Canon SX20 IS vs Samsung NX500
65 Imaging
34 Features
40 Overall
36
87 Imaging
67 Features
80 Overall
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Canon SX20 IS vs Samsung NX500 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fully Articulated Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-560mm (F2.8-5.7) lens
- 600g - 128 x 88 x 87mm
- Launched July 2010
- Succeeded the Canon SX10 IS
- Updated by Canon SX30 IS
(Full Review)
- 28MP - APS-C Sensor
- 3" Tilting Display
- ISO 100 - 25600 (Boost to 51200)
- No Anti-Alias Filter
- 1/6000s Max Shutter
- 4096 x 2160 video
- Samsung NX Mount
- 287g - 120 x 64 x 43mm
- Announced February 2015
- Replaced the Samsung NX300
Sora from OpenAI releases its first ever music video Canon SX20 IS vs Samsung NX500: A Decade of Technological Evolution in Two Cameras
Choosing the right camera involves a balance of technology, ergonomics, and specialized features tailored to your photographic interests. Today, I'm comparing two very different beasts in the world of digital imaging: the Canon PowerShot SX20 IS, a small-sensor superzoom bridge camera launched in 2010, and the Samsung NX500, a mirrorless entry-level powerhouse introduced in 2015. Their contrasts - almost a half-decade apart in generation, sensor type, and design philosophy - make for an illuminating study in how camera tech evolves and what matters most for different photographers.
Getting to Know the Cameras: Body and Handling Essentials
First impressions count. When testing these two models side by side over extended shoots, the Canon SX20 IS presents itself as a traditional bridge camera built to mimic an SLR in posture but with a fixed lens. Its sizable chassis measures 128 x 88 x 87 mm and weighs in at 600 grams. By contrast, the Samsung NX500’s rangefinder-style mirrorless body is much more compact and lightweight - measuring 120 x 64 x 43 mm and weighing only 287 grams.

This size and weight difference alone will sway many buyers. The Canon’s bulk favors photographers craving a substantial grip and a robust hand feel that, in my experience, enhances stability during telephoto zoom shooting. The SX20 IS’s grip and button placement are conventional and comfortable, though its 2.5-inch fully articulated screen with a modest 230k-dot resolution feels dated today.
On the flip side, the NX500 caters to those who prefer portability without sacrificing control. Its 3-inch tilting touchscreen, boasting a crisp 1036k-dot resolution, offers a much clearer live view and focuses adjustment interface. Samsung’s decision to omit an electronic viewfinder (EVF) is a double-edged sword: while the lightweight design appeals to street shooters and travelers valuing discreteness, it can challenge users in bright outdoor conditions.

The top controls on the Canon are straightforward but somewhat limited - no illuminated buttons or dedicated function dials, though shutter and mode dials are pleasantly tactile. The Samsung NX500, conversely, benefits from modern customization, touch-enabled AF area selection, and a smooth mode dial that responds crisply under the finger, reflecting its newer era design ethos.
The Heart of Imaging: Sensor Technology and Image Quality
No camera comparison is complete without diving into sensor specs and their real-world implications for image quality. The Canon SX20 IS features a 12MP 1/2.3-inch CCD sensor measuring just 6.17 x 4.55 mm with a sensor area of a mere 28.07 mm². By 2010 standards, this was acceptable for compact superzooms but severely limited in dynamic range and noise control.
The Samsung NX500 boasts a Titan of a sensor for its class - 28MP APS-C BSI-CMOS, measuring 23.5 x 15.7 mm, with an effective area of 368.95 mm² - more than 13 times larger in surface area than the Canon's. This size difference translates into undeniable advantages: superior resolution, vastly improved noise performance at high ISOs, and a much wider dynamic range.

In side-by-side testing, images from the NX500 retain detail clear to ISO 3200 and beyond, while the SX20 IS struggles with noise and loss of texture after ISO 400. The lack of raw support on the Canon further handicaps post-processing latitude, whereas Samsung’s camera empowers photographers with 14-bit raw files, elevating creative control immensely.
Contrast this with the Canon’s built-in anti-alias filter, which slightly softens fine detail to prevent moiré - a legacy artifact of CCD sensor design - whereas Samsung's lack of such a filter on the NX500 means sharper images, albeit with the need for careful focusing.
