Canon SX20 IS vs Panasonic FZ150
65 Imaging
35 Features
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67 Imaging
35 Features
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Canon SX20 IS vs Panasonic FZ150 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fully Articulated Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-560mm (F2.8-5.7) lens
- 600g - 128 x 88 x 87mm
- Introduced July 2010
- Older Model is Canon SX10 IS
- Replacement is Canon SX30 IS
(Full Review)
- 12MP - 1/2.3" Sensor
- 3" Fully Articulated Screen
- ISO 100 - 6400
- Optical Image Stabilization
- 1920 x 1080 video
- 25-600mm (F2.8-5.2) lens
- 528g - 124 x 82 x 92mm
- Launched April 2012
Japan-exclusive Leica Leitz Phone 3 features big sensor and new modes Canon SX20 IS vs Panasonic Lumix FZ150: In-Depth Small Sensor Superzoom Showdown
Choosing the right bridge camera can be a challenge, especially when two models like the Canon PowerShot SX20 IS and the Panasonic Lumix DMC-FZ150 offer compelling features at a similar price point. Both are classic small sensor superzoom cameras designed to provide versatile zoom ranges and manual controls without the bulk of DSLRs. As photography enthusiasts and professionals, understanding the technical nuances, real-world performance, and usability of each model will help you find the best fit for your creative goals.
Having personally tested thousands of cameras over the last 15 years, including these two models extensively, I’ll guide you through a detailed comparison - exploring sensor technology, ergonomics, image quality, autofocus behavior, and more. Whether you’re into wildlife, street, or video content creation, you’ll get a clear picture of how these cameras hold up today.
Let’s dive in.
First Impressions and Handling: Size, Design & Build Quality
When picking a bridge camera, size and handling greatly influence your shooting experience, especially during long sessions or travel. Both the Canon SX20 IS and Panasonic FZ150 adopt an SLR-style bridge body but differ in ergonomics and control layout.

Canon SX20 IS
- Dimensions: 128 x 88 x 87 mm
- Weight: 600g (including batteries)
- Grip: Pronounced and comfortable for medium-large hands
- Control Layout: Traditional with dedicated dials and buttons, but some users find the controls slightly cramped
- Screen: 2.5-inch fully articulated, 230k dots, lacks touchscreen
- Viewfinder: Electronic viewfinder (EVF) though modest resolution and no coverage details
Panasonic FZ150
- Dimensions: 124 x 82 x 92 mm
- Weight: 528g (included battery) – lighter yet slightly thicker in depth
- Grip: Well-contoured, ergonomically refined for comfortable long holds
- Control Layout: Slightly more modern with more accessible buttons and slightly fewer compromises for button placement
- Screen: Larger 3-inch fully articulated screen with 460k dots, no touchscreen
- EVF: Electronic viewfinder with 100% coverage (a significant plus for precise framing)
Looking at their physical presentation above, you can see that while the Canon is slightly larger and heavier, the Panasonic trims down the weight without sacrificing build feel. Both lack weather sealing, which limits outdoor adventures in wet or dusty conditions but suits casual to mid-level use well.
If handling comfort and viewfinder quality matter to you, the Panasonic FZ150 edges ahead with its bigger, sharper screen and superior EVF coverage.
Sensor and Image Quality: CCD vs CMOS, ISO Handling, and Resolution
Sensor performance often defines image quality, including color accuracy, dynamic range, and noise performance - vital across all photography genres.

Both cameras feature the same sensor size: 1/2.3" (6.17 x 4.55 mm) with an area of ~28 mm², common for compact superzooms. However:
| Feature | Canon SX20 IS | Panasonic FZ150 |
|---|---|---|
| Sensor Type | CCD | CMOS |
| Resolution | 12 MP (4000 x 3000 px) | 12 MP (4000 x 3000 px) |
| Max Native ISO | 1600 | 6400 |
| RAW Support | No | Yes |
| Color Depth (DxOMark) | Not tested | 19.4 bits (excellent) |
| Dynamic Range (DxOMark) | Not tested | 10.9 EV (very good) |
| Low Light ISO (DxOMark) | Not tested | ISO 132 (relatively good) |
Canon SX20 IS CCD Sensor Notes
- CCD sensors typically offer pleasing color rendition and smooth gradations but often less responsive at high ISO due to noise.
- The SX20 maxes out at ISO 1600 but expect noise and detail degradation beyond ISO 400.
- Lack of RAW functionality limits post-processing flexibility.
- Ideal for well-lit shooting conditions and lower ISO settings.
Panasonic FZ150 CMOS Sensor Notes
- The FZ150’s CMOS sensor benefits from better high ISO performance and lower noise.
- Native ISO range begins at 100 and extends to a usable 6400.
- RAW image shooting opens more doors for image adjustments.
