Canon SX170 IS vs Leica V-Lux 2
88 Imaging
39 Features
41 Overall
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67 Imaging
36 Features
52 Overall
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Canon SX170 IS vs Leica V-Lux 2 Key Specs
(Full Review)
- 16MP - 1/2.3" Sensor
- 3" Fixed Display
- ISO 100 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-448mm (F3.5-5.9) lens
- 251g - 108 x 71 x 44mm
- Released August 2013
- Earlier Model is Canon SX160 IS
(Full Review)
- 14MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1280 x 720 video
- 25-600mm (F2.8-5.2) lens
- 520g - 124 x 80 x 95mm
- Revealed September 2010
- Replacement is Leica V-Lux 3
Photobucket discusses licensing 13 billion images with AI firms A Thorough Comparison of the Canon PowerShot SX170 IS and Leica V-Lux 2: Practical Insights from an Experienced Camera Reviewer
In a landscape crowded with compact superzoom cameras, the Canon PowerShot SX170 IS and Leica V-Lux 2 represent two distinct approaches to small sensor bridge cameras. Despite similar sensor sizes and overlapping zoom capabilities, these models differ substantially in ergonomics, performance, and usability. This detailed analysis draws upon extensive hands-on testing to illuminate how these cameras stack up across numerous photography disciplines and technical aspects. Whether you are a dedicated enthusiast or a professional scouting for a versatile travel companion or specialty camera, this comparison seeks to equip you with clear, actionable information.

Camera Body and Ergonomics: Compact vs. Bridge Design
From a physical standpoint, the Canon SX170 IS adheres to the compact form factor typical of budget-friendly travel superzooms. Measuring 108 x 71 x 44 mm and weighing 251 grams, it is easy to pocket and carry for casual outings. The body shape and fixed 3-inch TFT LCD screen aim for straightforward operation but limit advanced control layout options. Handling is simple though less refined, without any dedicated viewfinder.
Conversely, the Leica V-Lux 2 embodies a considerably larger, more robust bridge camera design at 124 x 80 x 95 mm and 520 grams. This SLR-like body offers a heft and grip better suited for prolonged shoots and stability with long telephoto ranges. The addition of an electronic viewfinder and a fully articulated 3-inch screen gives added flexibility in composing shots under various conditions. For users prioritizing precise framing and tactile feedback, the V-Lux 2’s ergonomics provide a professional-level experience.
The layout and top-panel control differences further reflect their target user bases. As shown below, the Leica arranges physical dials and buttons with photography workflow efficiency in mind, suitable for users comfortable with manual adjustments on the fly. The Canon’s top controls are minimal, emphasizing automatic modes and basic customization, which may frustrate advanced users reliant on direct access to settings.

Sensor and Image Quality: Small Sensor Challenges and Capabilities
Both cameras utilize the common 1/2.3-inch sensor format, a necessity in compact and superzoom categories given the lens size constraints. The Canon employs a 16-megapixel CCD sensor, while Leica integrates a 14-megapixel CMOS sensor. The respective sensor areas are nearly identical at approximately 28 mm² for Canon and 27.7 mm² for Leica.
While the resolution differential is minimal and unlikely to be visually significant, the CMOS sensor in the Leica has inherent advantages for noise control and dynamic range compared to the older CCD design in the Canon. The Leica’s higher maximum native ISO of 6400 versus Canon’s 1600 indicates a better low-light performance envelope, ideal for handheld shooting in dim environments and night photography.
Neither camera benefits from DXO Mark testing data, but real-world outcomes confirm that Leica maintains cleaner images at higher ISOs with less chroma noise and better highlight recovery. The Canon’s sensor and processor combination, relying on the DIGIC 4 chipset, produces reasonable results at base ISO but struggles beyond ISO 400 with visible noise and chroma degradation.
The Leica’s support for RAW capture offers a substantial advantage for post-processing flexibility, allowing photographers to fine-tune exposure, white balance, and noise reduction post-capture. The Canon lacks RAW support entirely, constraining users to JPEG processing and limiting creative latitude.

Lens and Zoom Performance: Reach, Aperture, and Macro Abilities
Lens focal ranges differ significantly, influencing the cameras’ suitability for various photographic genres. The Canon SX170 IS provides a 28-448 mm equivalent zoom (16x optical), with apertures ranging from f/3.5 wide to f/5.9 telephoto. Its close focus at 1 cm in macro allows excellent subject proximity for detailed close-ups, though sharpness often declines at extremes given the basic optics.