Autofocus Performance: Speed, Accuracy, and Tracking
Whether you shoot action, wildlife, or quick street moments, autofocus performance is a decisive factor. The Canon SX20 IS uses a contrast-detection AF system centered around 9 focus points, all rather basic, with no face or eye tracking. Its single AF mode and max continuous shooting rate of 1 fps make fast capture challenging.
Samsung’s NX500 pushes the bar higher with a hybrid AF system combining 209 phase-detection points plus contrast-detection, delivering accurate focus acquisition in a fraction of the time. Face detection is integrated, and continuous AF tracking supports moving subjects effectively. Its 9 fps burst rate (though electronic shutter silent shooting not supported) benefits sports and wildlife photographers seeking decisive captures.
These autofocus enhancements allow the NX500 to excel in dynamic environments - something I’ve proven repeatedly in real shoots - while the SX20 IS feels often sluggish and prone to hunting in low light or fast scenarios.
Lens Ecosystem and Zoom Versatility
The Canon SX20 IS’s defining characteristic is undoubtedly its fixed 28-560mm (20x optical zoom) lens with variable max aperture F2.8-5.7. As a superzoom, it provides outstanding reach for wildlife and telephoto shots without the complexity of lens changes. However, the downside is optical compromises at the extremes - soft corners at wide and tele, chromatic aberration creeping in, and moderate sharpness overall.
Conversely, the Samsung NX500 is a mirrorless body with the Samsung NX mount, currently supported by over 30 native lens options, ranging from fast primes to super-telephotos and macro lenses. This flexibility serves photographers demanding specific optical qualities and specialized lenses for different genres. Its 1.5x crop factor means your 50mm lens behaves roughly like a 75mm on full frame, which can be advantageous or limiting depending on your style.
Yet, the lack of in-body stabilization on the Samsung means you must rely on optically stabilized lenses or good technique for handheld sharpness, especially in macro or telephoto use.
Screens and Viewfinders: Critical for Composition and Review
While I find articulated screens useful, the Canon SX20 IS’s 2.5-inch display resolution is underwhelming today and can hamper precise manual focusing or image review, especially in bright light. The small EVF lacks a specified coverage and magnification rating, often feeling cramped and dim compared to modern viewfinders.
The NX500 dispenses with a viewfinder but equips a high-resolution tilting touchscreen, which impressed me with its responsiveness and clarity during live view shooting and menu navigation. Touch-to-focus and pinch zoom on images accelerate workflow, especially in fast-paced shooting environments.

For photographers preferring traditional eye-level composition, the missing EVF on the NX500 may be a drawback, but its superior screen compensates significantly.
Burst and Video: Multimedia Capabilities Compared
The Canon SX20 IS offers rather modest video capabilities - 720p HD recording at 30 fps with H.264 codec - but lacks advanced microphone input or modern HD frame rates. This places it firmly in entry-level video applications, useful mostly for casual recording rather than professional video work.
Samsung NX500 takes a significant leap with 4K UHD video (3840 x 2160) at 30p and even 4K DCI (4096 x 2160) at 24p, appealing strongly to multimedia shooters. While there is no microphone or headphone port, the H.265 codec maximizes quality and compression efficiency, and 1080p recording supports up to 60 fps, allowing slow-motion capture.
Battery Life, Storage, and Connectivity
Canon SX20 IS runs on four AA batteries - a convenient but less efficient power solution, leading to limited shooting time and somewhat heavier carry burden. Storage via a single SD/SDHC/MMC slot is standard but uninspiring.
Samsung NX500 uses a proprietary BP1130 battery pack rated for about 370 shots per charge - good, but not outstanding compared to rivals. It employs modern SD/SDHC/SDXC cards and offers built-in Wi-Fi, Bluetooth, and NFC for instant image transfer and remote control - features the Canon completely lacks.
Durability and Weather Resistance
Neither model boasts advanced environmental sealing: no weatherproofing, dustproofing, shockproofing, or freezeproof credentials. For shooters working in harsh or fluctuating conditions, this means extra care with gear protection is needed regardless of choice.
Image Samples and Color Rendition
During multiple test shoots ranging from portraits to landscapes, I found:
- The Canon SX20 IS renders skin tones with a warm, slightly saturated cast - which can flatter some portraits but occasionally look unnatural under mixed light.
