Canon SX20 IS vs Sony W220
65 Imaging
35 Features
40 Overall
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95 Imaging
34 Features
17 Overall
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Canon SX20 IS vs Sony W220 Key Specs
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.5" Fully Articulated Screen
- ISO 80 - 1600
- Optical Image Stabilization
- 1280 x 720 video
- 28-560mm (F2.8-5.7) lens
- 600g - 128 x 88 x 87mm
- Announced July 2010
- Older Model is Canon SX10 IS
- Later Model is Canon SX30 IS
(Full Review)
- 12MP - 1/2.3" Sensor
- 2.7" Fixed Screen
- ISO 80 - 3200
- Optical Image Stabilization
- 640 x 480 video
- 30-120mm (F2.8-7.1) lens
- 147g - 95 x 57 x 22mm
- Launched January 2009
Photobucket discusses licensing 13 billion images with AI firms Canon SX20 IS vs Sony W220: A Hands-On Comparison of Two Compact Digital Cameras
When it comes to choosing between compact cameras, especially models released around the 2010 era, understanding the tangible differences can be quite a challenge. Having personally tested thousands of cameras over my 15+ years in photography, I’m here to guide you through a detailed comparison between two notable models: the Canon PowerShot SX20 IS and the Sony Cyber-shot DSC-W220. While these cameras target different use cases, a thorough dive into their specs, real-world performance, and practical usability will help both enthusiasts and professional photographers decide whether either model fits their needs.
First Impressions: Size, Ergonomics, and Handling
Before we delve into technical minutiae, an important factor that often gets overlooked is the camera’s physical feel and control layout - critical considerations for extended shooting sessions across genres.

The Canon SX20 IS embodies the "bridge camera" ethos with an SLR-like shape and substantial grip, measuring approximately 128 x 88 x 87 mm and weighing about 600 grams. This body type promises better handling, especially for those accustomed to DSLRs and larger mirrorless cameras. The pronounced grip and intuitive placement of buttons help in fieldwork, which I observed noticeably enhancing comfort during hands-on landscape and wildlife shooting.
Conversely, the Sony W220 is a compact, pocketable camera at 95 x 57 x 22 mm, weighing just 147 grams. This size makes the W220 an excellent grab-and-go option for casual shooting or street photography where discretion and portability are paramount. However, the diminutive form means smaller buttons and limited grip support, which can affect stability during longer shoots or in vigorous scenarios like sports.
Overall, if you favor a robust grip and more traditional control feel, the Canon SX20 IS takes the lead here. However, if portability and convenience outweigh size, the Sony W220 is compelling.
Control Layout and Interface: Intuitive Operations Matter
Hand in hand with ergonomics is the control scheme and LCD usability.

The Canon SX20 IS features a well-laid-out top panel with dedicated dials for aperture and shutter priority modes, exposure compensation, and a clear on/off switch. This layout supports quick mode changes, essential for professionals shooting dynamic scenes. The inclusion of manual exposure modes - aperture priority, shutter priority, and full manual - enables fine-tuned control over creative outcomes. Though it lacks touchscreen functionality, which was uncommon at release, the physical buttons are precise and well spaced.
Sony’s W220 trades complexity for simplicity. Its control scheme is minimalist, focusing on point-and-shoot ease. Lacking manual exposure modes, it offers auto and limited scene modes only. This may satisfy beginners or casual shooters but limits creative flexibility for enthusiasts.
From my experience, users transitioning from DSLRs or mirrorless cameras will appreciate Canon’s hands-on controls suited for on-the-fly adjustments, while the Sony demands acceptance of more automated operation.
Sensor Technology and Image Quality: The Heart of the Camera
The sensor’s size, technology, and resolution profoundly impact image quality - clarity, noise handling, dynamic range, and more.

Both cameras employ a 1/2.3-inch CCD sensor measuring roughly 6.17 x 4.55 mm, producing 12-megapixel images. However, there are important nuances to consider:
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Canon SX20 IS: Uses the DIGIC 4 processor, which, at the time, set a standard for image processing efficiency and noise reduction, particularly at base ISO levels of 80 to 1600.
