Canon SX20 IS vs Panasonic ZS70
65 Imaging
35 Features
40 Overall
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87 Imaging
46 Features
70 Overall
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Canon SX20 IS vs Panasonic ZS70 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fully Articulated Display
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-560mm (F2.8-5.7) lens
- 600g - 128 x 88 x 87mm
- Introduced July 2010
- Superseded the Canon SX10 IS
- Renewed by Canon SX30 IS
(Full Review)
- 20MP - 1/2.3" Sensor
- 3" Tilting Display
- ISO 80 - 3200 (Boost to 6400)
- Optical Image Stabilization
- 3840 x 2160 video
- 24-720mm (F3.3-6.4) lens
- 322g - 112 x 67 x 41mm
- Released April 2017
- Additionally Known as Lumix DMC-TZ90
- Succeeded the Panasonic ZS60
- Replacement is Panasonic ZS80

Canon SX20 IS vs Panasonic ZS70: A Hands-On Comparison for Photography Enthusiasts
Choosing the right camera can feel like navigating a maze, especially when options span different generations, designs, and features. Today, we put two distinct bridge and compact superzoom cameras head-to-head: the older Canon PowerShot SX20 IS versus the newer Panasonic Lumix DMC-ZS70. Both are small sensor superzoom cameras, known for offering large zoom ranges in a compact form, making them popular for travel, casual wildlife, and everyday photography. But which suits your creative style and workflow? Let’s dive deep and explore.
Getting Acquainted: Size, Handling, and Design Differences
The Canon SX20 IS is an SLR-style bridge camera, introduced in 2010, sporting a heftier frame with dimensions of 128 x 88 x 87 mm and a weight of approximately 600g (without batteries). Its physical heft and fuller grip give it an SLR-like feel, which some photographers appreciate for stability, especially when using long zooms or working handheld for extended periods.
In contrast, the Panasonic ZS70, launched in 2017, is a more compact and pocketable design measuring 112 x 67 x 41 mm and weighing just 322g. This thin and lightweight profile makes it ideal for photographers who prioritize portability without sacrificing zoom capability.
Ergonomics and Controls:
- Canon SX20 IS: Comes with a robust handgrip and SLR-inspired button layout. Although the screen is fully articulated, it’s only 2.5 inches with a modest 230k dot resolution. It lacks touchscreen functionality but offers comprehensive manual control dials and buttons.
- Panasonic ZS70: Offers a 3-inch tilting touchscreen LCD with a sharp 1040k dot resolution and a bright electronic viewfinder (EVF) with 100% coverage and 0.46x magnification. The camera’s interface feels modern with touchscreen responsiveness, complementing physical buttons.
For photographers used to DSLR-style body ergonomics, Canon’s SX20 IS may feel more familiar and reassuring. However, the ZS70’s slimmer build and advanced display technology makes it friendlier for vlogging, street photography, or travel shooting where discretion and quick framing matter.
Sensor and Image Quality: Testing the Heart of Each Camera
Both cameras share the same sensor size at 1/2.3 inch (6.17 x 4.55 mm sensor area), a common small sensor dimension in compact superzooms. However, differences in sensor type and resolution impact final image quality.
Specification | Canon SX20 IS | Panasonic ZS70 |
---|---|---|
Sensor Type | CCD | BSI-CMOS |
Sensor Size | 1/2.3" (6.17 x 4.55 mm) | 1/2.3" (6.17 x 4.55 mm) |
Resolution | 12 MP (4000 x 3000) | 20 MP (5184 x 3888) |
Max Native ISO | 1600 | 3200 |
Max Boosted ISO | N/A | 6400 |
Anti-Aliasing Filter | Yes | Yes |
Raw Support | No | Yes |
Image Quality Insights:
The newer Panasonic ZS70’s backside-illuminated CMOS sensor combined with a modern Venus Engine processor provides improved sensitivity and noise handling, especially in low light, compared to the SX20’s older CCD sensor. As a result:
- Resolution: The ZS70 packs 20MP versus 12MP on the Canon, allowing for more detail and larger print sizes.
- ISO Performance: The ZS70 doubles the maximum native ISO and offers boosted ISO up to 6400, giving better noise control at higher sensitivities.
- Raw Support: The ZS70 support for RAW format means greater post-processing latitude - especially critical for landscape and professional work.
In controlled tests shooting at base and elevated ISOs, the ZS70 yields cleaner files with better dynamic range retention, helping preserve highlight and shadow detail. The SX20 IS delivers decent daylight JPEGs but struggles under dimmer conditions due to sensor tech limitations, a known characteristic of CCD sensors in small formats.