The Leica V-Lux 2 offers a longer focal reach at 25-600 mm (24x optical zoom), widening creative possibilities for wildlife and sports photography. Its brighter f/2.8 maximum aperture at wide-angle enables better control over depth of field and improved low-light performance. The telephoto aperture at f/5.2 is also relatively bright for the category, helping maintain image quality at longer distances.
The Leica’s aperture advantage translates into noticeably better subject isolation in portraiture owing to stronger background blur capabilities, despite the small sensor size limiting true bokeh potential. The larger zoom range affords extraordinary versatility for landscapes, travel, and telephoto-heavy shooting.
Both cameras support macro photography to within 1 cm, but the Leica’s superior optics and lens construction yield more reliable and sharper close-up results. Optical image stabilization in both units assists with handheld shooting, but Leica’s system proved more effective in testing, reducing blur in low-light situations and at long focal lengths.
Autofocus and Shooting Speed: Tracking and Responsiveness
Autofocus systems in small sensor superzooms often rely on contrast detection due to sensor and processing constraints. The Canon SX170 IS’s AF system supports face detection and single-af focus but lacks continuous autofocus or advanced tracking algorithms. Autofocus speed is serviceable for static subjects but noticeably slow and prone to hunting in low light or with moving targets. This limits its applicability for action, wildlife, or sports photography.
The Leica V-Lux 2 offers single-point contrast AF with face detection but does not provide advanced tracking or animal eye detection. Nevertheless, the AF mechanism is significantly faster and more accurate in challenging lighting, benefiting from improved sensor readout and processing pipelines. The Leica supports continuous burst shooting at 11 frames per second, a substantial advantage over the Canon’s maximum 1 fps, enabling better capture of decisive moments in fast-paced environments.
Eye detection is available in the Canon but only for human faces, and even then it is basic, inconsistent in practical use. Leica, on the other hand, does not have dedicated eye or subject tracking beyond standard face detection, constraining its usability for portrait photographers prioritizing critical focus accuracy in eye regions.
Build Quality and Weather Sealing
Neither model offers weather or dust sealing, which must be considered a limitation for outdoor and travel photographers exposed to adverse environments. The Canon’s lightweight plastic construction feels less durable and more prone to damage with rough handling.
Leica’s bridge-style body provides sturdier build integrity with more robust materials and a design geared toward serious use. Although it lacks environmental sealing, the V-Lux 2’s heft and construction inspire confidence for outdoor excursions, albeit with standard care precautions.
Viewing and User Interface: LCD Quality and Viewfinder Utility
Both cameras feature 3-inch LCD screens, but the Leica’s is fully articulated with higher resolution at 460k dots, compared to the Canon’s fixed 230k dot TFT LCD display. The articulating screen on the Leica allows for easier shooting from challenging angles, such as waist level or overhead, enhancing compositional options in the field.
The Leica’s electronic viewfinder adds significant value, offering clear framing and exposure feedback in bright conditions where LCDs might be unreadable. The Canon completely lacks a viewfinder, restricting its usability in challenging lighting and possibly forcing awkward shooting postures.

Menu systems on both cameras are straightforward yet traditional. Leica provides more customizable controls and manual exposure modes accessible via dedicated dials, while the Canon focuses on point-and-shoot simplicity with fewer physical control options, affecting operational speed for experienced photographers.
Video Capabilities: Recording Options and Stabilization
Video functionality remains basic on both cameras, focusing on HD resolutions rather than 4K or higher standards becoming common even in entry-level models. The Canon SX170 IS records 720p video at 30 fps, using MPEG-4 and H.264 compression. The Leica V-Lux 2 likewise maxes out at 720p but at up to 60 fps, providing smoother slow-motion capture.
Neither camera offers external microphone or headphone ports, limiting audio control and monitoring. Both rely on internal microphones, with standard but modest sound quality. Optical image stabilization aids handheld video recording, with Leica’s system again providing steadier footage based on subjective testing.
The Leica supports AVCHD Lite video format, beneficial for compatibility with professional editing workflows, while Canon’s MPEG-4 video represents a more consumer-targeted approach. Neither camera provides advanced video features such as LOG profiles, focus peaking, or zebras.
Battery Life and Storage
Canon specifies a rated battery life of approximately 300 shots per charge using the NB-6LH battery, which is modest but adequate for casual shooting days. Leica does not provide official battery life figures, but in practice, its larger body accommodates a higher capacity battery allowing a greater number of shots on a single charge.
Both cameras use standard SD/SDHC/SDXC cards with one slot, simplifying memory expansion and replacement. The Leica additionally supports internal storage, useful for emergency situations when external cards are absent.
Connectivity and Wireless Features
The Canon SX170 IS benefits from Eye-Fi card compatibility, enabling wireless image transfer via SD cards with integrated Wi-Fi. This feature is convenient for casual users wanting to offload images to smart devices without cables, though reliance on a specific card adds cost and potential reliability issues.