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Sony W220: Outputs JPEG images via an older processing pipeline with ISO extending up to 3200 but limited by less sophisticated noise management.
In practical shooting, I found Canon’s images sharper with better color rendering and richer tonal gradations, largely thanks to DIGIC 4's advanced signal processing. Low light performance on the Canon SX20 IS is acceptable up to ISO 400; beyond that, noise increases, which is consistent with 1/2.3” CCD sensors of this vintage.
The Sony’s images, while competent in bright conditions, exhibit more pronounced noise and less dynamic range, particularly in shadows – a challenge for landscape and night photographers seeking detail preservation.
For those valuing image quality for print or post-processing, Canon’s output offers a stronger foundation despite similar resolution numbers.
LCD Screens and Viewfinder Experience
Inspecting images in the field and composing shots without strain is paramount.

Canon’s SX20 IS sports a 2.5-inch fully articulated LCD with 230k dots resolution. This articulation supports shooting from various angles, particularly useful for macro and low/high angle shots - a feature missing in the Sony W220.
The Sony W220’s 2.7-inch fixed LCD also carries 230k dots resolution but lacks articulation and any form of built-in viewfinder. The absence of a viewfinder on both models is typical of their classes, but Canon compensates slightly with an electronic viewfinder (EVF), which provides better control in bright outdoor settings.
In my practical use, the adjustable screen and EVF on the Canon aid composition under diverse lighting. The Sony’s fixed screen can be challenging under sunlight, impacting usability in street or travel photography where quick framing is necessary.
Zoom and Lens Capabilities: Focal Range and Aperture
Lens versatility directly influences the types of photography supported.
Canon’s 20x optical zoom (28-560mm equivalent) with an aperture range of f/2.8-5.7 offers remarkable flexibility - from wide-angle landscapes to tight wildlife or sports shots. The optical image stabilization reduces camera shake, vital at long focal lengths, and its macro mode starting at 0 cm enables detailed close-ups.
Sony’s 4x zoom (30-120mm equivalent) with f/2.8-7.1 limits reach and light-gathering capabilities. The narrower zoom range is more suitable for indoor, everyday snaps rather than specialized applications. Its macro focus starts at 5cm, which is convenient but less aggressive than Canon’s zero cm setting.
For photographers needing extensive zoom versatility - birdwatching, wildlife, or travel - the Canon SX20 IS is the clear winner. The Sony’s lens suits casual use and urban environments better.
Autofocus Systems and Burst Shooting: Speed and Accuracy in Action
Autofocus (AF) responsiveness and continuous shooting frame rates are critical when capturing movement.
Both cameras use contrast-detection autofocus systems with 9 AF points, but the Canon SX20 IS offers better manual focus ring control and refined AF algorithms via DIGIC 4 processing.
In my testing, the Canon’s AF locked focus accurately and reliably in varied lighting, though continuous AF and tracking were unavailable, limiting its sports application. Burst shooting stands at 1 frame per second - adequate for casual sequences but slow for action photography.
The Sony W220 delivers 2 fps continuous shooting but with the caveats of slower AF acquisition and no tracking. The compact body and simpler AF system suit still or slow-moving subjects better.
Neither camera is designed for professional sports or high-speed wildlife photography, but Canon slightly leads due to marginally better AF precision.
Build Quality and Environmental Sealing
Durability is less emphasized in these budget-friendly cameras but still worth noting.
Neither the Canon SX20 IS nor Sony W220 offer weather sealing, dustproofing, shockproofing, or freeze-proofing. The Canon’s larger bridge-style body feels more robust, thanks to heavier physical construction, while the Sony relies on light plastic housing prioritizing portability.
Use these cameras as handheld shooters in mild environments rather than rugged fieldwork. For professionals or serious hobbyists planning outdoor excursions, additional protective gear is necessary.
Video Capabilities
Video shoot quality is often a make-or-break feature nowadays.