LCD Screen and Viewfinder Usability
Handling and framing are inseparable from the visual feedback systems cameras provide.
- Canon SX20 IS: Has a fully articulated 2.5-inch LCD with modest resolution. It’s helpful for odd-angle shooting but feels somewhat outdated by today’s standards.
- Panasonic ZS70: Equipped with a large 3-inch tilting touchscreen LCD, vibrant and sharp. The touchscreen responsiveness opens quick focus adjustment and menu navigation. The ZS70 also features a high-resolution EVF (1166k dots) with full coverage, perfect for bright light scenarios where LCD screens wash out.
For vloggers or street photographers, the ZS70’s tilt and touchscreen are significant advantages, allowing for selfies, quick composition, and intuitive operation. The SX20 IS is more traditional with button-based control and a basic electronic finder.
Autofocus Systems: Speed and Accuracy in Real World Use
Autofocus performance is crucial, especially when shooting wildlife, sports, or fast-moving subjects.
Feature | Canon SX20 IS | Panasonic ZS70 |
---|---|---|
AF Points | 9 (contrast detect) | 49 (contrast detect) |
Face Detection | No | Yes |
Eye Tracking | No | No |
Continuous AF | No | Yes |
AF Touch Shutter | No | Yes |
AF Modes | Single, Multi-area | Single, Multi-area, Tracking, Selective |
Face/Eye AF | No | Face detection (yes), Animal Eye AF (no) |
The Canon SX20 IS uses an older contrast-detection system without face detection or continuous autofocus. While effective for stationary subjects, tracking moving subjects is a challenge, limiting its usefulness for dynamic photography.
The Panasonic ZS70 features advanced contrast-detect autofocus with:
- 49 AF points for finer precision
- Real-time face detection
- Continuous autofocus with subject tracking
- Touch-to-focus capability
In our hands-on testing, the ZS70 locks focus noticeably faster and maintains steady tracking on moving subjects - an advantage when shooting sports, wildlife, or kids at play.
Zoom Range and Lens Considerations
Superzoom cameras attract attention primarily for their impressive focal range packed into a single lens.
Lens Spec | Canon SX20 IS | Panasonic ZS70 |
---|---|---|
Focal Length | 28-560 mm (20× zoom) | 24-720 mm (30× zoom) |
Maximum Aperture | f/2.8 - 5.7 | f/3.3 - 6.4 |
Macro Focus Range | 0 cm | 3 cm |
Image Stabilization | Optical | Optical |
Lens Mount | Fixed | Fixed |
Practical Implications:
- The Panasonic’s 30x zoom offering reaches 720 mm equivalent, a great advantage for wildlife or sports photographers needing more telephoto reach without carrying extra lenses.
- The Canon starts wider at 28 mm vs. 24 mm for ZS70, but the difference is subtle enough for practical use.
- Aperture wise, Canon is faster at its widest setting (f/2.8 vs. f/3.3), helping in low light at wide angles. However, the narrower apertures in telephoto ranges are typical for superzooms.
- Macro capabilities are superior on the Panasonic ZS70, with focusing as close as 3 cm, allowing for detailed close-ups, complemented by focus bracketing and stacking functions.
Burst Shooting and Video Performance
Specification | Canon SX20 IS | Panasonic ZS70 |
---|---|---|
Continuous Shooting Rate | 1 FPS | 10 FPS |
Max Shutter Speed | 1/3200s | 1/2000s |
Electronic Shutter | No | Yes (up to 1/16000s) |
Video Resolution | 1280 x 720 (30 fps) | 3840 x 2160 (4K, 30p) |
Video Formats | H.264 | MPEG-4, AVCHD |
4K Photo Mode | No | Yes |
External Mic Port | No | No |
In-Body Image Stabilization | Optical lens-based | Optical lens-based |
The Canon’s 1 frame per second burst shooting feels outdated today - ideal for occasional snaps but limiting for action photographers.
In contrast, the Panasonic ZS70 delivers 10 fps burst, excellent for capturing fast-moving scenes. It also boasts a truly modern video suite, capable of 4K recording at 30 frames per second with effective image stabilization. Additionally, Panasonic’s innovative 4K Photo mode lets you extract high-res stills from video, a versatility boon for content creators.
Battery Life and Storage Options
Sony and Nikon typically lead battery life discussions, but here’s how these two compare:
Feature | Canon SX20 IS | Panasonic ZS70 |
---|---|---|
Battery Type | 4 x AA batteries | Proprietary rechargeable pack |
Approx. Shots per Charge | Not specified (AA battery dependent) | ~380 shots (CIPA) |
Storage Media | SD / SDHC / MMC / MMC Plus / HC MMC Plus | SD / SDHC / SDXC |
AA batteries may offer convenience in emergencies by swapping with alkalines anywhere, but also add weight as seen in the SX20 IS. The ZS70’s rechargeable Li-ion pack provides a standardized number of shots and a lighter overall system.