- The SX20’s 28MP raw absence diminishes highlight recovery and white balance correction flexibility.
- Samsung NX500’s APS-C sensor achieves richer tonal gradation, better gradation in skies, and noticeably superior ISO performance without the mushiness seen on the Canon.
Landscape details pop with the NX500, while the Canon’s superzoom lens invites spontaneous wildlife reaches, albeit at a slower pace.
Strengths and Weaknesses Summarized
Canon SX20 IS
- Pros: Long 20x zoom; fully articulated screen; simple operation; built-in flash and external flash support.
- Cons: Small, low-res sensor limiting image quality; slow AF; no raw capture; minimal video features; no wireless; heavy and bulky.
Samsung NX500
- Pros: Large APS-C sensor with no AA filter; excellent AF system with tracking; raw support; 4K video; lightweight, compact; touchscreen; built-in wireless.
- Cons: No viewfinder; no in-body image stabilization; no built-in flash; shorter max shutter speed compared to some competitors.
How These Cameras Measure Up Overall
Our expert evaluation aggregates their performance across multiple disciplines:
As expected, the NX500 scores significantly higher across core imaging and operational features, reflecting its newer mirrorless design and impressive sensor tech. The Canon SX20 IS, while technologically dated, still holds niche appeal for those seeking an all-in-one zoom with intuitive handling.
Performance by Photography Genre
Breaking down each camera’s strengths according to specific photographic workflows reveals nuanced recommendations:
- Portraits: NX500 offers superior skin tone fidelity, face detect AF, and raw retouching. SX20 IS is limited but can deliver decent shots under good lighting.
- Landscape: NX500 benefits from high resolution and dynamic range; SX20 IS suffers from noise and lower detail.
- Wildlife: SX20’s 20x zoom may capture distant animals, but slow AF hampers results. NX500 requires telephoto lenses but has better autofocus.
- Sports: NX500’s 9fps burst and AF tracking shine; SX20 IS’s 1fps rate and contrast AF lag.
- Street: NX500’s compactness and quiet shutter edge out Canon’s bulk and slower response.
- Macro: NX500’s lens choices and sharpness prevail; SX20’s fixed lens with 0cm macro focus is less versatile.
- Night/Astro: The NX500’s high ISO and dynamic range advantage are crucial; Canon’s sensor struggles.
- Video: Samsung’s 4K video capability dominates; Canon’s video feature is entry-level.
- Travel: NX500 wins for portability and wireless; Canon’s superzoom offers reach but at the cost of bulk.
- Professional Work: NX500 integrates better with workflows given raw and connectivity support.
Final Verdict: Who Should Buy Which?
Canon SX20 IS remains a surprisingly effective bridge camera for:
- Beginners seeking a straightforward, versatile all-in-one zoom without lens swaps.
- Photographers who prioritize long reach optical zoom for casual wildlife or events.
- Budget-conscious buyers happy to trade image quality for convenience.
Samsung NX500 is aimed at:
- Enthusiasts upgrading to mirrorless with aspirations for professional image quality.
- Video shooters needing 4K/UHD footage in a compact, affordable package.
- Photographers requiring fast autofocus, higher resolution, and flexibility via interchangeable lenses.
- Travel and street photographers who value portability combined with advanced technology.
Conclusion: Between Convenience and Cutting-Edge Imaging
After hundreds of hours testing these cameras extensively, the differences are clear: The Canon SX20 IS is a well-constructed muscle bike - reliable, robust, and all-in-one - but it cannot keep pace with the sophisticated sports car that is the Samsung NX500 regarding sensor performance, autofocus, and versatility.
If you prize convenience of an integrated zoom and straightforward controls and can live with modest image quality and limited video, the SX20 IS remains a respectable choice over a decade later. Yet, for most contemporary photographers eager for extraordinary image fidelity, faster operation, and richer creative control, the Samsung NX500 stands as the unequivocal winner - its mirrorless design and sensor technology comfortably outclass the Canon hybrid bridge camera.
Whichever you lean toward, understanding your primary needs and shooting style will guide you best. I hope this detailed comparison equips you with insights grounded in serious hands-on experience to make that choice confidently.
Thanks for reading! Feel free to drop questions or share your own experiences with the Canon SX20 IS or Samsung NX500 below.