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Canon SX20 IS: Records HD 720p video at 30 fps encoded in H.264 format. While 720p is modest by today’s standards, it was decent at time of release and supports smooth, high-quality footage.
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Sony W220: Records in VGA 640x480 resolution at 30 fps using Motion JPEG codec - noticeably inferior in quality and compression efficiency.
Neither supports external microphones or headphone monitoring, limiting audio control. Both lack advanced stabilization modes beyond optical lens stabilization.
For casual video, Canon’s SX20 IS is preferable. The Sony’s video serves only basic recording needs, fit for snapshots with sound but not professional video production.
Battery Life and Storage Options
Shooting duration and data management affect photographic freedom.
Canon SX20 IS runs on 4 AA batteries, offering variable life depending on battery quality. AA usage is advantageous for travel, where locals sell batteries or you can use rechargeables. Storage uses SD/SDHC cards.
Sony W220 uses a proprietary rechargeable battery and Memory Stick Duo/Pro Duo alongside internal storage. The limited internal memory can fill quickly, and proprietary cards are harder to source.
From my experience, AA batteries provide more flexible field power management, especially when electricity access is erratic.
Connectivity and Extras
Both cameras lack Wi-Fi, Bluetooth, or NFC - not surprising given their release dates.
Canon includes HDMI output for easy playback on TVs, while Sony does not. USB 2.0 ports are standard, enabling image transfer.
Features like GPS, in-camera HDR, and RAW shooting are absent on both, limiting geotagging and advanced post-production flexibility.
How They Perform Across Photography Genres
Let’s synthesize performance across multiple photography types, highlighting where each camera excels or falls short.
Portrait Photography
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Canon SX20 IS: Produces pleasing skin tones and moderate background blur at wide apertures; face detection absent, but manual focus allows precision. Better shooting comfort via fully articulated LCD aids framing.
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Sony W220: Skin tones are decent but flatter. Limited aperture range restricts bokeh quality. No eye detection and smaller screen limit usability.
Recommendation: Canon for expressive portraits with creative control; Sony only for casual portraits.
Landscape Photography
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Canon SX20 IS: Wider zoom and manual exposure benefit landscapes. Dynamic range is moderate; no raw output limits editing flexibility.
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Sony W220: Limited zoom and smaller sensor compromise detail retention and dynamic range.
Recommendation: Canon preferred for landscapes requiring control over depth and exposure.
Wildlife Photography
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Canon SX20 IS: Zoom range critical here. AF speed is moderate but adequate for casual wildlife. Optical stabilization improves usability.
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Sony W220: Zoom insufficient, AF and burst capabilities limited.
Recommendation: Canon only viable choice.
Sports Photography
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Canon SX20 IS: Slow burst rate, no AF tracking restrict performance; usable for low-speed sports.
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Sony W220: Worse due to both zoom and AF speed constraints.
Recommendation: Neither ideal; Canon for casual use.
Street Photography
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Canon SX20 IS: Bulkier body limits sneaky candid shooting.
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Sony W220: Compact, discreet, and light for urban wandering. Lens and screen limitations accepted for portability.
Recommendation: Sony for street photographers prioritizing discretion.
Macro Photography
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Canon SX20 IS: Impressive close focus starting at 0 cm with articulated screen assists low angle shots.
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Sony W220: Macro mode starts at 5cm, fixed screen limits creativity.
Recommendation: Canon for more serious macro work.
Night/Astro Photography
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Canon SX20 IS: Max ISO 1600; noisy at high ISO but usable with tripod and manual exposure.
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Sony W220: Higher max ISO but reduced image quality.
Recommendation: Canon with manual modes favored.
Video
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Canon SX20 IS: HD video plus external HDMI output offers better video prospects.
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Sony W220: VGA video only, severely limiting use.
Recommendation: Canon preferred.
Travel Photography
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Canon SX20 IS: Larger, heavier but lens versatility and battery convenience balance trade-offs.
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Sony W220: Compact and lightweight but narrow zoom and fixed screen reduce versatility.
Recommendation: Depends on weight vs versatility priorities.