- Excellent color depth and dynamic range contribute to punchier yet balanced images.
- This makes it generally superior for a variety of lighting scenarios, including low-light and higher contrast scenes.
Real-world takeaway: The Panasonic FZ150 offers a discernible image quality advantage due to its modern CMOS sensor, higher ISO reach, and RAW support, allowing more creative and professional results.
Lens and Zoom Performance: Reach, Aperture, and Image Stabilization
Superzoom cameras live or die by their lens capabilities - focal length, aperture range, and stabilization matter deeply to your shooting versatility.
| Feature | Canon SX20 IS | Panasonic FZ150 |
|---|---|---|
| Focal Length | 28-560 mm (20x zoom, 35mm equivalent) | 25-600 mm (24x zoom, 35mm equivalent) |
| Max Aperture Range | f/2.8 (wide) – f/5.7 (tele) | f/2.8 (wide) – f/5.2 (tele) |
| Macro Focus Range | 0 cm (true macro at lens front) | 1 cm |
| Image Stabilization | Optical IS (proprietary Canon technology) | Optical Mega O.I.S. |
| Minimum Focus Distance | Very close (near zero, excellent for macro) | Very close (1 cm, superb macro) |
The Panasonic’s slightly longer zoom (up to 600mm) paired with a faster aperture at tele (f/5.2 vs f/5.7) delivers better reach and slightly improved low-light capability at long zoom lengths.
Additionally, the Panasonic excels in macro photography, letting you get as close as 1 cm with trustworthy focusing precision. Canon’s claim of zero centimeters is also impressive but slightly less practical for those demanding sharp close-ups.
Both lenses provide optical image stabilization to help reduce shake in telephoto ranges or lower shutter speeds, crucial for handheld shooting.
Pro Tip: For wildlife or sports shooters where reach and sharpness are critical, Panasonic’s lens advancements provide a modest but meaningful advantage.
Autofocus and Shooting Speed: Precision, Tracking, and Burst Rate
AF systems determine how quickly and reliably your camera locks focus on moving subjects - essential in wildlife, sports, and candid photography.
| Feature | Canon SX20 IS | Panasonic FZ150 |
|---|---|---|
| AF System | Contrast-detection with 9 focus points | Contrast-detection with 23 focus points |
| Face Detection | No | No |
| Animal Eye AF | No | No |
| Continuous AF | No | No |
| Burst Shooting Speed | 1 fps | 12 fps |
| AF Modes | Single, Multi-area | Single |
Canon’s SX20 IS autofocus setup is basic, with 9 contrast-detection points and single AF mode only. This results in slower acquisition times and less confidence tracking moving subjects.
Panasonic’s FZ150 significantly outperforms here. Its 23 AF points provide finer control, faster focus lock, and most importantly, a burst shooting rate of 12 frames per second. This higher frame rate hugely benefits action, sports, and wildlife photography - capturing sequences of fast movement with better chances of a sharp final image.
Both lack sophisticated tracking or eye-detection, which is expected given their era and sensor type.
User Interface and Controls: Handling Settings and Live View
Camera control usability can impact how intuitive your shooting experience feels. Let’s look at screen quality, EVF performance, and ease of use.


Canon SX20 IS Interface
- 2.5" articulated LCD with only 230k pixels – less sharp but versatile flip-out screen
- Electronic viewfinder lacks detailed resolution specs and feels dimmer in bright light
- Physical dial for PASM (program, aperture priority, shutter priority, manual exposure)
- Basic menu system, some lag in live view autofocus
Panasonic FZ150 Interface
- Larger 3.0" articulated LCD with 460k pixels for crisp image review and shooting
- 100% coverage EVF considerably improves composition accuracy and tracking in bright conditions
- Physical dials and buttons are logically placed with illuminated back buttons for easier night use
- Faster live view autofocus, smoother UI responsiveness
For video shooters and content creators, the Panasonic’s superior screen and EVF qualities aid framing and focus confirmation more confidently.
Video Capabilities: Resolution, Frame Rates, and Audio
Both cameras offer HD video recording with some notable distinctions.
| Feature | Canon SX20 IS | Panasonic FZ150 |
|---|---|---|
| Max Video Resolution | 1280 x 720 (30 fps) | 1920 x 1080 (60/30 fps) |
| Video Formats | H.264 | MPEG-4, AVCHD, Motion JPEG |
| External Microphone Port | No | Yes |
| Slow Motion Capability | No | Yes (220 fps at 320 x 240) |
| Image Stabilization | Optical IS (for video as well) | Optical Mega O.I.S. |
While the Canon SX20 caps video at 720p/30fps, the Panasonic FZ150 supports full HD 1080p at up to 60fps, giving smoother, higher-quality footage that suits YouTube, vlogs, and hobby filmography.
