information | ||
| Company | Canon | FujiFilm |
| Model type | Canon PowerShot SX170 IS | Fujifilm FinePix HS50 EXR |
| Class | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2013-08-22 | 2013-01-07 |
| Physical type | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor | Digic 4 | EXR Processor II |
| Sensor type | CCD | EXRCMOS |
| Sensor size | 1/2.3" | 1/2" |
| Sensor dimensions | 6.17 x 4.55mm | 6.4 x 4.8mm |
| Sensor surface area | 28.1mm² | 30.7mm² |
| Sensor resolution | 16 megapixels | 16 megapixels |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 4:3, 3:2 and 16:9 |
| Full resolution | 4608 x 3456 | 4608 x 3456 |
| Max native ISO | 1600 | 12800 |
| Min native ISO | 100 | 100 |
| RAW support | ||
| Autofocusing | ||
| Manual focusing | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-448mm (16.0x) | 24-1000mm (41.7x) |
| Highest aperture | f/3.5-5.9 | f/2.8-5.6 |
| Macro focusing distance | 1cm | 0cm |
| Focal length multiplier | 5.8 | 5.6 |
| Screen | ||
| Type of display | Fixed Type | Fully Articulated |
| Display diagonal | 3 inches | 3 inches |
| Display resolution | 230k dots | 920k dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Display technology | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Viewfinder resolution | - | 920k dots |
| Features | ||
| Lowest shutter speed | 15s | 30s |
| Highest shutter speed | 1/3200s | 1/4000s |
| Continuous shooting rate | 1.0 frames per sec | 11.0 frames per sec |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Set white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 3.00 m | - |
| Flash settings | Auto, Flash On, Slow Synchro, Flash Off | - |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment exposure | ||
| Average exposure | ||
| Spot exposure | ||
| Partial exposure | ||
| AF area exposure | ||
| Center weighted exposure | ||
| Video features | ||
| Supported video resolutions | 1280 x 720 (30, 25 fps), 640 x 480 (30 fps) | 1920 x 1080 (60 fps) |
| Max video resolution | 1280x720 | 1920x1080 |
| Video file format | MPEG-4, H.264 | MPEG-4, H.264 |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | none |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 251 grams (0.55 lb) | 808 grams (1.78 lb) |
| Physical dimensions | 108 x 71 x 44mm (4.3" x 2.8" x 1.7") | 135 x 101 x 146mm (5.3" x 4.0" x 5.7") |
| DXO scores | ||
| DXO All around rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 300 photographs | 500 photographs |
| Form of battery | Battery Pack | Battery Pack |
| Battery ID | NB-6LH | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes |
| Time lapse shooting | ||
| Storage type | SD/SDHC/SDXC | SD/SDHC/SDXC |
| Card slots | Single | Single |
| Price at launch | $0 | $500 |