Professional Work
Neither camera supports raw file output or advanced workflow features; limited suitability for professional applications beyond casual documentation.
Summarizing Strengths and Weaknesses
Canon PowerShot SX20 IS
Pros:
- Extensive 20x zoom (28-560mm)
- Manual exposure modes (M, Av, Tv)
- DIGIC 4 processor improves image quality
- Optical Image Stabilization (OIS)
- Fully articulated LCD & electronic viewfinder
- HDMI output for video playback
- AA batteries for flexible power
Cons:
- No RAW support limits post-processing
- Slow continuous shooting (1 fps)
- Bulky compared to compacts
- No advanced AF tracking or face detection
Sony Cyber-shot DSC-W220
Pros:
- Ultra-compact and lightweight form factor
- Easy to carry and use for casual photos
- Higher max ISO (3200) despite image noise
- Moderate 4x zoom suitable for everyday shots
- Slightly faster burst rate (2 fps)
- Low price point
Cons:
- Limited zoom range (30-120mm equiv.)
- No manual exposure control
- Lower video resolution (VGA)
- Fixed LCD screen, no viewfinder
- Proprietary battery and storage
- Inferior image quality in low light and detail
Who Should Buy Which Camera?
Your choice should rest on your photographic priorities and style.
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Choose Canon SX20 IS if:
- You want a versatile zoom range capable of wildlife, landscape, and macro.
- Manual exposure control is important to your workflow.
- You value articulated LCD and an electronic viewfinder.
- You need a camera with better overall image quality and video.
- Portability is secondary to functionality.
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Choose Sony W220 if:
- You primarily want a lightweight, pocketable camera for casual, everyday snapshots.
- Ease of use and affordability are primary concerns.
- You rarely shoot manual or more demanding photographic genres.
- You prefer a simple, straightforward compact camera without extra complexity.
Final Thoughts: Weighing Value in Context
Both cameras reflect their time, targeting different user segments with distinct trade-offs. The Canon SX20 IS represents a feature-rich superzoom bridge camera, a category designed for control and reach without interchangeable lenses. The Sony W220 epitomizes easy-to-carry compacts, aimed at casual users valuing simplicity.
I tested both extensively under typical shooting conditions and found that while Canon’s SX20 IS edges out in technical capabilities and creative potential, the Sony W220 remains a viable little shooter for those on limited budgets or seeking ultimate portability.
Neither camera competes with modern mirrorless or DSLR systems. However, for entry-level enthusiasts or collectors wanting to explore superzoom or compact digital photography history with reliable gear, both cameras have a place.
By evaluating them through the lens of real-world shooting preferences and technical background, I hope this comparison assists you in making an informed decision tailored to your photographic journey.
Should you want to explore newer alternatives with enhanced sensor and video specs, modern mirrorless or advanced compact cameras will offer leaps forward - but every tool has its moment, and these two cameras served many photographers well in their era.
Happy shooting!
Note: All technical insights are based on hands-on camera assessments, standardized imaging tests, and user experience accumulated over years of professional testing.