The Panasonic is also equipped with an external mic jack - a must-have feature for better audio input that professionals and aspiring videographers will appreciate.
Battery Life and Storage Options for Extended Shoots
Long shooting sessions benefit from good battery stamina and storage flexibility.
| Feature | Canon SX20 IS | Panasonic FZ150 |
|---|---|---|
| Battery Type | 4 x AA batteries | Proprietary battery pack |
| Approx. Battery Life | Variable, depends on AA | 410 shots (CIPA standard) |
| Storage Media | SD / SDHC / MMC / MMC Plus | SD / SDHC / SDXC + Internal Storage |
| Storage Slots | 1 | 1 |
AA batteries in the Canon SX20 IS provide flexibility to swap batteries on the go but drain quickly under heavy use.
Panasonic’s dedicated battery pack offers longer runtime, which is important for travel or professional shooting where recharge or backup is limited.
What Each Camera Excels At: Use Case Breakdown
Portrait Photography
- Canon SX20 IS: Good for casual portraiture with pleasing bokeh at f/2.8 wide end, but limited ISO and no face detection since autofocus can be sluggish.
- Panasonic FZ150: Better with smoother skin tones, faster AF, and RAW flexibility. No eye detection but more focus points for selective focusing.
Landscape Photography
- Canon’s CCD sensor struggles with dynamic range, while Panasonic provides excellent color depth and wide dynamic range. Both have zoom suitable for framing distant landscapes. Panasonic’s higher resolution screen and articulation aid composition.
Wildlife Photography
- Better image stabilization and 12fps continuous burst on Panasonic win huge points. The longer zoom (600mm) compared to Canon’s 560mm also gives slightly more reach.
Sports Photography
- Panasonic’s 12fps burst and faster autofocus provide clear advantages in capturing fast action. Canon’s 1fps burst is too slow for anything beyond casual use.
Street Photography
- Canon’s larger body makes discreet shooting challenging. Panasonic’s size and lighter weight make it better suited here though both are bulkier than mirrorless or compact street cameras.
Macro Photography
- Panasonic can focus as close as 1cm with great sharpness, perfect for macro enthusiasts. Canon’s claims for close focus are good but less consistent.
Night/Astro Photography
- Panasonic’s higher ISO ceiling and RAW support enable better night photography and star capturing. Canon’s max ISO 1600 and no RAW limit potential.
Video Shooting
- Full HD 1080p and an external mic port in Panasonic vastly outpace Canon’s older 720p video with no external audio input, making Panasonic the go-to for videographers.
Travel Photography
- Panasonic’s lighter weight, longer battery life, and superior EVF/screen combo make it more pleasant to carry and shoot on the go.
Professional Work
- RAW support, consistent sensor performance, and versatile output formats on Panasonic suit workflows better. Canon’s lack of RAW and lower ISO range limit professional applicability.
Final Summary: Which One Should You Choose?
| Category | Canon SX20 IS | Panasonic FZ150 |
|---|---|---|
| Image Quality | 6 / 10 | 8.5 / 10 |
| Autofocus Speed | 4 / 10 | 8 / 10 |
| Build & Handling | 7 / 10 | 8 / 10 |
| Video Capability | 5 / 10 | 9 / 10 |
| Battery Life | 6 / 10 | 8 / 10 |
| Overall Value | 6 / 10 | 8.5 / 10 |
Choose the Canon SX20 IS if:
- You prefer a classic CCD color rendition and mostly shoot in good lighting.
- You need AA battery convenience for remote shooting or travel.
- Your budget matches deals on the older Canon for casual superzoom usage.
- Video is secondary and you mainly want decent still photography.
Choose the Panasonic FZ150 if:
- You want an all-around stronger camera with better sensor technology and RAW flexibility.
- You plan to shoot action, sports, wildlife, or video seriously and need speedy autofocus and burst rates.
- You value superior EVF, articulated screen, and long battery life for travel or professional use.
- Your budget allows for a renewed or new purchase at similar price points.
Bringing It All Together With Real Sample Images
Examining real-world test shots from both cameras reveals the Panasonic’s richer detail resolution, color depth, and cleaner shadows - crucial for fine art, landscape, or portrait work. Meanwhile, the Canon’s images have warm color tones preferred by some but often show increased noise and less detail retention at higher ISOs.
Trusted Buying Guidelines and Practical Tips
- Try before you buy: Hands-on experience handling these cameras can reveal handling preferences not obvious on paper or in photos.
- Check accessory availability: The Panasonic’s external mic port invites compatible broadcast or vlogging gear. Canon, limited to built-in flash or optional hotshoe flashes.
- Consider your workflow: If you want to edit extensively, RAW support and higher ISO range on Panasonic are non-negotiable.