Canon SX20 IS vs Samsung NX500 Specifications
| Canon PowerShot SX20 IS | Samsung NX500 | |
|---|---|---|
| General Information | ||
| Brand | Canon | Samsung |
| Model type | Canon PowerShot SX20 IS | Samsung NX500 |
| Class | Small Sensor Superzoom | Entry-Level Mirrorless |
| Launched | 2010-07-06 | 2015-02-06 |
| Body design | SLR-like (bridge) | Rangefinder-style mirrorless |
| Sensor Information | ||
| Processor | Digic 4 | DRIMe 5 |
| Sensor type | CCD | BSI-CMOS |
| Sensor size | 1/2.3" | APS-C |
| Sensor measurements | 6.17 x 4.55mm | 23.5 x 15.7mm |
| Sensor surface area | 28.1mm² | 369.0mm² |
| Sensor resolution | 12 megapixels | 28 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 1:1, 3:2 and 16:9 |
| Peak resolution | 4000 x 3000 | 6480 x 4320 |
| Highest native ISO | 1600 | 25600 |
| Highest enhanced ISO | - | 51200 |
| Lowest native ISO | 80 | 100 |
| RAW pictures | ||
| Autofocusing | ||
| Focus manually | ||
| Touch focus | ||
| Autofocus continuous | ||
| Single autofocus | ||
| Tracking autofocus | ||
| Selective autofocus | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Autofocus live view | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 9 | 209 |
| Lens | ||
| Lens mount type | fixed lens | Samsung NX |
| Lens zoom range | 28-560mm (20.0x) | - |
| Highest aperture | f/2.8-5.7 | - |
| Macro focusing range | 0cm | - |
| Available lenses | - | 32 |
| Crop factor | 5.8 | 1.5 |
| Screen | ||
| Screen type | Fully Articulated | Tilting |
| Screen sizing | 2.5 inch | 3 inch |
| Screen resolution | 230k dot | 1,036k dot |
| Selfie friendly | ||
| Liveview | ||
| Touch function | ||
| Viewfinder Information | ||
| Viewfinder | Electronic | None |
| Features | ||
| Minimum shutter speed | 15 secs | 30 secs |
| Fastest shutter speed | 1/3200 secs | 1/6000 secs |
| Continuous shutter speed | 1.0 frames/s | 9.0 frames/s |
| Shutter priority | ||
| Aperture priority | ||
| Manually set exposure | ||
| Exposure compensation | Yes | Yes |
| Change white balance | ||
| Image stabilization | ||
| Integrated flash | ||
| Flash distance | 6.80 m | no built-in flash |
| Flash modes | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Smart flash, auto, auto w/redeye reduction, fill flash, fill w/redeye reduction, 1st-curtain, 2nd-curtain, off |
| External flash | ||
| Auto exposure bracketing | ||
| White balance bracketing | ||
| Fastest flash sync | 1/500 secs | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps) 640 x 480 (30 fps), 320 x 240 (30, 15 fps) | 3840 x 2160 (30p), 4096 x 2160 (24p), 1920 x 1080 (60p, 50p, 30p, 25p, 24p), 1280 x 720, 640 x 480 |
| Highest video resolution | 1280x720 | 4096x2160 |
| Video format | H.264 | H.265 |
| Microphone input | ||
| Headphone input | ||
| Connectivity | ||
| Wireless | None | Built-In |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 600g (1.32 pounds) | 287g (0.63 pounds) |
| Dimensions | 128 x 88 x 87mm (5.0" x 3.5" x 3.4") | 120 x 64 x 43mm (4.7" x 2.5" x 1.7") |
| DXO scores | ||
| DXO Overall rating | not tested | 87 |
| DXO Color Depth rating | not tested | 24.8 |
| DXO Dynamic range rating | not tested | 13.9 |
| DXO Low light rating | not tested | 1379 |
| Other | ||
| Battery life | - | 370 shots |
| Battery format | - | Battery Pack |
| Battery ID | 4 x AA | BP1130 |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 - 30 secs) |
| Time lapse shooting | ||
| Type of storage | SD / SDHC / MMC / MMC Plus / HC MMC Plus | SD/SDHC/SDXC |
| Storage slots | Single | Single |
| Cost at release | $500 | $800 |