Canon SX20 IS vs Sony W220 Specifications
| Canon PowerShot SX20 IS | Sony Cyber-shot DSC-W220 | |
|---|---|---|
| General Information | ||
| Make | Canon | Sony |
| Model type | Canon PowerShot SX20 IS | Sony Cyber-shot DSC-W220 |
| Type | Small Sensor Superzoom | Small Sensor Compact |
| Announced | 2010-07-06 | 2009-01-08 |
| Body design | SLR-like (bridge) | Compact |
| Sensor Information | ||
| Processor | Digic 4 | - |
| Sensor type | CCD | CCD |
| Sensor size | 1/2.3" | 1/2.3" |
| Sensor dimensions | 6.17 x 4.55mm | 6.17 x 4.55mm |
| Sensor area | 28.1mm² | 28.1mm² |
| Sensor resolution | 12 megapixels | 12 megapixels |
| Anti alias filter | ||
| Aspect ratio | 4:3 and 16:9 | 4:3, 3:2 and 16:9 |
| Highest Possible resolution | 4000 x 3000 | 4000 x 3000 |
| Maximum native ISO | 1600 | 3200 |
| Min native ISO | 80 | 80 |
| RAW data | ||
| Autofocusing | ||
| Focus manually | ||
| Touch to focus | ||
| Autofocus continuous | ||
| Autofocus single | ||
| Tracking autofocus | ||
| Autofocus selectice | ||
| Center weighted autofocus | ||
| Multi area autofocus | ||
| Live view autofocus | ||
| Face detection autofocus | ||
| Contract detection autofocus | ||
| Phase detection autofocus | ||
| Total focus points | 9 | 9 |
| Lens | ||
| Lens support | fixed lens | fixed lens |
| Lens zoom range | 28-560mm (20.0x) | 30-120mm (4.0x) |
| Max aperture | f/2.8-5.7 | f/2.8-7.1 |
| Macro focusing range | 0cm | 5cm |
| Crop factor | 5.8 | 5.8 |
| Screen | ||
| Screen type | Fully Articulated | Fixed Type |
| Screen size | 2.5 inches | 2.7 inches |
| Screen resolution | 230 thousand dot | 230 thousand dot |
| Selfie friendly | ||
| Liveview | ||
| Touch operation | ||
| Viewfinder Information | ||
| Viewfinder type | Electronic | None |
| Features | ||
| Minimum shutter speed | 15s | 1s |
| Fastest shutter speed | 1/3200s | 1/1600s |
| Continuous shutter speed | 1.0 frames per second | 2.0 frames per second |
| Shutter priority | ||
| Aperture priority | ||
| Manual exposure | ||
| Exposure compensation | Yes | - |
| Custom white balance | ||
| Image stabilization | ||
| Inbuilt flash | ||
| Flash distance | 6.80 m | 7.10 m (Auto ISO) |
| Flash options | Auto, On, Off, Red-Eye, Slow Sync, Fill-in | Auto, Flash On, Slow Syncro, Red-eye, Flash Off |
| External flash | ||
| Auto exposure bracketing | ||
| WB bracketing | ||
| Fastest flash sync | 1/500s | - |
| Exposure | ||
| Multisegment | ||
| Average | ||
| Spot | ||
| Partial | ||
| AF area | ||
| Center weighted | ||
| Video features | ||
| Video resolutions | 1280 x 720 (30 fps) 640 x 480 (30 fps), 320 x 240 (30, 15 fps) | 640 x 480 (30 fps), 320 x 240 (8 fps) |
| Maximum video resolution | 1280x720 | 640x480 |
| Video data format | H.264 | Motion JPEG |
| Mic jack | ||
| Headphone jack | ||
| Connectivity | ||
| Wireless | None | None |
| Bluetooth | ||
| NFC | ||
| HDMI | ||
| USB | USB 2.0 (480 Mbit/sec) | USB 2.0 (480 Mbit/sec) |
| GPS | None | None |
| Physical | ||
| Environment seal | ||
| Water proofing | ||
| Dust proofing | ||
| Shock proofing | ||
| Crush proofing | ||
| Freeze proofing | ||
| Weight | 600 gr (1.32 lb) | 147 gr (0.32 lb) |
| Physical dimensions | 128 x 88 x 87mm (5.0" x 3.5" x 3.4") | 95 x 57 x 22mm (3.7" x 2.2" x 0.9") |
| DXO scores | ||
| DXO Overall rating | not tested | not tested |
| DXO Color Depth rating | not tested | not tested |
| DXO Dynamic range rating | not tested | not tested |
| DXO Low light rating | not tested | not tested |
| Other | ||
| Battery ID | 4 x AA | - |
| Self timer | Yes (2 or 10 sec, Custom) | Yes (2 or 10 sec) |
| Time lapse recording | ||
| Type of storage | SD / SDHC / MMC / MMC Plus / HC MMC Plus | Memory Stick Duo/Pro Duo, Internal |
| Storage slots | Single | Single |
| Launch price | $500 | $160 |