Connectivity and Additional Features
Connectivity options are important if you need to share images on the go or tether for remote control.
- Canon SX20 IS: No wireless connectivity or Bluetooth, USB 2.0 for data transfer, and a standard HDMI out. No GPS.
- Panasonic ZS70: Built-in Wi-Fi for easy photo transfer and remote control via smartphone apps, USB 2.0, HDMI output, and no GPS.
The ZS70’s wireless features give it an edge for social media-oriented photographers and vloggers who demand instant sharing or live remote operation.
Comprehensive Performance Ratings Across Disciplines
We evaluated the cameras across multiple photographic genres with a rigorous hands-on approach. Here’s a summarized view:
Photography Discipline | Canon SX20 IS | Panasonic ZS70 |
---|---|---|
Portrait | Good | Very Good |
Landscape | Fair | Good |
Wildlife | Fair | Good |
Sports | Poor | Good |
Street | Fair | Very Good |
Macro | Poor | Good |
Night / Astro | Poor | Good |
Video | Poor | Very Good |
Travel | Good | Very Good |
Professional Work | Limited | Good |
Sample Image Comparisons
Seeing is believing. Check out the exposure, sharpness, and color rendition from each camera in this side-by-side gallery across various conditions:
Notice the Panasonic ZS70’s better detail retention at high ISO, smoother bokeh, and more natural colors, especially in portraits and macro shots. The Canon shows respectable daylight performance yet is limited in low-light and zoomed telephoto sharpness.
Who Should Consider the Canon SX20 IS?
Despite its age, the Canon PowerShot SX20 IS remains a decent option if:
- You prefer a larger, substantial grip and SLR-style ergonomics.
- You shoot mostly in bright daylight situations or for casual snapshots.
- AA battery convenience aligns with your shooting habits.
- Budget is tight and you want a versatile superzoom with manual controls.
- You don’t need advanced autofocus, 4K video, or RAW shooting.
For beginners exploring bridge cameras with manual control experience, the SX20 IS introduces key photography principles affordably.
Why Choose the Panasonic ZS70?
The Panasonic Lumix DMC-ZS70 is a significantly more capable and flexible compact superzoom:
- Superior sensor and image processing translate to better quality JPEGs and RAW files.
- Vastly improved autofocus system supports moving subjects for wildlife and sports.
- 4K video and 4K photo modes suit hybrid shooters and content creators.
- Touchscreen and high-resolution EVF enhance usability indoors and outdoors.
- Compact size and weight make it ideal for travel, street, and casual shooting.
- Macro focus brackets and focus stacking facilitate creative close-ups.
- Wireless connectivity adds convenience.
If you value versatility, modern features, and quality results in an easy-to-carry form, the Panasonic ZS70 is a win.
Final Thoughts and Recommendations
For beginners or hobbyists on a budget seeking an all-in-one superzoom with manual controls
The Canon SX20 IS offers solid optical performance and a traditional handling experience. However, don’t expect cutting-edge performance especially in autofocus, ISO sensitivity, and video.
For enthusiasts, vloggers, or travelers wanting balance of portability, image quality, and advanced features
The Panasonic ZS70 stands out with its superior sensor, powerful zoom, 4K video capabilities, and smart autofocus. It's a highly recommended camera for those expanding creative horizons.
Ultimately, your choice depends on your shooting style and priorities:
- Need longer zoom reach and better video? ZS70.
- Prefer SLR-style controls and physical battery options? SX20 IS.
Whichever you pick, both are excellent gateways into versatile, pocket-friendly photography. To really understand their differences, I encourage you to handle both cameras, examine sample images, and weigh their feature sets against your creative goals.
Accessories to Consider
For either camera, adding essential accessories can enhance your shooting experience:
- Spare battery packs or AA batteries
- A sturdy tripod or monopod for telephoto stability
- Polarizing filters (where compatible) to improve outdoor shots
- A high-speed SD card for smooth video recording on the ZS70
- A protective carrying case to safeguard your gear on travels
By balancing historical performance with modern advances, this comparison aims to clarify which small sensor superzoom camera empowers your storytelling best. Happy shooting!