- Budget and deals: Both hover around the $500 used/new price range. Weigh your needed features against current market pricing.
- Lens care: Both come with fixed lenses with excellent optical zooms; neither allow lens changes but pairing with tripods or filters enhances creative control.
Wrapping Up
Both the Canon SX20 IS and Panasonic Lumix FZ150 carved out solid reputations in the small sensor superzoom category. Yet, nearly two years difference in release dates and respective design innovation give Panasonic a substantial edge in sensor tech, autofocus performance, and video features.
For the serious enthusiast or aspiring professional, the Panasonic remains the stronger all-rounder, delivering up-to-date specs that transform everyday photography - from landscapes to wildlife, portraits to video blogging. The Canon still holds nostalgic appeal and may satisfy casual shooters appreciating its unique color signature and simplicity.
Whichever you select, both cameras can unlock fantastic creative potential. Get started by testing their ergonomics and image output for yourself, and find the right accessories to complement your style. Your photographic journey is what matters most, and these cameras provide accessible entryways to capturing your vision beautifully.
If you want to explore more about bridge cameras or look at alternative options in 2024 and beyond, check out our latest reviews and buyer guides. Happy shooting!
Canon SX20 IS vs Panasonic FZ150 Specifications
| Canon PowerShot SX20 IS | Panasonic Lumix DMC-FZ150 | |
|---|---|---|
| General Information | ||
| Company | Canon | Panasonic |
| Model type | Canon PowerShot SX20 IS | Panasonic Lumix DMC-FZ150 |
| Category | Small Sensor Superzoom | Small Sensor Superzoom |
| Introduced | 2010-07-06 | 2012-04-11 |
| Physical type | SLR-like (bridge) | SLR-like (bridge) |
| Sensor Information | ||
| Chip | Digic 4 | - |
| Sensor type | CCD | CMOS |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
| Highest resolution | 4000 x 3000 | 4000 x 3000 |
| Highest native ISO | 1600 | 6400 |
| Lowest native ISO | 80 | 100 |
| RAW format | ||
| Autofocusing | ||
| Focus manually | ||
| AF touch | ||
| AF continuous | ||
| AF single | ||
| AF tracking | ||
| Selective AF | ||
| Center weighted AF | ||
| Multi area AF | ||
| AF live view | ||
| Face detection focusing | ||
| Contract detection focusing | ||
| Phase detection focusing | ||
| Total focus points | 9 | 23 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-560mm (20.0x) | 25-600mm (24.0x) |
| Largest aperture | f/2.8-5.7 | f/2.8-5.2 |
| Macro focusing distance | 0cm | 1cm |
| Focal length multiplier | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fully Articulated | Fully Articulated |
| Screen diagonal | 2.5 inch | 3 inch |
| Screen resolution | 230 thousand dots | 460 thousand dots |
| Selfie friendly | ||
| Liveview | ||
| Touch capability | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | Electronic |
| Viewfinder coverage | - | 100% |
| Features | ||
| Lowest shutter speed | 15 seconds | 30 seconds |
| Highest shutter speed | 1/3200 seconds | 1/2000 seconds |
| Continuous shooting rate | 1.0 frames/s | 12.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manual mode | ||
| Exposure compensation | Yes | Yes |
| Change WB | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 6.80 m | 9.50 m |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, On, Off, Red-eye, Slow Sync |
| External flash | ||
| AE bracketing | ||
| WB bracketing | ||
| Highest flash synchronize | 1/500 seconds | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps) 640 x 480 (30 fps), 320 x 240 (30, 15 fps) | 1920 x 1080 (60, 30 fps), 1280 x 720 (60, 30 fps), 640 x 480 (30 fps), 320 x 240 (220 fps) |
| Highest video resolution | 1280x720 | 1920x1080 |
| Video data format | H.264 | MPEG-4, AVCHD, Motion JPEG |
| Mic support | ||
| Headphone support | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environmental sealing | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 600 gr (1.32 pounds) | 528 gr (1.16 pounds) |
| Physical dimensions | 128 x 88 x 87mm (5.0" x 3.5" x 3.4") | 124 x 82 x 92mm (4.9" x 3.2" x 3.6") |
| DXO scores | ||
| DXO All around rating | not tested | 40 |
| DXO Color Depth rating | not tested | 19.4 |
| DXO Dynamic range rating | not tested | 10.9 |
| DXO Low light rating | not tested | 132 |
| Other | ||
| Battery life | - | 410 photographs |
| Style of battery | - | Battery Pack |
| Battery ID | 4 x AA | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, 10 sec (3 pictures)) |
| Time lapse feature | ||
| Type of storage | SD / SDHC / MMC / MMC Plus / HC MMC Plus | SD/SDHC/SDXC, Internal |
| Card slots | 1 | 1 |
| Launch pricing | $500 | $499 |