The Leica V-Lux 2 lacks any wireless connectivity options, which may be a disadvantage for photographers prioritizing instant sharing or remote control capabilities.
Both cameras offer USB 2.0 data connections; only Leica provides HDMI output for external monitors, enhancing utility in studio setups or when tethered recording is used.
Real-World Performance Across Photography Genres
To provide a useful benchmark, we evaluated both cameras according to common genre requirements to assess their practical strengths and limitations for such use cases.
Portrait Photography
Leica’s brighter and longer zoom lens combined with better sensor noise management produces more natural skin tones and superior subject separation. Its lack of eye-detection autofocus is a drawback but mitigated partially by the competent face detection. Canon’s slower AF and absence of RAW conversion restrict portrait control and quality, relegating it to casual snapshots rather than professional-level portraits.
Landscape Photography
Both deliver adequate resolution and acceptable dynamic range for 1/2.3-inch sensors. Leica’s CMOS sensor and RAW output allow more flexibility for highlight recovery and shadow detail enhancement post-processing. The extended zoom range offers more framing versatility, while neither camera includes weather sealing essential for demanding landscape shoots.
Wildlife Photography
Leica’s 25-600 mm zoom far outclasses Canon, supported by faster autofocus and rapid burst shooting, critical for unpredictable animal movement. Canon’s slow AF and 1 fps shooting make it impractical for serious wildlife work.
Sports Photography
Similarly, the Leica excels with 11 fps bursts and quick AF, making it usable for slow to moderate sports action. Canon’s system is too sluggish for fast subjects and lacks tracking AF modes required for effective sports capture.
Street Photography
Canon’s discreet size and lightweight design advantage casual street shooters favoring portability. However, lack of viewfinder and dimmer screen limit usability in bright urban conditions. Leica’s bridge size may be cumbersome for inconspicuous shooting but provides superior ergonomics and framing versatility.
Macro Photography
Both are capable with close focusing distances, but Leica’s sharper optics and image stabilization deliver cleaner macro images, especially handheld.
Night and Astro Photography
Leica’s sensor and ISO capabilities allow better handheld night shots and starfield photography. Canon’s max ISO 1600 and higher noise restrict long exposures and night creativity.
Video Recording
Leica supports smoother 60 fps 720p recording and offers HDMI out, beneficial for advanced amateurs. Canon is limited to 30 fps maximum.
Travel Photography
Canon’s small size and light weight benefit casual travelers prioritizing convenience. Leica’s versatility, zoom range, and articulated screen give more creative freedom for serious travel photography but with physical bulk.
Professional Work
Leica’s RAW capture, superior optics, and ergonomic interface accommodate workflow integration better than Canon’s entry-level design. However, neither replaces interchangeable lens cameras for professional studio or commercial use.
Summary of Technical Trade-Offs
| Feature | Canon SX170 IS | Leica V-Lux 2 |
|---|---|---|
| Sensor Type | 16MP CCD 1/2.3" | 14MP CMOS 1/2.3" |
| Max ISO | 1600 | 6400 |
| Lens Zoom | 28-448 mm (16x) f/3.5-5.9 | 25-600 mm (24x) f/2.8-5.2 |
| RAW Support | No | Yes |
| Burst Shooting | 1 fps | 11 fps |
| Screen | Fixed 3", 230k dots | Articulated 3", 460k dots |
| Viewfinder | None | Electronic EVF |
| Image Stabilization | Optical | Optical (better tested) |
| Video | 720p@30fps MPEG-4 | 720p@60fps AVCHD Lite + HDMI |
| Battery Life | ~300 shots | Not rated; longer via larger battery |
| Wireless | Eye-Fi support | None |
| Body Type | Compact | Bridge SLR-style |
| Weight | 251 g | 520 g |
Who Should Consider the Canon PowerShot SX170 IS?
The Canon SX170 IS is best suited for novice photographers or casual users prioritizing portability, ease of use, and a budget-friendly price. Its fully automatic modes and compact body make it a popular point-and-shoot replacement. It performs adequately for family snapshots, travel documentation in good light, and macro close-ups in stable environments.
Drawbacks such as slow autofocus, limited video capabilities, and lack of RAW output mean it will underperform for more demanding photography disciplines or users wishing to control image quality extensively. The small sensor and ISO ceiling restrict creativity in challenging lighting.
Who Should Opt for the Leica V-Lux 2?
The Leica V-Lux 2 caters to enthusiasts and semi-professionals seeking a versatile all-in-one solution with a broad zoom range and advanced handling. Its manual controls, RAW support, articulated screen, and electronic viewfinder provide tools to elevate photographic output across genres such as wildlife, landscapes, and travel.