Canon SX20 IS vs Panasonic ZS70 Specifications
Canon PowerShot SX20 IS | Panasonic Lumix DMC-ZS70 | |
---|---|---|
General Information | ||
Make | Canon | Panasonic |
Model type | Canon PowerShot SX20 IS | Panasonic Lumix DMC-ZS70 |
Alternate name | - | Lumix DMC-TZ90 |
Category | Small Sensor Superzoom | Small Sensor Superzoom |
Introduced | 2010-07-06 | 2017-04-19 |
Physical type | SLR-like (bridge) | Compact |
Sensor Information | ||
Powered by | Digic 4 | Venus Engine |
Sensor type | CCD | BSI-CMOS |
Sensor size | 1/2.3" | 1/2.3" |
Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
Sensor area | 28.1mm² | 28.1mm² |
Sensor resolution | 12 megapixels | 20 megapixels |
Anti alias filter | ||
Aspect ratio | 4:3 and 16:9 | 1:1, 4:3, 3:2 and 16:9 |
Highest resolution | 4000 x 3000 | 5184 x 3888 |
Highest native ISO | 1600 | 3200 |
Highest boosted ISO | - | 6400 |
Lowest native ISO | 80 | 80 |
RAW files | ||
Autofocusing | ||
Manual focusing | ||
Touch to focus | ||
Continuous AF | ||
AF single | ||
AF tracking | ||
Selective AF | ||
AF center weighted | ||
AF multi area | ||
AF live view | ||
Face detect AF | ||
Contract detect AF | ||
Phase detect AF | ||
Total focus points | 9 | 49 |
Lens | ||
Lens support | fixed lens | fixed lens |
Lens zoom range | 28-560mm (20.0x) | 24-720mm (30.0x) |
Max aperture | f/2.8-5.7 | f/3.3-6.4 |
Macro focusing range | 0cm | 3cm |
Focal length multiplier | 5.8 | 5.8 |
Screen | ||
Type of display | Fully Articulated | Tilting |
Display diagonal | 2.5 inches | 3 inches |
Resolution of display | 230k dots | 1,040k dots |
Selfie friendly | ||
Liveview | ||
Touch display | ||
Viewfinder Information | ||
Viewfinder type | Electronic | Electronic |
Viewfinder resolution | - | 1,166k dots |
Viewfinder coverage | - | 100 percent |
Viewfinder magnification | - | 0.46x |
Features | ||
Slowest shutter speed | 15s | 4s |
Maximum shutter speed | 1/3200s | 1/2000s |
Maximum quiet shutter speed | - | 1/16000s |
Continuous shooting rate | 1.0 frames per second | 10.0 frames per second |
Shutter priority | ||
Aperture priority | ||
Manually set exposure | ||
Exposure compensation | Yes | Yes |
Custom WB | ||
Image stabilization | ||
Integrated flash | ||
Flash distance | 6.80 m | 5.60 m (at Auto ISO) |
Flash settings | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, Auto/Red-eye Reduction, Forced On, Slow Sync./Red-eye Reduction, Forced Off |
External flash | ||
AEB | ||
White balance bracketing | ||
Maximum flash synchronize | 1/500s | - |
Exposure | ||
Multisegment metering | ||
Average metering | ||
Spot metering | ||
Partial metering | ||
AF area metering | ||
Center weighted metering | ||
Video features | ||
Supported video resolutions | 1280 x 720 (30 fps) 640 x 480 (30 fps), 320 x 240 (30, 15 fps) | 3840 x 2160 (30p), 1920 x 1080 (60p, 60i, 30p), 1280 x 720 (30p), 640 x 480 (30p) |
Highest video resolution | 1280x720 | 3840x2160 |
Video file format | H.264 | MPEG-4, AVCHD |
Mic port | ||
Headphone port | ||
Connectivity | ||
Wireless | None | Built-In |
Bluetooth | ||
NFC | ||
HDMI | ||
USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
GPS | None | None |
Physical | ||
Environmental sealing | ||
Water proofing | ||
Dust proofing | ||
Shock proofing | ||
Crush proofing | ||
Freeze proofing | ||
Weight | 600 gr (1.32 pounds) | 322 gr (0.71 pounds) |
Dimensions | 128 x 88 x 87mm (5.0" x 3.5" x 3.4") | 112 x 67 x 41mm (4.4" x 2.6" x 1.6") |
DXO scores | ||
DXO All around rating | not tested | not tested |
DXO Color Depth rating | not tested | not tested |
DXO Dynamic range rating | not tested | not tested |
DXO Low light rating | not tested | not tested |
Other | ||
Battery life | - | 380 photographs |
Battery type | - | Battery Pack |
Battery ID | 4 x AA | - |
Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec, 3 shots / 10 secs) |
Time lapse shooting | ||
Storage type | SD / SDHC / MMC / MMC Plus / HC MMC Plus | SD/SDHC/SDXC |
Card slots | Single | Single |
Retail pricing | $500 | $450 |