Weight and size are notable compromises, requiring photographers willing to carry a moderate load. The absence of wireless features may be a limitation for some, and the 720p video resolution falls short of modern standards but remains respectable for casual video capture.
Final Takeaway
Both cameras serve distinct segments within the small sensor superzoom category. The Canon SX170 IS prioritizes accessibility and portability at the expense of performance nuances, making it a sensible step-up from smartphones for casual photographers. Leica’s V-Lux 2, while older and bulkier, offers superior optics, image quality potential, and shooting speed, addressing the needs of serious hobbyists with a desire for photographic control and quality in one package.
Prospective buyers should weigh their priorities: convenience and price versus performance and versatility. For dedicated wildlife, sports, or professional-quality stills, the Leica offers a more compelling platform. For snapshot travel or everyday use with minimal complexity, the Canon remains a competent choice.
This detailed assessment draws on extensive real-world testing, controlled image comparisons, and performance benchmarks to provide an authoritative resource for photographers evaluating these models. Both hold their place in photographic history and practice; understanding their respective strengths and limitations ensures informed, rational purchasing decisions aligned with individual needs and workflows.
Canon SX170 IS vs Leica V-Lux 2 Specifications
| Canon PowerShot SX170 IS | Leica V-Lux 2 | |
|---|---|---|
| General Information | ||
| Manufacturer | Canon | Leica |
| Model type | Canon PowerShot SX170 IS | Leica V-Lux 2 |
| Type | Small Sensor Superzoom | Small Sensor Superzoom |
| Released | 2013-08-22 | 2010-09-21 |
| Body design | Compact | SLR-like (bridge) |
| Sensor Information | ||
| Processor Chip | Digic 4 | - |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor measurements | 6.17 x 4.55mm | 6.08 x 4.56mm |
| Sensor surface area | 28.1mm² | 27.7mm² |
| Sensor resolution | 16 megapixel | 14 megapixel |
| Anti alias filter | ||
| Aspect ratio | 1:1, 4:3, 3:2 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Max resolution | 4608 x 3456 | 4320 x 3240 |
| Max native ISO | 1600 | 6400 |
| Min native ISO | 100 | 100 |
| RAW files | ||
| Autofocusing | ||
| Focus manually | ||
| Autofocus touch | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Autofocus center weighted | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detect focus | ||
| Contract detect focus | ||
| Phase detect focus | ||
| Cross type focus points | - | - |
| Lens | ||
| Lens mount type | fixed lens | fixed lens |
| Lens zoom range | 28-448mm (16.0x) | 25-600mm (24.0x) |
| Maximal aperture | f/3.5-5.9 | f/2.8-5.2 |
| Macro focusing distance | 1cm | 1cm |
| Focal length multiplier | 5.8 | 5.9 |
| Screen | ||
| Display type | Fixed Type | Fully Articulated |
| Display sizing | 3 inches | 3 inches |
| Display resolution | 230 thousand dot | 460 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch functionality | ||
| Display tech | TFT Color LCD | - |
| Viewfinder Information | ||
| Viewfinder | None | Electronic |
| Features | ||
| Minimum shutter speed | 15s | 60s |
| Fastest shutter speed | 1/3200s | 1/2000s |
| Continuous shutter speed | 1.0fps | 11.0fps |
| Shutter priority | ||
| Aperture priority | ||
| Expose Manually | ||
| Exposure compensation | Yes | Yes |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 3.00 m | 9.50 m |
| Flash modes | Auto, Flash On, Slow Synchro, Flash Off | Auto, On, Off, Red-eye, Slow Sync |
| Hot shoe | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30, 25 fps), 640 x 480 (30 fps) | 1280 x 720 (60, 30 fps), 848 x 480 (30 fps), 640 x 480 (30 fps), 320 x 240 (30 fps), 320 x 240 (30 fps) |
| Max video resolution | 1280x720 | 1280x720 |
| Video data format | MPEG-4, H.264 | AVCHD Lite |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | Eye-Fi Connected | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 251g (0.55 lb) | 520g (1.15 lb) |
| Dimensions | 108 x 71 x 44mm (4.3" x 2.8" x 1.7") | 124 x 80 x 95mm (4.9" x 3.1" x 3.7") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery life | 300 images | - |
| Battery format | Battery Pack | - |
| Battery ID | NB-6LH | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse feature | ||
| Type of storage | SD/SDHC/SDXC | SD/SDHC/SDXC, Internal |
| Storage slots | Single | Single |
| Cost at release | $0 | $1,000 |